Bibliography - Periodicals


Heinz-Norbert Jocks, "Jeff Koons: Der Mythos Des Apollon," Kunstforum, January-February 2023

Daniel Riley, "Jeff Koons Goes to the Moon," GQ, February 23, 2023

"30 Years After Jeff Koons Was Skewered on ’60 Minutes’, He Returned to the Show for a Far More Flattering Interview With Anderson Cooper," Artnet News, May 26, 2023

Kate Connolly, "Beyond Munch: Norwegian art shares spotlight with Bubbles the chimp in Oslo," The Guardian, June 24, 2023

Steph Eckardt, "On View Now: Marcel Duchamp, Jeff Koons, Wynnie Mynerva, Leonardo da Vinci and More," Observer, July 6 2023

Max Lakin, "When Spider-Man Met Jeff Koons," The New York Times, July 14, 2013



Paul Laster, "Jeff Koons in His Own Words," Ocula (London, UK), January 5, 2022

"Pace Presents Famed Jeff Koons Sculpture," Palm Beach Illustrated, January 6, 2022

"Jeff Koons turns archaeological find into space sculpture," Monopol Magazin (Germany), January 20, 2022

Ashleigh Kane, "Debunking the biggest myths around Jeff Koons," Dazed, January 21, 2022

Francesca Perrone, "Jeff Koons, le opere del creatore di ‘Rabbit’ il celebre Coniglio d’acciaio," Velvet Mag (Italy), January 21, 2022

Lane Florsheim, "My Monday Morning, Jeff Koons is Thinking About NFTs and Reading the Greeks," WSJ Magazine, January 24, 2022

Panagiotis Koustas, "Jeff Koons, the pioneer provocateur of contemporary art," Esquire (Greece), February 13, 2022

Zsófi Tillinger, " The Man Who Took Kitsch to Heaven - Interview with Jeff Koons," Roadster (Hungary), March 6, 2022

Kelly Crow, "Jeff Koons Wants to Land a Sculpture on the Moon," The Wall Street Journal, April 8, 2022

Naoko Aono, "Jeff Koons produces the latest BMW Art Car. In Japan, in addition to auctions, special events are also held," Forbes Japan, April 28, 2022

Alberto Gerosa, "Arte in Itinere," Arbiter (Italy), no. 229, May 2022

"The Municipality of Hydra awarded the world-famous pop art artist Jeff Koons," ProtoThema (Greece), June 21, 2022

Ted Loos, "Loving Art to the Moon and Back," The New York Times, June 23, 2022

Linda Yablonsky, "Sun Worshippers," Artforum, July 3, 2022

Silke Hohmann, "The sun was witness," Frankfurter Allgemeine Zeitung (Germany), July 28, 2022

Helena Smith, "‘There’s a raw energy’: Hydra, artists’ haven, still casts its spell," The Guardian, August 7, 2022

Tatjana Seel, "King of Kitsch," Monsieur, Summer 2022

Bill Powers, "From Hydra to the Moon," MUSE Magazine, September 16, 2022

Laura Schreffler, "Jeff Koons’ New Project Is Totally Out Of This World: He’s Launching A Permanent Exhibition On The Moon," Haute Living, November 28, 2022



Anaztasia Hamamtzoglou, "10 πράγματα που δεν γνωρίζαμε για τον Jeff Koons," Monopoli (Greece), January 9, 2021

Nelson Galvis, "De los recuerdos," Correo del Caroni (Venezuela), January 16, 2021

Chisato Yamashita, "Jeff Koons and Bernardaud, a long-established French porcelain maison, collaborate on a new work!" Elle Decor (Japan), January 17, 2021

Ou Zhanrong, "Impression Gallery: "The Eternal Gift of Jeff Koons," Art Emperor (Taiwan), January 27, 2021

Dianne Apen-Sadler, "Jeff Koons' largest solo survey to kick off in Qatar in March," Time Out Doha, January 29, 2021

Maroine Jit, "L’exposition de Jeff Koons au Mucem se tiendra à partir du 5 mai," Made in Marseille (France), March 4, 2021

"‘Jubilant’ Sculpture by Jeff Koons Joins Healing Arts Collection at Jacobs Medical Center," Times of San Diego, March 29, 2021

Davide Landoni, "Jeff Koons cambia tutto: ora a rappresentarlo è la Pace Gallery," Arts Life (Italy), April 27, 2021

Helen Holmes, "Megastar Jeff Koons Will Now Be Represented by Pace Gallery," Observer, April 27, 2021

Rose Maria Gropp, "Jeff Koons hat eine neue Galerie," Frankfurter Allgemeine Zeitung (Germany), April 30, 2021

Andrian Kreye, ""Das Objekt selbst ist auf lange Sicht nicht wichtig"," Sueddeutsche Zeitung (Germany), May 21, 2021

Beaux Arts - Jeff Koons Mucem, Oeuvres de la Collection Pinault, Beaux Arts editions, May 2021

Elda Sasun, "Jeff Koons ve ´Mutlak Değer´ sergisi, Tel Avivli sanatseverleri büyüledi," Salom (Turkey), April 28, 2021

"Jeff Koons, el artista más caro del mundo, cuenta el secreto de su arte," Clarín (Argentina), June 11, 2021

"Qatar Museums to present first exhibition by Jeff Koons in Gulf Region," Gulf Times (Qatar), September 13, 2021

Mark Westall, "Jeff Koons: Lost in America, his first exhibition in the Gulf region," FAD Magazine (London, UK), September 14, 2021

Millie Walton, "Mirror Man," Lux, Autumn Winter 2021/22, cover, pp. 28-33

Mark Westall, "The only authentic limited edition depicting Jeff Koons's freestanding Balloon Dog is finally here," FAD Magazine (London, UK), November 8, 2021

Shanti Escalante-De Mattei, "Jeff Koons on Reimagining His Famed ‘Balloon Dog’ in Porcelain: ‘We Are Balloons Ourselves’," Artnews, November 15, 2021

Kirsty Lang, "How Jeff Koons Built the Art World’s Most Expensive Shrine to Middle-Class Taste," The Sunday Times (UK), November 21, 2021



Anastasia Fontanesi, "Who is Jeff Koons and What are his most famous works?," Travel on Art (Italy), January 19, 2020

"Jeff Koons dazzles and provokes his art. His work breaks auction records," Tyden (Czech Republic), January 21, 2020

Anette Schneider, "Jeff Koons: Artist of the Balloon Dogs is 65," NDR Kultur (Germany), January 21, 2020

Claudia Sarre, "Jeff Koons wird 65 Der König der irrationalen Preise für Kunst," Deutschlandfunk Kultur (Germany), January 21, 2020

Manon Garrigues, "Jeff Koons : où admirer ses œuvres les plus folles?" Vogue France, January 21, 2020

"Dear Living Artist in History: Jeff Koons opens an exhibition in Israel," Maariv (Israel), February 4, 2020

Jessica Steinberg, "Pop artist Jeff Koons and sculptures coming to Tel Aviv," The Times Israel (Israel), February 5, 2020

"The most objective statement: the art of Jeff Koons and the readymade," Mas de Arte, February 10, 2020

Lorenzo Davalos, "Jeff Koons at the Tel Aviv Museum of Art," Complot Magazine, March 7, 2020

Jessica Steinberg, "Jeff Koons’s sculptures arrive at Tel Aviv museum, sans artist," The Times Israel (Israel), March 9, 2020

Chandra Noyes, "Jeff Koons Reveals How Duchamp Influenced His Art," Art & Object, March 10, 2020

Sarah Cascone, "Charlize Theron Convinced Sean Penn to Get Rid of His Gun Collection—So He Asked Jeff Koons to Turn Them All Into a Sculpture," Artnet News, March 11, 2020

"“Valor Absoluto” en el Museo de Arte de Tel Aviv," Aurora (Israel), March 20, 2020

"Jeff Koons on Desire, Beauty, the Vastness of the Universe, and the Intimacy of Right Here, Right Now," Artspace, May 21, 2020

Aimee Dawson, " 'You will defeat the virus!': Jeff Koons sends video message to Italy," The Art Newspaper, March 27, 2020

"Cuarentena por coronavirus: conocé a Jeff Koons, el artista, vivo más caro del mundo-Argentina Noticias Ultima Hora," Noticias por el Mundo (Argentina), March 29, 2020

Jonathan Sawyer, "Jeff Koons Explains His Iconic 'Play-Doh' Sculpture: "It's Not for Perfectionism"," Highsnobiety, April 7, 2020

"Art designer and balloon model creativity, Wen Photography: Xiaomei," KS News (Taiwan), April 14, 2020

Claire Selvin, "How Jeff Koons Became One of the Most Famous Artists of Our Time," Artnews, April 15, 2020

Keith Estiler, "Jeff Koons Spotlight David Zwirner Online Studio," Hypebeast, June 16, 2020

Mark Westall, "Now Open—Studio: Jeff Koons," FAD Magazine, June 16, 20200

Chiara Mastroianni, "David Zwirner presenta la nuova Venus rossa di Jeff Koons," Exibart (Italy), June 25, 2020

Dalmazia Frau, "La Venere Di Jeff Koons e L’Eros Di Vitaldo Conte," L'Opinione delle Libertà (Italy), July 3, 2020

"Jeff Koons: "The purpose of art is to eliminate anxiety”," Investory News (Ukraine), July 28, 2020

Keko Consiglio, "Como Jeff Koons se tornou o artista queridinho das celebridades de Hollywood," Istoé Independente (Brazil), August 20, 2020

Emma Taggart, "Here are six Jeff Koons artworks that showcase how his artistic practice evolved over the years," My Modern Met, September 13, 2020

Gwenola Gabellec, "Jeff Koons superstar au Mucem de Marseille," La Provence (France), September 21, 2020

Giulia Ronchi, "Guggenheim di Bilbao: Puppy di Jeff Koons indossa la mascherina. Un messaggio per la collettività," Artribune (Italy), October 30, 2020

Chiara Cola, "Jeff Koons mette la mascherina a Puppy, la scultura floreale del Guggenheim di Bilbao," Arts Life (Italy), November 3, 2020

Justin Kamp, "Jeff Koons’s Puppy sculpture dons a floral face-mask," Artsy, October, 30, 2020

"Bilbao, mascherina anche per il Puppy di Jeff Koons al Guggenheim," Aska News (Italy), October 28, 2020

Idoia Rivas, "Puppy se pone la mascarilla para dar la bienvenida en el Museo Guggenheim Bilbao," NIUS Diario (Spain), October 28, 2020

"Il Puppy di Jeff Koons indossa la mascherina per sensibilizzare tutti," Libreri Amo (Italy), October 28, 2020

Jake Rossen, "Jeff Koons's  Puppy  Sculpture, at the Guggenheim Museum Bilbao, Is Donning a Face Mask," Mental Floss, October 29, 2020

"Puppy se pone mascarilla," Naiz (Spain), October 28, 2020

"Woof! Jeff Koons’s Puppy at the Guggenheim Museum Bilbao gets its own flowery face mask," The Art Newspaper, October 30, 2020

Federica Maccotta, "Al Guggenheim di Bilbao la scultura Puppy di Jeff Koons ora indossa la mascherina," Wired (Italy), November 2, 2020

Pantxika Delobel, "Musée Guggenheim : Puppy porte un masque par solidarité, Jeff Koons applaudit," Sud Ouest (France), November 12, 2020

"Jeff Koons brilla a Palazzo Strozzi: l’artista superstar arriva a Firenze," Arts Life (Italy), November 14, 2020

Giulia Ronchi, "Jeff Koons farà ritorno a Firenze nel 2021: annunciata la grande mostra di Palazzo Strozzi," Artribune (Italy), November 18, 2020

Ursula Scheer, "Warnung vor dem Hund," Frankfurter Allgemeine (Germany), November 30, 2020

Nick Bryant, "Move over, Blue Poles: Jeff Koons is about to deliver us his startling new artwork," The Sydney Morning Herald (Australia), December 5, 2020

Pedro Gorospe, "Jeff Koons le pone mascarilla a la mascota de Bilbao," El País (Spain), December 10, 2020

Tanya Klich, "Jeff Koons On Collaborating with Bernardaud To Produce $21,000 Limited-Edition Porcelain Versions of His Iconic ‘Diamond’ Sculpture," Forbes, December 11, 2020

"Colocan mascarilla elaborada con flores a obra de Koons en España," Metro Libre (Panama), December 27, 2020



Rowan Pelling, “Jeff Koons interview: in the studio with art's greatest showman,” Telegraph, January 12, 2019

“Glenstone, a Maryland museum that blends modern art, nature and contemplation,” CBS News, January 20, 2019

Andrew French, “Artist Jeff Koons is to Visit Ashmolean Museum for Exhibition,” Oxford Mail, January 25, 2019

Robert Frank, “Skateboard deck collection sells for a record $800,000,” CNBC, January 30, 2019

Jonathan Jones, “Koons apes the old masters and robots invade Edinburgh – the week in art,” Guardian (London), February 1, 2019

“Jeff Koons interview,” Time Magazine (London), February 2, 2019

Will Pavia, “How to Turn a Balloon into $58 Million,” Times Magazine, February 2, 2019

Alistair Sooke, “Jeff Koons, Ashmolean, review: gauche, unfashionable, and impossible to take your eyes off,” Telegraph, February 2, 2019

Hadley Freeman, “'Wow, $91m!' Jeff Koons on blow-up dogs, record prices and his row with Paris,” Guardian, February 4, 2019

Catherine de Guise, “Review: Jeff Koons at the Ashmolean: Sentiment and sexy stainless steel,” The Times, February 6, 2019

Adrian Searle, “Jeff Koons review –haemorrhoid horrors from the artist who's too expensive to fail,” Guardian, February 6, 2019

Anny Shaw, “Jeff Koons says computer technology allowed him to downsize his New York studio,” Art Newspaper, February 6, 2019

Naomi Rea, “ Jeff Koons Wants to Teach Brits About Transcendence With His New Show at Oxford—and Tickets Are Selling Out Fast,” Artnet News, February 6, 2019

“Jeff Koons art on display at Ashmolean Oxford,” BBC News, February 7, 2019

Philip Hensher, “'It is blazingly hideous. I rather recommend it.' The Ashmolean Museum in Oxford's new Jeff Koons exhibition is well worth a visit,” Daily Mail, February 9, 2019

Will Gompertz, “The Gompertz guide to... Jeff Koons,” BBC News, February 9, 2019

Laura Cumming, “Jeff Koons at the Ashmolean review – a master of deflection,” Guardian, February 10, 2019

Waldemar Januszczak, “Art review: Jeff Koons, Ashmolean Museum, Oxford,” Sunday Times, February 10, 2019

Roisin McVeigh, “Reflecting on why the art world loves to hate Jeff Koons,” Dazed, February 12, 2019

Emma Park, “In his shiny surfaces, Jeff Koons reflects the vanity of our age,” Apollo, February 12, 2019

“Koons exhibit at Ashmolean features contentious pieces,” The Miscellany News, February 13, 2019

Tim Hughes, “Jeff Koons Shines at Ashmolean Museum Oxford,” Oxford Times, February 14, 2019

Mark Westall, “Jeff Koons heads to university,” FAD Magazine, February 15, 2019

Kate Douglas, “Jeff Koons’s art is glitzy, but does it still have power to shock?” Socialist Worker, February 19, 2019

Tiffany Hsu, “The Champs-Elysées: Its a Real Fixer-Uppe,” The New York Times, February 27, 2019

Ted Loos, "S.I. Newhouse Jr.'s Collection of Modern Masters Comes to Christie's," The New York Times, March 26, 2019

"Masterpieces from the Collection of S.I. Newhouse," Christie's, March 27, 2019

Nate Freeman, "Christie's Will Sell 11 Works up to $130 Million from S.I. Newhouse's Collection," Artsy, March 28, 2019

Layla Ilchi, "Christie's Auction of S.I. Newhouse Art Expected to Fetch $130 Million," Women's Wear Daily, March 29, 2019

"Rabbit by Jeff Koons -- a Chance to Own the Controversy," Christie's, April 17, 2019

Catherine D Anspon, "$70 Million Rabbit Captivates the Art World -- and This Bunny Fever is Spreading," Paper City Magazine, April 19, 2019

Keith Estiler, "Jeff Koons' Iconic 'Rabbit' Sculpture to Go on Sale This May," Hypebeast, April 19, 2019

Nate Freeman, "Why Jeff Koons's 'Rabbit' Could Sell for up to $70 Million," Artsy, April 19, 2019

Natasha Gural, "Jeff Koons' 'Anti-David' Epitomizing 1980s Excess is Climax of Media Mogul's $130 Million Collection," Forbes, April 21, 2019

Max Berlinger, "Jeff Koons's Iconic 'Rabbit' Sculpture is Expected to Fetch up to $70 Million at Auction," Robb Report, April 23, 2019

Roberta Smith, "Stop Hating Jeff Koons," The New York Times, May 15, 2019

Scott Reyburn, "Jeff Koons 'Rabbit' Sets Auction Record for Most Expensive Work by Living Artist," The New York Times, May 15, 2019

Laurel Wamsley, "Jeff Koons' 'Rabbit' Fetches $91 Million, Auction Record for Work by a Living Artisy," NPR, May 16, 2019

Nate Freeman, "Jeff Koons Reclaims the Thrones as World's Most Expensive Living Artist," Artsy, May 16, 2019

Oscar Holland, "Jeff Koons' $91M 'Rabbit' sculpture sets new auction record," CNN, May 16, 2019

"Jeff Koons Sculpture Smashes Record at Auction for Work by a Living Artist," The Business Times, May 17, 2019

Meilan Solly, "Jeff Koons' 'Rabbit' Breaks the Auction Record for Most Expensive Work by Living Artist," Smithsonian Magazine, May 17, 2019

Andrea K Scott, "How Jeff Koons's 'Rabbit' Became Big Game," The New Yorker, May 21, 2019

Clayton Press, "Marcel Duchamp + Jeff Koons, Appearance Stripped Bare (Aparencia Desnuda), Museo Jumex, Mexico City," Forbes, May 24, 2019

Stephanie Eckardt, "Is Jeff Koons Our Marcel Duchamp?" W Magazine, May 27, 2019

Anette Lin, "Why Jeff Koons is a Natural Successor to Marcel Ducham," Artsy, May 2019, 2019

Alex Greenberg, "'Their Work Cannot be Taken at Face Value': Massimiliano Gioni on Curating a Duchamp/Koons Blockbuster for Museo Jumex," Artnews, June 4, 2019

Barbara Tannenbaum, "A jornada da fotografia: de enteada a coadjuvante," (Portuguese) Traco 2 (Brazil), 2019, pp. 66-77



H. W. Vail, "Jeff Koons, Lourdes Leon, and More Toast David Zwirner’s 25th Anniversary," Vanity Fair, January 16, 2018

Anna Codrea-Rado, "Jeff Koons Sculpture in Honor of Paris Terror Victims Draws Outrage," The New York Times, January 22, 2018

Claire Bommelaer, “En pleine polémique sur le Bouquet of Tulips, Françoise Nyssen va recevoir Jeff Koons,” Le Figaro, January 25, 2018

Harry Bellet, “Jeff Koons, c’est le bouquet!” Le Monde, January 25, 2018

Taylor Dafoe, “Jeff Koons’s Production Company Defends His Controversial Paris Memorial Against Fierce Backlash,” Artnet News, January 29, 2018

"Artist Koons meets French Minister Over Sculpture Dispute," Seattle Times via the Associated Press, January 30, 2018

“Tulipes de Jeff Koons: l'art de faire polémique,” Les Echos, February 2, 2018, p. 21

Mary Dellas, "A Closer Look at the World of Modern Art in the '80s," The Cut, February 13, 2018

Phillip Valys, "Art Wynwood returns with Dali, Duchamp and Koons,", February 13, 2018

Jan Sjostrom, "Palm Beach Jewelry, Art & Antique Show opens today with 150 dealers," Palm Beach Daily News, February 14, 2018

Mark Westall, "New Jeff Koons 'Easyfun-Ethereal' Exhibition to Open," FAD Magazine, February 14, 2018

Taylor Dafoe, "From Salvador Dali to Jeff Koons, a New Show Reveals the Artists Behind History's Great Album Covers," Artnet News, February 14, 2018

Maarten v "Everyone is a Part of the Jeff Koons Stareball," Het Parool, February 15, 2018

Sadie Dingfelder, "'Brand New' at the Hirshhorn Celebrates and Skewers the '80s," The Washington Post, February 15, 2018

“Paris doit accepter le cadeau de Jeff Koons,” Le Monde, February 23, 2018

Roger Catlin, "Are You Buying What These Artists Are Selling?", February 26, 2018

Ciara McCarthy, "Jeff Koons Exhibit to Open In Chelsea," Chelsea Patch, March 6, 2018

"Logic Reversal: Jeff Koons at Galerie de Bellefeuille, Montreal," Blouin Artinfo, March 6, 2018

Stephanie Rudig, "At the Hirshhorn, a Survey of Art as Commodity In 'Brand New,'" Washington City Paper, March 7, 2018

Jake Nevins, "Jeff Koons: 'I think I'll always keep feeling somewhat like an outsider,'" Guardian, March 9, 2018

Keith Estiler, "Jeff Koons to Display Monumental Artworks at Art Basel Hong Kong 2018," Hypebeast, March 9, 2018

Lia McGarrigle, "Jeff Koons Says He Lifts Weights While Listening to Lil Uzi Vert," Highsnobiety, March 9, 2018

Trace William Cowen, "Lil Uzi Vert Is Jeff Koons' Weighlifting Soundtrack," Complex, March 9, 2018

Michael Haffner, "True/False Film Fest 2018: The Price of Everything," We Are Movie Geeks, March 11, 2018

Mary Dellas, "Jeff Koons's 'Easyfun-Ethereal' Now on Display at the Gagosian," The Cut, March 12, 2018

"Art Basel Hong Kong Show: Zwirner Gallery will focus on exhibiting Jeff Koons's work," Tencent Guangdong Guangdong Art Channel, March 15, 2018

Amy Shaw, "Sotheby's Unveils Old Master Painting in the Middle East for the First Time: Will Jeff Koons's Handbags for Louis Vuitton Help Find a Buyer for the Rubens Portrait?" The Art Newspaper, March 16, 2018

Agence France-Presse, "Uncanny Representations of Human Body Examined in 'Like Life,'", March 18, 2018

Jamie Martinez, "Jeff Koons: Easyfun-Ethereal at Gagosian Gallery," Art Fuse, March 18, 2018

Enid Tsui, "The Best of Art Basel Hong Kong: Works and Artists to Look Out for at the Fair," Post Magazine, March 22, 2018

"Jeff Koons at David Zwirner at Art Basel Hong Kong 2018," Blouin Artinfo, March 22, 2018

Jim Dobson, "An Insider's Guide to the Best of Art Basel Hong Kong," Forbes, March 22, 2018 

Roberta Smith, "Real, or Too Real? A Dazzling Show Goes the Way of All Flesh," The New York Times, March 22, 2018

Evelyn Lok, "Art Basel Hong Kong 2018: Here are all the fair highlights you don't want to miss," Lifestyle Asia, March 23, 2018

Fionnuala McHugh, “Hong Kong-bound Jeff Koons talk ‘plastic art’, selfies and Art Basel,” Post Magazine, March 24, 2018

Jan Dalley, "The Big Guns," Financial Times, March 24, 2018

Fionnuala McHugh, "Man of Steel," Post Magazine, March 25, 2018

Eileen Kinsella, "From a Sparkly new Jeff Koons Swan to a $35 Million de Kooning, Dealers are Busting Out the Blue Chip for Art Basel Hong Kong," Artnet News, March 26, 2018

Stéphanie Stiernon, "The fair of Art Basel, an artistic giant in Hong Kong," Le Petit Journal, March 27, 2018

Abid Rahman, "Art Basel Hong Kong Opens to Record Sale, Jeff Koons," Hollywood Reporter, March 29, 2018

Agence France-Presse, "Money, Risk, and Acceptance, seen by the Artist Jeff Koons," Daily Mail, March 29, 2018

Gayatri Rangachari Shah, "Koons for Star Power," The Hindu, March 30, 2018

Agence France-Presse, "The American Pioneer: Artist Jeff Koons on Money, Risk and Acceptance," Hindustan Times, March 31, 2018

Owen Gleiberman, "Film Review: 'The Price of Everything,'" Variety, April 1, 2018

“Diversive artist Jeff Koons says he is a risk-taker,” Straits Times, April 2, 2018

Hans Ulrich Obrist, "Jeff Koons on His Five Most Ambitious Unrealized Projects," Artsy, April 2, 2018

Jospeh R. Wolin, "Review: 'Like Life: Sculpture, Color, and the Body (1300-Now),'" Time Out New York, April 2, 2018

Peter Schjeldahl, "'Like Life' Shows Seven Hundred Years of the Body," New Yorker, April 2, 2018

Eileen Kinsella, "Jeff Koons's Ginat Play-Doh Sculpture Could Fetch $20 Million at Christie's This Spring," Artnet News, April 3, 2018

"20 Million for the Pitch,", April 4, 2018

Jake Rossen, "This Giant Jeff Koons Play-Doh Sculpture Could Be Yours for $20 Million," Mental Floss, April 4, 2018

"Play-Doh: $20 Million Jeff Koons from Christie's New York," ArtsLife, April 4, 2018

Diana d'Arenberg, "Art Basel in Hong Kong 2018: A Post-mortem," Ocula, April 6, 2018

“Besucher Beschadigt Werk von Jeff Koons,” Franffuter Allgemeine, April 8, 2018

Lisa Guerrero Nakpil, "Jeff Koons and the Year of the Dog," Philippine Star, April 9, 2018

"Disasters at the Museum: From the Shattered Work of Koons to the Theft of the Stone of Yoko Ono," ArtsLife, April 10, 2018

Pierre Lemarquis, "Does Loving Jeff Koons Protect Against Alzheimer's Disease?" AgeVillage, April 10, 2018

Ashley Kwon, "Full Frame 2018: 'The Price of Everything' Questions the Accessibility of Fine Art," The Chronicle, April 11, 2018

Julie M. Hamilton, "Full Frame: The Price of Everything Is a Nuanced Indictment of Art's Relationship to Money," Indy Week, April 12, 2018

Erin Podolsky, "When Big Money and the Arts Collide: Documentaries Explore Beauty and Bucks," Detroit Free Press, April 12, 2018

Taylor Dafoe, "After Three Years of Work, the Getty Villa Prepares to Reopen with a New Look - and Koons's Play-Doh," Artnet News, April 13, 2018

Jasmine Grant, "Virgil Abloh Unveils Beyoncé's Customized Louis Vuitton x Jeff Koons Bag," Complex, April 15, 2018

M. H. Miller, "The Artists Who Defined the East Village's Avant-Garde Scene," The New York Times Style Magazine, April 17, 2018

Mark Westall, "Plato in L.A.," FAD Magazine, April 17, 2018

Adrian Higgins, "At 37 Feet Tall, Jeff Koons’s Flower-Draped ‘Split-Rocker’ Demands a Whole Lotta Love," Washington Post, April 18, 2018

"When Jeff Koons Met Michelangelo," The Economist, April 19, 2018

Michael Loria, "Brand New at the Hirshhorn," On Tap Magazine, April 22, 2018

Linda Yablonsky, "Artists Bring a Breath of the Contemporary to the Getty Villa," The Art Newspaper, April 22, 2018

Hypebeast, "Jeff Koons Talks Art, Porn and Philosophy," South China Morning Post Style Magazine, April 25, 2018

"A Closer Look: Piecing Together Play-Doh," Christie's, May 9, 2018

Tiernan Morgan, "The Decade that Changed the Art World: Money, Media, and Brands in the 1980s," Hyperallergic, May 10, 2018

“‘Hulk’ de Jeff Koons em destaque em Serralves na segunda parte de Colecao Sonnabend,” Nacional, May 10, 2018

"Jeff Koons' 'Hulk' featured in Serralves in the second part of the Sonnabend Collection," DN, May 10, 2018

Valdemar Cruz, "From the excesses of Jeff Koons to the photograph of Gilbert & George - Serralves returns to the Sonnabend collection," Expresso, May 10, 2018

Eric Troncy, "The day Claude Monet was as scandalous as Jeff Koons," Numeró, May 11, 2018

Samuel Hine, "The Elusive Lil Uzi Vert Talks Jeff Koons and How He Found His Voice in Fashion," GQ, May 14, 2018

"'Capturing a Feeling of Creation': Jeff Koons on Play-Doh," Christie's, May 16, 2018

“Les tulipes de Jeff Koons: Anne Hidalgo souhaite l'aboutissement du projet,” Liberation, June 2, 2018

Gabriella Angeleti, "Jeff Koons on Transcendence," Art Newspaper, June 6, 2018

Anna Louie Sussman, "Jeff Koons on What Artists and Corporations Can Do for One Another," Artsy, June 19, 2018

Abbey Zelko, “The votes are in. York County's most famous living celebrity is...” York Daily, June 20, 2018

Rachel Corbett, "See Jeff Koons's Hair-Raising Student Art From the 1970s," Artnet News, June 25, 2018

Tim Schneider, "And Now, a Message From Jeff Koons: David Zwirner Launches a Podcast Focused on the Gallery's Superstar Artists," Artnet News, June 28, 2018

Ashleigh Kane, “A major Jeff Koons exhibition is coming to the UK,” Dazed, October 26, 2018

Mark Brown, “Oxford students persuade Jeff Koons to stage rare UK art show,” Guardian (London), October 26, 2018

“Jeff Koons to display artworks at Oxford exhibition,” BBC, October 26, 2018

Jose Da Silva, “Jeff Koons's balloons, basketballs and ballerinas to head to historic Oxford museum for solo show,” Art Newspaper, October 26, 2018

Jessica Meiselman, "How Jeff Koons, 8 Puppies, and a Lawsuit Changed Artists' Right to Copy," Artsy, August 14, 2018

“Jeff Koons’s message on a bottle,” Art Newspaper, December 24, 2018



Nicholas Forrest, “Jeff Koons Plays with the Gaze at Almine Rech Gallery London,” Blouin Artinfo, January 2, 2017

Abbey Zelko, “World-Renowned Artist Koons Inspired by York Upbringing,” York Daily Record, January 18, 2017

Mike Argento, “For Koons, art is everywhere & everything is art,” York Daily Record, January 18, 2017

Robert Eustace, "Sold: 'The Platonic Ideal of a Balloon Dog' - The Wild World of Art Dealing," The Telegraph, February 5, 2017

Christina Pazzanese, “Jeff Koons: High king of middlebrow,” Harvard Gazette, February 10, 2017

Alyssa Pressler, "Artist Jeff Koons to Speak at York College Graduation," York Dispatch, March 3, 2017

Deborah Vankin, “MOCA names its spring gala honoree: Jeff Koons,” Los Angeles Times, March 7, 2017

Dwayne Butcher, "Jeff Koons Piece on View at the Dixon," Memphis Flyer, March 10, 2017

Amy de Kierk, "Louis Vuitton Collaborates with Jeff Koons," Harper's Bazaar, April 11, 2017

Dan Ahwa, “Louis Vuitton Unveils New Collaboration with Jeff Koons,” Viva, April 11, 2017 

Jo Ellison, “Master pieces? Jeff Koons on his first collaboration with Louis Vuitton,” Financial Times, April 11, 2017

Laura Hawkins, “Different strokes: Louis Vuitton and Jeff Koons put a new frame on Old Masters,” Wallpaper*, April 11, 2017

Maciek Kobielski, "Jeff Koons, the Man Who Invites Art at Louis Vuttion," Vanity Fair France, April 11, 2017

Sidonie Sawyer, “Let’s Bag a Jeff Koons!” The Huffington Post, April 11, 2017

Stephanie Eckardt, "Jeff Koons Will Collaborate with Anyone, From Louis Vuitton to Phone Cases and Lady Gaga," W Magazine, April 11, 2017

Vanessa Friedman, “Jeff Koons’s New Line,” The New York Times, April 11, 2017

David O'Connor, "Jeff Koons to Deliver Address at York College Graduation," Central Penn Business Journal, April 12, 2017

Joelle Diderich, “Stars Converge for Launch of Louis Vuitton Collaboration with Jeff Koons,” WWD, April 12, 2017

Jonathan Jones, “Jeff Koons’ Louis Vuitton Bags: A Joyous Art History Lesson,” The Guardian, April 12, 2017

Nimrod Kamer, “Jeff Koons’ Louis Vuitton Bags Are Like Marmite,” GQ, April 20, 2017

Sally Williams, “Jeff Koons on his ‘wild years’… and going from penniless to the world’s most expensive artist,” The Telegraph, April 20, 2017

Kim Devore, "Malibu Seen: Art with an Edge," The Malibu Times, April 23, 2017

Karen Von Hahn, "Vuitton's Newest Art Collaboration is Brilliantly Meta," Toronto Star Touch, April 25, 2017

The New York Times News Service. "New Louis Vuitton Bags Are Literal Work of Art," The Seattle Times, April 25, 2017

Aleesha Harris, "Works of Wearable Art: Louis Vuitton, Jeff Koons Collaboration Brings Priceless Art to Purses," The Province, April 26, 2017

"Cocktail Party for Louis Vuitton's New Masters Collection," Gotham, April 27, 2017 

Maggie Bullock, “Jeff Koons discusses the old world inspiration for his new project with Louis Vuitton,” Elle, April 27, 2017

“Why Streetwear Fans Should Care About Jeff Koons,” Highsnobiety, April 27, 2017

Paige Mastrandrea, "Louis Vuitton Releases Jeff Koons Product Collaboration," Haute Living, April 28, 2017

Miles Griffs, "Paris Hilton, John Legend, and More Celebrate Jeff Koons at the 2017 MOCA Gala," W Magazine, April 30, 2017

Marshall Heyman, "John Legend, Sharon Stone Turn Out for MOCA Gala Honoring Jeff Koons," WWD, April 30, 2017

Shalini Dore, "John Legend Wow Crowd at MOCA Gala for Jeff Koons," Variety, April 30, 2017

Adam Rathe, "The Museum of Contemporary Art Los Angeles Honors Jeff Koons," Town & Country, May 1, 2017

Allia Alliata di Montereale, "Sharon Stone, Sean Penn, Pierce Brosnan, and More Celebrate at MOCA Gala Honoring Jeff Koons," Vogue, May 1, 2017

Chris Gardner, "Inside the MOCA Gala Honoring Jeff Koons with John Legend, Sharon Stone and Sean Penn," The Hollywood Reporter, May 1, 2017

Eric Minh Swenson, "Jeff Koons' Selfie with the City of Los Angeles," Huffington Post, May 1, 2017

Katherine Romeyn, "Jeff Koons Reflects on His Meteoric Art-World Glory," Architectural Digest, May 1, 2017

Laura Schreffler, "Weekend Roundup: Jeff Koons Honored at the 2017 MOCA Gala," Haute Living, May 1, 2017

Shannon Donnelly, "Masters' Remix: Vuitton Replicates Famous Paintings on Handbags," The Shiny Sheet, May 1, 2017

Sydney Sadick, "W Magazine Celebrates Jeff Koons x Louis Vuitton Collab and Pop-Up Shop," Fashionweek Daily, May 1, 2017

Catherine Womack, “Jeff Koons Isn’t Exactly 'Woke' – but He Has Other Nice Qualities,” LA Weekly, May 2, 2017

Linda Yablonski, "Mirror Mirror," Artforum, May 2, 2017

Agence France-Presse, "Jeff Koons Produces New Works with French Porcelain Maker Bernardaud," Malaymail Online, May 10, 2017

Sarah Cascone, “Jeff Koons Returns to Rockefeller Center With Inflated ‘Seated Ballerina’ Sculpture,” Artnet News, May 11, 2017

Sunhee Grinnell, “Jeff Koons and Kiehl’s Bring the International Center for Missing and Exploited Children into the Spotlight,” Vanity Fair, May 11, 2017

"Jeff Koons' 45-Foot Inflated Seated Ballerina Takes On Rockefeller Center," Untapped Cities, May 12, 2017

Associated Press, "Inflatable Sculpture of Ballerina by Jeff Koons Unveiled," U.S. News, May 12, 2017

Jen Carlson, "There's a Giant Jeff Koons Ballerina In Rockefeller Center," Gothamist, May 12, 2017

Tishman Speyer, “Kiehl’s Since 1851 and Art Production Fund Present Seated Ballerina by Jeff Koons on view May 12 – June 2, 2017 at Rockefeller Center,” PR Newswire, May 12, 2017

Will Pulos, "A Giant, 45-Foot Inflatable Ballerina Has Been Installed at Rockefeller Center," Time Out New York, May 12, 2017

Agence France-Presse, "Jeff Koons Unveils Giant Inflatable Ballerina In New York," Malaymail Online, May 13, 2017

Barry Samaha, “Jeff Koons, Kiehl’s and the Art Production Fund Fête the Reveal of ‘Seated Ballerina’ at Rockefeller Center,” Forbes, May 15, 2017

Courtney Bowers, "Spot the Seated Ballerina in NYC," Dance Spirit, May 15, 2017

David Foxley, "Jeff Koons's 'Seated Ballerina' Sculpture In NYC's Rockefeller Center Stands for a Worthy Cause," Architectural Digest, May 15, 2017

Jess McHugh, "This 45-Foot-Tall Ballerina Is Jeff Koons' Latest Must-See Sculpture," Travel + Leisure, May 15, 2017

Michelle Young, “10 Places to See the Work of Jeff Koons In NYC, Past and Present,” Untapped Cities, May 17, 2017

Georgia Makitalo, “Celebrated Artist Jeff Koons Inflated 45-Foot-High ‘Seated Ballerina’ At Rockefeller Center To Offer ‘Hope’,” Inquisitr, May 18, 2017

Danielle Georgiou, "Dancer Depictions," Theater Jones Performing Art News, May 19, 2017

Marion Vignal, “Inside Jeff Koons’ controversial collaboration with Louis Vuitton,” Elle, May 19, 2017

Allison McNearney, "Whatever Happened To Jeff Koons' $25m NYC Steam Engine?" The Daily Beast, May 20, 2017

Christina Geyer, "Louis Vuitton Taps Another Famed Artist for its New It Girl Bags," PaperCity Magazine, May 23, 2017

Dan Duray, "Is Instagram-Friendly Contemporary Art Killing the Market for Old Masters?" W Magazine, June 9, 2017

"Pharrell, Jeff Koons and Elon Musk’s mom are just some of the stars visiting Stockholm for Brilliant Minds – get a sneak peek inside the super-exclusive event," Business Insider Nordic, June 9, 2017

Anna Cafolla, “Marina Ambramovic & Jeff Koons front new online VR gallery,” Dazed, June 11, 2017

Mark Westall, "World's Most Ambitious VR Art Platform to Launch with: Koons, Abramovic & Eliasson," FAD, June 11, 2017

Thessaly La Force, "Who Is Jeff Koons?" Vice, June 12, 2017

"Koons Tacks His 'Gazing Ball' on Vuitton Bags," The Nation [Thailand], June 13, 2017

Holly Haber, "Jeff Koons Turns Out at Neimans' in Dallas," WWD, June 13, 2017

Cassidy Mantor, "Neiman Marcus and Jeff Koons Celebrate Dallas Art Scene," Fashion Network, June 14, 2017

Caroline Goldstein, "Watch Scarlett Johansson Explain Why Jeff Koons Is an Artistic Genius (Really)," Artnet News, June 15, 2017

Claire Valentine, "Let Scarlett Johansson Teach You All About Jeff Koons In Short Film," Paper, June 15, 2017

Jake Viswanath, "Scarlett Johansson Narrates a New Jeff Koons Mini-Doc," V Magazine, June 16, 2017

Kendall Morgan, “Mega-artist Jeff Koons’ balloon art floats into Dallas’ Neiman Marcus,” Culture Map Dallas, June 16, 2017

Manon Baeza, "Scarlett Johansson Narrates This Short Doc About Jeff Koons," Konbini, June 16, 2017

“Jeff Koons Visits PS 145 in Manhattan to teach Art Class as part of Studio in a School,” ArtFix daily, June 19, 2017

Jay Jones, "Check Out Vegas' Remarkable Public Art, from 'Popeye' to a Winged Jackalope," Los Angeles Times, June 20, 2017

Jeff Davis, "June Art Column," Monrovia Weekly, June 20, 2017

Rachel Donadio, "Jeff Koons Sent Paris Flowers. Can It Find the Right Vase?" The New York Times, June 20, 2017

Katherine McGrath, "Controversy Erupts Over Jeff Koons's Paris Sculpture," Architectural Digest, June 21, 2017

David Goldberg, "The Giant Ballerina at Rockefeller Plaza Gets an Extension," Time Out New York, June 22, 2017

Katina Beniaris, "8 Stunning Outdoor Artworks to View In NYC This Summer," Gotham, June 23, 2017

Noah Charney, "Did Jeff Really Paint that Koons? Working at a Modern Studio Isn't Exactly a Renaissance Apprenticeship," Salon, June 25, 2017

"Koons' Paris Artwork Runs Into Controversy," The Straits Times, June 26, 2017

Brooke Holmes, “Keeping it Platonic: A Conversation with Jeff Koons,” 032C, June 27, 2017

Joan Stern, "Jeff Koons for Bernardaud," Pursuitist, June 2017

Kaitlin Phillips, “Louis Vuitton x Jeff Koons,” Wonderland, July 10, 2017

Eileen Kinsella, "Jay-Z Performed in Front of a Giant Jeff Koons Balloon Dog - With the Artist's Blessing," Artnet News, August 21, 2017

Katherine McGrath, "What Was a Jeff Koons Balloon Dog Doing on Stage with Jay-Z Last Night?" Architectural Digest, August 21, 2017

Andrea R. Chow, "Snapchat and Jeff Koons Collaborate on Augmented Reality Art Project," The New York Times, October 3, 2017

Anna Codrea-Rado, "Virtual Vandalism: Jeff Koons's 'Balloon Dog' Is Graffiti-Bombed," The New York Times, October 10, 2017

Sarah Cascone, "Snapchat Unites with Jeff Koons for a Globe-Spanning Augmented Reality Scupture Project," Artnet News, October 10, 2017 

Jeff Koons, "The History of Art According to Jeff Koons," Harper's Bazaar, October 12, 2017

Tyler McCall, "Louis Vuitton Drops its Second Collection with Jeff Koons," Fashionista, October 12, 2017

Zachary Weiss, "Jeff Koons Art-Directs an Over-the-Top Halloween Party," Architectural Digest, October 31, 2017

James Tarmy, "Jeff Koons on the True Price of Being an Artist," Bloomberg Businessweek, November 3, 2017

Grace Halio, "Jeff Koons and George Condo Recall the '80s at New Museum's 40th Anniversary Fete," ARTnews, December 7, 2017

Marielle Wakim, "Can You Guess Which Jeff Koons Balloon Animal Is Being Built at LACMA as We Speak?" Los Angeles Magazine, December 13, 2017

"Jeff Koons," Artnow by Noblesse (Issue 20), Winter 2017



Cait Munro, “Jeff Koons Will Work With Teenagers on Upcoming Soho Mural,” Artnet News, January 19, 2016

Serena Di Palma, “Jeff Koons litiga con Nardella e si riprende la sua statua,” ArtsLife, January 29, 2016

“Statua Koons lascerà Firenze per gli Usa,” ANSA, January 29, 2016

“La statua dorata di Jeff Koons lascia Firenze per tornare in USA,” La Stampa, January 30, 2016

William Cook, “'Wow, I can do this!'” Christie’s Magazine, January 2016

Federica Polidoro, “Ecco l’intervista di Jared Leto a Jeff Koons, nella web serie Beyond the Horizon,” Artribune, February 21, 2016

“Aby Rosen’s 11 Howard Teams Up With Groundwell and Artist Mentor Jeff Koons to Create Massive Pubic Mural,” Artfix Daily, March 1, 2016

Robin Scher, “Jeff Koons Collaborates With Community Organization Groundswell On New SoHo Hotel Mural,” Art News, March 1, 2016

“Eli and Edye Broad and Motorola Solutions Foundation to be Honored at International Centre for Missing & Exploited Children’s 2016 Gala for Child Protection, May 5; Jeff and Justine Koons to Serve as Honorary Co-Chairs,” Artfix Daily, March 2, 2016

Nico DeMattia, “Top Five best BMW Art Cars,” BMW Blog, March 11, 2016

Annie Armstrong, “From Van Gogh To Jeff Koons, Here’s a History of Flowers in Art,” The Creators Project, March 13, 2016

“Damien Hirst To Curate Jeff Koons Exhibition At Newport Street Gallery,” Artlyst, March 23, 2016

Nicholas Forrest, “Damien Hirst to Curate Jeff Koons Show At Newport Street Gallery,” Blouin Artinfo, March 23, 2016

Adam Vaccaro, "Why on Earth is Popeye the Sailor Man the Centerpiece of Wynn's Everett Casino Lobby?", March 24, 2016

Rosalie Hughes and Anna Polonyi, “Voices: Where Art Meets Technology,” International New York Times, March 24, 2016

Javier Pes,  José Da Silva, and Emily Sharpe, “Visitor Figures 2015: Jeff Koons is the toast of Paris and Bilbao,” The Art Newspaper, March 31, 2016

Mostafa Heddaya, “Taipei, Koons Top Attendance Charts, Getty Announces $8.45 Million for ‘Pacific Standard Time,’ and More,” Blouin Artinfo, March 31, 2016

“Art Market’s Exclusive Interview with Renowned Artist Jeff Koons – The First of Many Future Exclusives,” Digital Journal, March 28, 2016

“2015’s Most Popular Exhibitions by Genre and City,” The Art Newspaper, March 31, 2016

Mostafa Heddaya, "Taipei, Koons Top Attendance Charts, Getty Announces $8.45 Million for 'Pacific Standard Time', and More," Blouin Artinfo, March 31, 2016

“Irony in Stainless Steel,” Böllinghaus Steel Stories Magazin V, March 2016

Marion Maneker, “Jeff Koons Launches Fourth Balloon Dog Plate,” Art Market Monitor, April 4, 2016

Thierry Hay, “Le charme et les secrets des ateliers d’aritstes d’Ingres à Jeff Koons, au Petit Palais,” France TVinfo, April 5, 2016

Marie-Elisabeth De La Fresnaye, “In the studio: the artist photographed from Ingres to Jeff Koons,” L’Oeil de la Photographie, April 11, 2016

Mercedes Ezquiaga, “Jeff Koons: “No nos deben importer los objetos sino las personas,” Télam, April 13, 2016

Mercedes Pérez Bergliaffa, “Consejo del artista más caro del mundo: hay que cruzar los límites,” Clarin, April 13, 2016

Celina Chatruc, “Koons present en sociedad a su Ballerina,” La Nacion, April 14, 2016

Celina Chatruc, “Jeff Koons: Los juicios alienan y segregan; todo es perfecto tal cual e,” La Nacion, April 14, 2016

“Como una Estrella de rock, Jeff Koons inauguró su obra “Ballerina” en la explanada del Malba,” Télam, April 14, 2016

Ines Viturro, “Jeff Koons presentó su Ballerina en la Malba,” Vanidades, April 14, 2016

Kelly Belknap, “Feel Like a Billionaire Art Collector With This $8,000 Plate,” Bloomberg Pursuits, April 14, 2016

Robin Pogrebin, “Christie’s Auction: a Rock, a Basketball, Hitler on His Knees,” The New York Times, April 14, 2016

Celina Chatruc, “Cayó el velo y la Ballerina de Koons ya danza entre nosotros,” La Nacion, April 15, 2016

Florencia Tagino, “Jeff Koons en la MALBA,” April 15, 2016

“Jeff Koons presenta su “Ballerina” en el Malba de Buenos Aires,” El Diario, April 15, 2016

Luana De Micco, “Through the keyhole: photographer’s capture artist’s studios,” The Art Newspaper, April 15, 2016

Mar Centenera, “La bailarina de Koons que deslumbra a Buenos Aires,” El Pais, April 15, 2016

“Pop Star,” La Razon, April 15, 2016

Silvia Rottenberg, “Jeff Koons showers MALBA with charisma,” Buenos Aires Herald, April 15, 2016

“Editor’s Picks: 12 Art Events to See in New York This Week,” Artnet News, April 18, 2016

Dan Duray, “Koons’s kitschy kids and Dubuffet’s beard lead New York sales at Phillips,” The Art Newspaper, April 21, 2016

Rachel Corbett, “Jeff Koons On Lady Gaga, His First Job in New York, and Dangling Steam Engines at the High Line,” Blouin Artinfo, April 21, 2016

Nicole Disser, “Jeff Koons on His Dream Choo Choo and That Time Lady Gaga ‘Kind of Went Down’ On Him,” Bedford + Bowery, April 28, 2016

“'One of the most influential works in the history of contemporary art,'” Christie’s, April 29, 2016

“Bound to fail,” Christie’s Magazine, April 2016

M. S., “Learning artists’ secrets from their studios,” The Economist, May 3, 2016

John Seed, “Landseer’s Poodle, Koons’ Balloon Dog and Why Museum Curators Should Hedge Their Bets For the Future,” Huffington Post, May 8, 2016

Henri Neuendorf, “Marden, Koons, and Bradford Drive Philips $46.5 Million Evening Sale,” Artnet News, May 8, 2016

Andrew Myrick, “Google and Jeff Koons partner up for a new Nexus Live Cases to be unveiled tomorrow,” Phandroid, May 9, 2016

Patricia Garcia, “Jeff Koons’s New Artwork Is Surprisingly Affordable,” Vogue, May 9, 2016

Abner Li, “Google announces limited-edition Jeff Koons Live Cases for Nexus 5X and 6P,” 9 to 5 Google, May 10, 2016

Ally Betker, “Jeff Koons, the Google of the Art World, Teams Up with Google,” W Magazine, May 10, 2016

“Get your limited-edition Jeff Koons Live Case today,” Android, May 10, 2016

“Google introduces trio of Jeff Koons-designed Nexus Live Cases,” Phone Arena, May 10, 2016

Jacob Kastrenakes, “Google teams up with artist Jeff Koons for limited-edition Nexus phone cases,” The Verge, May 10, 2016

“Jeff Koons designs Android cases for Google,” Fast Company, May 10, 2016

“Jeff Koons Just Released His Most Affordable Work Yet,” GQ, May 10, 2016

Justin Fenner, “Jeff Koons Just Released His Most Affordable Work Yet,” GQ, May 10, 2016

Misty White Sidell,  “Jeff Koons and Google Unveil Phone Case Collaboration,” WWD, May 10, 2016

Rain Embuscado, “Jeff Koons Debuts First Live-Action Video Work with Google,” Artnet News, May 10, 2016

Ryan Whitwam, “Limited Edition Nexus Live Case By Artist Jeff Koons Will Be Available Starting Tomorrow,” Android Police, May 10, 2016

Todd Plummer, “Jeff Koons’s Tips for the Perfect Selfie,” Vogue, May 10, 2016

Tyler Lee, “Google Introduces Limited Edition Live Cases By Jeff Koons,” Ubergizmo, May 10, 2016

Daniel Scheffler, “Another day that art collided with technology,” Selections, May 11, 2016

“Google teams up with Jeff Koons for limited-edition cases,” Yahoo!, May 11, 2016

JC Torres, “Limited edition Jeff Koons live cases bring art to the Nexus,” Slash Gear, May 11, 2016

“Jeff Koons art… on your phone?” FlipSide PA, May 11, 2016

Molly Elizalde, “Snapchat Discover Channel: Sweet Culture,” Sweet, May 11, 2016

Darren Domirez, “Google Nexus Features Limited-Edition Jeff Koons Exhibition Live Case, His Cheapest Artwork Price Ever,” University Herald, May 12, 2016

“In Conversation Jeff Koons and Glenn Fuhrman,” Gagosian NOW, May 12, 2016

Jeff Beer, “Your Chance To Own Original Jeff Koons Art, Courtesy of Google’s Nexus Live Case Line,” Co.Create, May 12, 2016

Campbell-Johnston, Rachel. “Visual art: Jeff Koons: Now at Newport Street Gallery, SE11,” The Times, May 13, 2016

“Damien Hirst puts his personal collection of Jeff Koons artwork on show,” Vogue Paris, May 13, 2016

Louisa Buck, “Jeff Koons: Now at Newport Street Gallery preview,” The Telegraph, May 13, 2016

Rachel Small, “Objet D’Art: A Way of Seeing,” Interview Magazine, May 13, 2016

Amanda Green, “Be Part Of Art History – Win A Signed Jeff Koons Phone Case & A Nexus 6P,” Refinery 29, May 16, 2016

Farah Nayeri, “Damien Hirst to Open a Jeff Koons Show at His London Museum,” The New York Times, May 16, 2016

 “Jeff Koons and his Play-Doh pile ‘Now’ in London,” Euronews, May 20, 2016“Hirst hosts Koons in London,” ENCA, May 17, 2016

Marie-Louise Gumuchian, “Damien Hirst hosts fellow artist Koons’ exhibition in London,” Reuters, May 17, 2016

Rain Embuscado, "Who Said This - Lady Gaga or Jeff Koons?" Artnet News, May 17, 2016

Judith Mora, “Jeff Koons protagoniza la segunda muestra de la galería de Damien Hirst,” EFE, May 18, 2016

“Jeff Koons Now Exhibition Opens At Damien Hirst’s Newport Street Gallery,” Artlyst, May 18, 2016

“Jeff Koons se estrena en la segunda muestra de la galería de Damien Hirst,” La Vanguardia, May 18, 2016

Mark Hudson, “Does this new show reveal Jeff Koons’ greatest contribution to art? ” The Telegraph, May 18, 2016

“Jeff Koons, interview: I feel that art has allowed me to become a better human,” Evening Standard, May 19, 2016

Hettie Judah, “Damien Hirst’s Jeff Koons Show Reeks of Power Play,” Artnet News, May 19, 2016

“Jeff Koons Showcased at Damien Hirst’s Gallery,” Latin American Herald Tribune, May 20, 2016

“Jeff Koons: Showing The Love For Irony And Pseudo Philosophical Claptrap,” Artlyst, May 20, 2016

Edward Lucie-Smith, “Jeff Koons – The Art Of Not Quite Now By Edward Lucie-Smith,” Artlyst, May 20, 2016

Joe Heaney, “Over 18s only! Damien Hirst shows off racy artworks from Lady Gaga collaborator in Vauxhall,” SW Londoner, May 20, 2016

Emanuel Maiberg, “A Critique of Jeff Koons’ Nexus 6P Cas,” Londonist, May 21, 2016

Tabish Khan, “Sexual And Seductive: The Art Of Jeff Koons, Reviewed,” Londonist, May 21, 2016

“Damien Hirst Pays Tribute To Jeff Koons With Special “NOW” Exhibition,” END, May 22, 2016

Natalia Masewicz, “Hirst, Koons Join Twombly at Galerie Bastian Show in Berlin,” Blouin Artinfo, May 23, 2016
Sarah Kent, “Jeff Koons: Now, Newport Street Gallery,” The Arts Desk, May 26, 2016

Nicholas Forrest, “The Joy of Jeff Koons at Damien Hirst’s London Gallery,” Blouin Artinfo, May 26, 2016

Hadley Henriette, “Jeff Koons on His Passion: Helping Missing and Exploited Children,” Haute Living, June 3, 2016

Jennifer Vogelsong, “Artist Jeff Koons contributes to $3000 book honoring Ali,” York Daily Record, June 4, 2016

Martin Gayford, “Like Rubens, Jeff Koons’s work is about repetition, fertility and sex – and piping,” The Spectator, June 11, 2016

Ramona Saviss, “Adorn Your Home with These Art Objects by Jeff Koons and Ken Price,” Los Angeles Confidential, June 21, 2016

Elena Cué, “Jeff Koons: “El arte es una percepción de tus propias posibilidades,” ABC, June 25, 2016

Jacky Wong, “Wynn Macau Bets Large on Bouquet of Tulips,” The Wall Street Journal, June 30, 2016

Elena Cué, “Interview with Jeff Koons,” The Huffington Post, July 1, 2016

Abbey Zelko, “Jeff Koons to throw first pitch at York Revolution game,” FlipSide PA, August 10, 2016

Abbey Zelko,“Jeff Koons attends his York Revolution bobblehead night,” FlipSide PA, August 12, 2016

“Artist Jeff Koons to deliver Gibbes Museum lecture,” The Post and Courier, August 17, 2016

Connelly Hardaway, “The Gibbes Distinguished Lecture Series Presents Jeff Koons this November,” Charleston City Paper, August 17, 2016

Ryan Lillis and Dale Kasler, “$8 million Piglet-inspired sculpture unwrapped at Golden 1 Center,” The Sacramento Bee, September 16, 2016

Ryan Lillis, “Koons sculpture a ‘historic moment’ for Sacramento art,” The Sacramento Bee, September 25, 2016

Bob Moffitt, “Jeff Koons’ Piglet Sculpture Unveiled At Golden 1 Center,” Capital Public Radio, September 26, 2016

"Here's a Photo of Jeff Koons's Newly Installed Permanent Sculpture In Sacramento, California," ArtNews, September 26, 2016

“Internationally Renowned Artist Jeff Koons Joins Sacramento Kings To Unveil Sculpture Commissioned For Arena’s Public Plaza,” Golden 1 Center, September 26, 2016

Kevin Frisch, “Join Jeff Koons in #votingbecause effort,” York Daily Review, September 27, 2016

Sarah Cascone, "Controversial Jeff Koons Sculpture Debuts at Sacramento Arena," Artnet News, September 27, 2016

Taylor Dafoe, "Controversial Jeff Koons Sculpture Unveiled at Sacramento Stadium, Turner Prize Show Opens at Tate, and More," Blouin Artinfo, September 28, 2016

Nate Freeman, "Frieze Openings Begin, with Jeff Koons at Almine Rech, Ed Ruscha at Gagosian - and Monica Lewinsky!" ArtNews, October 4, 2016

Rachel Corbett, “Jeff Koons and Eric Kandel Talk Art and Empathy,” Blouin ArtInfo, October 4, 2016

Rashid Razaq, "Jeff Koons: London to Stay Centre of the Art World," Evening Standard, October 4, 2016

Sarah Hyde, “Jeff Koons Kicks Off London Frieze Week with Show at Almine Rech,” ArtNet News, October 5, 2016

Elly Parsons, “Ready-made success: Jeff Koons reflects at Almine Rech Gallery, London,” Wallpaper*, October 7, 2016

Jonathan McAloon, "Has Jeff Koons Earned His Place in Art History?" Apollo, October 12, 2016

Sarah Cascone, "Tony Bennett Wins Shiny Gold Jeff Koons Balloon Rabbit at National Arts Awards," Artnet News, October 18, 2016

Taylor Dafoe, "Jeff Koons Endorses Hillary Clinton, Anderson Cooper at TEFAF, and More," Blouin Artinfo, October 24, 2016

D. Creahan, "London - Jeff Koons at Almine Rech Gallery Through January 21st, 2017," Art Observed, October 25, 2016

Malcolm Cossins, "Contemporary Conversations with the Old Masters," Christie's, October 26, 2016

Hillary Louise Johnson, “Coloring Outside the Lines,” Sactown Magazine, October/November 2016

“The Art & Beauty Connection: Jeff Koons and Jean-Paul Agon Awarded at 2016 Trophee Des Arts Gala,” The Jewish Voice, November 2, 2016

Adam Parker, “Artist Jeff Koons, world-famous and controversial, comes to Charleston,” The Post and Courier, November 16, 2016

Connelly Hardaway, “The Millionaire Artist Talks Art, Objectivity, and a Higher Consciousness,” Charleston City Paper, November 16, 2016

"Jeff Koons Is Creating a Memorial Sculpture for Victims of Paris Terror Attacks," Artforum, November 21, 2016

Rachel Donadio, “Jeff Koons Is Giving Sculpture to Paris to Remember Terror Victims,” The New York Times, November 21, 2016

Amah-Rose Abrams, “Jeff Koons Gifts Monumental Statue to Paris in Memory of Attack Victims,” Artnet News, November 22, 2016

Gareth Harris, “Jeff Koons unveils plans for a memorial to the victims of the Paris terror attacks,” The Art Newspaper, November 22, 2016

"Jeff Koons Gives Giant Bouquet Sculpture to Paris in Honor of Terror Victims," Artfix Daily, November 22, 2016

Justine Lafferrière, “Jeff Koons offre des fleurs géantes à la France, en hommage au 13, novembre,” Grazia, November 22, 2016

Kim Willsher, “New Jeff Koons sculpture is tribute to victims of Paris attacks,” The Guardian, November 22, 2016

Yannis Sioudan, “Jeff Koons réunifie la France et les Etats-Unis,” FocuSur, November 22, 2016

Paul McQueen, "Jeff Koons Offers Sculpture To Paris in Memory of 2015 Attacks," Culture Trip, November 23, 2016

Valérie Duponchelle, “Jane D. Hartley : J’ai commence avec Jeff Koons, je finis avec Jeff Koons,” Le Figaro, November 23, 2016

Harry Bellet, “Jeff Koons fait une fleur à Paris,” Le Monde, November 24, 2016

Magali Lesauvage, “Le cadeau peu emballant de Jeff Koons à la Ville de Paris,” Libération, November 24, 2016

Salazar Winspear, Olivia. “Jeff Koons ‘wants to give hope’ to Paris attacks survivors,” France 24, November 25, 2016

Clara Georges, “L’objet de l’époque: le bouquet de Jeff Koons,” Le Monde, November 28, 2016

“Le 'Cadeau' de Koons À Paris," Valeurs Actuelles, December 1, 2016

Pierre Colin-Thibert, "Un malheur n'arrive jamais seul," Pierre Colin-Thibert, December 1, 2016

Rob Turner,“A Train of Thought,” Sactown Magazine, December 1, 2016

“Les Fleurs du Mâle," Le Figaro, December 2, 2016

Yasmine Youssi, “C’est Le Bouquet!” Télérama, December 3, 2016

"Behind the Art - Noirmontartproduction," The Maker Magazine, December 5, 2016

Max Berlinger, “Jeff Koons Designs a Snowboard (With an Assist From Plato),” The New York Times, December 6, 2016

Abigail Cain, "These 10 Unrealized Artworks Would Have Been Spectacular," Artsy, December 9, 2016

“Burton Unveils the Philosopher,” Shop Eat Surf, December 9, 2016

Mark Clavin, “Designed by Jeff Koons & Jake Burton to Benefit the Chill Foundation,” Snow Boarder, December 9, 2016

Nel-Olivia Waga, “Jeff Koons and Eduardo Constantini On Oceana Bal Harbour’s Multimilion-Dollar Art Collection,” Forbes, December 9, 2016

Massimiliano Tonelli, “Appello a Dario Nardella. Lasciamo Jeff Koons in piazza della Signoria,” Artribune, December 16, 2016

"Les 7 Buzz - Les fleurs de la solidarité," Tele 7 Jours, December 2016

“Koons en la Ciudad,” Harper's Bazaar Argentina, 2016

Irene Sagittarius, "Koons, Murakami and Vasconcelos in Versailles: Attribution of value and change of values ​​through contextualization," Marburger Jahrbuch für Kunstwissenschaft (Vol. 43), 2016



Silvia Neri, “Jeff Koons: la grande retrospettiva al Pompidou,” Artribune, January 7, 2015

Sylvia Edwards Davis, “Reviewed: Jeff Koons at The Centre Pompidou,” France Today, January 28, 2015

Ryan Lillis, “Sculpture by world-renowned artist Jeff Koons to appear at Sacramento arena,” Sacramento Bee, February 26, 2015

Raffaele Quattrone, "Jeff Koons. A Retrospective of a Revolution: A New Approach to the Art World," Wall Street International, March 1, 2015

Rachel Corbett, “Koons at cutting edge with giant stone mills,” The Art Newspaper, March 3, 2015

Ken Johnson, “Jeff Koons: ‘Jim Beam – J.B. Turner Engine and Six Individual Cars,'” The New York Times, March 5, 2015

“Major Jeff Koons Exhibition Opens at UK’s Norwich Castle This Spring,” ArtfixDaily, March 25, 2015

Anja Fahs, "Explosion of Colours: Jeff Koons and the BMW Art Car Collection," Prokom, March 2015

Hili Perlson, “Jeff Koons Triples Production Capacity at His Giant Stone-Cutting Facility, Antiquity Stone, in Pennsylvania,” Artnet News, March 2015

Michaël Amy, “A Supreme Trouble-Maker in Crowd-Pleasing Clothes,” Sculpture, March 2015

Linda Yablonsky, “A Christie’s Auction Brings Together the Art, and History, of Jeff Koons and Martin Kippenberger,” The New York Times Style Magazine, April 21, 2015

Emma Knights, “Norwich Castle set to host Jeff Koons exhibition,” Eastern Daily Press, May 2, 2015

Nicholas Forrest, “Datebook: Jeff Koons Opens at the Norwich Castle Museum & Art Gallery May 9,” Blouin Artinfo, May 3, 2015

Ralph Gardner Jr., “The Work and Passions of Jeff Koons,” The Wall Street Journal, May 5, 2015

“Monumental Jeff Koons Sculpture at Cannes Auction in amfAR’s Cinema Against AIDS Gala on May 21,” ArtfixDaily, May 20, 2015

Iker Seisdedos, “Factoria Koons,” El País Semanal, May 24, 2015

Kelly Crow, "Eli and Edythe Broad Build a Museum for Their Art Collection," The Wall Street Journal Magazine, May 26, 2015

Emma Knights, “High praise for Jeff Koons exhibition at Norwich Castle,” Eastern Daily Press, May 31, 2015

Mark Ewing, “From Calder to Koons, 40 Years of BMW Art Cars,” Forbes Life, June 4, 2015

Ellen Himelfarb, “Ubiquitous inflatables: Jeff Koons reveals a new retrospective at the Guggenheim Bilbao,” Wallpaper, June 12, 2015

Stephanie Murg, “Shine On: Jeff Koons in Bilbao,” Smithsonian, June 19, 2015

Kelly Crow, "Broad New World," The Wall Street Journal Magazine, June 2015

Emma Brockes, “Jeff Koons: ‘People respond to banal things – they don’t accept their own history,’" The Guardian, July 5, 2015

"The exquisite process of Jeff Koons," Christie's, July 21, 2015

Gay Gassmann, "Jeff Koons's Suggestions for What to See, Read and Do This Summer," The New York Times Style Magazine, July 21, 2015

Hannah Martin, "Jeff Koons Collaborates With Bernardaud," Architectural Digest, July 30, 2015

Ana Sokoloff, “Jeff Koons,” ARS MAGAZINE, July-September, 2015

Fernando Rayon, “El major artista del mundo,” ARS, July-September 2015

“Jeff Koons, cara a cara frente a Miguel Ángel,” El Universal, August 3, 2015

Leigh Anne Miller, “Puppies and Proselytizing: Jeff Koons in Bilbao,” Art in America, August 6, 2015

Emma Knights, “Jeff Koons exhibition attracts 50,000 to Norwich Castle,” Eastern Daily Press, August 20, 2015

“Guilty Yacht by Jeff Koons,” Opumo, August 28, 2015

Dario Mastromattei, “Jeff Koons in mostra a Firenze dal 26 Settembre al 28 Dicembre 2015,” Arte World, September 1, 2015

Hannah McGivern, "Jeff Koons goes head-to-head with Michelangelo," The Art Newspaper, September 1, 2015

Helga Marsala, "Jeff Koons a Firenze. Il principe del pop americano incontra la grande statuaria rinascimentale. Mitologie classiche e contemporanee a Palazzo Vecchio," Artribune, September 1, 2015

"Jeff Koons in Florence. L'arte contemporanea in dialogo con l'antico," ArtsLife, September 1, 2015

“Sull’Arengario Di Palazzo Vecchio ‘Pluto and Proserpina’ Di Koons,” Musei Online, September 1, 2015

"Jeff Koons In Florence, A Cura Di Sergio Risaliti: In Mostra Dal 25 Settembre," Fattitaliani, September 2, 2015

"Jeff Koons in Florence a Palazzo Vecchio di Firenze," La Nouvelle Vague, September 2, 2015

“Jeff Koons Vs. Michelangelo?” Milano Arte Moda, September 2, 2015

Eleonora Albertoni, “Koons all’arengario di Firenze rompe tabù di 500 anni,” Marco Polo News, September 2, 2015

Marco Enrico Giacomelli, “Jeff Koons a Bilbao. In attesa dello sbarco a Firenze,” Artribune, September 2, 2015

Sergio Risaliti, “Jeff Koons In Florence a Palazzo Vecchio di Firenze,” La Nouvelle Vague, September 2, 2015

“Jeff Koons in Florence,” Quotidiano Arte, September 3, 2015

"Koons, sfida d'arte in piazza a Firenze," L'Arena, September 5, 2015

Annette Elliot, “Jeff Koons – in the flesh! – at the Art Institute,” Reader, September 9, 2015

Francesca Pini, "Jeff Koons: 'Sono un uomo rinascimentale," Corriere Della Sera, September 9, 2015

“Jeff Koons In Florence,” Biancoscuro, September 15, 2015

Daniela Ricupati, "Jeff Koons a Firenze. II contemporaneo a confronto con l’arte rinascimentale,” Arte Moderno, September 15, 2015

Lorenzo Pereira, “Jeff Koons in Florence to Unveil Pluto and Proserpina Sculpture During Antiques Bienna,” Widewalls, September 18, 2015

Nikki Tucker, “Haute 100 Update: Jeff Koons Work to Be on Display at New Museum,” Haute Living, September 18, 2015

Pia Capelli, "Jeff Koons e il suo Fauno," Il Sole 24 Ore, September 20, 2015

Fabrizio Gentile, “Firenze, Dal 25 Settembre “Pluto and Proserpina” Di Koons A Palazzo Vecchio “Jeff Koons in Florence” è in programma dal 26 settembre fino al 28 dicembre,” Terris, September 21, 2015

Eleonora Santonocito, “Biennale Internazionale dell’Antiquariato di Firenze 2015: ospite Jeff Koons,” ArtsBlog, September 22, 2015

Vincenzo Trione, "Così sfido (a casa loro) Michelangelo e Donatello," Corriere Della Sera, September 23, 2015

“Jeff Koons alla cena di gala della Biennale dell”Antiquariato,” La Repubblica, September 24, 2015

“Jeff Koons in Florence,” The Florentine, September 24, 2015

Shia Kapos, “Jeff Koons croons some Zeppelin for the Crowns,” Crain’s, September 24, 2015

Andrea Paoletti, “Jeff Koons in Florence,” Artblog, September 25, 2015

Annette Elliot, "A conversation with Jeff Koons: 'For me art has never been about money,'" Chicago Reader, September 25, 2015

Daniela Cresti, "Jeff Koons, un grande evento artistico. E la Bellezza è servita Opinion leader," Stamp Toscana, September 25, 2015

"Emozioni Sull'Arengario Koons E La Sfida Con I Grandi," Corriere Fiorentino, September 25, 2015

Ignacio Gutiérrez Zaldívar, “Jeff Koons, de agente de bolsa a uno de los 10 artistas más demandados del mundo,” Cronista, September 25, 2015

"Firenze: L'Arte Contemporanea Cambia Volto A Piazza Della Signoria," Intoscana, September 25, 2015

"Jeff Koons in Florence,", September 25, 2015

“Jeff Koons In Florence,” Corriere Della Sera, September 25, 2015

“Jeff Koons in Florence: la Città del Fiore capitale dell’arte contemporanea,” Nove Da Firenze, September 25, 2015

“Jeff Koons in piazza della Signoria,” Qui News Firenze, September 25, 2015

Ludovico Pratesi, “La Strana Coppia: Jeff Koons E Il David,” La Repubblica, September 25, 2015

Marta Elena Casanova, "Jeff Koons in Florence. Un dialogo tra Rinascimento e contemporaneità," ArtsLife, September 25, 2015

Nicholas Forrest, "Jeff Koons's Daring Sculptural Intervention in Florence," Blouin ArtInfo, September 25, 2015

Olga Mugnani, "La città invasa dalla Biennale d'antiquariato E Jeff Koons rende tutto contemporaneo," La Nazione Firenze, September 25, 2015

Valeria Arnaldi, “Koons illumine Firenze,” Leggo Milano, September 25, 2015

“Ecco Koons, choc giallo in piazza,” Corriere Fiorentino, September 26, 2015

Edoardo Lusena, "Ecco Koons, choc giallo in piazza," Corriere Fiorentino, September 26, 2015

Edoardo Lusena, "Tocco con mano gli stessi piaceri che toccò Donatello," Corriere Fiorentino, September 26, 2015

Gabriele Rizza, “Plutone, Preserpina e il fauno: Firenze si apre a Jeff Koons,” Il Tirreno, September 26, 2015

"Jeff Koons é a Firenze con Pluto e Proserpina," Il Quotidiano Del Lazio, September 26, 2015

“Jeff Koons e l’antico a Firenze,” La Gazzetta del Mezzogiorno, September 26, 2015

“Jeff Koons in Florence,” Vanity Fair Italy, September 26, 2015

Nicoletta Castagni, “Jeff Koons e l’antico in piazza a Firenze,” Ansa, September 26, 2015

Marzio Fatucchi, "Ma per uno strappo vero ci avrei messo Lady Gaga," Corriere Fiorentino, September 26, 2015

Chiara Dino, "E dopo il David tocca a Santa Maria Novella," Corriere Fiorentino, September 27, 2015

Laura Tabegna, "Lo aspetto Koons per la mostra nel 2016,” La Nazione, September 27, 2015

“Jeff Koons a Firenze,” Vogue Italy, September 28, 2015

Susan Moore, "Jeff Koons takes on the Old Masters in Florence," Apollo Magazine, September 29, 2015

Anne Katrin Fessler, and Roman Gerold, "Jeff Koons: 'Vielleicht wäre ich einst Hofkünstler gewesen,'" derStandard, September 30, 2015

Bettina Steiner, “Jeff Koons: ‘Ich habe nicht mehr als 2,7 Sekunden,’” Die Presse, September 30, 2015

Francesco Bonami, “Oltre le Palle c’è Il Bisogno di Felicità,” Vanity Fair, September 30, 2015

Gabriella Valente, “Jeff Koons a Firenze, accanto a Michelangelo e Donatello,” September 30, 2015

Marco de Martino, "Mi chiamo Jeff, sollevo pesi," Vanity Fair, September 30, 2015

Sonia S. Braga, “Jeff Koons A Firenze, Tra I Capolavori Del Passato,” Architectural Digest, September 2015

"Die Macht folgt der Kunst," Kurier, October 1, 2015

Giuliana D’Urso, “Jeff Koons a Firenze: un dialogo tra passato e presente,” My where, October 2, 2015

Scott Reyburn, “Florence Turns Up the Celebrity Heat,” The New York Times, October 2, 2015

Tomaso Montanari, “La copia dorata di Jeff Koons che sbeffeggia questa Firenze,” La Repubblica Firenze, October 2, 2015

Francesco Bonami, “’Michelangelo e Donatello si interesserebbero al mio lavoro,'” La Stampa, October 3, 2015

Martin Betant,“Ballon Dog de Jeff Koons: la celèbre sculpture disponible chez vous!” Luxe, October 4, 2015

L’opera d’arte in Piazza Signoria fa discutere: “Sembra un cartoccio tra I capolavori,” Firenze Today, October 5, 2015

"Exhibition 'Picasso.mania' in Paris, myth and genius revisited by contemporary artists,", October 7, 2015

Stefano Pirovano, "Rispetto all'arte antica io, Koons, sono nulla," Panorama, October 7, 2015

Renato Barilli,“La sintesi estrema nell’arte di Koons,” L’Unità, October 11, 2015

Claudia Bodin,“Bette nicht lachen!” Art Das Kunstmagazin, October 12, 2015

Fabiola Cinque, “Jeff Koons è contro,” Formiche, October 16, 2015

Steff Yotka, “Jeff Koons’s Iconic Rabbit Now Comes in Jewelry Form,” Vogue, October 22, 2015

Diane Solway, "Picasso Mania!" W Magazine, October 27, 2015

Silvia Casanova, “Lo Chiamano Genio È Un Volpacchione,” Gente, October 27, 2015

Stefano Bianchi, “Jeff Koons in Florence,” Coolmag, October 2015

“Il mondo novo,” Arena Mediastar Magazine, October 2015

“Proserpina e il David sfida al passato targata Jeff Koons,” La Repubblica, October 2015

Alex Needham, “Jeff Koons on his Gazing Ball Paintings: ‘It’s not about copying,’” The Guardian, November 9, 2015

M.H. Miller, “’These Are Works That I Enjoy’: Jeff Koons On His Amazing Blue Balls,” ArtNews, November 9, 2015

Robin Cembalest, “Jeff Koons’ Masterpiece Theatre at Gagosian,” Observer, November 10, 2015

Stefano Pirovano, “Interview: what do you know about art collector Jeff Koons?” Conceptual Fine Arts, November 25, 2015

Anna Souter, “Jeff Koons in Florence,” Florence is You, November 2015

“Power Up,” Art Review, November 2015

“The Top 10 Living Artists of 2015,” Artsy, December 16, 2015

“Prorogata la mostra di Jeff Koons a Palazzo Vecchio,” Firenze, December 23, 2015

Daniele Capra, “Jeff Koons, Firenze e il Martello Calvinista,” Artribune, December 25, 2015

Cécile Godefroy and Vérane Tasseau, “Jeff Koons,” Cahiers d’Art, Special Issue, 2015



Brian Boucher, “Koons Sculpture Adorns Lobby at Astor Place,” Art in America, January 24, 2014

Benjamin Sutton, “Koons Balloon Bunny Hops Up in Manhattan,” Blouin Artinfo, January 28, 2014

J.J. Charlesworth, “How to make a balloon dog,” Art Review, January/February 2014

Eileen Kinsella, “Crystal Bridges Acquires Koons Sculpture (Yes, Really),” Artnet, February 18, 2014

Deborah Vankin, “John Waters and Jeff Koons, the new odd couple,” Los Angeles Times, February 25, 2014

“Jeff Koons Talks Bronzes at the Frick Thursday Night,” Gallerist NY, April 23, 2014

“DIVIDE AND RULE,” Harper’s Bazaar Art Korea, April 2014

“Popeye nets an eye-popping $28 million,” The Economic Times, May 21, 2014

Carol Vogel, “A Jeff Koons Sculpture Is Coming to 30 Rock,” The New York Times, May 29, 2014

Jen Carlson, “Jeff Koons’s Massive Flowering Plant Coming To Rockefeller Center,” Gothamist, May 30, 2014

Leigh Silver, “Jeff Koons’ ‘Split Rocker’ Sculpture Is Coming to Rockefeller Center,” Complex Art + Design, May 30, 2014

Sarah Cascone, “Jeff Koons Brings a Giant Flower Sculpture to Rockefeller Center,” Artnet, May 30, 2014

Thomas Crow, “Jeff Koons: A Retrospecitve,” Artforum, May 2014

Jeff Koons,“Jeff Koons: Man of the Hour," W Magazine, June 2, 2014

“Whitney Museum Prepares For Massive Jeff Koons Retrospective Exhibition,” Artlyst, June 2, 2014

“Jeff Koons topiary-like sculpture coming to NYC,” Wall Street Journal, June 5, 2014

Carol Vogel, “Think Big. Build Big. Sell Big,” The New York Times, June 11, 2014

Alexa Tucker, “Jeff Koons Is Joining Forces With H&M,” Elle, June 12, 2014

Leah Melby, “H&M and Jeff Koons Are Collaborating (and There’s an Amazing Balloon Dog Bag Involved!)” Glamour, June 12, 2014

Sharon Edelson, “H&M Calls on Jeff Koons,” WWD, June 12, 2014

Alice Birrell, “You can buy a Jeff Koons for under $100 courtesy of H&M,” Vogue Australia, June 13, 2014

Emma Chong Johnston, “You can wear Jeff Koons’ Balloon Dog on a bag,” Elle Malaysia, June 13, 2014

David NG, “Jeff Koons strips for Annie Leibovitz in Vanity Fair,” Los Angeles Times, June 16, 2014

Jaime Lalinde, “How to Make a Koons,” Vanity Fair, June 16, 2014

Eileen Kinsella, “Charting Jeff Koons’s Sky-High Marke,” Artnet, June 17, 2014

“'Split-Rocker' by Jeff Koons Installed at 30 Rock,” Wall Street Journal, June 17, 2014

Jeff Koons, “’What Inspires Me Is Feeling’: Jeff Koons,” Art in America, June 18, 2014

Ellen Gamerman, “Jeff Koons Retrospective To Open at the Whitney,” Wall Street Journal, June 19, 2014

Ruth La Ferla, “Art, and Handbags, for the People,” The New York Times, July 23, 2014

Karen Garratt, “Jeff Koons: A Hubris Trickster Creating The Visually Grandoise,” Artlyst, June 24, 2014

Stephanie Murg, “Jeff Koons’ First Retrospective Debuts,” Gotham, June 24, 2014

Ula Ilnytzky, “Jeff Koons’ Whimsy Takes Over NYC Museum,” ABC News, June 24, 2014

Brian Boucher, “'I Believe In Not Making Judgments': The Jeff Koons Interview,” Art in America, June 25, 2014

Erik Maza, “Jeff Koons Anniversary Retrospective Opens at the Whitney,” WWD, June 25, 2014

Jerry Saltz, “Taking in Jeff Koons, Creator and Destroyer of Worlds,” New York, June 25, 2014

Nate Freeman,“Krowds, Kids and Ring-Kissing at Koons Kocktails,” Gallerist NY, June 25, 2014

Ruthie Friedlander, “Jeff Koons on 3D Printing, Selfies, and Cats,” Elle, June 25, 2014

Andrew Russeth, “Watch the Throne,” Gallerist NY, June 26, 2014

Ben Davis, “Jeff Koons as the Art World’s Great White Hope,” Artnet, June 26, 2014

Benjamin Sutton, “Jeff Koons’s Split-Rocker Rocks Rockefeller Center,” Artnet, June 26, 2014

Roberta Smith, “Shapes of an Extroverted Life,” The New York Times, June 26, 2014

Scott Indrisek, “All Aboard That ‘Great Koonsian Adventure,’” Blouin Artinfo, June 26, 2014

Stephanie Murg, “Jeff Koons’ Technicolor takeover of the Whitney Museum,” Wallpaper, June 26, 2014

Jonathon Keats, “Is Jeff Koons’ New Blockbuster Whitney Exhibit Better Than The Colbert Report?” Forbes, June 30, 2014

Laurence Lowe, “Jeff Koons, in His Own Words,” Details Magazine, June/July 2014

Violaine Binet, “King Koons,” Vogue Paris, June/July 2014

Adam Rathe, “Pop Shop,” DuJour Magazine, Summer 2014

Goutnikov Liucci, “Jeff Koons: une histoire de goût,” Les Cahiers du Musée national d’art modern, Summer 2014

Linda Yablonsky, “All Dogs Go to Heaven,” Artforum, July 1, 2014

“The world according to Jeff,” Economist, July 2, 2014

Ariella Budick, “Jeff Koons at the Whitney Museum,” Financial Times, July 4, 2014

Peter Schjeldahl, “Selling Points,” New Yorker, July 7, 2014

Richard Lacayo, “Show Me the Bunny: As he closes in on 60, Jeff Koons finally gets his really big show,” Time, July 7, 2014

Kate Sutton, “Jeff Koons’ Controversial Michael Jackson Sculpture: The Story Behind It,” Billboard, July 8, 2014

Mariapia Bruno, “Dossier – Con Jeff Koons il Whitney Museum saluta la sua sede di New York,” Tempi, July 10, 2014

Celia Shatzman,“Jeff Koons Is Curating An Exhibit At H&M’s Newest Store,” Forbes, July 15, 2014

Manami Fujimori, “Jeff Koons,” YomiTime, July 18, 2014

Lorna Hall, “The Whitney Pulls Out All the Stops for Koons,” Mind, July 23, 2014

Hal Foster, “At the Whitney,” London Review of Books, July 31, 2014

Ingrid Sischy, “Jeff Koons Is Back!” Vanity Fair, July 2014

Blake Gopnik, “Jeff Koons: A Genius from Day One,” Artnet, August 18, 2014

Gabrielle Lipton, “1992,” DestinAsian, August/September 2014

Allan Kozinn “A Virtual Jeff Koons Work to Grace Garage Magazine,” The New York Times, September 2, 2014

Nate Freeman, “Behold Garage Magazine’s New Cover Stars: Supermodels as Jeff Koons Bunnies,” New York Observer, September 2, 2014

Erin McCracken, “YorkArts gets huge response for trips to Jeff Koons retrospective in New York City,” York Daily Record, September 7, 2014

Allan Kozinn, “Koons Creating Sculptures for New Philanthropy Project,” The New York Times, September 8, 2014

Jed Perl, “The Cult of Jeff Koons,” The New York Review of Books, September 25, 2014

Michael Polsinelli and Sasha Burkhanova, “The Words,” Garage Magazine, Fall/Winter 2014

Carol Vogel, “A 36-Hour Jeff Koons Marathon at the Whitney,” The New York Times, October 2, 2014

Adam Fletcher “Four of our Favourite Fashion Designers Quiz Jeff Koons,” i-D, October 15, 2014

Simon de Pury, “Simon’s World: Svetlana Kuzmicheva-Uspenskaya and Jeff Koons Unite For Charity,” Artnet, October 21, 2014

Ann Binlot, “Jeff Koons Creates New Sculpture For Project Perpetual Benefit Auction,” Forbes, October 30, 2014

Ingrid Sischy, “Jeff Koons L’ART GONFLÉ,” Vanity Fair France, October 2014

Sonya Liu, “Art that Goes Pop,” Kempinski, Winter 2014

Bill Powers, “The Time Traveler Jeff Koons,” Muse, Fall 2014

Stephanie Green, “Jimmy Page and Jeff Koons Rock n’ Roll,” Huffington Post, November 4, 2014

Marshall Heyman, “Birkin Bags, Jeff Koons Art on the Charity Auction Block,” Wall Street Journal, November 10, 2014

Joséphine Bindé, “Jeff Koons trop cher pour les musées français,” Télérama, November 25, 2014

Charlotte Cowles, “Jeff Koons,” Harper’s Bazaar, November 2014

Joelle Diderich, J “H&M Celebrates Jeff Koons at Centre Pompidou,” WWD, December 10, 2014



Carol Vogel, "Record Prices and Some Duds," The New York Times, January 31, 2013

"Wynn Las Vegas Unveils Tulips by Renowned Artist, Jeff Koons," International Business Times, January 31, 2013

Cedar Pasori, "A Time-Lapse of Jeff Koons' 'Tulips' Sculpture Being Assembled at the Wynn Las Vegas (Video)," Complex Art + Design, February 2, 2013

Karanvir Singh, "Jeff Koons $33.6M Sculptural Masterpiece Tulips Illuminates the Wynn Theater Rotunda at Wynn Las Vegas," Born Rich, February 2, 2013

Tom Cooper, "Wynn Las Vegas Unveils the $33.6M Tulips Sculpture by Jeff Koons," Elite Daily, February 4, 2013

Crispin Sartwell, “I Yam What I Yam—But Is It Really Art?” Los Angeles Times, February 12, 2013

Hillary Clinton, "The Diplomacy of Art," Vanity Fair Magazine, February 2013

Bob Colacello, "How do you solve a problem like MOCA?" Vanity Fair, March 2013

Anna Russell, “Building on the Works of Its Artists,” Wall Street Journal, April 4, 2013

“The Naked Truth,” The New York Times Style Magazine, April 4, 2013

Judd Tully, “Johns, Koons, Other Stars Donate to Sotheby’s Sale to Benefit the Whitney,” Blouin Artinfo, April 5, 2013

Jeff Koons, “A Picture and a Poem: The Naked Truth,” Illustration to poem by Matthea Harvey. The New York Times, April 10, 2013

Benjamin Sutton, “Koons, Calle, JR, and More Design Deluxe Dinnerware for Bernardaud’s 150th Anniversary,” Blouin Artinfo, April 22, 2013

“Artists as Ambassadors,” MICA Justapositions, April-May-Summer 2013

"Jeff Koons Sticks With Gagosian for New Spring Exhibition," Artlyst, May 7, 2013

Jonathon Jones, "Jeff Koons: Art's King of Pop Reigns on at Gagosian,", May 7, 2013

Tracy Zwick, “Double-Barrel Frieze-Week Jeff Koons at Gagosian and Zwirner,” Art in America, May 10, 2013

Carl Swanson, "Jeff Koons Is the Most Successful American Artist Since Warhol; So What's the Art world Got Against Him?" New York Magazine, May 13, 2013, pp. 26-31, 84-85

Andrew Russeth, "'Jeff Koons: New Paintings and Sculpture' at Gagosian Gallery and 'Jeff Koons: Gazing Ball' at David Zwirner," GalleristNY, May 14, 2013

Ben Davis, “Reflecting on Jeff Koons’s Hollow Triumph in Chelsea,” Blouin Artinfo, May 17, 2013

Roberta Smith, "Gladiatorial Combat: The Battle of the Big," The New York Times, May 17, 2013

Katie Roiphe, “The Thinker: Bernard-Henri Lévy on Art and Philosophy,” The New York Times, May 31, 2013

Jerry Saltz, “Follow the Floating Blue Ball,” New York, June 3, 2013

Howard Halle, “Jeff Koons,” Time Out New York, June 7, 2013

Whitney Kimball, “Bigger Than Koons: A Review of Chelsea’s Double-Feature,” Art F City, June 7, 2013

Adam Lindemann, “Small Time: Revisiting Jeff Koons vs. Paul McCarthy,” Gallerist NY, July 9, 2013

John Yau, J “Why Jeff Koons Made Michael Jackson White,”, June 9, 2013

David Behringer, “A Closer Look at Jeff Koons,” Design Milk, June 18, 2013

Lindsay Talbot, “Jeff Koons Muses on Surrealist Rene Magritte to Celebrate MoMA’s New Exhibition,” Harper’s Bazaar, August 14, 2013

"Immaculate Collection," Stylist Magazine, August 29, 2013

Nate Freeman, “Popping Champagne with Jeff Koons, the Latest Dom Perignon Guest Designer,” New York Observer, September 11, 2013

Ken Miller, "Q. & A. Jeff Koons on His New Champagne-Filled Balloon Sculpture and the DNA of Art History," The New York Times Style Magazine, September 18, 2013

Susan Moore, “Jeff Koons’s Work Is Childish—Just Like Us,” The Spectator, September 28, 2013

Alison Gingeras, "Instant Classic: Alison M. Gingeras on Jeff Koons," Artforum, September 2013, pp. 145-146

Jason Edward Kaufman, “King of Kitsch,” BLACK CARD MAG, Fall 2013

Manami Fujimori, “Jeff Koons On Dom Pérignon Balloon Venus,” Art Techo, October 2013

Alan Neuhauser, “5,000-Pound Gorilla Sculpture Makes Gawkers Go Ape in Midtown,” DNAinfo, November 6, 2013

Jerry Saltz, “Saltz on Lady Gaga’s Jeff Koons Album Cover,” New York, November 7, 2013

Carl Swanson, “Lady Gaga’s Art Rave—a Pop Artist in Search of Something Bigger,” New York, November 11, 2013

Zack O’Malley Greenburg, “Lady Gaga’s ARTPOP Pop-Up Store: Art or Commerce?” Forbes, November 11, 2013

Daisy Wyatt, “Jeff Koons’ Balloon Dog sells for record $58m along with Francis Bacon’s Freud portraits,” The Independent, November 13, 2013

Kathryn Tully, “The Most Expensive Art Ever Sold at Auction: Christie’s Record-Breaking Sale,” Forbes, November 13, 2013

Steve King, "Portrait of an Artist – Jeff Koons," Vanity Fair, November 2013

Linda Yablonsky, “The Collections of Artists,” The New York Times Style Magazine, December 5, 2013



Jean-Pierre Frimbois,"Succes: 82 Lots Vendus sur 91," Art Actuel (France), January/February 2012

Lisa W. Foderaro, "High Line May Mix Past With Koons's Vision," The New York Times, March 26, 2012

“Jeff Koons,” W Korea, March 2012

Carol Vogel, “Before Whitney’s Move, a Koons Retrospective,” The New York Times, May 10, 2012

Melanie Grayce West, "Pooling Resources to Fight Child Abuse and Abduction," Wall Street Journal, May 24, 2012

Karin Nelson, “Cartoon Network,” W Magazine, May 2012

Abbie Fentress Swanson, "From Balloon Dogs to Puppets, Jeff Koons Teaches an Art Class," The New York Times, June 5, 2012

Amerilia Reynold, "Jeff Koons At Fondation Beyeler," Whitewall Magazine, June 5, 2012

Carlotta Loverni Botta, "Koons at the Fondation Beyeler," Vogue Italia, June 15, 2012

Rose-Maria Gropp, "Wie hlaten Sie's mit der Biologie, Mr. Koons?" Interview. Frankfurter Allgemeine, June 16, 2012

Lucy Davies, "Is Jeff Koons having a laugh?" Telegraph, June 18, 2012

Michael Hierholzer, "Jeff Koons in Frankfurt: Ein Gummidelphin aus Stahl," Frankfurter Allgemeine, June 19, 2012

Niklas Maak, "Jeff Koons in Frankfurt: Die Braut haut ins Auge," Frankfurter Allgemeine, June 19, 2012

Sarah Douglas, "Private Parts: At Basel's Beyeler Foundation, Jeff Koons Unveils, Explains New Work," Gallerist NY, June 19, 2012

Sarah Ersing, "Eine Ausstellung uber Götter und Gummitiere," Welt Online, June 19, 2012

"Jeff Koons. 'The Painter' and 'The Sculptor' Debut at Two Frankfurt Galleries," Review. Huffington Post, June 20, 2012

Sarah Thornton, "Divine Intervention," Artforum, June 22, 2012

Catherine Hickley, "Jeff Koons Fashions Venus's Buttocks In Shiny Steel,", June 24, 2012

Stephen Wilmot, "But is it art?" Financial Times, June 29, 2012

"Welcome to the Funhouse,” The American Visual Arts in China, Summer/Fall 2012

"Jeff Koons's New Sculptures: Sexy Contemporary Antiques," Economist, July 7, 2012, p. 76

Barbara Gärtner, “Summer of Jeff,” Architectural Digest (Germany), July/August 2012

"Immaculate Collection," Stylist Magazine, August 29, 2012

Roberta Smith, "The In-Crowd is All Here: 'Regarding Warhol' at the Metropolitan Museum," The New York Times, September 13, 2012

"Governor Cuomo Announces Team of Artist, Technical Experts, and Community Leaders to Help Select Final Bridge Design for Tappan Zee Project," Governor's Press Office, September 19, 2012

Thomas Kaplan, “Cuomo Seeks Artist’s Touch in Replacing Tappan Zee Bridge,” The New York Times, September 19, 2012

"Hermitage Museum Foundation & Phillips de Pury to Honor Jeff Koons, Erik Bulatov & Neil K. Rector," Hermitage Museum Foundation, September 25, 2012

“Sex Leben,” Vogue Germany, September 2012

Nicolai Hartvig, “‘It’s Somebody Having Sex’: Jeff Koons Bares the Subtext of His Art in Brussels,” Blouin Artinfo, October 15, 2012

Patricia Cohen, "Putting a Fresh Spin on the Familiar," The New York Times, October 26, 2012

Andrew Russeth, "A Penetrating Discussion: Jeff Koons Talks Picasso at the Guggenheim," Gallerist NY, October 30, 2012

Phillip Boroff and Katya Kazakina, "Warhol, Koons Defy Fiscal Cliff at Christie's Record Sale," Bloomberg Businessweek, November 15, 2012

"The ICA Boston presents the first major U.S. museum retrospective devoted to the art of the 1980s,", November 20, 2012

Mike Boehm, "Hillary Clinton Will Give Five Artists Medals for Embassy Art," Los Angeles Times, November 30, 2012

Naomi Campbell, "Jeff Koons," Interview Germany, November 2012

Naomi Campbell, "Jeff Koons," Interview Russia, November 2012

Belinda Luscombe, "10 Questions; Artist Jeff Koons," Time Magazine, December 10, 2012

"Contemporary artist Jeff Koons joins Pablo Picasso, Salvador Dali in wine label art club,", December 19, 2012

Dodie Kazanjian, "Studio Visit," Vogue, December 2012

Naomi Campbell, "Jeff Koons," Interview Magazine, December 2012/January 2013

Gini Alhadeff and portraits by Brigitte Lacombe, "New York Giants," Acne Paper,  Winter 2012

"Jeff Koons: Wie Wurde Der Kunstler Zum Konig des Pop," Monopol Spezial, 2012



Maria Puente, “Baby Boomers helped democratize art,” USA Today, January 1, 2011

“National Galleries of Scotland to unveil collection of Jeff Koons’ works in Artist Rooms,” List, January 3, 2011

Richard Cork,“Childish Things, The Fruitmarket Gallery, Edinburgh,” Review. Financial Times, January 4, 2011

James Hall, “Modern British Sculpture at the Royal Academy-review,” Guardian (London), January 15, 2011

Adrian Searle, “Modern British Sculpture: Empire of the Oddballs,” Guardian (London), January 18, 2011

Adrian Hamilton, “Sculpture, but not as we know it,” Independent, January 24, 2011

Scott Reyburn, “Warhol Self Portrait, Koons Bears Boost $116 Million U.K. Art Auction Test,”, January 24, 2011

“Jeff Koons: Winter Bears,” Christie’s A Private View, January 2011

Souren Melikian, “Buyers wonder: Will it stay steady over time?” International Herald Tribune, February 25, 2011

Paul Glader, "Boostein Medical Scans' Image," Wall Street Journal, February 2011

Barry Didcock, ““If Every Culture Gets the Art It Deserves . . . What Does the Success of Jeff Koons Tell Us About Ourselves? Interview with American Artist Jeff Koons,” Herald Scotland (Edinburgh), March 6, 2011

“Fastest work of art races past antiques and masterpieces at TEFAF Maastricht Arts and Antiques Fair,” Independent, March 7, 2011

Margaret Studer, “The Art World’s Yearly Pilgrimage,” Wall Street Journal, March 11, 2011

Emma Love, “Artists Celebrate 25 years of Beck’s Art Labels,” Independent, April 15, 2011

Carol Selman, “Artist-Phenomenon Jeff Koons Captures Montclair Art Museum Stage,” Montclair Patch, April 16, 2011

Kelly Crow, "The Auctioneer Holds Forth on Money, Desire and the State of the Art," The Wall Street Journal Magazine, April 2011, p. 13

“Ultimate Icon,” Sotheby’s At Auction, April 29-May 20 2011

Sarah Gunn, “Jeff Koons,” Journal (Edinburgh), April 2011

“Jeff Koons,” Central Plains Journal, May 5, 2011

Garry Maddox, "A Life’s Work," Sydney Morning Herald, May 7, 2011

Caroline Lagnado, "FEGS Honors Pop Artist Jeff Koons,” Jewish Week, May 24, 2011

Lydia Schmid, “Jeff Koons,” Elle Deutschland, May 2011, 140-142

Blake Gopnik, “The 10 Most Important Artists of Today,” Newsweek, June 13 and 20, 2011, pp. 56-65

Anny Shaw, “Jeff Koons: The Pain of Inflation,” Art Newspaper (Art Basel Daily Edition), June 16, 2011

"Jeff Koons: He Collapses The High and The Low," Newsweek, June 2011

Eleanor Antin, John Baldessari, Thomas Demand, and Jeff Koons, “In the Freewheeling World of the Mind: Ren. Magritte II,” Tate Etc., no. 22, Summer 2011, pp. 58–61

“In the Freewheeling World of the Mind,” Tate Etc., Summer 2011

"Jeff Koons Desire of Love," Monthly Joong-ang (South Korea), August 2011

Jordan Schultz, "For The Kids: A Vintage Sports Poster Exhibition," Huffington Post, August 2011

Pharrell Williams, “Jeff Koons’s Inspirations,” Interview. Harper’s Bazaar, August 2011, pp. 470–71

Sim Eunlog, "Jeff Koons," Joongang (South Korea), August 2011

Colin Gleadell, "Jeff Koons to lend works to new Old Master paintings in art fair in Paris," Telegraph, September 5, 2011

"American contemporary artist Jeff Koons to lend major works to Paris Tableau,", September 7, 2011

Jason Chow, "Pinault Collection Shows in Seoul," Wall Street Journal, September 7, 2011

Dan Duray, "Meet The Hawkers: Ben Stiller and David Zwirner Preview Their Haiti Charity Auction at Christie's," New York Observer, September 2011

Mike Vilensky, "Actors, Artists Aid Haiti," Wall Street Journal, September 2011

“Jeff Koons: Winter Bears,” Christie’s International Highlights, Winter/Spring 2011

Andrew Anthony, "The Jeff Koons Show," Guardian (London), October 15, 2011

Margaret Studer, "In With The Old in Paris," Wall Street Journal, October 21, 2011

Patrick Javault, "Le bon exemple: Jeff Koons," 20/27, no. 5 (2011), pp. 125-149

Rafael Quattrone, "Modernity and Art Field: living in a consumer world," Equipeco, 2011



David Ebony, "Fall Auction Totals Soar to Nearly $2 Billion," Art in America, January 2008, p. 37

Francesco Carrozini, "The Pop Couple. Jeff and Justine Koons," Text by Arturo Zampaglion. L'Uomo Vogue, January 2010, pp. 262-267

Sana, “Symbols Tell the Story,” Vogue (Japan), January 2010, pp. 22-23

Randy Kennedy, “The Koons Collection,” The New York Times, February 28, 2010

James F. Schlatter, “Jeff Koons at Gagosian,” Art in America, February 2008, 156- 157

“Jeff Koons the Top Selling Living Artist,” Harper’s Bazaar Men’s Style (Beijing Edition), February 2010, pp. 154-159

Roberta Smith, “Anti-Mainstream Museum’s Mainstream Show,” Review. The New York Times, March 5, 2010

Peter Schjeldahl, “Big Time: ‘Skin Fruit,’ at the New Museum,” Review. New Yorker, March 15, 2010, 78-79

Christian Viveros-Faune, “A Guide to Jeff Koons’s ‘Skin Fruit’ New Museum Sausage Party,” Village Voice, March 24, 2010

Ken Johnson, “Art in Review, Ed Paschke,” The New York Times, March 26, 2010

Linda Yablonsky, “Jeff Koons Curator’s Debut Features Candy Giants, Jesus: Review,”, March 29, 2010

Ben Lewis, “Into the Dustbin,” Programma, Spring 2010

Jonathan Shaughnessy, "Sex Sells: Art Publicity and Pop Life," Vernissage: The Magazine of the National Gallery of Canada, Spring 2010, pp. 17-20

Marisa Mazria Katz, "Abu Dhabi Art," Whitewall, Spring 2010

"Skin Fruit: Selections from the Dakis Joannou Collection," Paper 8 (Spring/Summer 2010)

Jon Mooallem, "The Love That Dare Not Squawk Its Name," Photographs by Jeff Koons. The New York Times Magazine, April 4, 2010, pp. 26-35, 44, 46

Jerry Saltz, “Less Than the Sum of Its Parts,” New York Magazine, April 5, 2010, pp. 58-59

Hannah Elliot, “Jeff Koons on BMW’s New Art Car,” Interview. Forbes, April 6, 2010

Katya Kazakina, “Koons’s BMW ‘Art Car’ to Run at Le Mans Endurance Race in June,”, April 6, 2010

Linda Yablonsky, “Artifacts: Jeff Koons, Car Painter,” The New York Times Style Magazine, April 9, 2010

Eric McCracken, “Farm was before Fame for Koons,” York Sunday News, April 11, 2010

Arielle Budick, “Ed Paschke, Gagosian Gallery, New York,” Financial Times, April 21, 2010

Setsuko Kitani, “The Star of Modern Arts Came to Japan!” Susumeru Pia [Japan], May 20, 2010

“Jeff Koons talks about Manet,” Yomiuri Newspaper (Japan), May 27, 2010

“Interview Jeff Koons,” Fondation Claude Pompidou La Lettre, May 2010

Joshua Mack, “Skin Fruit: Selections from the Dakis Joannou Collection,” Review. Art Review, May 2010, p. 121

“La folle voiture du roi du kitsch,” Le Parisien, June 2, 2010

John Carey, “Jeff Koons’ 500-hp BMW ART Car, The Raw Power of Art,” Motor Trend Magazine, June 2, 2010

Yuliya Popova, “PinchukArtCentre Inspires Crowds to Line up For a Look,” Kiev Post, June 3, 2010

Andy Priaulx, “Art Master Will Make Me Faster,” Sun (London), June 9, 2010

“Jeff Koons artwork graces Google homepage,” York Daily, June 10, 2010

“Mr. Koons, what’s interesting about Manet?” Brutus (Japan), June 15, 2010

Laurence Picot, with text by Lionel Robert. “Le Grand Vroom de Jeff Koons," Paris Match, June 17-23, 2010

Scott Reyburn, “Dealers Pushed Aside by Private Collectors as Art Prices Surge,” Bloomberg, June 20, 2010

“Contemporary Art Evening Auction,” Sotheby's At Auction, June 21-July 16, 2010

Lauren Viera, “Koons Art Eases Kids’ Fears at Hospital,” The Chicago Tribune, June 28, 2010

Maura Possley,“Artwork as a Way for Patients to Escape,” South Town Star (Chicago), June 30, 2010

Scott Reyburn, “Warhol Sells, Koons Painting Sets Record in $68.2 Million Sale,” Bloomberg, June 30, 2010

Hisashi Oguchi, “Manet and Modern Paris at the Mitsubishi Museum,” Bijutsu Techo (Japan) 62, no. 937, June 2010, pp. 178-179

"Pop (3)," Art Das Kunstmagazin, June 2010

“Koons: Back to Childhood,” Christie’s International Highlights, Summer 2010, pp. 54-55

"The Power of the Playful," Christie's A Private Review, Summer 2010

“El retorno del arte de BMW a las 24 horas de Le Mans,” Polo Empresas, Summer 2010

Setsuko Kitani, “The Star of Modern Arts Came to Japan!" Pia Ex (Japan), July 1, 2010

Souren Melikian, “Novelty Sets Cheerful Tone for Christie’s Contemporary Auction,” The New York Times, July 1, 2010

“RxArt Unveils works be Jeff Koons at Advocate Hope Children’s Hospital,”, July 5, 2010

Theresa Thompson, “Modern art at Waddeson Manor,” Oxford Times, July 29, 2010

David Baum, “Speed Im Blick,” GQ Germany, July 2010

Yayoi Kojima, “Jeff Koons meets Manet,” Spur, July 2010

“Jeff Koons Art Featured in Hospital CT Scan Room,” York Daily Record, August 23, 2010

Chris Mugan, “Koons and Co join the country set,” Independent, August 31, 2010

Margot Adler,"Rx Art For Hospitals: Just what the Curator Ordered,", September 30, 2010

Isabelle De Wavrin, “La Biennale électrise la capitale,” Beaux Arts Magazine, September 2010

Soline Delos, “Une Journée avec Jeff Koons,” Elle Paris, September 2010

E. L. Doctrow, "Theme and Variations: AMERICA: NOWANDHERE A Multimedia exhibition organized and curated by Eric Fischl," Aperture, Fall 2010

Peter Richter, "Art Car No. XVII by Jeff Koons," BMW Magazine, Autumn 2010

Peter Richter, "I ♥ Jeff Koons," BMW Magazine, Autumn 2010

Priya Rao, "Art Friends with Benefits," Wall Street Journal, October 8, 2010

Juliette Soulez, "Jeff Koons Plays with Popeye, Pool Toys, and Sexual Lobsters in Paris,", October 14, 2010

“Royal Academy of Arts Announces Jeff Koons as Honorary Member of the Royal Academy,”, October 14, 2010

Andrew Russeth,“The Blue Flower: How Jeff Koons’s 'Balloon' Sculpture Could Make History, Again, at Christie’s,”, October 29, 2010

Valerie Duponchelle, “Jeff Koons, quand l’art fait son show,” Le Figaro, October 29, 2010

James Gurney, “Gurney’s Guide to Art and Watches: An A to Z of High Art and High Watchmaking,” Vanity Fair on Time, October 2010

“The On Time Artists Portfolio,” Vanity Fair on Time, October 2010

Sarah Brown, "Kiehl's Goes Koons," Vogue, October 2010

Laurence Mouillefarine, “Jeff Koons, un roi. New York,” Le Figaro, November 5, 2010

Laurence Mouillefarine, “Jeff Koons Un Roi à New York,” Madame Figaro, November 6, 2010

Phillipa Kennedy,"Koons Coup for Students," The National, November 6, 2010

Phillipa Kennedy, "Portrait of the Artist," The National, November 7, 2010, pp. 1, 3

“Property From The Daimler Art Collection: Jeff Koons, Balloon Flower (Blue),” Christie’s A Season of Masterpieces, November 10, 2010

Judd Tully, “Ohhh…Christie’s Mints $273 Million in Contemporary Art Sale, and a Koons Balloon Does Alright,”, November 11, 2010

Emmanuel Granjean, “L’art contemporain, le nouveau luxe d’aujourd’hui,” Edelweiss Hors Serié Luxe, November 2010

"Looking and Learning," SchoolArts Magazine, November 2010

“The Power 100,” ArtReview, November 2010, p. 121

“Koons: Balloon Flower (Blue),” Christie’s Private View, November/December 2010

Pierre-Evariste Douaire, “Koons est gonflé,” Clark Magazine, no. 45, November/December 2010

Michael Kimmelman, “Culture of Recession? Or Vice Versa?” The New York Times, December 16, 2010

Lynn Hirschberg and Diane Solway; photograph by Patrick Demarchelier. “Family Values,” W, December 2010

Steel Stillman, “The Feature Story: Hudson is a discerning if unconventional dealer whose Lower East Side gallery inspires a loyal following,” Art in America, December 2010

Charlotte Burns, “Evidence Grows of Market Revival,” Art Newspaper, December 2010

“Celebration, Childhood, Colour, and Simplicity: Koons’s Balloon Flower (Blue),” Christie’s International Highlights, Winter 2010

Hugo Gasprad, “I Am What I Am,” alt., Winter 2010

"Gladiator of the Racing Track," BMW Classic Live Special Edition, 2010

"Ich Mochte Begehren Wecken," Weltkunst, no. 07 (2010)



Valerie Duponchelle, “Berlin, la capitale des artistes, fascine Paris,” Le Figaro, January 16, 2009, p. 31

Judd Tully, "Uneasy Street," Art+Auction, January 2009, p. 28

Bruce Millar, “Staff Cuts at Leading Auction Houses,” Art Newspaper, February 2009, p. 46

Adolfo Montejo Navas, "Another Aesthetic Mainstream," Lapiz, no. 250-251, February/March 2009, pp. 116-117

Franceso Bonami, “Art & Money,” Domus, March 2009, pp. 34-36

Gareth Harris, “President Sarkozy’s Pledges to the Arts,” Art Newspaper, March 2009, p. 18

Éric Troncy, “Jeff Koons, Cháteau de Versailles, 10 Septembre-14 Décembre 2008,” Frog, Spring/Summer 2009, pp. 38-45

Ezra Petronio,“Stella McCartney & Jeff Koons,” Self Service, Spring/Summer 2009, pp. 289-293

Dan Steadman, "As sure as Eggs is Eggs - The Emblem of Easter," Kudos Magazine, April 2009, cover, p. 30

Judd Tully, "Silver Linings," Art+Auction, April 2009

Marina Cashdan, “Jeff Koons,” Bluestocking, April-May 2009, pp. 47-48

Ben Hoyle, “Art’s Showman Makes a Crunch Debut with Images of Depression. Jeff Koons Exhibition in his First in Britain,” The Times (London), May 11, 2009, p. 15

Richard Dorment, "Rooms with Terrific Views," Daily Telegraph, May 12, 2009, p. 29

“Jeff Koons,” Paper Magazine (Greece), May 2009, cover

Craig Raine, "Looney Koons," Evening Standard, June 4, 2009

Raphael Bouvier “Jeff Koons und die Bildtradition,” Bazart Magazine, June 6, 2009, pp. 1, 13

Tim Teeman, “The Conversation: Jeff Koons,” London Times, June 13, 2009, p. 3

Tim Teeman, “From Popeye to Puppies: Jeff Koons Explains His Love of Outrageous Art,” Times (London), June 13, 2009

Adrian Searle, “Jeff Koons: Serpentine Gallery, London,” Review. Guardian (London), June 30, 2009

Carol Vogel, “Bidding Is Thin at Christie’s in London,” The New York Times, June 30, 2009

Chris Smyth, “Jeff Koons Puts Popeye on Display at Serpentine Gallery Exhibition,” Review. Times (London), June 30, 2009

Jessica Holland, J "Get animated about Koons' work," London Paper, June 30, 2009

Jonathan Jones, "Not just the king of kitsch," Guardian (London), June 30, 2009

“Koons’s Popeye Work Goes on Show,” BBC News, June 30, 2009

Mike Collett-White, “Koons, With Eye for Pop, Brings Popeye Show to UK,” Reuters, June 30, 2009

Claire Sacre, ed. "Elle Preview," Elle, June 2009

“François Pinault,” Interview. Whitewall, Summer 2009, p. 69

“Koons with a View,” Finch’s Quarterly Review, Summer 2009, pp. 1, 29

Sam Philips, "A real-eye popper," The Royal Academy of Arts Magazine, Summer 2009

Arifa Akbar, “Koons Brings His ’Toons to Town,” Independent (London), July 1, 2009

Farah Nayeri, “Jackson was ‘Contemporary Christ Figure,’ Says Koons: Interview,”, July 1, 2009

Ladder to Success,” Daily Telegraph, July 1, 2009, p. 2

MichaelGlover, "King of Comic Relief," Independent (London), July 1, 2009

Rachel Campbell-Johnson,"How do you like your lobster?" London Times, July 1, 2009, p. 14

Ben Lewis, "Popeye the Eye-Popper," Evening Standard, July 2, 2009, pp. 34-35

Ossian Ward, “Jeff Koons: Hello Sailor!” Time Out London, July 2, 2009, p. 20

Jamie Welham, "Playing with Popeye - and his inflatable friends," The West End Extra, July 3, 2009

Ossian Ward, “Jeff Koons: Interview,” Time Out London, July 3, 2009

Robin Blake, “Jeff Koons at the Serpentine Gallery,” Financial Times, July 3, 2009

Robin Blake, "After Happiness," Financial Times (UK & Ireland Edition), July 4, 2009

Charles Darwent, “Behind the Banality, Still the Big Questions,” Independent (London), July 5, 2009, p. 53

Charles Darwent, “Jeff Koons, Serpentine Gallery, London,” Independent (London), July 5, 2009

Richard Dorment, “Smile! It’s Jeff Koons,” Review. Daily Telegraph (London), July 5, 2009, pp. 1, 21

Waldemar Januszczak, “Jeff Koons’s First Large British Exhibition,” Sunday Times (London), July 5, 2009

Waldemar Januszczak, "Toying with us," Sunday Times, July 5, 2009

David Gates, “Finding Neverland,” Newsweek, July 13, 2009, cover

Martin Coome, "On The Surface," The Big Issue (London), July 13, 2009

Philip Hensher, “Jeff’s Giant Lobster Is a Red Herring,” Mail on Sunday, July 19, 2009

Anthony Haden-Guest, “Jeff Koons’ Destructive Impulses,” Interview., July 24, 2009

Jonathan Jones, "Opportunist or moral satirist?" Guardian (London), July 31, 2009

Todd Venezia and Rebecca Rosenberg, “Diamond in the Roof,” New York Post, July 31, 2009, p. 3

Liat Clark, "Pop Art Popeye," Matchbox (U.K.), July 2009, p. 56

Adrian Dannatt, “Pop Culture Meets Art History,” Art Newspaper, July/August 2009, p. 32

Colm Toibin, "Art Plastic Fantastic," Esquire, August 2009, p. 69

Peter Aspden, “Shiny Art, Happy People,” Financial Times, August 22/23, 2009, p. 3

“Contributors. 5x5x5,” Interview on cover design for 5th Anniversary issue. The New York Times Magazine, August 2009, cover, p. 80

Jeff Koons, Collectible cover by Jeff Koons. The New York Times Style Magazine, August 2009, cover

Laurent Dandrieu, “Koons squatte Versailles,” Valeur Acutuelles, September 24, 2008, pp. 74-75

"Feature: Gagosian Gallery," ppaper business, September 2009, no. 8, cover,  p. 4

Jeffrey Kastner, "In It to Win It," Artforum, September 2009

Mark Rappolt, "How does Jeff Koons do it to me?" ArtReview, September 2009, pp. 94-99

Marina Cashdan, “Sharing the Wealth,” Whitewall, Fall 2009, pp. 76-77, 80-81

“Day in Pictures,” BBC, October 8, 2009

“When It Come To the Crunch, This is Too Trite. Art: Pop Life,” City A.M., October 8, 2009

ChrisGreen, “‘Ello, ‘Ello, What’s Going on Ear Then,” Independent (London), October 9, 2009

“Giant Rabbit Lands in Covent Garden,” Morning Star, October 9, 2009, p. 3

“Hop Art. This is One Piece That Won’t be a Letdown,” Daily Telegraph, October 9, 2009, p. 11

A.M. Homes, “Popping Up. The Tate Modern’s Graphic Exhibition,” Vanity Fair, October 2009, p. 118

Candace Jackson, “When Art Goes Pop,” Wall Street Journal, October 2009

"Jeff Koons," Canvas Daily, Issue 2 (November 20, 2009), cover, pp. 6-7

"Clothes That Pop," Photographs by Chris Craymer. Glamour, November 2009, pp. 188-189

Dodie Kazanjian, “Dreaming the Landscape,” Photographs by Annie Leibovitz. Vogue, November 2009, pp. 216-219

“The Power 100,” ArtReview, November 2009, pp. 86-87

Sophia Money-Coutts and Jen Gerson, “Saadiyat is Capital’s New Cultural Hot Spot,” The National (Abu Dhabi), November 2009, 1

Glenn O'Brien, "Andy Lives!" Departures, November/December 2009, pp. 172-173

Jerry Saltz, “When the Low Went Very High,” New York, December 6, 2009, pp. 62-64

“Auction Reports,” Art Newspaper, December 2009, p. 50

Georgina Adam, “What’s On 12/2009,” Art Newspaper, December 2009, p. 68

Georgina Adam,“Abu Dhabi Art Proves a Brave, New World For Dealers,” Art Newspaper, December 2009, p. 52

Punch Hutton, “Art of the Deal,” Vanity Fair, December 2009, p. 118

Clarissa Tan, “From Pop to Pop,” Business Times, Christmas 2009, 10, pp. 18-22

Vidula Barton, “Jeff Koons,” Elle Decor, December 2008-January 2009, pp. 118-119

Anthony Haden-Guest, “Takeover Moscow,” Whitewall, Winter 2009, pp. 48-49

Toyoko Ito, "Animal Arthouse," Vogue Hommes Japan, vol. 3 (2009-2010), p. 110



Pilar Viladas, "Installment Plan," The New York Times, January 20, 2008

David Ebony, “Fall Auction Totals Soar to Nearly $2 Billion,” Art in America, January 2008, p. 37

John Dorfman, “Market: A Stumble, But No Crash,” Art & Antiques, January 2008

Jori Finkel, “Movers + Shakers: Leading LACMA,” Art+Auction, January 2008, p. 23

Judd Tully, “Auction Reviews: New York,” Art+Auction, January 2008, p. 102

Robert Pincus-Witten, Jeff Koons, and Haim Steinbach, “Passages: The Eyes Had It,” Artforum, January 2008, pp. 89-92

Robert Pincus-Witten, "The Eyes Had It: Jeff Koons and Haim Steinbach on Ileana Sonnabend (1914-2007)," Artforum, January 2008, pp. 69-74, 301

Thomas Von Wagner, "Generation Zeitgeist," Art, no. 1 ( January 2008)

Ken Johnson,"A Portrait of the Artist," The New York Times, February 8, 2008

Hunter Drohojowska-Philp, "Alas and Alack at LACMA,", February 13, 2008

Arifa Akbar, "(RED) campaign’s Auction Raises £21m for AIDS cause," Independent, February 16, 2008

Dan Bischoff, "When pop culture tributes become copyright infringements," Star-Ledger, February 16, 2008

Robert L. Pincus, "L.A. County Museum undergoes a ‘Transformation,’" San Diego Union-Tribune, February 17, 2008

Lee Rosenbaum, “L.A. Story with Broad and Piano,” Wall Street Journal, February 20, 2008, D7

Chris Haslam, "Art attack in Los Angeles," Times Online (London), February 23, 2008

“Kunst, bunt wie Bonbons! Berlin feiert Jeff Koons,” Bild Berlin-Brandenburg, February 26, 2008

"Britain Acquires Major Modern Art Collection," The New York Times, February 28, 2008

James F. Schlatter, “Jeff Koons at Gagosian,” Review. Art in America, February 2008, 156-57

Ken Johnson, "Gilded Curls Just Want to Have Fun," The New York Times, March 6, 2008

“Jeff Koons at Museum of Contemporary Art Chicago,”, March 18, 2008

James Panero, “An Old Master in Ruins,” New York, March 31, 2008, pp. 30-35, 91

John Varoli, “New Kids On The Bloc,” Art+Auction, March 2008, pp. 124-127

Judd Tully “Broad Implications,” Art+Auction, March 2008, p. 41

Martin Gayford, “Selling Candy to the Masses,” Apollo, March 2008, pp. 140-143

Paul Jeromack and Jason Edward Kaufman, “Jeff Koons’s Taste for the Classics,” Art Newspaper, March 2008, p. 1

Julia Reed, "Mi casa es su casa," Vogue Living, Spring-Summer 2008

Sarah Douglas, “Larry Gagosian and the art of the deal,” Economist, Spring 2008, p. 107

Susan Kirschbaum, “Dakis Joannou’s Secret House of Horrors. Candy for the Mind Under One Roof,” Whitewall, Spring 2008, pp. 98-112

Carol Vogel, “As Koons Prices Balloon, His Dallas ‘Flower’ Will Be Sold,” The New York Times, April 4, 2008, p. E27

Ken Johnson, "A Panoramic Backdrop for Meaning and Mischief," The New York Times, April 22, 2008, pp. E1, E5

Thomas Mulligan, “Via You Tube, it’s the Kalm Report,” Los Angeles Times, April 23, 2008, pp. E1, E6

Emily Hulme, "Met Adorns the View with Fun Sculptures. Koons Brightens Up the Roof," AMNY, April 25-37, 2008, p. 22

Daniel Schneider, “Art and Its Markets: Market Index, Jeff Koons,” Artforum, April 2008, pp. 310-311

Olav Velthuis, “Accounting for Taste,” Artforum, April 2008, pp. 304-309

Patrick McCaughey, "Taming the Monster," Apollo, April 2008, p. 30

Thomas Crow, “Historical Returns,” Artforum, April 2008, pp. 286-291

Carol Vogel, “A Colossal Private Sale By the Heirs of a Dealer,” The New York Times, May 12, 2008

Jim McClure, “York County native Jeff Koons' work raises question: But is it art? Part I,” York Daily Record, May 25, 2008

Nina Metz, “The Artist at Home,” Chicago Tribune, May 25, 2008

Charles Storch, “Koons exhibit offers viewing, spending opportunities,” Chicago Tribune, May 26, 2008

Laura Molzahn, “Consumer Art’s Heart Hangs Here,” Chicago Tribune, May 30, 2008, p. 20

Ruth Lopez, “Conversation: Jeff Koons,” Chicago Magazine, May 30, 2008

Jane Ure-Smith, “Banality That Bites,” Financial Times, May 31-June 1, 2008

“Koons, Artist of "Balloon Dog," Opens First Major US Exhibit After 15 Years,” Associated Press, Herald Tribune, May 31, 2008

Akemia Nakamura, “Artistic Hues,” Vogue Nippon, no. 105, May 2008, p. 143

"Auction Reviews," Art in America, May 2008, p. 102

Christian Schaernack, "Die Augen Der Thea Westreich," Architectural Digest (Germany), May 2008, pp. 124-128

Glenn O'Brien, "Eli Broad at LACMA," Interview, May 2008, pp. 26-27

Jason Edward Kaufman, “Contemporary Art “To Connect” to China,” Art Newspaper, May 2008, pp. 1,5

Jeffrey Kastner, "Jeff Koons: Museum of Contemporary Art," Artforum, May 2008, p. 168

Laura Allsop, Stephanie Cotela, and Jessica Green, "Consumed," ArtReview, May 2008, p. 42

“Lindemann’s Koons Goes to Ukraine,” Art Newspaper, May 2008, p. 44

Michael Duncan, “LACMA Sizes Up,” Art in America, May 2008

Alan Artner, “Koons Epitomizes All Talk and No Real Vision,” Chicago Tribune, June 1, 2008, pp. Section 7: 1, 7

Peter Schjeldahl, “Funhouse: A Jeff Koons Retrospective,” The New Yorker, June 9, 2008

Blake Gopnik, “Man From Mars Comes in Peace,” Washington Post, June 17, 2008

“Choc des cultures a Versailles,” Le Figaro, June 19, 2008, pp. 1, 28

Mike Argento, “Koons Isn’t From Mars, He’s From Dover,” York Daily Record, June 20, 2008, pp. 1, 3D

Jed Perl, “Postcards from Nowhere,” The New Republic, June 25, 2008, p. 37

Raphael Morata, "Jeff Koons: Le Nouveau Roi-Soleil,” Point de Vue, June 25-July 1, 2008, pp. 50-51

John Goodrich, “Salvador Dali’s Super-Reality,” New York Sun, June 26, 2008, pp. 1, 19

"14 Artists Reflect His Vision, and Dozens of Friends Remember Him," Interview, June/July 2008, pp. 110, 119

“Some Favorite Examples of Contemporary Artists Who Have Put Their Warhol On…” The Saatchi Gallery Magazine Art & Music, Issue 3 (Autumn 2008), pp. 26-27

"So wird's gemacht!" Monopol, June 2008, pp. 34-36

Rache Wolff, "A Few More Little Pieces," Artnews, Summer 2008, p. 39

Jerry Saltz, “Not Just Hot Air,” Review. New York, July 13, 2008, pp. 58-59

Susan Stramberg, "Jeff Koons Has a Ta-Da Moment in Chicago," NPR Morning Edition, July 25, 2008

"Kitsch = Kunst?" Kunst Stoff, July 2008, cover, p. 10

Sarah Douglas, “The New Custom of the Country,” Art+Auction, July 2008, p. 65

Bettina Von Hase, “The Boat That Koons ‘Camoflaged’ with Art,” Art Newspaper, no. 193 (July-August 2008), p.36

Marie-Pierre Nakamura, "USA: Jeff Koons," Art Actuel, no. 57 (July/August 2008), pp. 70-75

"King Koons," Elle (France), August 18, 2008, p. 93

Raphael Morata, "Jeff Koons: Un Artiste Barock," Point de Vue, August 28-September 3, 2008

Tom L. Freudenheim, “A Tarnished Jeff Koons,” Review. Wall Street Journal, August 30, 2008

Sylvie Gassot, "Jeff Koons: il Fait sa Revolution Pop Chez Louis XIV," Gala, August 2008

"Design & Society," Studio: Israeli Art Magazine, August-September 2008, p. 18

"Jeff Koons: Mickey-l'Ange Contemporain," Paris Match, September 3, 2008, pp. 77-79

Annick Colonna-Cesari, “De l’art ou du homard?” L’Express, September 4-10, 2008, p. 122

Bernard Genies, "Un artiste revolutionnaire," Challenges, September 4, 2008, p. 85

“Picasso, Mantegna, Koons: les grandes expositions de la rentree,” Le Figaro, September 4, 2008, pp. 1, 29, 30

“Expositions: Picasso a Paris, Koons a Versailles et Van Gogh a Marseille,” Le Monde, September 4, 2008, pp. 1, 27

Judith Huet Benhamou, "Le roi du kitsch trone a Versailles," Le Point, September 4, 2008, pp. 82-83, 84

Roxana Azimi, "Portrait: Jeff Koons," Le Journal des Arts, no. 286, September 5, 2008, p. 31

Carine Roitfeld, “7 Cardinal Scenes,” Vogue Hommes International, September 10, 2008, pp. 222-224

Matthieu Suc, "Jeff Koons bouscule Versailles," Le Parisien, September 10, 2008, p. 31

Valerie DuPonchelle, "Toute la planete reunie a Versailles pour Jeff Koons," Le Figaro, September 10, 2008, pp. 1, 28

Patrice de Meritens, "Un homard geant a Versailles, est-ce bien raisonnable?" Le Figaro Magazine, September 13, 2008

Jean-Max Colard and Judicael Lavrador. "L'impromptu de Versailles," Les Inrockuptibles, September 16, 2008, pp. 76-77

Raphael Morata, "Jeff Koons au Chateau de Versailles," Point de Vue, September 17-23, 2008

Jennifer Vogelsong, “How is That Art?” York Daily Record, September 19, 2008, pp. 1, 5A

Barbie Nadeau, "The Vatican Breaks Its Da Vinci Code," Newsweek Magazine, September 22, 2008, p. 71

Philippe Dagen, "Ancien-moderne: la choc," Le Monde, September 22, 2008, p. 12

"Jeff Koons a Versailles," Le Figaro Scope, September 24-30, 2008

Jim McClure, “York County native Jeff Koons' work raises question: But is it art? Part II,” York Daily Record, September 24, 2008

"Expositions Etats-Unis," Connaissance des arts, September 2008, p. 66

“Expositions Ile-de-France,” Connaissance des arts, September 2008, p. 46

Graham Bader, "Jeff Koons: Museum of Contemporary Art, Chicago,” Review. Artforum, September 2008, pp. 11, 448-49, 450-51

Isabelle De Wavrin, "L'entreprise Jeff Koons," Beaux Arts Magazine, September 2008, cover, pp. 110-115

"Jeff Koons a Versailles," French Elle, September 2008

Laurence Dreyfus, "Jeff Koons, Roi Soleil," L'Officiel, no. 928, September 2008, pp. 328-31

"Le Mois: Coups de Koons," Femmes, September 2008, p. 57

“Schlosshund,” Vanity Fair (Germany), September 2008, pp. 26-27

Sylvie Gassot, "Jeff Koons a Versailles: Provocation ou Revolution?" Paris Capitale, no. 134 (September 2008)

"Jeff Koons," Exporama, September/October 2008, p. 63

"Jeff Koons. Celebration," Kulturpur, September 2008-July 2009, p. 16

Jean-Pierre Frimbois, "Jeff Koons: son Pari a Versailles," Art Actuel, no. 58, September-October 2008, p. 6

Jacinto Lageira, "Celebration's Deception," Esse: Arts & Opinions, vol. 67, Fall 2009, pp. 7, 9

Michael Posch, “Kult und Mythos – ein Festival der Kunst,” Berline Morgenpost, Autumn 2008, p. 1

Sylvie Lambert, "Jeff Koons," L'Officiel Hommes, Fall-Winter 2008/2009, pp. 104-106

Michelle Grabner, “Jeff Koons: Museum of Contemporary Art,” Review. Modern Painters, October 2008, p. 113

Michael Houellebecq, "Jeff Koons," Art World, no. 7, October/November 2008, pp. 30-35

Ingrid Sischy, “Alla Coute di Re Jeff,” Photographs by Karl Lagerfeld. Vanity Fair, no. 40, October 8, 2008, pp. 244-254

“Rabbit in the Garden. Koons Artwork on Display,” Evening Standard, October 8, 2009, p. 25

“Rabbit at Rest Inflatable Plug for Tate,” Guardian, October 9, 2009, p. 13

Norbert Bisky, “Was macht die Kunst? (What Does Art Do?)” Vanity Fair, no. 46 (November 6, 2008), pp. 38-47

David Colman,“Jeff Koons,” Interview Magazine, November 26, 2008, pp. 118-123

Henri-Francois Debailleux, “Jeff Koons Interview,” Liberation, November 30, 2008, cover, pp. 28-29

Fabrice Bousteau, “Jeff Koons. Versailles. Pour finir avec la pol.mique,” Beaux Arts Magazine, no. 293, November 2008, pp. 158–59

“An Inside Peek at Artists Who Collect,” Art+Auction, November 2008, pp. 188-189

Maria Christina Tommasini, “Guilty,” November 2008, pp. 31-36

“The Power 100,” ArtReview, November 2008, p. 108

Cheyenne Westphal, “What to See This Month,” ArtReview, December 2008, p. 36

Irene De Waal, “Studio Jeff Koons, beeldend kunstenaar, New York,” Hollands Diep, December 2008/January 2009, pp. 108-111

Helianthe Bourdeaux-Martin, “Profile – Dominique Levy,” Whitewall, Winter 2008, p. 42

Matthew Simmons, "Art Star," Lifestyles Magazine, Winter 2008, pp. 20-30

Christopher Mooney, “Jeff Koons. Chateau de Versailles, Paris,” Review. ArtReview, December 2008, p. 131

Alexandra Karentzos, “Tiny-Kitsch Very Big," Querformat (Germany), 2008, pp. 36-37, 71

Charles Andrew, "Koons at Versailles," So Chic, 2008, p. 26

Ed Looram, “Wassup, Art World,” Tokion 2, no. 2, 2008, p. 24

Francesco Bonami, “Il Mondo Secondo, Jeff,” Panorama First, 2008, cover, pp. 112-118

Jesse Bratter, “Jeff Koons,” Florida Design, no. 3, 2008, pp. 230

Judith Huet Benhamou, "Le top 10 des artistes les plus chers de la planete," Le Point, Special Editiona FIAC, 2008, cover, pp. 4-5

Judicael Lavrador, “Jeff Koons: Un Baroque en Trompe-L’oeil,” Sculpture, Beaux Arts Editions, 2008, pp. 116-119

Laura Moure Cecchini, "Jeff Koons: La estetizacion del consumismo," Textofilia, no. 17 (2008), pp. 60-61

Virginia Shore, "Landscapes of the Mind," Collection of the United State Embassy, Beijing, China, 2008, p. 19



Paul McCann, “Private Viewing,” Photography by Gautier Deblonde. Wallpaper, January 2007, pp. 104-105

Gary Duehr, “Super Vision,” Artscope, January/February 2007, p. 10

Robyn Coffey, “Penetrating Transcendence: Interviews with Jeff Koons and Annie Sprinkle,” F Newsmagazine, February 2, 2007

Tom Christie, “This is not a very large train engine hanging from a crane at LACMA,” LA Weekly, February 2, 2007

Jori Finkel, “Koons Plans Dangling Engine (Smokin’!),” The New York Times, February 5, 2007

Ariane Grabher, “Marcel Duchamp ist unser Grobvater. Bei Jeff Koons wird der Betrachter im Kunsthaus zum Readymade,” Auflagenstaarkste Tageszeitung Voralbergs, February 17, 2007

Christa Dietrich, “Eben hineinstolpern ins Glück,” Vorarlberger Nachrichten (Austria), February 17, 2007, pp. A1, D7

Jeff Koons (Guest Editor), "Subject to Object; Penetrating Transcendence," Interview by Robyn Coffey. F News Magazine, February 17, 2007

“Streit um Laendersteuer,” Vorarlberger Nachrichten, February 17, 2007, cover, p. A3

Hans-Joachim Müller, “Immer schon kuhl bleiben: Hirst, Merz, Koons: ‘Re-Object’ im Kunsthaus Bregenz,” Frankfurter Allgemeine Zeitung, no. 44 (February 21, 2007), p. 37

“Neighbors,” York Daily Record, February 23, 2007, p. 4D

Bruce Hainley, “Magritte and Contemporary Art: The Treachery of Images,’” Artforum, February 2007, p. 301

Eileen Kinsella, “Koons Copy All Right,” Art in America, February 2007, p. 90

“Hai trifft Hulk,” Der Spiegel, Issue 8 (February 2007), p. 148

Robyn Coffey, “Subject to Object: Penetrating Transcendence,” F News Magazine, February 2007, p. 17

Christopher Hawthorne, “LACMA embraces L.A. Style,” Los Angeles Times, March 28, 2007, pp. E1, E7

“China’s ‘Art in America,'” Art in America, March 2007, p. 33

Tom McDonough, “Education of the Senses: Diller Scofidio + Renfro’s splendid new home for the Boston ICA explores the relationship between culture and sight,” Art in America, March 2007, p. 127

Cécilia Bezzan, “Jeff Koons: A propos du marché de l’art,” L’art meme (Brussels), n. 34 (2007, 1st Trimester), p. 11

Ingrid Sischy, “Jeff Koons’ World,” Taschen, Spring/Summer 2007, pp. 14-17

Jeff Koons, (Guest Editor) with Interview by Maria Chiara Valacchi, "Jeff Koons," Muse World Style (Italy), no. 7 (Spring 2007), p. 40-51

Maria Chiara Valacchi, “Jeff Koons,” Muse World Style, no. 7 (Spring 2007), pp. 40-51

Matthew Collings, "Lords of Creation," Artnews, Spring 2007, p. 88

“Pairs – Die Paare: Jeff Koons/Yan Pei-Ming/Emil Nolde,” Die Welt, Spring 2007, p. 2

Richard Burbridge, “Dress ART. One-Off Creations by Leading Designers and Artists,” AnOther Magazine, Spring/Summer 2007, pp. 174, 183

Marion Maneker, “Art Market “Shifts With Players Auctions,” New York Sun, April 10, 2007

Eva Karcher, "Die Venus von Willendorf war das Vorbild," Süddeutsche Zeitung, April 21 2007, p. 8

Calvin Tompkins,“The Turnaround Artist,” New Yorker, April 23, 2007, pp. 58-67

Christian Herchenroecker, “Kuenstler im Marktcheck,” Artinvestor, April 2007, pp. 46-57

“US Museum Acquisitions 2006,” Art Newspaper, no. 179 (April 2007), p. 20

Souren Melikian, “At contemporary sales, art seems beside the point,” International Herald Tribune, May 18, 2007

Anne Midgette, “Dangerous Curves Ahead,” Art+Auction, May 2007, pp. 178-185

Camilla Long, “Loony Koons,” Tatler 3, no. 5 (May 2007), pp. 11, 116-122

Eve Kahn, “Splendor in the Grass,” Art+Auction, May 2007, pp. 154-165

Gareth Harris, “Pinault trounces Guggenheim in battle to control Customs House,” The Art Newspaper, May 2007, p. 26

“Itinerary,” Review. Sculpture, May 2007, pp. 14-15

Michael Duncan, “The Art of Influence: Exhibitions in Santa Monica and Los Angeles—one comparing Guston and de Chirico, the other showing the impact of Magritte on recent artists—demonstrated a range of creative responses to previously under-appreciated forebears,” Art in America, May 2007, p. 172

Sarah Douglas and Katherine Jentleson, “The Night is Young,” Art+Auction, May 2007, p. 224

Laura Lazzaroni, “Jeff Koons,” L’Uomo Vogue, May/June 2007, front, back covers, pp. 214-221

Gaby Wood, “The Wizard of Odd,” Observer (London), June 3, 2007

Fisun Guner, “Step Inside the Weirdness of Koons’s World,” Review. Metro (London), June 8, 2007

Alastair Sooke, “Face to Face with the Incredible Hulk of American Contemporary Art,” Telegraph (London), June 9, 2007, p. 13

Sue Hubbard, "Art for Airheads and Loft-Dwellers," Independent (London), June 15, 2007

“Jeff Koons Exhibitions,” Wallpaper, June 19, 2007

Martin Gayford, “Jeff Koons Shocks with Porn, Awed by Art Prices,” Bloomberg, June 21, 2007

Neal Brown, "Monkeying Around," First Post Online, June 22, 2007

“Jeff Koons Do Kitsch a Arte,” Night & Style Magazine, June 2007, pp. 34-37

“Jeff Koons Model for Chicago Millennium Park Project Proposal,” Modern Painters, June 2007, pp. 94-95

Mark Rappolt, “Jeff Koons Power Up!” ArtReview, no. 12 (June 2007) pp. 14, 84-90

"Summer Quotes," Art+Auction, June 2007, pp. 6-7, 158

Daniella Walsh, “Jeff Koons: On Track,” Art and Living, no. 7 (Summer 2007), pp. 42-46

Edward Ashe, "Jeff Koons at the Gagosian Gallery, London," Art and Living, no. 7 (Summer 2007), p. 108


Jeff Koons, “Uberwl-Tigende Resonanz,” Kunsthaus Bregenz, July 6, 2007

Graeme Green, "60 Seconds: Jeff Koons," Metro, July 18, 2007

Jeff Koons, (Guest Editor). "60 Seconds: Jeff Koons," Interview by Graeme Green. Metro (London), July 18, 2007

“Critic’s Choice,” Review. Time Out London, July 25-31, 2007

“Die 90er,” Playboy Deutscher, July 2007, p. 68

Souren Melikian, Art+Auction, July 2007, pp. 41-46

Richard Feigen, “It’s Definitely a Bubble, But When It Will Burst is Anybody’s Guess,” Art Newspaper, no. 182 (July-August 2007), p. 28

Rob Sharp, “Koons: Complete, with the Kitsch in Synch,” Art Newspaper, no. 181 (July/August 2007), p. 55

“They Came, They Saw, They Spent over 1.5bn,” Art Newspaper, no. 182 (July-August 2007), p. 1

“Sexualle Spannung,” Der Staatsoper BILD (Vienna), September 3, 2007

“Warhols glanzvollster Nachfolger,” Die Presse, September, 3, 2007

Spiegler von Almuth, "Pop-Invasion zum Brullen," Dienstag, September 4, 2007

Carol Vogel, "A Giant ‘Diamond’ Is Up for Grabs," The New York Times, September 15, 2007, p. 37

Linda Sandler, "Jeff Koons ‘Blue Diamond’ for Sale at Christie’s New York," Bloomberg, September 15, 2007

Jennifer Vogelsong, "County Native’s Heart Sets Record,’" York Daily Record, September 15, 2007, pp. A1, A8

Dodie Kazanjian, "People Are Talking About Art," Vogue, September 2007, pp. 634-638

Philip Utz, “Catching up with Jeff Koons,” Numéro 6, September 2007, pp. 64-69

Scott Hart, "Jeff Koons," Art Itd, September 2007, p. 88

Bill Powers, “Interview with Jeff Koons,” Purple Fashion Magazine 3, no. 8 (Fall/Winter 2007)

Jeff Koons, Guest Editor, Interview by Bill Powers, Purple Fashion Magazine, no. 8 (Fall-Winter 2007) 

Michel Gauthier, “Tino Sehgal: la loi du live,” Les Cahiers du Musee National d’Art Modern, no. 101 (Autumn 2007), pp. 276-27

Stephanie Seymour, “Jeff Koons: Art Made in Heaven,” Whitewall, no. 7 (Fall 2007), pp. 120-143

Jackie Wullschlager, “The Shock of the Ordinary,” Financial Times, October 13, 2007

“The Artists Who Still Matter: Twenty living, working New Yorkers whose art changed art,” New York Magazine, October 15, 2007, pp. 40-41

Martin Herbert, “Pop Art Is…” Review. Time Out London, October 16, 2007

Charlotte Bonham-Carter, "Jeff Koons: Gagosian Gallery, London," Review. Flash Art 40, no. 256 (October 2007), p. 126

“From Bilbao: Blooming in Guggenheim," Casa Brutus, October 2007, p. 27

“Giants Face to Face,” Domus 907, October 2007, pp. 146-148

Jeff Koons, guest ed., “Jeff Koons: Profile, Head to Head with Stella McCartney, Artwork,” Wallpaper, October 2007

Josiah McElheny, “Readymade Resistance: On Art and the Forms of Industrial Production,” Artforum, October 2007, pp. 327-335

Julia Chaplin, “Jeff Koons: Profile, Head to Head with Stella McCartney, Artwork,” Wallpaper, October 2007, pp. 341–62

Michelle Kuo, “Industrial Revolution: On the History of Fabrication,” Artforum, October 2007, pp. 306-315, 396

Alastair Sooke,“Jeff Koons. Faccia a Faccia Con L’Incredible Hulk Dell’Arte Contemporanea,” Flash Art, October-November, 2007, pp. 110-113

Philippe Dagan, “Courbet: Suivez le guide Koons!” Le Monde, November 3, 2007, pp. 28-32

Carol Vogel, "Telltale Art," The New York Times, November 4, 2007, pp. A1, A21

Calvin Tompkins, “A Fool for Art. Jeffrey Detich and the exuberance of the art market,” New Yorker, November 12, 2007, pp. 64-75

Carol Vogel, "At an Enthusiastic Christie’s Sale, ‘One Million Dollars is the New Grand,’" The New York Times, November 14, 2007

David Segal, "Reflective Surface: There is More to Art Superstar Jeff Koons Than Meets the Eye," The Washington Post, November 14, 2007, p. C01

Angelika Heinick, "Agenten der Kunstler," Frankfurter Allgemeine Zeitung, no. 46 (November 18, 2007), p. 67

Sarah Schmerler, “Koons is a Balloon,” New York Post, November 20, 2007, p. 4

Roberta Smith, "A Bunny Balloon Sheds Its Steel Skin," The New York Times, November 23, 2007

“York County Needs a Koons,” Editorial. York Daily Record, November 28, 2007

Ann Landi, "The Top Ten Artnews,  Stories: How Jeff Koons Became a Superstar: Kelly Devine Thomas Tracked the Way an Artist Shaped His Own Career," Artnews 106, no. 10 (November 2007), p. 187

Johnathan T. D. Neil, "New York vs. London," ArtReview, no. 16 (November 2007), p. 70

John Varoli, "Billionaire Collector Unveils Hirst, Koons and Gursky," Art Newspaper 26 International Edition, no. 185 (November 2007), p. 3

Liam Gillick, "The Power 100, 2007," ArtReview, no. 16 (November 2007), p. 115

Linda Yablonsky, "The Studio System," Art+Auction, November 2007, pp. 192-199

“The Power 100,” ArtReview, no. 16 (November 2007), p. 11

Robin Cembalest, "The Artnews, Quiz," Artnews 106, no. 10 (November 2007), pp. 196-199

Jori Finkel, “L.A.’s Art House Director,” Departures, November/Decemeber 2007, pp. 200-202

Farah Nayeri, "Jeff Koons to Exhibit at Palace of Versailles Next September," Bloomberg, December 11, 2007

Annie Leibovitz, "Tate-à-Tête," Vanity Fair, no. 568 (December 2007), p. 305

Vicky Ward, “François Pinault’s Ultimate Luxury,” Vanity Fair (December 2007), pp. 222-231

Bela Borsodi, Photo for “The Connoisseur,” The New York Times Style Magazine, Holiday Winter 2007, pp. 40, 130

Leslie Camhi, “The Seer,” The New York Times Style Magazine, Holiday Winter 2007, pp. 206-209, 234

“Ai Weiwei,” Parkett, no. 81 (2007), p. 115

Hans-Jürgen Hafner, "Von Hegels instrumentellem 'Die Phantasie ist schaffend' zur Begründung der Kunst," Trouble With Fantasy (Germany), 2007

Tina Manaharpa, “The Pop Art,” Big Fish, 2007, cover, pp. 36-37

“Yan Pei-Ming/Emil Nodle/Jeff Koons,” Viseul, 2007, pp. 64-65, 108-109

Wascism (Japan) 22, 2007, p. 88



Mia Fineman, “My Big Fat Postmodern Wedding,” The New York Times Magazine, January 8, 2006, pp. Section 6, 72–75

Daniel Grant, "Koons Wins First Round of Photographer’s Copyright Suit," Artnews,  January 31, 2006, pp. 7-8

“Jeff Koons Fends Off Infringement Claim,” PDN News, January 2006, p. 21

Kelly Devine Thomas, “The Shoe Is on the Other Foot,” Artnews 105, Issue 1 (January 2006), p. 32

Robert Rosenblum, "Grounds for Reflection," House and Garden, January 2006

Anna Cryer, “Artists’ models,” Vogue, February 2006, p. 91

Sean Gleason, "The Chassis is Shaping Up Nicely,” Financial Times Magazine, no. 154 (February 2006), cover, p.  38

Jeff Koons, “Gretchen Mol: Portfolio by Jeff Koons,” Introduction by Alix Browne. The New York Times Magazine, March 12, 2006, pp. 55–63

Richard Johnson, “Page Six: Black and White, 06-Style,” New York Post, March 16, 2006

Kevin Nance, "Art Institute Gets a New Koons and She’s All Wet," The Chicago Sun-Times, March 24, 2006

Marc Spiegler, “The Art Market Can’t Crash and Why it Will Anyway,” New York Magazine, April 3, 2006, pp. 41, 43

Mary Corrigall, “Startling the World with the Unimportant,” The Sunday Independent, April 9, 2006

Carol Vogel, “At Spring Auctions, Big Names are Selling, and Being Sold,” The New York Times, April 27, 2006, pp. Arts1, 6

Gareth Harris,“New Life for Palazzo Grassi,” The Art Newspaper, April 2006, p. 24

Jane C.H. Jacob, “How an Artist’s Reputation Affects the Value of a Work of Art,” American Art Collector, no. 6 (April 2006), p. 55

Carly Berwick, “Sotheby’s Scales New Heights with Contemporary Sales,” New York Sun, May 11, 2006, cover, 15

Joshua Rhett Miller, “Just the beginning; Rebuilt 7 World Trade Center reopens at Ground Zero,” Metro, May 24, 2006, cover, p. 2

Architectural Digest Russia, no. 3 (May 2006), p. 58

Anouchka Roggeman and Karen Wright. “Koons on Koons,” Modern Painters, June 2006, pp. 64-71

Angela Vettese and Rita Capezzutto, "Palazzo Grassi S.p.A.-French Furor, Restyled by Tadao Ando the Historic Building in Venice has been Reopened Under the Chairmanship of Francois Pinault," Domus, no. 893, June 2006, pp. 54-57

Cheryl Kaplan, “Koons & McCartney,” Monopol, no. 3 (June/July 2006), 6, pp. 80-87

Jonathan Turner, "Where Are We Going?" Artnews, Summer 2006, p. 171

Luke Crisell, “Inside the Artists Studio,” Nylon Guys, Summer 2006, pp. 114-17

Martin Jörg Schäfer, “‘Fantasy Realism’: Rainald Goetz, Jeff Koons, and the Ethics of Pop Art,” Germanic Review 81, no. 3 (Summer 2006), pp. 255-68

Ken Johnson, “At P.S. 1, an Exhibition Focusing on the Shock of the Body in All Its Messy Corporality,” The New York Times, July 7, 2006

Dawn Weinberger, “Toying with Imagination,” USA Weekend, July 7-9, 2006, p. 10

Lucrécia Zappi, “O Rei do Neopop; o controvertido artista Americano Jeff Koons rejeita rótulo de kitsch,” Interview. Ilustrada (S.o Paulo), July 26, 2006, cover

“Auction Reviews - Postwar and Contemporary Art,” Art+Auction, July 2006

Souren Melikian, Art+Auction, July 2006, pp. 114-121

Tom Ford, “So Tell Me Jeff, What is Art?” Interview. Telegraph (London), August 6, 2006

Beaux Arts France, August 2006, cover

Cate McQuaid, “The eyes have it in super-sized show coming to the ICA’s new home,” Boston Sunday Globe, September 10, 2006, p. N4

David Ebony, “Auction Boom Continues Apace," Art in America, September 2006

Kelly Devine Thomas, "Say it with Flowers-or Gourds, Goat, Fur Cups, or Fried Eggs," Artnews 105, Issue 8 (September 2006), pp. 116-121

Michel Comte, “New York Gallery of Portraits,” L’uomo Vogue, September 2006, pp. 184-209, p. 96

Christos, “To Whim or not to Whim,” Cent, no. 8 (Fall 2006), pp. 18–19

David Ebony, “From “Raggedy Andy” to “Drella” – Warhol for TV," Art in America, October 2006, p. 41

Julia Yuan, “Party Lines,” New York Magazine, October 2, 2006, p. 22

“The $3.5 Million Broken Egg,” The New York Sun, October 12, 2006, cover page

Kurt Shaw, “1958: A Good Year for Art,” Pittsburgh Tribune-Review, October 15, 2006

Farah Nayeri, “Jeff Koons Recalls Cicciolina’s Pimples, Collects His Own Art,” Bloomberg, October 18, 2006

Julia Yuan, “Party Line,” New York Magazine, October 30, 2006, p. 30

Jean-Marie Dubois and Sylvie Gassot, “Voulez-vous…connaître Jeff Koons?” Paris Capitale, October 2006, p. 57

Marcia E. Vetrocq, “A Museum of His Own,” Art in America, October 2006, pp. 97-101

Skye Sherwin, “Shiny Happy Person: Jeff Koons,” ArtReview, October 2006, p. 20

David Bonetti, “Promising Portrait Show Will Open at Pulitzer,” St. Louis Post-Dispatch, November 2, 2006, cover

Gordon Burn, “A Life in Art: The Showman,” Guardian (London), November 10, 2006

Christopher Knight, "Magritte pipeline," The Los Angeles Times, November 18, 2006, pp. E1, E20

David Bonetti,“Face Painting, an Exhibit at the Pulitzer Foundation Looks at the Art of Portraiture,” St. Louis Post-Dispatch, November 26, 2006, F1, F5

Fabrice Bousteau and Barbara Soyer. “Le luxe en création,” Beaux Arts, November 2006, p. 90

Georgina Adam, "Power 100," ArtReview, no. 5 (November 2006), pp. 97-168, 115

J. J. Charlesworth and Ossian Ward, “The Power 100,” ArtReview, November 2006, pp. 55-13

Julie L. Belcove, “Koons World,” W, November 2006, pp. 312-18

Paola Dezza, “Guarda Come Volano,” VentiQuattro, November 2006, pp. 120-124

Ken Johnson, “The ‘Vision’ Thing: Inaugural ICA sets its sights on contemporary consciousness,” Boston Sunday Globe, December 10, 2006, pp. N18-19

Alexandra Peers, “Manhattan Beach,” New York Magazine, December 11, 2006, p. 20

“The Art Universe,” Vanity Fair, December 2006, pp. 340-341

Dave Hickey, “Jeff Koons: The Pop Heir,” Vanity Fair, December 2006, pp. 370-71

Eileen Kinsella, “Skate of the Art,” Artnews, December 2006, p. 42

Eileen Kinsella, “Koons Wins Case in Court of Appeals,” Artnewsletter, December 2006

Elizabeth Schambelan,“Best of 2006,” Artforum, December 2006, pp. 284-285

Melanie Gilligan, “On the Ground: London,” Artforum, December 2006, p. 257

Müller Von Hans-Joachim, “Wir sind Oberammergau,” Monopol, no. 6 (December 2006), pp. 40-54, 45

Jerry Saltz, "New York: The Ambassadors," Modern Painters, December 2006-January 2007, pp. 50-54

“Work in Progress,” Photography by Jason Schmidt. V Magazine 44, Winter 2006/2007, p. 56–57

Christopher Knight, "Let The Party Begin," Cartier Arts Magazine, no. 15. (2006), pp. 8-51

Corinne Dolle, “Basel Marvels,” Whitewall, Issue 3 (2006), p. 149

Eve Therond, “The Possessed: Interview with Francois Pinault,” Whitewall, Issue 3, (2006), pp. 63

Hans Ulrich Obrist, “Master Interviews,” interview with Jeff Koons and Hans Ulrich Obrist, translated. Modern Weekly Lifestyle, 2006, pp. 70-73

“Jeff Koons,” Inter'er + Dizain: Interior and Design (Russia), no. 9, 2006, pp. 117-119

“Jeff Koons,” Inter'er + Dizain: Interior and Design (Russia), no. 10, 2006, p. 22

Kevin Grady, “Jeff Koons: Supernatural Artist,” Lemon, no. 1 (2006), pp. 36-45

Tatjana Rosenstein,“Bad Boy der Kunstszene,” Art Investor, no. 3 (2006), pp. 50–58



Giancarlo Politi, ed., “Jeff Koons: An Interview by the Readers of the Flash Art,” Flash Art 38, no. 240, January/February 2005, pp. 84-91

Michael Musto, “Why the King of Pop will Moonwalk,” Village Voice,  February 9-15, 2005

Barbara Hein, “Der weltweit sch.nste Schein,” Art: Das Kunstmagazin, February 2005, pp. 32–39

Richard Lacayo, “How Does ‘80s Art Look Now?” Time, March 28, 2005, pp. 58-62

Jerry Saltz, “The Emperor’s New Paintings,” Village Voice, March 29, 2005

Ken Miller, “The Establishment: Jeff Koons,” Tokion, March/April 2005, pp. 6, 16, 38-41

Jeff Koons, “Who Paints Bread Better than Dalí?” Tate Etc., no. 3 (Spring 2005), pp. 98-99

Glenn McNatt, "Pop with No Apologies," The Baltimore Sun, April 9, 2005

Ken Johnson, “Eager Globe-Trotters Shrink the Art World,” The New York Times, April 29, 2005

Veronica Chow, “Jeff Koons – the King of Pop,” Harper’s Bazaar Hong Kong, April 2005, pp. 334-336

Felicia R. Lee, “A New Arts Foundation With a Focus on Creativity,” The New York Times, May 2, 2005

Carol Vogel, “Two Pop Beauties Face Off, and Warhol’s ‘Liz’ Wins,” The New York Times, May 11, 2005, p. B4

“Art & Fashion,” Vogue (Russia), May 2005, p. 85

David Anfam, “Flower Myth: Basel,” Review. Burlington Magazine 147, no. 1226 (May 2005), pp. 347–48

Kelly Devine Thomas, “The Selling of Jeff Koons,” Artnews 104, no. 5 (May 2005), cover, back cover, pp. 114-121

“End of the Week Report: Newest Art Sells Fastest,” The Art Newspaper Weekend Edition, June 18-20, 2005, p. 2

Takashi Murakami, “Kaibustu-Art/Art of Monster," Yomiuri Newspaper (Japan), June 27, 2005, p. 40

Marica E. Vetrocq, “Today Palazzo Grassi, Tomorrow….” Art in America, no. 6 (June/July 2005), pp. 49, 51

Edward Luce Smith, “Krens on the 20th Century,” Hermitage, no. 5 (Summer 2005), pp. 55-59

Kathryn Hixson, “Universal Experience: Art, Life, and the Tourist’s Eye,” Art on Paper, July/August 2005, p. 62

Harry Bellet, “La sexualit., c’est l’objet principal de l’art,” Le Monde, August 31, 2005

“Foire de Bale; la vlase des points rouges,” Beaux Arts, August 2005, p. 74-8

Philippe Piguet, “M/M (Paris): regard sur une collection,” L’Oeil, September 2005, p. 18

Stephen Drucker, “Geoffrey Bradfield,” Architectural Digest 62, Issue 9 (September 2005), 14, pp. 196-197

Alan Jones, “Portrait of the Artist at the Drawingboard,” Art on Paper, September-October 2005, pp. 52-57

Peter Nesbett, “Letter from the Publishe,” Art on Paper, September-October 2005, p. 8

Tim Griffin, “Method Acting: The Artist-Interviewer Conversation,” Art Journal 64, no. 3 (Fall 2005), pp. 70-77

Jonathan Ellis, “The Plastic Pink Flamingo: Consumption and the Identity in Post-War America,” The Collegiate Journal of Art, no. 2 (Fall 2005), pp. 58-67

Cathy Horyn, “In Paris, the Demure Suddenly Meets the Dangerous,” The New York Times, October 8, 2005, p. B8

Cheryl Kaplan, “Door to Door: A Visit to Jeff Koons’ Studio,” DB Artmag, no. 30 (October 2005)

Dave Beech, “The Art of Skil,” Art Monthly, no. 290 (October 2005), pp. 1-4

Pilar Viladas, “Tudor Revival,” New York Times Magazine, November 27, 2005, p. 83

Sales Preview, Art+Auction, November 2005, p. 212

Wendy E. Solomon, “Koons: The Artist Matures,” York Sunday News, December 10, 2005, pp. A1, A12

Annie Leibovitz, “The Wizard of Oz,” Vogue, December 2005, pp. 295-317

“Body Language,” Vogue, December 2005, pp. 313, 323

Dodie Kazanjian, “Body Language,” Vogue, December 2005, pp. 320–31

Julie Brener, “Those Lips, Those Eyes,” Artnews, December 2005, p. 40

Wolfgang Ulrich, “Beyond all Borders: Kitsch in Art,” 1895 The Swarovski Kaleidoscope, December 2005, pp. 22-23

Ben Wasserstein, “Jeff Koons’ Incredible Inflatable Hulks,” Photography by Craig Cutter. Vitals, Winter 2005, pp. 8, 32-33

Heinz Kaiser, “All is beautiful,” Kunst+Unterricht, 291 (2005), pp. 4-8

“Monument to Fashion,” Vogue (Greece), no. 61 (2005), pp. 191-215

“Translation [exhibition: June 23-Sept 18, 2005],” Le Journal (Paris), no. 8 (2005)



Lori Sears, “BMA Celebrates its 90th Year with ‘90 Free Hours,’”Baltimore Sun, January 1, 2004, p. 30T

Ann Landi, “Jeff Koons: Sonnabend,” Review. Artnews, February 2004, p. 110

Scott Turow, “Loyalty,” Collage by Jeff Koons. Playboy, January 2004, p. 104

Susan Freudenheim, “Romancing the Collector: Will There Be a Storybook Ending?” The New York Times, March 31, 2004, p. F1

Linda Yablonsky, “Jeff Koons,” Art+Auction, March 2004, 37-41

Jonathan Heaf, “Blow Up,” Pop, no. 8, Spring/Summer 2004, 28-32

Charlie Finch, “The Soul of the Koons Machine,” Artnet, April 14, 2004

“Art Stars: The Top 10 Best-Paid Living Artists,” The New York Sun, April 21, 2004, 15

Ken Johnson, “The Meaning, Beauty and Humor of Ordinary Things,” Review. The New York Times, April 23, 2004, E29

Adrian Dannatt, “Pop Art’s Shiny, Happy Person,” Interview. Art Newspaper, April 2004, 34–35

Alexandra Peers,“A $70 Million Kid,” Wall Street Journal, April 2004, pp. W1, W10

“Contemporary Art,” Art+Auction, April 2004, pp. 114-115

Germano Celant, “Jeff Koons,” Interni, no. 540, April 2004, 94–95

Julie Belgrove, “Modern Family,” W, April 2004, pp. 230-238

David Cohen, “From Critical Paranoia to Uncritical Banality: 100 Years of Salvador Dali and 25 of Jeff Koons,” New York Sun, May 13, 2004

Eleanor Heartney, “Jeff Koons at Sonnabend,” Art in America, May 2004, p. 155

Jill Conner, “Jeff Koons,” Review. Contemporary Magazine, no. 60 (May 2004)

“Chain Game,” Vogue, June 2004, p. 250

“Notable Prices,” Art Newspaper, Summer 2003-Summer 2004, pp. 36-37

Ingrid Abramovitch, “American Scene: This Month on the Design Beat,” House & Gardens, August 2004, p. 59

Dorothea Von Hantelmann, “Ik Beloof Je, Het is Performatief,” Metropolis M, no. 4, August/September 2004, pp. 75-80

Michael Lobel, “Preview: Jeff Koons, Astrup Fearnley Museum of Modern Art,” Artforum, September 2004, p. 130

“Banalite Et Attitude,” Espace Scultpure 69, Fall 2004, pp. 30-31

“Making the Most of Miami’s Art Scene,” Town & Country Travel, Fall 2004, p. 101

Jack Bankowsky, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall, “Pop after Pop: A Roundtable,” Artforum, October 2004, 166–75, 288, 292, 294, 296

Jessica Kerwin, “The Golden Greek,” W, October 2004, 364-375

Scott Rothkopf, “Screen Test: Jeff Koons’s Olive Oyl,” Artforum, 43, no. 2 (October 2004), 169-172

Matthew Barney and Jeff Koons, “Matthew Barney vs. Jeff Koons,” BlackBook, no. 35 (October/November 2004), 82–87

Alexandra Peers, “The Shock of the New MoMa: A Sign of Who’s In, Who’s Out,” Wall Street Journal Europe, November 19-21, 2004, pp. P1, P4

Edward Leveine, “The Curator’s Studio,” Artforum, November 2004, p. 37

Valentina Agostini, Artnet Arte (Milan), no. 5, November/December 2004, cover, pp. 64-72

“Don't Miss,” Art Review. Time Out New York, December 4-11, 2003, p. 66

“La Passion Selon Jerome de Noirmont,” Point de Vue, December 8-14, 2004, pp.72-73

“Best of 2004: 13 Critics and Curators Look at the Year in Art,” Artforum, December 2004, pp. 157, 168

Michaël Amy, “New York: Jeff Koons: C&M Arts,” Review. Sculpture, 23, no. 10 (December 2004)

Laurence Benaïm, “Atelier Jeff Koons,” Stiletto Paris, Winter 2004/2005, pp. 140-147

Stephane Dumont and Karl Eirik Haug, “Jeff Koons Gets a Lift,” Carl’s Cars, no. 69 (2004), pp. 22-25



Eric Troncy, “Le manège enchanté,” Les Inrockuptibles, no. 371 (January 8-14, 2003), pp. 38-42

Harry Bellet, “Jeff Koons sans carapace,” Le Monde, January 10, 2003

“Jeff Koons Son Kitsch Vaut Des Millions,” Paris Match, January 2003, pp. 3-5

Harald Fricke, “.berraschungsei für die Reeperbahn,” Die Tageszeitung, February 20, 2003

Jan Avgikos, “Jeff Koons: Sonnabend Gallery,” Review. Artforum, February 2003, p. 137

Jeff Koons, “Hotel Sweet,” Artforum, February 2003, p. 99

“Blattstickerei,” Architektur & Wohnen, February/March 2002, p. 110

Katy Siegel, “Jeff Koons Talks to Katy Siegel,” Artforum 41, no. 7 (March 2003), pp. 252-253, 283, cover

Joe La Placa, “The Candyman Can,” ArtReview, April 4, 2003, cover, pp. 48-53

Kirk Varnedoe, “Jeff Koons’s Rabbit,” Artforum 41, no. 8 (April 2003), p. 90

Homi K. Bhabha, “Making Difference: The Legacy of the Culture Wars,” Artforum, April 2003, pp. 73-76, 234, 237

Thomas Crow, “Marx to Sharks: The Art-Historical ’80s,” Artforum, April 2003, pp. 45-48, 51-52

Katja Engler and Martin Kopp. “Riesengummitiere über Hamburg,” Die Welt, May 2, 2003

Till Briegleb, “Koons am Bau,” Süddeutsche Zeitung, May 2, 2003

Hanno Rauterberg, “Dürftiges Gebaumel,” Die Zeit, May 8, 2003

David Rimanelli, “Jeff Koons: Museo Archeologico Nazionale,” Artforum, May 2003, p. 69

Gijs van Tuyl, “Eine glanzende Reisebar,” StadtAnshichten, no 8 (October 2003), p. 50

Katja Engler, “Natürlich bin ich traurig und entt.uscht,” Interview. Die Welt, August 2, 2003

Jerry Saltz, “Breathing Lessons,” Review. Village Voice, December 12, 2003

Donald Goddard, “Jeff Koons: What Art Is to Begin With,” Review., 2003



Alan Jones, “Jeff Koons,” Interview. Tema Celeste, no. 88/89, February 2002, pp. 60-61

Arthur C. Danto, “Cheerio to Cheerios,” Bookforum, Spring 2002, p. 10

“Jeff Koons,” Guest Designer of 5th Anniversary Issue. Francis Ford Coppola’s Zoetrope All Story, Spring 2002, cover, pp. 1-63

“‘lch wollte mich Schwein nennen’: der Preis des Banalen,” Neue Zürcher Zeitung, April 13, 2002

Chiara Mariani, “Pop Art: Scandaloso Koons,” La Repubblica delle Donne, no. 300, May 2002, pp. 88–94

Photographs by Michael Edwards, New York Times Magazine, August 29, 2002, p. 108

Christiane Hoffmanns, “Die Ikonen des Luxus,” Die Welt, September 15, 2002

Peter Bothum, “Briging It All Back Home,” York Daiy Record, September 24, 2002, pp. 1D, 3D

“Banalit.t ist der Erl.ser,” Süddeutsche Zeitung, September 25, 2002

Tyrrell, Melissa. “Koons Comes Home,” York Daily Record, September 26, 2002, pp. 1A, 7A

Mark Sanders, “Paul McCarthy,” AnOther Magazine Bi-Annual, Autumn/Winter 2002, p. 413

Jorg Buddenberg, “Und ewig schimmert das Lipgloss,” Die Tageszeitung, October 8, 2002

Carol Vogel, “Turnabout at Phillips in a Contemporary-Art Sale,” New York Times, November 12, 2002

Glenda Bailey, "Letter from the Editor," Harper’s Bazaar, November 2002, p. 34

Jay McInerney, “Just Like a Woman,” Harper’s Bazaar, November 2002, pp. 236-237

Adbusters, no. 44, November/December 2002

Harry Bellet, “Jeff Koons: la m.lodie du bonheur,” Le Monde, December 2, 2002

“Start in einen neuen Bilderstreit,” Art das Kunstmagazin, no. 12 (December 2002), cover, pp. 44-45

“Visiones sobre el Guggenheim," Arte, no. 46, December 2002, p. 39

Anselm Wagner, “Einfach übertrieben: Jeff Koons,” Interview. Frame (Vienna), no. 10 (2002), pp. 78–81

“Stephanie Seymour. Photographed by Juergen Teller,” Index, 2002, pp. 66-73



Hermann Pfütze, “Jeff Koons: Easyfun-Ethereal,” Kunstforum 153, January-March 2001, pp. 309-11

Elizabeth Hayt, “If You Wow Them, They Will Come,” The New York Times, February 2001, p. 35

David Bonetti, “A is for Art,” San Francisco Chronicle, March 13, 2001

Eric Troncy, “Déja Vu,” Les Inrockuptibles, no. 281 (March 13-19, 2001), cover, pp. 38-39

Suzanne Muchnic, “Can He Be Serious?” Los Angeles Times, March 28, 2001

Ingrid Sischy, “Koons, High and Low,” Vanity Fair, Photography by Todd Eberle, March 2001, pp. 38, 226-235, 270-277

Stefano Gualdi, “Profile: Jeff Koons,” Tema Celeste, no. 84 (March-April 2001), pp. 59, 90

Andrian Kreye, “Niemand muss sich für seinen Geschmack,” Interview. Süddeutsche Zeitung, April 6, 2001

Leah Ollman, “For Koons, It’s All About Packaging and Marketing,” Review. Los Angeles Times, April 6, 2001

Amanda Sharp, “Jeff Koons,” Interview, April 2004, p. 66

Jane Gang, “Honcho Talks to Jeff Koons,” Honcho, April 2001, pp. 70-71

Sarah Morris, “Like This Cherry,” Texte zur Kunst, no. 42 (June 2001), pp. 134–39

Suzanne Muchnic, “Jeff Koons: Gagosian, Beverly Hills,” Review. Artnews, June 2001, p. 134

“The World’s Top 200 Collectors,” Artnews, Summer 2001, p. 146

Christoph Doswald, “Vom Aktionismus zum Gigantismus,” Facts, July 12, 2001, p. 120

Elisabeth Mahoney, “King of Kitsch Turns to Oils and 40 Helpers,” Sunday Times (London), July 15, 2001

John Walsh, “Jeff Koons: All Cut Up,” Independent (London), July 15, 2001, pp. 13-15

Eva Karcher, “Pop-Art: Kiss Me Koons,” Der Tagesspiegel, July 18, 2001

“Für mich ist Pamela Anderson die zeitgen.ssische Verk.rperung der Venus,” Interview. SonntagsZeitung, July 22, 2001

Jorg Hontzschel, “Geburtstag bei Miss Piggy,” Süddeutsche Zeitung, July 23, 2001

Brian Hennigan, “Crown King of Kitsch,” The Scotsman, July 24, 2001, p. S2

Elke Von Radziewsky, “Herzblut für alle,” Die Zeit, July 26, 2001

Amber Cowan, “King Kitsch: Jeff Koons,” Times (London), July 28, 2001

Jeffrey Moira,  “When Art’s Too Cold for Comfort,” Review. Herald Scotland, July 28, 2001

Douglas Coupland, “Sweet Nothing?’’ Herald Scotland, July 29, 2001

Patricia Von Grzonka, “Puppy is Back,” Profil (Germany), July 2001, pp. 112-11

Eva Karcher, “Rückkehr des Provokateurs,” Bunte, August 2, 2001, pp. 88-89

Elisabeth Mahoney, “Pass the Sickbag,” Review. Guardian (London), August 7, 2001

Gert Gilewe, “Vergiss Cicciolina!” Abendzeitung, August 10, 2001, p. 15

Jack Mottram, “Junk Food Made Sleazy,” Herald Scotland, August 12, 2001

Alex O’Connell, “How Much Is That Doggy in the Window?” Times (London), August 15, 2001

Richard Dorment,“Finger-lickin’ good,” Review. Telegraph (London), August 15, 2001

Birgit Sonna, “Glanzlichter am laufenden Band,” Neue Zürcher Zeitung, August 17, 2001

Martin Gayford,“A Little Boy Who Loves Everything Art,” Telegraph (London), August 19, 2001

Claudia Spinelli, “Material Boy Jeff Koons meldet sich zurück,” Basler Zeitung, September 7, 2001

James Reginato, “Broad Strokes.” Photography by Todd Eberle. W Magazine, September 2001, 549-557, p. 600

Henry Alford, “October Fanfare,” Vanityfair, October 2001

Joe Fyfe, “Jeff Koons at Gagosian,” Review. Art in America, November 2001, pp. 155–56

Alan Jones, “Jeff Koons,” Interview. Tema Celeste, no. 88 (November-December 2001), pp. 34-39

Martin Gayford, “Jeff Koons on Roy Lichtenstein’s Untitled II (Brushstroke) (1996),” Interview. Telegraph (London), December 8, p. 200

“Potsdamer Platz, Tiergarten,” GQ, December 2001

Anselm Wagner, “Total Koonsum: Jeff Koons, Kunsthaus Bregenz,” Frame (Vienna), no. 9 (2004), p. 119



Calvin Tomkins, "An Eye for the New," New Yorker, January 17, 2000, pp. 54-64

“Jeff Koons: gouter,” Beaux Arts, no. 188 (January 2000)

Claus-Artur Scheier, “Kitsch – Signatur der Modern?” ZiF: Mitteilungen, February 2000, pp. 4-10

“‘Balloon Flower’ landet am Marlene-Dietrich Platz,” Der Tagesspiegel, February 2, 2000, p. 16

"Blaue Blume fur Berlin," Berliner Zeitung, February 12, 2000, p. 1

“Blaues Wunder,” Der Tagesspiegel, February 12, 2000

Christina Wedenburg, "Aufgeblasene. Luftballon-Kunst aus politiertem Stahl: Jeff Koons' 'Balloon Flower' am Potsdamer Platz," Berliner Morgenpost, February 12, 2000, p. 19

"Endlich blühts am Potsdamer Platz," Berlins Zeitung, February 12, 2000, p. 21

"Flower-Power am Potsdamer Platz," Berliner Zeitung, February 12/13, 2000, p. 25

Inken Witt, "Schillernde Riesenblume fur den Potsdamer Platz," Berliner Morgenpost, February 12, 2000, p. 42

Anita Wünschmann, “Frohlicher Massenartikel,” Berliner Zeitung, February 14, 2000

Belinda Grace Gardner, “Kampf gegen das schlechte Gewissen,” Die Welt, February 15, 2000

Alison Gingeras, “Jeff Koons: Sonnabend Gallery,” Review. Art Press, no. 254 (February 2000), pp. 12-14

Dave Beech,and John Beagles. “All You Need Is Love," Art Monthly, no. 233 (February 2000), pp. 1-4

Thea Herold, “Ist das nicht alles gigantischer Kitsch, Herr Koons?” Interview. Der Tagesspiegel, March 5, 2000

James Reginato, “Crafty Koons,” Photography by Todd Eberle. W, April 2000, pp. 396-402

Kevin Markey, “Change of Fortune,” Continental, April 2000, pp. 46-48

Silke Müller and Stefan Koldehoff, “Jeff Koons: ‘Was würde Picasso davon halten?’” Art: Das Kunstmagazin, April 2000, pp. 78-79

"Was wuerde Picasso dazu sagen?" Art, April 2000, pp. 78, 79

Alison Gingeras, “Easyfun: Superfici Opache,” Flash Art, April-May 2000, pp. 81-83

“Jeff Koons,” Interview. Intervista, no. 22 (April-May 2000), pp. 21-22

Jeffrey Deitch, “Jeff Koons Celebration,” Flash Art, April-May 2000, pp. 78-80

Marco Senaldi, “American Beauty,” Flash Art, April-May 2000, pp. 86-87

Marina Fokidis, “Vita: Istruzioni Per L’Uso,” Flash Art, April-May 2000, pp. 84-85

Carol Vogel, “Barkless Puppy in Tree’s Place,” The New York Times, May 12, 2000

Paula Scher, “Op-Art. Online Collecting Opportunities,” The New York Times, May 13, 2000

Laurie Attias, “Giant Koons Sculpture to Flower in Avignon,” Art+Auction, May 15, 2000, p. 38

Jeff Koons,“Dennis Hopper: Interview by Jeff Koons,” Interview, May 2000, p. 92

Shaila K. Dewan, “No Walking, Just Watering for This Puppy,” The New York Times, June 6, 2000

“Yorker’s Puppy,” The York Dispatch, June 6, 2000

Roberta Smith, “A New Dog in Town, Steel and Sprouting,” Review. The New York Times, June 8, 2000

Roberta Smith, “New York Welcomes a New Dog to Town,” York Sunday News, June 11, 2000, p. F6

Ariella Budick, “Fast Chat: Jeff Koons,” Interview. Newsday, June 17, 2000, p. D3

James,  “Kill the ‘Puppy’! Middle-class Taste Going to the Dogs,” Review. New York Post, New York Pulse, June 19, 2000, cover

Jerry Saltz, “Jeffersonian Koons,” Village Voice, June 20, 2000, p. 137

Deborah Solomon, “The Way We Live Now: Questions for Jeff Koons, Puppy Love,” Interview. The New York Times Magazine, June 25, 2000, p. 15

Peter Schjeldahl, “The Blooming Beast,” New Yorker, July 3, 2000, pp. 74-76

Jeff Koons, “Glücklich,” Süddeutsche Zeitung, July 11, 2000

Armelle Heliot, “Patiences et impatiences du jardinier des papes,” Le Figaro, July 15, 2000

Roberta Smith, “Stretching Definitions of Outdoor Sculpture,” Review. The New York Times, July 28, 2000

Andrew Graham-Dixon, "The Inflated World of Jeff Koons," Sunday Telegraph Magazine, September 17, 2000, pp. 14-16, 18

Jeff Koons,“Letters to the Editor,” Independent (London), September 18, 2000

Fiachra Gibbons, "Shock Art with Horror for All to Enjoy," Guardian (London), September 20, 2000, p. 7

"London Apocalypse-Beauty and Horror in Contemporary Art," Spiegel Reporter, September 2000, p. 141

Richard Polsky, “Art Market Guide 2000,”, October 5, 2000

Andres Mendiri, "Puppy es muy feliz en Bilbao," El Corre, October 22, 2000, p. 83

Carla Mülhens, “Jeff Koons: Tiefenforscher des Banalen,” Süddeutsche Zeitung, October 24, 2000

"VH1 - Fashion Award," International Herald Tribune, October 24, 2000, p. 10

Henrike Thomsen, “Mein Glaube an die Menschheit stand auf der Probe,” Interview. Spiegel Online, October 26, 2000

“Glaubt an mich!” Süddeutsche Zeitung, October 30, 2000

Roland H. Wiegenstein,“Gekochter Schinken, easyfun,” Frankfurter Rundschau, November 2, 2000

Harald Fricke, “Die Milch machts,” Die Tageszeitung, November 7, 2000

Guenter  Engelhard, "Die Phantasien der feinen Leute," Rheinischer Merkur, November 11, 2000, p. 19

Holm Friebe, “Wo der Gletscher kalbt,” Jungle World, November 15, 2000

Michael Wilson, “Whoops Apocalypse!” Art Monthly, no. 241 (November 2000), cover, p. 241

Florian Illies, “Ewig baumeln und ewig locken weibliche Waden: Jeff Koons im Guggenheim Berlin,” Frankfurter Allegemeine Zeitung, December 14, 2000

Jeff Koons,“Mein Traumland,” Die Welt, December 24, 2000

Christian Rattemeyer, “If You Get a Little Red on You, It Don’t Wipe Off,” Interview with Jeff Koons and James Rosenquist. Parkett, no. 58 (2000), pp. 36-41

James Rosenquist, “If You Get a Little Red on You, It Don’t Wipe Off,” Jeff Koons and James Rosenquist talked with Christian Rattemeyer. Parkett, no. 58 (2000), pp. 36-49

“Miraculum Helvum Magnum,” Parkett, no. 58 (2000)

Mireia Sentis, “The Importance of Being Banal,” Interview. International Art Magazine, year 6, no. 60 (2000), pp. 38-43

Peter Jones, “Uncanny Koons,” Art Criticism 15, no. 2 (2000), pp. 54-65



David D'Arcy, "The Art Frontier," Vanity Fair, February 1999, p. 100

"Art Folio," New York Contemporary Art Report, May-June 1999, pp. 97-107

Daniel Costello, "Are These Really America's Best Artists?" Wall Street Journal, July 30, 1999, p. W14

Lizzie Zucker Saltz, "Manufacturing Validity," Art Papers, July/August 1999, pp . 29, 31

Bertrand Lavier, "Qu'est ce qui est kitsch?" Beaux Arts, August 1999, p. 70

Ethan Lacroix,  "Takeout, a Sampling of the Best Things to see This Week," Time Out Magazine, September 20-23, 1999, p. 4

“Jeff Koons: Petal Pusher,” Conde Nast Traveler, September 1999, p. 214

Will Self, "The Red Who Got Into the Bed," Independent, October 10, 1999, p. 7

Dan Cameron, “International With Monument,” Artforum, October 1999, pp. 127-28

Carol Vogel, "Auction Sets Records for 18 Contemporary Artists," The New York Times, November 17, 1999, p. B6

Steven Henry Madoff, “Creative Chaos,” Time, November 22, 1999, pp. 97-98

Harry Bellet, "Voyage a New York Chez les Deux Colosses du Marche de l'Art," Le Monde, November 23, 1999, pp. 1, 31

Christian Viveros-Faune, "Koons Age," Review. New York Press, December 8-14, 1999, p. 26

Roberta Smith, “Jeff Koons: ‘Easyfun,’” Review. The New York Times, December 17, 1999

Stanley Abercrombie, "Revolution Design, 100 Years that Changed our World," Interior Design Magazine, December 1999, p. 188

Roger Scruton, "Kitsch and the Modern Predicament," City Journal, Winter 1999, pp. 94-95

Roger Scruton, "Urbanities,” City Journal, Winter 1999, pp. 82-95



Laurie Attias, “Jeff Koons: Jerome de Noirmont,” Review. Artnews, January 1998, p.142

Beth Landman Keil and Deborah Mitchell, “Intelligencer,” New York, March 23, 1998, p. 13

Laurie Attias, "A Kinder, Gentler Koons," Artnews, March 1998, cover, pp. 158-161

Adrian Dannatt, "The New Model Artist," The Independent Fashion Magazine, Spring 1998

David Bowie, "Super-Banalism and the Innocent Salesman," Modern Painters, Spring 1998, cover, pp. 27-34

"Teach Art," New Observations, no. 118 (Spring 1998), p. 13

Adrian Searle, “Arts Visual: All Played Out,” Review. Guardian (London), April 7, 1998, pp. 10-11

Alexander Smoltczyk, "“Bombastisch bunt: Die Riesenspielzeuge des Kitsch-Künstlers Jeff Koons,” Der Spiegel Kultur Extra, April 1998, pp. 6-13

Boris Hohmeyer, "Jetzt ist wieder Zeit fur Blumen," Art, June 1998, pp. 78, 85

Susanne Lingemann, "Heimkehr aus dem Spielzeugland," Art, June 1998, pp. 92-95

"Retrospeculative," Fascination (Hugo Boss), Summer 1998, cover, pp. 1-3

Hans Schuh, "Alkohol-Opium furs Volk," Die Zeit, July 2, 1998, p. 31

"Der Teppich als Kunstwerk: Blumen aus Hamelin," Frankfurter Allgemeine Magazin, August 14, 1998, p. 30

"The New Underworld," Interview Magazine, November 1998, p. 132

"Patrons of the Arts," LIMN, no. 3, 1998, p. 4



Ingrid Sischy, "The Cat is Out of the Bag," Interview, February 1997, pp. 90-95, 119

Tom Carson, “The Big Picture. Robert Hughes Climbs Out of the Jello,” Village Voice, June 17, 1997, p. 53

David Rimanelli, “It's My Party: Jeff Koons, A Studio Visit," Artforum 35, no. 10 (Summer 1997), cover, pp. 112-117

Helena Kontova and Giancarlo Politi. "Jeff Koons: Ten Years Later," Flash Art no. 195 (Summer 1997), pp. 102-108

Waldemar Januszczak, “Kitsch and Sink,” Sunday Times (London), July 10, 1997, pp. 14-15

Judith Benhamou-Huet, “Jeff Koons: De Wall Street au Pop Art,” Les Echos (Paris), September 12, 1997, p. 58

Alexandra Peers, "Unusual Sotheby's Deal Reflects Changing Art Market," Wall Street Journal,  September 15, 1997, pp. B1, B10

Michel Nuridsany, “Jeff Koons Superstar,” Le Figaro, September 23, 1997, p. 28

Alexandro Melo, "Les Enjeux d'une Collection Portugaise," L'Oeil, September 1997, p. 78

Nicolas Bourriaud, “Jeff Koons: Ingenieur du desire,” Beaux Arts Magazine, no. 160 (September 1997), cover, pp. 3, 42–49

Susan Kosor, "Mixed Messages. The Dannheiser Collection at MoMA Crosses Contemporary Art Borders," Downtown Resident, October 14-20, 1997, p. 28

Suzaan Boettger, "Partial Vision," Art in America, October 1997, p. 39

France Huser, “Jeff Koons l’Irr.v.rencieux,” L’Officiel, no. 820, November 1997, pp. 154–57

Ann Hindry, “Jeff Koons: Galerie J. de Noirmont,” Review. Art Press, no. 230 (December 1997), pp. 76–77

Peter Schjeldahl, "Funny Peculiar: Humor and Sculpture in Modern Art and After Minimalism," Sculpture, December 1997, p. 26

"La Collection Broad," Vogue (Paris), December 1997 - January 1998, pp. 207-208

"Oseuvres A l'Oeuvres," Photos by David LaChapelle. Vogue Paris, December 1997-January 1998, pp. 184-189

Keith Seward, “Frankenstein in Paradise,” Parkett, no. 50/51 (1997), pp. 69–72

Ruben Gallo, "Violencia," Trans 1/2, no. 3/4 (1997), pp. 42-43

Thyrza Nichols Goodeve, “Euphoric Enthusiasm: Jeff Koons’s Celebration,” Parkett, no. 50/51 (1997), pp. 88–92, 94, 99

Veit Loers, “Puppy, the Sacred Heart of Jesus," Parkett, no. 50/51 (1997), pp. 85-86

Vik Muniz, “Eternal Regress," Parkett, no. 50/51 (1997), pp. 61-63



Sharon Krum, “The Man Who Makes Giant Puppies,” The Australian Way, January 1996, pp. 42-44

Bruce Ferguson, "Everything That's Interesting is New," Flash Art, March/April 1996, pp. 108-109

Jeff Gibson, “Santa’s Little Helper: Sydney Hosts Jeff Koons and More,” Flash Art, no. 187, March/April 1996, p. 38

"What's New? The Dakis Joannou Collection 'Raise the Temperature,'" The Art Magazine, March-April 1996: pp. 36, 37, 93-94

Elizabeth Janus, “Everything That’s Interesting Is New: The Dakis Joannou Collection,” Review. Frieze, no. 29, June–August 1996, pp. 76–77

Ann Pasternak and Tibor Kalman, “Public Private: Art in Public Space,” BOMB, no. 56 (Summer 1996), pp. 48–55

Eve MacSweeney and Melanie Ward, “Pigs Might Fly…” Harper’s Bazaar, December 1996, pp. 168-177



Miranda Sawyer, “She Was a Porn Star, He Was an Artist, Their Greatest Work was Their Child, but Just Who Owns the Sculpture?” Observer, September 3, 1995, pp. 12-17

Val Pavlovic, "John Kaldor," Business Sydney (Sydney), September 18, 1995, p. 12.

Susan Wyndham, “Koons’s New Phase: Working the Dog,” National, November 24, 1995

Angela Bennie, “Happiness is a Flowering Dog,” Sydney Morning Herald, December 8, 1995

Wendy E. Solomon, "Koons: The Artist Matures," York Sunday News,  December 10, 1995, pp. A1, A12-A13

“Jeff Koons: Very New Art,” Bijutsu Techno 47, no. 700 (1995), pp. 150-151, 222-223

Charles Glass, “Made in Heaven, Banned in Britain,” Index on Censorship 24, no. 2 (1995), pp. 53–56



Jeff Koons, “The Blank Page,” Observer Magazine, January 16, 1994, pp. 26-27

“Great Grey Suits,” L'Uomo Vogue, no. 247 (January 1994), pp. 128-133

“La-La-Lady Killer is here w/Deee-Lite,” Project X, May 29, 1994, cover

Bill Tonelli, “The C-Note Project,” Esquire, May 1994, pp. 84-85

Peter Beaumont, “Koons Is Accused Over Kidnap of a Baby Snap,” The Observer, June 12, 1994, p. 8

William Packer, “Hung, but by Its Own Petard,” Financial Times, June 21, 1994, p. 17

Dalya Alberge, “Showman Presents Dazzling Display of Crafted Vulgarity,” Review. Independent (London), June 27, 1994

Geraldine Norman, “Showman Presents Dazzling Display of Crafted Vulgarity,” The Independent, June 27, 1994, p. 3

Sacha Craddock, “Galleries Choice: Selected London Exhibitions of Contemporary Arts,” Times (London), June 28, 1994, p. 33

Roger Bevan, “Jeff Koons Graces d’Offay,” Art Newspaper, June 1994, p. 38

Zoran Božović, “Jeff Koons: Želim da raščistim sa razlikom izmedu privatnog i umetničkog,” Interview. Moment 23/24, September/October 1994, pp. 42-4

Colors Magazine (Italy), December 1994-February 1995, p. 64



Stuart Morgan, “Deep and Low,” Frieze, no. 8 (January–February 1993), pp. 42–43

Godfrey Barker, “Jeff Koons Speaks Up," Daily Telegraph (London), February 8, 1993, p. 15

Robert Hughes, “The Princeling of Kitsch,” Review. Time, February 8, 1993, pp. 78-80

“In Short. The Jeff Koons Handbook,” Review. Entertainment Weekly, no. 157 (February 12, 1993), 51

Andrew Graham Dixon, “The Jeff Koons Handbook Book Reviews,” Publishers Weekly (New York) 240, no. 5 (February 1993), p. 86

D. S. Baker, “Jeff Koons and the Paradox of a Superstar’s Phenomenon,” Bad Subjects, no. 4 (February 1993)

ljsbrand Van Veelen, “Jeff Koons: Stedelijk, Amsterdam,” Review. Flash Art, no. 169 (March/April 1993), p. 110

Horst Vater, “Kunst der totalen Banalität,” Das Magazin, April 1993, pp. 54-57

Martin Bochynek, “Marketing als Kunst: Jeff Koons in der Staatsgalerie Stuttgart,” Artis: Zeitschrift für neue Kunst 45, no. 3 (March 1993), pp. 50–51

Alexander Braun, “Who’s Afraid of Jeff Koons? Who the Hell is Mr. Koons?” Artis: Zeitschrift für neue Kunst 45, no. 4 (April 1993), p. 82

David Littlejohn, “Who Is Jeff Koons and Why are People Saying Such Terrible Things About Him?” Artnews, April 1993, cover, pp. 90–94

Jan Avgikos, “All That Heaven Allows: Love, Honor and Koonst," Flash Art, no. 171 (Summer 1993), pp. 80-83

Wim Beeren and Manfred Schneckenburger, “Pro/Contra: Ist Jeff Koons ein wichtiger Kunstler von heute?” (Pro/Con: Is Jeff Koons An Important Artist of Today?) Art, nr. 8 (August 1993), pp. 44-47

Rosenblum, Robert. “Jeff Koons: Christ and the Lamb," Artforum 32, no. 1 (September 1993), pp. 148-49

David Lee, “American Art: The Good, the Bad, and Julian Schnabel,” Arts Review 45 (London) (November 1993), pp. 32, 39

Anthony Haden-Guest,  “A Collector’s Progress,” Art+Auction, December 1993, pp. 77-81

Pamela Haskin, “The Real Cliché,” Review. New Art Examiner 21, no. 4. (December 1993), pp. 16-19

Bill Stamets, “The Culture Critics,” The New Art Examiner, 21, no. 4 (December 1993), pp. 17, 19

Éric Amoroux, “Robert Rosenblum: The Jeff Koons Handbook,” Cahiers du Musée d´art Moderne, no. 45-46 (Winter 1993), p. 201

Lars Morell, “Jeff Koons Interview: The Political Value of Art,” Interview. Skala, no. 28 (1993), pp. 38–41



Daniel Pinchbeck, “Kitsch and Rich,” Sunday Times Magazine, January 12, 1992, pp. 28–34

Mark Stevens, “Adventures in the Skin Trade,” New Republic, January 20, 1992, pp. 29, 32

“Interview. Ilona Staller/Jeff Koons Zwischen Kitsch and Koitus,” Cosmopolitan (Germany), January 1992, pp. 3, 38-43

Jed Perl, “Art: Amateurs and Others,” New Criterion 10, no. 5 (January 1992), pp. 37-44

Elizabeth Hayt-Atkins, “Jeff Koons, Jeffrey Deitch,” Interview. Flash Art, no. 162 (January/February 1992), pp. 158–59

“Koons Opens Without Challenge,” Flash Art, no. 162 (January/February 1992), pp. 145, 176

Nicolas Bourriaud, “Figuration in an Age of Violence,” Flash Art, no. 162 (January/February 1992), pp. 87–91

Nicolas Bourriaud and Brian D´Amato, “Jeff Koons: Catch as Kitsch Can,” Flash Art, no. 162 (January/February 1992), pp. 124, 176

Robert C. Morgan, “Morality—American Style,” Review. Tema Celeste, January–March 1992, p. 118

Laura Cottingham, “Art & Thought,” NYQ, no. 14 (February 2, 1992), p. 36

Carol Vogel, “Koons May Leave,” The New York Times, February 14, 1992

Carter Ratcliff and Rhonda Lieberman. “Not for Repro,” Artforum 30, no. 6 (February 1992), pp. 82-86

Jo Anna Issak,“The Friends of Jeff Koons Fan Club,” Artforum 30, no. 6 (February 1992), p. 86

Jutta Koether, “Die Klasse der Cleveren,” Spex, February 1992, p. 77

Richard B. Woodward, “Jeff Koons: Sonnabend,” Review. Artnews, February 1992, p. 122

Jutta Koether, “Exit Art,” Artscribe, February/March 1992, p. 78

Jutta Koether, “Jeff Koons: Made in Heaven,” Artscribe, February/March 1992, pp. 78–79

Lucio Pozzi, “Jeff Koons e Cicciolina, erotismo alla saccarina,” Il Giornale dell´Arte (Rome), no. 97 (February 1992), p. 26

Sylvère Lotringer, “Immaculate Conceptualism,” Artscribe, February/March 1992, pp. 23-25

Peter Fleissig, “Kitschy Kitschy Koons,” City Limits, March 12, 1992, cover, pp. 3, 16-17

Lisa Russell, “Passages,” People Weekly, March 16, 1992, p. 81

Adrian Dannat, “The Field,” The Independent, March 23, 1992, p. 20

Annie Sprinkle, “Hard-Core Heaven: Unsafe Sex with Jeff Koons,” Arts, March 1992, pp. 46–48

Brooks Adams, “Jeff Koons at Sonnabend,” Review. Art in America, March 1992, pp. 117–118

“Interview. Des Mannes beste Seiten (The Man’s Best Side),” Esquire, March 1992, pp. 12-15

“Portraits of the Artists,” GQ, March 1992, pp. 206-207

Renato Barilli, “Jeff Koons,” L'Uomo Vogue, March 1992, pp. 128-133

Brett Ballard and Patrick Furse, “J.F..K The Story that Won’t Go Away,” G-spot, Spring 1992

Hilton Kramer, “New York Letter: The Anatomy of Warholism,” Modern Painters, Spring 1992, pp. 50–51

Martha Buskirk, “Commodification as Censor: Copyrights and Fair Use,” October 60, Spring 1992, pp. 82-109

Ronald Sullivan, “Appeals Court Rules Artist Pirated Picture of Puppies,” The New York Times, April 3, 1992, p. B3

Joan Altabe, “Courts to Artists: Knock It Off,” Sarasota Hearld-Tribune, April 12, 1992

Jed Perl, “Group Dynamics,” Art & Antiques, April 1991, pp. 91-92

“Kunst Kulture-Elle,” German Elle, April 1990, p. 98

Mira Schor, “Forensics: The Part for the Hole,” Tema Celeste, April-May 1992, pp. 30-31

Adam Gopnik, “The Art World: Lust For Life,” New Yorker, May 18, 1992, pp. 76-78

Hildegund Amanshauser, “Jeff Koons. Pornographic Scenes of A Normal Married Life,” Camera Austria International 29, May 1992, cover, pp. 36-45

Robin Cembalest, “The Case of the Purloined Puppy Photo,” ArtNews 91, no. 5 (May 1992), pp. 35-36

“Why I Wear What I Wear (Ein Genießer in Sachen Mode),” MännerVogue, May 1992, pp. 60-62

“Trouble in Heaven? A Tough Spring for Mr. Koons,” Flash Art no. 164, May/June 1992, pp.130–32

Sibylle Fritsch, “Putten, Puppies, Pornos,” Profil, June 9, 1992, pp. 72, 6

Martha Buskirk, “Appropriation under the Gun,” Art in America, 80, no. 6 (June 1992), pp. 37-41

Wolfgang Max Faust, “Die Kunst nach dem Tod der modernen Stile,” Art, June 1992, pp. 48-53

Arturo Schwartz,“Marcel Duchamp: The Great Inspirer,” Tema Celeste, Summer 1992, pp. 36-40

Roberta Smith, “How Much Is That Doggy in the Courtyard,” The New York Times, July 5, 1992, 27

Gabriella Montali, “Aspetto un Cicciolino e Per Lui Diventero Brava,” Oggli, July 6, 1992, p. 85

Nikkei, “Close-Up,” Trendy, July 1992, p. 186

Dan Cameron, “In A Clearing Stands a Boxer Documenta IX, The Hassle in Kassel,” Artforum 31, no. 1 (September 1992), pp. 86-87

Jutta Koether, “Puppy Logic,” Artforum 31, no. 1 (September 1992), 90

Peter Schjeldahl, “The Documenta of the Dog,” Art in America, September 1992, pp. 89–97

David Batchelor, “Almost Everything Is Available,” Frieze, no. 6, September–October 1992, pp. 35–38

Klaus di Batz, “Chi La Vuole Quell'euro-Sydney Per Intellettuali,” Arte in, September–October 1992, pp. 32–3

Carol Vogel, “The Art Market,” The New York Times, October 16, 1992

Joe Joseph, “Penetrating Art Dekko,” Times Saturday Review (London), October 17, 1992, pp. 23, 25

JamesHall, “They Call It Puppy Love,” Guardian (London), October 29, 1992, pp. 4, 5

Christian Kammerling, "Interview with Jeff Koons," Sueddeutsche Zeitung Magazin, November 13, 1992, pp. 32-38

Jeff Koons,“Baby & Eimer,” Süddeutsche Zeitung Magazin, November 13, 1992

Andrew Graham-Dixon, “In a Pig's Eye,” Review. Independent (London), November 10, 1992, p. 18

Susanne Weingarten, “König in Kitschland,” Der Spiegel, November 30, 1992, pp. 286-289

Kenneth Baker, “The Message in Koons’s Kitsch,” San Francisco Chronicle, December 10, 1992

Christopher Knight, “Jeff Koons: A Scrubbed New Life,” Los Angeles Times, December 14, 1992, pp. F1, F12

Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art : Das Kunstmagazin, December 1992, pp. 4, 52-62

“Love Parade,” Deutsch Vogue, December 1992, pp. 178-185

Antje Von Graevenitz, “Een kwestie van retoriek: De banalisering van de mythe in de hedendaagse kunst,” Archis (Amsterdam), no. 3 (1992), pp. 19–25

John Yau, "Jeff Koons at the San Francisco Museum of Modern Art,” 1992, p. 95



“Mitten ins Herz. Es Ist enttarnt: Die Cicciolina von dem weltberuhmten Kitschkunstler Jeff Koons wurde in Groden produziert, beim Art Studio Demetz,” FF Sudtiroler Illustrierte, no. 3/91 XII (January 1991), pp. 40-41

Paul Gardner and Kirk Varnedoe, “High & Low & Pro & Con & High & Overheard,” Contemporanea no 24 (January 1991), pp. 110-112

Demetrio Paparoni, “Saddam Hussein and the Bestiary of Art,” Tema Celeste, no. 29 (January-February 1991), p. 5

Pietro Bellasi, “Jeff and Ilona Exposed (Also) by Their Slasher,” Tema Celeste, no. 29 (January-February 1991), pp. 20–21

Robert C. Morgan, and Kirk Varnedoe, “‘High and Low’: What Makes Modern Art ‘Modern,’” Tema Celeste, no. 29 (January-February 1991), pp. 28–31

Tricia Collins and Richard Milazzo, "From Kant to Kitsch and Back Again," Tema Celeste, no. 29 (January-February 1991), pp. 76-80

Linda Van Nunen, “Loony Koons,” Studio, February 1, 1991, pp. 88-89, 170

Brian Wallis,“The Case of Copyrighted Canines,” Art in America, February 1991, p. 39

“An Evening with Jeff Koons,” The Smithsonian Associate, Vol. 18, no. 7 (March 7, 1990), cover, p. 12

Louise Baring, “The Broader Picture: Would You Adam and Eve It?” Independent on Sunday, March 31, 1991, pp. 32, 33

“America’s Top 100 Collectors,” Arts & Antiques, March 1991, pp.82-125

Jose Luis Brea, “The Poverty of Cynicism,” Artscribe, March/April 1991, pp. 32–35

Alessandra Mammi, “Nuove Tendenze. L neomoderni,” L’Espresso, May 26, 1991, pp. 26, 92-93

Rob Malasch, “Adam en Eva,” Parool, May 31, 1991, p. 1

Jeffrey Deitch, “L’Industria dell’Arte,” Flash Art (Italy) 158 (May/June 1991), pp. 72–75

Sylvere Lotringer, “Third Wave: Art and the Commodification of Theory,’’ Flash Art, no. 158 (May/June 1991), pp. 89–93

Walter Robinson and Anastatia Wilkes, “Spring Auction Report,” Art in America, June 1991, p. 167

James Lewis, “Beyond Redemption," Artforum, Summer 1991, pp. 71–75

“Spotlight. Ilona Staller and Jeff Koons, Budapest,” Flash Art, Vol 24, no. 159 (Summer 1991), p. 127

David Galloway, “ ‘Metropolis’: Crossroads or Cul-de-Sac?” July 1991, p. 47

Joni Miller, “Bourbon: Spirit of the South,” Connoisseur, July 1991, pp. 34-36

Constance L. Hays, “A Picture, a Sculpture, and a Lawsuit,” The New York Times, September 19, 1991, p. B2

Jonathan Yardley, “The Compromise of Art,” The Washington Post, September 23, 1991, p. C02

Paul Taylor, “The Art of P.R., and Vice Versa,” The New York Times, October 27, 1991, p. Supplement I, 35

Graydon Carter, “Vogue Arts. Head to Hollywood,” Vogue, October 1991, pp. 166, 168, 170

Johanne Lamoureux, “Art et inflation chez Jeff Koons,” Parachute 64, October 1991, pp. 18–21

Robert Hughes,“Wallowing in the Mass Media Sea Art,” Time 138, Issue 17 (October 1991), p. 102

Peter Plagens, “The Young and the Tasteless,” Newsweek, November 18, 1991, pp. 80-82

Michael Kimmelman, “Art in Review. Jeff Koons, Sonnabend Gallery,” Review. The New York Times, November 29, 1991, p. C28

Andrew Renton, “Objects for the Ideal Home. Serpentine,” Review. Flash Art, November/December 1991, pp. 136-138

Anthony Haden-Guest, “Art or Commerce?” Vanity Fair, November 1991, pp. 200-204, 254-259

Daniel Pinchbeck, “Kitsch and Tell,” Connoisseur no. 221, (November 1991), pp. 30-36, 124-26

Jack Bankowsky, “Slackers,” Artforum, November 1991, pp. 96-100

Steven Mannheimer, “Power Play,” New Art Examiner, November 1991, pp. 16-19

Janet Kutner, “Explicit sex is the latest in Koons' hype, kitsch,” Kansas Wichita Eagle, December, 8, 1991, p. 1F

Kay Larson, “Native Son,” New York Magazine 24 no. 48, December 9, 1991, pp. 80-81

Judd Tully, “Jeff Koons’s Raw Talent,”Washington Post,  December 15, 1991, p. 1

Paul Rimbali, “Arts Diary: Adam and Eve in Disneyland,” Guardian (London), December 19, 1991, p. 22

Timothy Cone, “Fair Use? Rogers v. Koons,” Arts, December 1991, pp. 25–26

Howard Jacobson, “The Bride Stripped Bare by Her Husband Already,” Interview. Modern Painters, Winter 1991, pp. 30–33

“Focus on the arts: The galleries become the new museum,” Alumnews, The magazine of the Wright State University Alumni Association 12, no. 13 (Winter 1991), cover, p. 1

Jeff Koons, “Why is David Lynch Important?” Parkett, no. 28 (1991), p. 156



Richard Johnson, “Bizarre Start for ‘90s On,” New York Post, January 3, 1990, p. 6

Andrew Renton, “Super Star,” Blitz, January 1990, pp. 52-59

Ingrid Sischy and Karen Marta, “Artist Linked to Porn Star,” Interview, January 1990

Jack Bankowsky, “New York. Ashley Bickerton,” Review. Artforum, January 1990, pp. 133-134

Brooks Adams, “‘Into the Words’ Thoughts on A Forest of Signs,” Art and Design New Art International 6, no. 1–2 (January–February 1990), pp. 43-47

Germano Celant, “Unexpressionism. Art Beyond the contemporary,” Art & Design New Art International 6, no. 1–2 (January–February 1990), pp. 31-39

Robert Rosenblum, “In Search of the New,” Art and Design New Art International 6, no. 1–2 (January–February 1990), pp. 7-13

Paul Gardner, “How to Succeed (By Really Trying),” Artnews, February 1990, pp. 134-37

Roberta Smith, “Extremes of Sculpture in 3 Burce Nauman Shows,” Review. The New York Times, March 16, 1990

Kim Levin, “Marlborough Man,” Village Voice, March 1990, p. 99

Ralph Novak,“The Indomitable Spirit,” People, April 2, 1990

John Peter Nilsson, “Don’t Worry, Be Happy!” Interview. Siksi, April 5-7, 1990, pp. 5-7

N.N. “Jeff Koons,” Elle Deutschland, April 1990, p. 98

Sarah Morris and Remo Guidieri, “Jeff Koons,” Interview. Galeries Magazine, April 1990, pp. 126-133

Sophie Schwarz, “Kunst,” Miss Vogue (Germany), April 1990, p. 30

Achille Bonito-Oliva, “Aini L’etat de l’art (Et De La Critique Aussi),” New Art International, April-May, 1990, pp. 19-31

“Pop Art. Jeff Koons, 34, is America’s hottest pop artists since Andy Warhol,” The New Paper, May 11, 1990

Amei Wallach, “At the Biennale. The Art Controversy Extends to Venice,” Newsday, May 24, 1990

Michael Kimmelman, “Venice Biennale Opens with Surprises,” Review. The New York Times, May 28, 1990

Andrew Graham-Dixon, “Chaos on the Canals,” The Independent, May 29, 1990

John Miller, “The Weather is Here, Wish You Were Beautiful,” Artforum, May 1990, pp. 152-59

Philip Rylands, “Where the Makers and Movers of the Art World Come by Land and Water,” May 1990

Howard Jacobson, “La Serenissima is now la pseudissima,” Sunday Correspondent (London), June 1, 1990

John Russell Taylor, “Architectural Straws in the Wind,” Times (London), June 1, 1990

Hilary Robinson, “But Some are More Equal Than Others,” Independent (London), June 3, 1990

Richard Huntington, “Art in Venice. A World of Artists and an Exposition Full of Suprises,” Buffalo News, June 3, 1990, pp. G1, 64

“Three Paintings by U.S. Artist Slashed,” Miami Herald, June 3, 1990

Amei Wallach, “What’s Happening Next. The signal out of the Venice biennale is: Tighten your seat belts, the rules have all changed,” Newsday, June 4, 1990

Richard Cork, “The Far-Out Pavilions. Word-blitzes and banality at Venice’s Biennale,” Listener (London), June 7, 1990

Didier Arnaudet, “Des pratiques de I’objet dans l’art des 80: apparences, metaphores et empreintes,” Colóquio Artes 85, June 1990, pp. 54–61

Rachel Laurent, “Objets Manipulés avez-vous donc une âme,” Objets Dossier, June 1990, pp. 44-47

Jean-Francois Chevrier, “A World Gone Haywire,” Galeries Magazine, June-July 1990, p. 5

Robert C. Morgan, “Jeff Koon,” New Art International, June-July 1990, pp. 44-45

Andrew Renton, “Jeff Koons: I Have My Finger on the Eternal,” Interview. Flash Art, no. 153 (Summer 1990), pp. 110-15

“Book. OBJECTives: The New Sculpture,” Review (Book). Artscribe, Summer 1990, p. 95

James Hall, “Profound Pope of Neo-Pop,” Interview. Sunday Correspondent (London), July 15, 1990

Hilton Als, “Def in Venice. Fear and Loathing at the Biennale,” Village Voice, July 17, 1990, pp. 41-43

Martin Gayford, “How the Rot Set in with Pop Art,” Daily Telegraph (London), July 24, 1990

“Biennale 90. Amerika verkauft sich am besten,” Art, July 1990, pp. 28-29

Carlo Pizzati, “Cicciolina nel letto degli dei,” Chorus, July 1990, pp. 76-83

Charlotte Low Allen, “Lawsuit Ask if Art is More Than Tales of Puppies,” Washington Times, August 3, 1990, pp. E1, E8

Charlotte Low Allen, “Dog-eat-dog Case of Artistic Rights,” Insight, August 6, 1990, pp. 54-55

Geraldine Norman and Edward Lucie-Smith, “Myths, Money, and the New Art,” The Independent, August 11, 1990

Jason Edward Kaufman, “Money Creates ‘Taste’: An Unfortunate Truism,” New York City Tribune, August 16, 1990

Andrew Renton, “Art. Andrew Renton on the 44th Venice Biannale,” Blitz, August 1990, pp. 24-25

Dodie Kazanjian, “Koons Crazy,” Vogue, August 1990, pp. 33-43, 384-85

Andrew Renton, “Jeff Koons and the Art of the Deal: Marketing (as) Sculpture,” Performance, September 1990, pp. 18-29

Bojana Pejic, “What Will Become of Our Sensitive Skin,” Artforum, September 1990, pp. 120-137

Christian Leigh, “Pop Goes the Biennali,” Contemporanea, September 1990, pp. 88-91

Dwight V. Gast, “Venice Biennale,” Art+Auction, September 1990, p. 108

L. Cab,“Tra polemiche e scandali, assegnati i premi della Biennale. I Leoni d'oro all'italiano Anselmo, ai tedeschi Becher e all'americana Holzer,” Arte, no. 210, (September 1990), p. 30

Mariuccia Sprenger, “Kitsch Und Eitelket,” artis, September 1990, pp. 36-39

Michael Tarantino, “Gone Soft?” Artforum 29, no. 1 (September 1990), p. 137

Peter Schjeldahl, “Venice Anyone? This year’s Biennale belongs to the American,” Mirabella, September 1990, pp. 88-89

Wolfgang Max Faust, "Aufstand gegen den guten Geschmack," Art, September 1990, cover, pp. 34-36

Jan Avgikos, “Other Relations,” Artscribe, September-October, 1990, pp. 68-71

Jeff Rosen, “America’s obscenity test lacks serious value. ‘Miller’ Time,” The New Republic (Washington, D.C.), October 1, 1990

Peter Schjeldahl, “Meaning Nothing.” Review of The Last Decade. American Artists of the ‘80s," Village Voice, October 2, 1990, 170

“Pop Stars,” WWD, October 5, 1990

Roberta Smith, “High and Low Culture Meet on a One-Way Street,” The New York Times, October 5, 1990, pp. C1, C25

Robert Kenner, “The New Shock,” Art and Antiques, no. 7 (October 7, 1990), p. 33

Peter Schjeldahl, “In Your Eye,” 7 Days, October 10, 1990, pp. 70-71

Peter Plagens, “MoMA Takes the Low Road,” Newsweek, October 15, 1990, 72

Michael Kimmelman, “‘High and Low’ Misses the Ins and Outs,” Review. The New York Times, October 21, 1990

Robert Hughes, “Upstairs and Downstairs at MOMA,” Time Magazine, October 22, 1990, pp. 94-95

“Sotheby’s Le 5 November Conference de Jeff Koon,” La Tribune de Geneve (Geneva), October 30, 1990

Achille Bonito-Oliva, “Neo-America," Super Art, October 1988, pp. 4, 46, 109

Andrew Renton, “Venice Biennale. End Era,” Flash Art, October 1990, pp. 136-137

Marcia E. Vetrocq, “Vexed in Venice,” Art In America, October 1990, pp. 152-163

Nicholas Jenkins, “Kirk Varnedoe. High, Low, Hot + Cool,” Artnews, October 1990, pp. 164-167

Philip Jodido, “Art Et Politque,” Connaissance des Arts, October 1990, pp. 7-8

Robert Nickas, “That Sinking Feeling,” Flash Art, October 1990, pp. 138-139

Robert Storr, “Jeff Koons: Gym-Dandy,” Interview. Art Press, October 1990, pp. 14-23

Rudolf Baranik, “Russian Art: Free and Unfree,” New Art Examiner, October 1990, pp. 51-52

“My Name is Andy Warhol,” L’est Vaudois (Montreaux), November 19, 1990

Andy Grundberg, “Attacking Not Only Masters but Mastery as Well,” Review. The New York Times, November 23, 1990

“Jeff Koons,” Face, November 26, 1990, pp. 104-108

Amy M. Adler, “Post-Modern Art And the Death of Obscenity Law,” Report, November 30, 1990, pp. 13-21

Denise Barricklow, “All Tits and No Art?” The Face, no. 26 (November 1990), pp. 104-108

Mokha Laget, “Culture and Commentary: An ‘80s Perspective,” Review. New Art Examiner, November 1990, pp. 39-40

Dan Cameron, “Incidents of Robert Smithson. Posthumous Dimensions of a Premature Pre-Modern,” Flast Art, November/December 1990, pp. 103-107

Suzanne Ramljak, “With a Fine Disregard: An Interview with Kirk Varnedoe,” Sculpture, November/December 1990, pp. 18-21

Helen Bryant, “Names & Faces,” Dallas Times Herald, December 5, 1990

Ralph Rugoff, “Body Doubles. Gender and its discontents,” LA Weekly, December 7, 1990

Suvan Geer, “A Softer Hard-Sell. Mark Kostabi at Cal State Fullerton,” Artweek, December 13, 1990

Fagersta Posten, “Saker Nobelfest-guide,” Saka (Finland), December 14, 1990

Michael Kimmelman, “Art 1990; A Year of ‘High and Low,’ and Highs and Lows.,” Review. The New York Times, December 30, 1990

Bill Jones, “Truth, Justice, and the Comics: Or, MoMA To NY: Drop Dead,” Review. Arts, December 1990, pp. 72–74

Donald Kuspit,“Sincere Cynicism,” Arts, December 1990, pp. 60-65

“Hall of Fame 1990,” Photographs by Annie Leibovitz. Vanity Fair, December 1990, pp. 139-59

Kathryn Hixson, “The XLIV Esposizione Internazionale d’Arte, La Biennale di Venezia. Canal, Canards, and Canapes,” New Art Examiner, December 1990, pp. 25-27

Peter Schjeldahl, “Rembrandt, Jeff Koons: Ja Kaikki Muut,” Taide 6, December 1990, p. 23

Jon Spayde, “Artist or Adman. Jeff Koons blurs the distinction between art and commerce,” Continental, December 1990, cover, pp. 30-31, 42-48

Robert Enright, “The Material Boy and the Femme Fidele,” Interview. Border Crossings, Winter 1990/91, pp. 36-41

Ann Duncan, “Art Uproar,” Gazette, 1990, p. J2

Claire Gravel, “Les lieux communs: l’av.nement de la n.o-modernit,” Vie des Arts 35, no. 139 (1990), pp. 24–29

“Jeff Koons: The Power of Seduction,” Interview. Art & Design New Art International, 6, no. 1-2 (1990), pp. 48-53

Pierre Restany, “La Biennale del presenta permanente,” Domus, 1990

Silvia Robertazzi, “NY Jeff Koons Art Business,” 1990

William Feaver, “Act to Upstage a Gold Banana,” 1990

Ronald Jones, “Everybody I Luv You,” Camera Austria, 1990, pp. 23-29

Sabeth Buchman, “Kunst Ist Formorganisierendes Schaffen,” Vogue (Germany), 1990, p. 271



David Bonetti, “Under Full Sale,” Boston Phoenix, January 6, 1989, p. 18

Deborah Gimelson, “Inside Art.,” 7 Days, January 11, 1989, p. 54

Kristine McKenna, “‘The Art World Is Ripe for Me’: Jeff Koons’ High-Profile Marketing and Media Manipulation Makes His Talent Seem Secondary,” Los Angeles Times, January 22, 1989

Mrs. Benway,“Koons kommt von Konnen,” Spex, no. 1 (January 1989), pp. 54-55

Doreet Levitte Harten, “We Androids,” Artforum, January 1989, pp. 100-106

Edward Ball, “‘The Beautiful Language of My Century’ From the Situationists to the Simulationists,” Arts Magazine, January 1989, pp. 65-72

Paul Taylor, “Spotlight: Carnegie International. Even the Sense of Humor Couldn’t Save the Show,” Flash Art, January 1989, p. 106

Peter Plagens, "Under Western Eyes," Art in America, January 1989, pp. 32-39

Anthony Calnek, “New York,” Contemporanea, January/February 1989, pp. 12-13

Christian Leigh, “Art on the Verge of a Nervous Breakdown," Contemporanea, January/February 1989, pp. 99-103

Lawrence Chua, “Spotlight: Jeff Koons: ‘Popples,’ an Appropriate Icon for an Era of Gross Inanity,” Flash Art, no. 144 (January/February 1989), pp. 112–13

Nancy Spector, “Carnegie International,” Contemporanea 2, no. 2 (January/February 1989), pp. 104-105

Thomas Dreher, “Jeff Koons: Object Images,” Artefactum, January–February 1989, pp. 66–68

Meg Cox, “Feeling Victimized? Then Strike Back: Become an Artist,” Wall Street Journal, February 13, 1989, cover page, p. A8

Adam Gopnik, “The Art World: Lost and Found,” New Yorker, February 20, 1989, pp. 107–11

Eleanor Heartney, “Jeff Koons: Sonnabend,” Review. Artnews, February 1989, p. 138

Henry Hanson, “Artworks. Highbrow, High-Priced Tchotchkes,” Chicago, February 1989, pp. 23-24

Isabelle Graw, “Jeff Koons Kniefall vor dem Banalen,” Artis, Das aktuelle Kunstmagazin 41, no. 2 (February 1989), pp. 24–27

Jeff Koons, “By Jeff Koons,” Art Criticism 7, no. 1 (February 1989), pp. 29–35

Jeff Koons, “Exploitation,” Defunct! February 1989, p. 4

Robert Pincus-Witten, “Entries: Concentrated Juice and Kitschy Kitschy Koons,” Arts 62, no. 6 (February 1989), pp. 34–39

David Daniel, “Jeff Koons,” Art & Antiques 6, no. 3 (March 1989), p. 38

Jed Perl, “Autumn Alphabet,” New Criterion 7, no. 7, March 1989, pp. 42–57

Kenneth Baker, “Carnegie International,” Artforum, March 1989, pp. 138-139

Lynne Cooke, “Jeff Koons: New York, Sonnabend Gallery,” Review. Burlington Magazine 131, no. 1032 (March 1989), pp. 246–47

Sidney Tillim, “Ideology and Difference: Reflections on Olitski and Koons,” Arts, March 1989, pp. 48–51

Editors, “A Forest of Signs: Art in the Crisis of Representation,” Flash Art News, March-April, 1989, p. 1

Jutta Koether, Sherrie Levine, Stuart Morgan, and David Salle. “Big Fun: Four Reactions to the New Jeff Koons,” Artscribe, March/April 1989, 46–49

Martijn van Nieuwenhuyzen, “Spotlight: Horn of Plenty. Besides Plenty of Horn, The More Subtle Voices Can Also Be Heard,” Flash Art, March/April 1989, p. 102

Giorgio Maragliano,“This Is Not Conceptual,” FIash Art, no. 145 (March–April 1989), pp. 84–87

Stuart Morgan, “Big Fun. Four reaction to the new Jeff Koons,” Artscribe, March-April 1989, cover, pp. 46-49

Adrian Piper, “A Paradox of Conscience.” New Art Examiner 16, no. 8 (April 1989), pp. 27–31

Daniel Pinchbeck, “Jeff Koons,” Interview. Splash, April 1989, pp. 70–77

Richard Lacayo, “Artist Jeff Koons Makes, and Earns, Giant Figures,” People Weekly, May 8, 1989, pp. 127–32

Jack Flam, “The View From the Cutting Edge,” Review. Wall Street Journal, May 10, 1989

Donald Kuspit, “Breakfast of Duchampians,” Contemporanea 2, no. 3 (May 1989), pp. 68–73

Eleanor Heartney, “Yougoslavia’s IRWIN group: a collison of contradictions,” New Art Examiner, May 1989, pp. 36-37

Gregorio Magnani, “Letter from Germany,” Arts, May 1989, pp. 118–19

Eric Gibson, “Decade in Review,” Sculpture 8, no. 3 (May–June 1989), pp. 21–23

Arthur C. Danto, “The 1989 Whitney Biennial,” The Nation, June 5, 1989, pp. 788–92

Giorgio Maragliano, “The Invisible Insurrection,” Flash Art, Summer 1989, pp. 87-90

Matthew Collings,“You are a White Man, Jeff…” Modern Painters, Summer 1989, pp. 60-62

Peter Schjeldahl, “Jeff Koons,” 7 Days, July 2, 1989, p. 14

Peter Schjeldahl,“Jeff Koons: Can His Silver Bunny Hold All That Hot Air?” 7 Days, July 12, 1989, p. 14

Michael Compton, “Pop Art II: Jeff Koons & Co.,” Art & Design, 5, no. 7–8 (July–August 1989), pp. 39–45

Nancy Grimes, “Whitney Biennial,” Review. Tema Celeste, July–September 1989, pp. 66–68

Christian Leigh, “Opening Night at the Whitney,” Contemporanea, August 1989, pp. 84-86

Deborah Gimelson, “Whitney Biennal,” Emporio Armani, September 1, 1989, pp. 56-57

Catherine Millet, “Le montant de la ran.on,” Art Press, September 1989, pp. 36–41

Hugh Kenner, “The Revenge of the Pink Panther: The 1989 Whitney Biennial is the Inspector Clouseau of contemporary art,” Art & Antiques, September 1989, p. 144

Philip Jodidio, “Ileana la Reine, Koons le Roi,” Connaissance des Arts, no. 451 (September 1989), pp. 108–9

Roberta Smith, “Subtle Ways to Eat Your Cake and Have It Too,”  The New York Times, October 8, 1989, pp. 35-36

Michael Brennson, “Ashley Bickerton's Pleas to Rescue a Threatened Earth,” The New York Times, October 27, 1989, p. C32

Hunter Drohojowska, “The 80s: Stop Making Sense,” Artnews, October 1989, pp. 146-151

Robert Kimmelman, “At the Whitney, 100 Works From the Last 30 Years,” The New York Times, November 10, 1989, p. C31

Lisa Philips, “Art and Media Culture,” Image World, November 18, 1989, pp. 57-70, 125

J. Hoberman, “Brave New Image World,” Review. Village Voice, November 28, 1989

Nick Jenkins, “Mr. Koons,” Tatler, November 1989, pp. 144-147

Jeremy Gilbert-Rolfe,“The Price of Goodness,” Artscribe, November/December 1989, pp. 48-53

Alan Jones, “Moving Target. On the road with controversial artist Jeff Koons,” New York Social, December 1, 1989, pp. 29-32

Jhim Lamoree, “De Kunst,” HP, December 3, 1989, cover, pp. 94-99

Jörg-Uwe Albig, “Koonskitschiger Zombie-Zoo,” Stern, December 21, 1989, pp. 108-113

Mark Stevens, “The Shock of the Faux,” Vanity Fair, December 1989, p. 114

James Hall, “Neo Geo's Bachelor Artists,” Art International (Paris), no. 9, Winter 1989, pp. 30-35

Ann Berman, “Jeff Koons’s Resume,” Avenue, 1989, pp. 114-115

Burke & Hare, “From Full Fathom Five,” Interview. Parkett, no. 19 (1989), pp. 44-47

Diedrich Diederichsen, “I’ll Buy That,” Parkett, no. 19 (1989), pp. 74–77

Glenn O’Brien, “Koons Ad Nauseam,” Parkett, no. 19 (1989), pp. 62-65

Jean-Christophe Ammann, “Jeff Koons: A Case Study,” Parkett, no. 19 (1989), pp. 56-59

Jeff Koons, “Edition for Parkett,” Parkett, no. 19 (1989), pp. 68–69

Klaus Kertess, “Bad,” Parkett, no. 19 (1989), pp. 30–35

Marc Strauss, “Exhibitions: Facts and Fancy. A New York Colelctor Share his Impressions of the Biennial,” Contemporanea, pp. 87-89

Margot Westenholm, “Scharlatan und Superstar: Jeff Koons,” Pan, 1989, p. 11

Paul Wood, “Enantiogramme,” Oxford Art Journal 12, no. 2, 1989, pp. 104–9



Diedrich Diederichsen,“Bitte Weg!” Spex, January 1, 1988, pp. 88-72

Georg Herold and Isabelle Graw, “Atlantisches Bundis,” Wolkenkratzer, January 1, 1988, pp. 36-43

John Russell, “At the Saatchi Collection, a Thin Show of ‘NY Art,’” Review. The New York Times, January 3, 1988, pp. 27-28

Ann Landi, “Advice and Dissent,” Manhattan, Inc., January 1988, pp. 105-107

“Atlantisches Bündnis: Eine Gespr.chsrunde mit Georg Herold, Jeff Koons und Isabelle Graw,” Wolkenkratzer Art Journal, January 1988, pp. 36–43

Dan Cameron, “Introduction,” NY Art Now, January 1988, pp. 125-139

Germano Celant, “The Marble Period,” Unexpressionism, January 1988, pp. 5-29

Judith Russi Kirschner, “Signs of Life,” Encontros, January 1988, pp. 55-57

Wolfgang Max Faust,“Now New York New,” Interview with Dan Cameron. Wolkenkratzer Art Journal, January 1988, pp.20-35

Achille Bonito-Oliva, “Mannerist Simulation,” Flash Art, no. 138 (January/February 1988), pp. 62–66

Jeff Koons, “Jeff Koons on Christopher Wool,” Flash Art, no. 138 (January/February 1988), p. 114

Isabelle Graw, “Atlantic Alliance,” Interview with Georg Herold and Jeff Koons. Wolkenkratzer, January/February, 1988, pp. 36-43

Jerry Saltz, “The Dark Side of the Rabbit: Notes on a Sculpture by Jeff Koons,” Arts 62, no. 6 (February 1988), pp. 26-27

Liliana Albertazzi, “Curators: Maria de Corral,” Galeries, February/March 1988, pp. 105-111, 139

Sylvie Couderc, “Collections,” Parcours, March 4, 1988, pp. 1-4

Robert C. Morgan,“What is Conceptual Art, Post or Neo?” Arts, March 1988, p. 80–81

Stuart Morgan, “School of Athens,” Artscribe, March/April 1988, p. 9

“Schamlos Schon,” Der Spiegel, April 21, 1988, pp. 228-231

Dirk Schwarze, “Schlaf der Vernunft,” Kunstforum, April/May 1988, pp. 248-251

Enrico R. Comi, “Ileana Sonnabend,” Spazio Umano/Human Space, April-June 1988, pp. 4, 6

Adam Gopnik, “The Art World: Originals,” New Yorker, May 23, 1988, pp. 68-71

Miriam Sandford, “Kunstler, Sammler, Sensationen,” New York, May 27, 1988, pp. 107-112

David Joselit, “Investigating the Ordinary,” Art in America, May 1988, pp. cover, 149–55

Holland Cotter, “Haim Steinbach: Shelf Life,” Art in America, May 1988, pp. 156-163

Klaus Ottmann, “Jeff Koons,” Interview. Journal of Contemporary Art 1, no. 1 (May 1988), pp. 18-23

Patrick Janault, “Capc/Musee D'art Contemporain,” Art Press, May 1988, p. 66

Roberta Smith, “Rituals of Consumption,” Art in America 76, no. 5 (May 1988), pp. 164-71

Daniela Salvioni, “Feature Gallery,” Interview. Flash Art, no. 140 (May/June 1988), p. 97

Paul Taylor, “Cultural Geometry,” Flash Art, no. 140 (May/June 1988), pp. 124–25

“L'Objet de l'Exposition,” Officiel des Spectacles, June 19, 1988, p. 2

“Nouvelles Expositions,” Pariscope, June 29, 1988, p. 2

Corinne Robins, “Goods and Not-So-Goods: 60s/80s Sculpture Parallels,” Arts, June 1988, pp. 63–65

Mel Bouchner, “Ileana Sonnabend,” Galeries Magazine, June 1988, pp. 109-117

Peter Plagens,“The Emperor’s New Cherokee Limited 4x4,” Art in America, June 1988, pp. 23–24

Suzi Gablik, “Dancing with Baudrillard,” Art in America, June 1988, pp. 27–29

Christian Leigh, “It’s The End of the World and I Feel Fine,” Artforum, Summer 1989, pp. 116-119

Dan Cameron, “High-Tech Redux,” Flash Art, no. 141 (Summer 1988), pp. 102–105

Ronald Jones, “Hans Haake,” Flash Art, no. 141 (Summer 1988), pp. 151-152

Waldemar Januszczak, “The Critic as Jeff Koons Fan,” Modern Painters, Summer 1988, pp. 56–59

“Une Artiste qui Sort Duchamp,” L'Obs de Paris, July 8, 1988, p. 18

Paul Taylor, “Bigger Art Crowds Head for Smaller Spaces,” The New York Times, July 17, 1988

“Two New Museums,” The New York Times, July 17, 1988, pp. 33-40

“L'Objet en Question,” Le Figaro, July 19, 1988, p. 2

Stephanie Theobald, “Weird Scenes inside the Goldmine,” Sept a Paris, July 19, 1988

Britt Yngveson, “Konst,” Sydsvenska, July 20, 1988, pp. 1, 22

Alan G. Artner, “Market Valued: What Jeff Koons’ Work Says About the Art World Today,” Chicago Tribune, July 31, 1988, pp. 16-17

Carter Ratcliff, “The Marriage of Art and Money,” Art in America, July 1988, pp. 78, 83

Hiroko Tanaka, “Jeff Koons,” Hi Fashion, No. 172 (August 15, 1988), pp. 136-137

Jean-Michel Foray, “L'Object de L'Exposition,” Galeries Magazine, August 1988, pp. 65-67

Edward Sozanski, “A Collector with World Influence,” Philadelphia Inquirer, September 4, 1988, p. 61

Peter Schjeldahl, "Hope and Malice," 7 Days, September 7, 1988, pp. 49-50

Arielle Pelenc, “La Consommation de l’Art, ou I’Art de la Consommation,” Art Press, September 1988, pp. 26–30

“Downtown View,” Vogue, September 1988, p. 128

Dwight Gast, “What’s New in Contemporary Art,” Diversion, September 1988

Gregorio Magnani, “Aperto ‘88,” Flash Art, September 1988, pp. 120-123

Alan Jones, “Thriller,” Contemporanea 1, no. 3 (September–October 1988), pp. 42–45

Donald Kuspit, “The Opera is Over. A Critique of Eighties Sensibility,” Artscribe, September/October 1988, pp. 44-49

Estelle Schwarz, “Advertising, Advertising. Some cases in point,” Artscribe, September/October 1988, pp. 70-74

Peter Carlsen, “Jeff Koons,” Contemporanea 1, no. 3 (September-October 1988), cover, pp. 39–41

John Gross, “Two New Museums Offer a Contrast: British Brashness vs. American Reserve,” The New York Times, October 2, 1988

Achille Bonito-Oliva, “Neo-America,” Super Art, October 1988, pp. 4, 46, 109

Beatrice Monti della Corte, House & Gardens, October 1988, pp. 166-167

Laurie Palmer, “Jeff Koons: Museum of Contemporary Art,” Review. Artforum, October 1988, p. 153

Arie Graafland, "Antinomieen,” Het Postmoderne, November 9, 1988, pp. 48-53

Peter Schille, “Ware Kunst,” Der Spiegel, November 28, 1988, pp. 180, 203

Judith Russi Kirschner,“The Benefits of Doubt or Loving Modernism to Death,” Artforum, November 1988, pp. 106-108

Stephen Luecking, “Jeff Koons: Museum of Contemporary Art,” Review. New Art Examiner 16, no. 3 (November 1988), p. 41

Mary Anne Staniszewski, “Jeff Koons. Conceptual Art of the ‘60s and ‘70s Alienated the Viewer,” Interview. Flash Art, November/December 1988, pp. 113-114

Amei Wallach, “The King of Art,” New York Newsday, December 1, 1988, p. 4

Isabelle Graw, “Carnegie International,” Galeries Magazine, December 1, 1988, pp. 76-78

Michael Brenson, “Shifting Image and Scale,” The New York Times, December 2, 1988, p. C22

Peter Schjeldahl, “Looney Koons,” 7 Days, December 14, 1988, pp. 66-67

David McCracken, “Cuteness with an Edge in Jeff Koons's Work,” Chicago Tribune, December 16, 1988, p. 75

Michael Brenson, “Greed Plus Glitz, With a Dollop of Innocence,” Review. The New York Times, December 18, 1988

“Popularity of Bad, Bad Art: the Revenge of Jeff Koons,” The New York Observer, December 19, 1988, p. 11

Hilton Kramer, “Koons Show in the City Succeeds in Carrying Things to a New Low,” Review. New York Observer, December 19, 1988, pp. 1, 11

Kim Levin,“The Evil of Banality.” Village Voice, December 20, 1988, p. 115

Tricia Collins and Richard Milazzo, "Tropical Codes Teilz Neve Kunst aus New York," Kunstforum 92, December 1987-January 1988, pp. 84-87



Meir Ronnen, “What You See Is What You Get,” Jerusalem Post, January 30, 1987, pp. 10-19

Eleanor Heartney, “Simulationism: The Hot New Cool Art,” Artnews, January 1987, pp. 130-137

Noemi Smolik, “Whoever Sets Up Urinals/Wer Urinals aufstellt, sollte sich nicht wundern, wenn in sie gepinkelt wird,” Wolkenkratzer Art Journal, January 1987, 86–87

Robert Pincus-Witten, “Entries: First Nights,” Arts, January 1987, pp. 44-4

Virginia Whiles-Serreau, “The Perfect Yuppie,” Artscribe, January 1987, pp. 7-10

Robert Kleyn, “New Concepts (Nuovi Concetti),” Review. Tema Celeste, January-March 1987, p. 84

Frank Owen, “Neo-Geo,” I.D., February 1987, pp. 90-91

Maria Malafronte, “Barcelona,” Juliet, February 1987, p. 45

Lucie Beyer, “Review,” Flash Art, February 1987, pp. 104, 111

Giancarlo Politi, “Luxury and Desire: An Interview with Jeff Koons,” Interview. Flash Art, no. 132 (February/March 1987), pp. cover, 71–76

Kevin Power and Robert Nickas, “Art and Its Double,” Flash Art, no. 132 (February/March 1987), pp. 113–14

Klaus Ottmann, “True Pictures,” Flash Art, no. 132 (February/March 1987), pp. 90–91

Shaun Caley, “Group Show: Sonnabend,” Review. Flash Art, no. 132 (February/March 1987), p. 104

John Miller, “In the Beginning there was Formica. . .” Artscribe, March 1987, pp. 36-42

Meyer Raphael Rubinstein and Daniel Wiene, “Sites and Sights: Considerations on Walter De Maria, Jeff Koons, and Tom Butter,” Arts, March 1987, pp. 20–21

Sidney Tillim, “Ideology and Difference,” Arts Magazine, March 1987, pp. 48-51

Tricia Collins and Richard Milazzo, “Benney 'Kid' Paret [sp],” New Observations, March 1987, pp. 16-19

Douglas McGill, “The Whitney Biennial Seeks a Softer Tone,” The New York Times, April 5, 1987, pp., 33, 40

Michael Brenson, “Whitney Biennial’s New Look,” The New York Times, April 10, 1987, p. C24

Dinitia Smith, “Art Fever,” New York, April 20, 1987, pp. 34-43

Douglas McGill, “Helping the Rich Buy Ar,” The New York Times, April 22, 1987, p. C19

Howard Fox, “Originality and Source,” Avant-Garde in the Eighties, April, 23, 1987, p. 13

Kay Larson, “Good Neighbors,” New York, April 27, 1987, pp. 122-124

Gary Indiana, “Another Review of the Whitney,” Village Voice, April 28, 1987, pp. 87-88

Howard Halle, “Jeff Koons,” Les Courteirs du, April 1987

Carolyn Christoc-Bakargiev, “New York Seppellisce,” Il Giornale dell'Arte, May 1, 1987, pp. 99-100

Simon Fiz, “El triunfo del simulacro,” Quaderns, May 1, 1987, pp. 3-13

Romano Giachetti, “Di Loro Piace Quel Piccolo Neo,” Epoca, May 5, 1987, pp. 50-55

Robert Hughes, “Navigating a Cultural Trough,” Time, May 11, 1987, pp. 81–82

Gary Indiana, “Hot Dogg,” Village Voice, May 12, 1987, p. 97

Miriam Horn,“The Avant-Garde: Moving into Middle America,” U.S. News & World Report, May 18, 1987, pp. 68-69

Dan Cameron, “Art and Its Double: A New York Perspective,” Flash Art, May 1987, pp. 57-71

Elio Grazioli, “Il Simulacro,” Flash Art, May 1987, pp. 50-52

Timothy Greenfield-Sanders, “Sculptures,” ArtFinder, May 1987, p. 113

Kathie Beals, “At the Aldrich, a New Perspective,” Lively Arts, June 14, 1987, p. F1

Michael Brenson, “The Munster Sculpture Project,” Review. The New York Times, June 22, 1987, p. C13

Vivien Raynor, “In Ridgefield Conn., a ‘Post-Abstract’ Show,” Review. The New York Times, June 26, 1987, p. C26

Dan Cameron, “The Whitney Biennial,” Flash Art, June 1987, pp. 86-87

Doris Saatchi,“Keeping Up with the Johnses,” Vanity Fair, June 1987, pp. 52-61

Robert Pincus-Witten, “Electrostatic Cling,” Artscribe, June 1987, pp. 36-4

Christopher Flacke, “Held in Suspense,” Art & Antiques, Summer 1987, p. 25

Tom Baker, “Modernism without Laughs,” Arena Magazine, Summer/Autumn 1987, p. 17

Michael Welzenbach, “’Avant-Garde in the Eighties’ L.A. looks at the rhetoric of Postmodernism,” New Art Examiner, Summer 1987, pp. 32-34

William Zimmer, “Post-Abstract Expression in Ridgefield,” The New York Times, July 5, 1987, p. 18

Grace Glueck, “What Do You Call Art’s Newest Trend: ‘Neo-Geo’ . . . Maybe,” The New York Times, July 6 1987, p. 13

Grace Glueck,“Smart Art,” Sydney Morning Herald, July 9, 1987

Brian Wallis, “Tenth Anniversary,” The New Museum of Contemporary Art, July 1987, p. 32

Mariucca Casadio, “Bickerton, Halley, Koons e Vaisman: Le Premesse Teoriche Dell’Oggetto Americano,” Vanity, July/August, 1987, p. 25

“Jeff Koons,” Artics, June 1, 1987, p. 57

Kay Larson, “Comedy of Mannerism,” New York, August 24, 1987, pp. 114-115

Kim Levin, “Americans Abroad,” Village Voice, August 11, 1987, p. 82

William Zimmer, “Visiting Art Museums and Galleries in 3 States,” The New York Times, August 14, 1987, pp. C1, C26

“New York Man Turns Hoover,” Hoover News, August 21, 1987, pp. 8-9

Grace Glueck, “Tastemakers,” New York Times Magazine, August 30, 1987, pp. 72, 113

“Il Nuovo Valore Simbolico,” Vanity Fair (Italy), August 1987, p. 60

Bruce W. Ferguson, “When the Yuppies Come Marching In,” C Magazine, September 1, 1987, pp. 40-45

Paul Taylor, “My Art Belongs to Dada,” London Observer, vol. 144, no. 9 (September 6, 1987), pp. 36-41

Waldemar Januszczack, “Head First Into Neo-Geo,” Guardian (London), September 10, 1987, p. Arts 12

Richard Dorment, “Art of Advertising,” Weekend Telegraph, September 12, 1987, p. IX

Sarah Kent, “NY Art Now,” Time Out, September 9-16, 1987, p. 45

Sarah Kent, “Smart Art,” Time Out, September 9-16, 1987, pp. 16-18

Andrew Graham-Dixon, “An Art Dying Of Consumption,” The Independent Arts, September 14, 1987, p. 1

John Russell Taylor, “Can They Be Serious?” Review. Times (London), September 29, 1987

Andrew Graham-Dixon, “Neo-Geo,” Vogue, September 1987, pp. 360-363

Ann Berman, “Sculptors in Progress,” Town & Country, September 1987, pp. 269-272

Anthony Haden-Guest, “The Art of Musical Chairs,” Vanity Fair, September 1987, pp. 60-72

Dan Cameron, Donald Kuspit, Pier Luigi Tazzi, Ingrid Rein, and Max Wechsler. “The Critics’ Way,” Artforum, September 1987, pp. 109–20

Eleanor Heartney, “Sighted in Münster,” Art in America, September 1987, pp. 140–43, 201

Marina Vaizey, “Life Studies,” Vogue, September 1987, pp. 45-49

Martin Gersh, “The Best of Spirits. Brandy The Bountiful,” Vogue, September 1987, p. 496

Pier Luigi Tazzi, “The Critic’s Way,” Artforum, September 1987, pp. 109, 120

Robert Becker, “No Neo Is Good Neo,” Review. Blueprint, no. 40 (September 1987), pp. 68–70

Lynne Cooke, “Object Lessons,” Artscribe, September/October 1987, pp. 55–59

Susan Morgan, “Write When You Get Work. . . .” Interview with David Robbins on his Installation Talent. Artscribe International, September/October 1987, pp. 52-54

Tricia Collins and Richard Milazzo, “Posthumous Meaning,” Artscribe International, September/October 1987, cover, pp. 44-49

Chantal Pontbriand, “Skulptur in Münster: An Interview with Kasper Konig,” Parachute 48, September/November 1987, pp. 36–41

Dan Cameron, “Documenta 8 Kassel,” Flash Art, no. 136 (October 1987), pp. 61–68

Javier Solana Madariaga, “Jeff Koons,” Coleccion, October 1987, pp. 318-319

Seth Edenbaum, “Parody and Privacy," Arts, October 1987, pp. 44–45

Tricia Collins and Richard Milazzo, “Radical Consumption and The New Poverty. A Discourse on Irony and Superfluity,” New Observations, October 1987, cover, pp. 1, 4, 6, 10, 12, 14-16, 21

Brian Wallis, “Kapitalistische Stigmata.” Kunstforum 91, October–November 1987, pp. 253–57

Stephan Schmidt-Wulffen, “Enzyklopadie der Skulptur,” Kunstforum 91, October–November 1987, pp. 288–301

Heiner Stachelhaus, “Kiepenkerl auf Hochglanz,” Echo, November 4, 1987, p. 37

Mary Rosebeaumont, “The Resilient Subject,” Sculpture Today, November 12, 1987, pp. 23-28

Jeff Koons, “‘Baptism - A Project for Artforum,” Artforum, November 1987, pp. 101-107

Norbert Messler, “Paul Maenz,” Galeries Magazine, December 1, 1987, pp. 102-109

Phillip Kleinman, “The House of Saatchi,” Quest, December 1, 1987, pp. 56-61

Anna Tilroe, “Een Kiefer Op De Wc,” Elsevier, December 19, 1987, pp. 192-198

Allan Schwartzman, “Corporate Culture: The Yippie-Yuppie Artist,” Manhattan, Inc., December 1987, pp. 137–43

M. Paparoni, “Jeff Koons,” Tema Celeste, December 1987, pp. 19-21, 66

Michelangelo Castello and Demetrio Paparoni, “Jeff Koons,” Tema Celeste, December 1987–February 1988, p. 66

Robert C. Morgan,“The Catalog and the Exhibition,” Review. CEPA Quarterly 1, Issue 2 (Winter 1987), p. 1



Kim Levin, “Admired Work,” Village Voice, January 1, 1986, p. 66

Tricia Collins and Richard Milazzo, “Whoever Sets Up Urinals,” Volkenkratzer, January/February 1986, p. 86

Gary Indiana, “Formal Wares,” Review (of Time After Time). Village Voice, March 25, 1986, p. 85

Haim Steinbach, “I Give You the Sweetest Taboo,” Arts, March 1986, pp. 24-25

Petra Kruse, “Jeff Koons: Tragic Equilibrium,” Kunstforum, March 1986, p. 324

Robert Wright, “Virtual Reality,” ZG, March 1986, pp. 54-61

Tricia Collins and Richard Milazzo, “Tropical Codes,” Kunstforum 83, March 1986, pp. 308-309

Tricia Collins and Richard Milazzo, “Spiritual America,” CEPA Quarterly 1, Issue 3 (Spring 1986), pp. 4-7

Robert Pincus-Witten, “Entries: The Scene that Turned a Dime,” Arts 60, no. 8 (April 1986, pp. 20-22

Matthew Collings, “Mythologies: Art and the Market,” Interview with Jeffrey Deitch. Artscribe, April/May 1986, pp. 22-26

“New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach,” The Renaissance Society, The University of Chicago, May 7, 1986, p. 1

Alan Artner, “3 Sculptors Achieve Unsettling Transformations of Everyday Objects,” Chicago Tribune, May 11, 1986, pp. 18-19

Alan Jones, “Interview with Collins & Milazzo,” Galeries Magazine, May 1986, p. 40

Alan Jones, “The Kid,” New York Talk, May 1986, p. 62

Alan Jones, “Up Against the Wall,” New York Talk, May 1986, p. 62

Dan Cameron, “Pretty as a Product,” Arts, May 1986, pp. 22-25

Jeff Koons, “Project,” ARTnews File, May 1986, pp. 2-3, 117-118

Douglas C. McGill, “The Lower East Side's New Artists,” The New York Times, June 3, 1986, p. C13

Kay Larson,“Love or Money,” New York Magazine, June 23, 1986, pp. 65-66

Mary Anne Staniszewski, “Hot Commodities,” Manhattan, Inc., June 1986, p. 159

Michele Cone, “Ready-Mades on the Couch,” Artscribe, June/July 1986, pp. 30-33

“Jeff Koons,” Bomb Magazine, no. 16 (Summer 1986), pp. 56-57

Peter Nagy, “From Criticism to Complicity," Roundation with Ashley Bickerton, Peter Halley, Jeff Koons, Sherrie Levine, Haim Steinbach, and Philip Taaffee. Flash Art, no. 129 (Summer 1986), pp. 46-49

Howard Halle,  “A Brokerage of Desire,” July 11, 1986, pp. 20-23

Vivien Raynor, “Objects are Subject of ‘Damaged Goods,’” The New York Times, July 18, 1986, pp. Arts 1-2

Kim Levin, “Shop Art,” Review. Village Voice, July 22, 1986, pp. Arts 1

Suzanne Muchnic, “Familiar Ideas in Three New Exhibits: Commodity-Culture Art Rides Again,” Los Angeles Times, July 26, 1986, p. F9

Anne Buckley, “Damaged Goods as an Art Form,” Staten Island Advance, August 8, 1986, pp. 1, 2

Christopher Knight, “The L.A. Invasion of It,” Los Angeles Hearld Examiner, August 10, 1986, p. E11

“Hot Commodities,” Los Angeles Weekly, August 15, 1986

Lane Relyea, “Hot Commodities,” Los Angeles Weekly, August 15, 1986, p. 21

Weiermair, “Jeff Koons,” Prospect 86, September 9, 1986, pp. 114-116

Hal Foster, “The Future of an Illusion,” Endgame, September 25, 1986, pp. 91-107

David Hershkovitz, “Night and Day. On the Move in Manhattan,” Harper's Bazaar, September 1986, pp. 259, 272, 468

Eleanor Heartney, “Damaged Goods,” Review. New Art Examiner 14, no. 1 (September 1986), pp. 26-29

Eleanor Heartney, “Neo-Geo Storms New York,” New Art Examiner 14, no. 1 (September 1986), pp. 26-29

Paul Bob, “Postmodern Pop,” Esquire, September 1986, p. 252

Michael Brenson, “Art,” The New York Times, October 10, 1986, p. C32

Kim Levin, “His Best Shot,” Review. Village Voice, October 14, 1986, p. 96

Neal Benzra, “…But is it Art?” The New York Times, October 19, 1986, pp. Section 2, 34

Roberta Smith, “4 Young East Villagers at Sonnabend Gallery,” The New York Times, October 24, 1986, C30

Amei Wallach, “The New Art is SoHo Cool,” Newsday, October 26, 1986, pp. Part II/3, 17

Paul Taylor, “The Hot Four,” New York, October 27, 1986, pp. 50-56

Mary Anne Staniszewski, “Variations on a Thing,” Manhattan, Inc., October 1986, p. 159

Lucio Pozzi, “Ora L’Artista,” Il Giornale dell’Arte, October 1986, p. 1

Jeanne Siegel, “Jeff Koons: Unachievable States of Being,” Arts 61 (October 1986), pp. 66-71

Roberta Smith, “Research and Development,” Beyond Boundaries, October 1986, pp. 4-7

“Corporate Culture,” Manhattan, Inc., October 1986, p. 188

“Jeff Koons,” Spazio Umano, October 1986, pp. 104-109

Victoria Lautman, “Susan & Lewis Manilow,” Galeries Magazine, October 1986, pp. 98, 109

Alan Jones, “Jeff Koons: Et Qui Libre?” Galeries Magazine, October-November 1986, pp. 94-98

Dan Cameron, “Art and Its Double,” Art and Its Double, November 1986, pp. 68-73

Ronald Jones, “Damaged Goods: The New Museum of Contemporary Art,” Review. Flash Art, no 130, October-November 1986, pp. 73-74

Kay Larson, “Masters of Hype,” New York Magazine, November 10, 1986, pp. 100, 102

Dan Cameron, “La Vanguardia,” La Vanguardia, November 23, 1986, p. 3

Calvin Tomkins, “The Art World. Between Neo- and Post-,” New Yorker, November 24, 1986, pp. 104-113

Kate Linker, “Damaged Goods: Desire and the Economy of the Object,” Review. Artforum, November 1986, pp. 133-134

Daniela Salvioni,. “Jeff Koons: International With Monument,” Review. Flash Art, no. 131 (December 1986/January 1987), p. 89

Daniela Salvioni, “McCollum and Koons,” Interview. Flash Art, no. 131 (December 1986/January 1987), pp. 66-68

Peter Schjeldahl, “A Visit to the Salon of Autumn 1986," Art in America, December 1986, pp. 15-21

Jutta Koether, “Mrs. Benway: Mensch,” Spex, 1986, pp. 60-62



Nicholas Moufarrege, “Surf’s Up,” East Village, January 1, 1985

Roberta Smith, “Give Art a Chance,” Village Voice, January 1, 1985, p. 67

Walter Robinson, “'The New Capital’ at White Columns,” Review. Art in America, April 1985, pp. 207-209

Gary Indiana, “Art,” Village Voice, May 28, 1985, p. 80

Alan Jones, “The Art of The Slam Dunk,” NY Talk, May 1985, p. 47

Gary Indiana, “Paradigms of Dysfunction,” Village Voice, June 11, 1985, p. 91

William Zimmer, “Sculpture at the Whitney,” The New York Times, July 21, 1985, p. Arts 1

Kim Levin, “Art,” Village Voice, July 22, 1986

“Jeff Koons at Feature Gallery,” Crain's Chicago Business, August 16, 1985, p. 50

“Art Preview,” Crain’s Chicago Business, September 16, 1985, p. 50

Jeanne Siegel, “The Artist/Critic of the Eighties, Part One: Pater Halley and Stephen Westfall,” Arts, September 1985, pp. 72-79

Peter Halley, “The Artist Critic of the Eighties,” Arts, September 1985, pp. 72-79

Tricia Collins and Richard Milazzo, “Neutral Trends,” East Village Eye, October 1985, p. 38

Gary Indiana, “Jeff Koons at International with Mondument,” Review. Art in America, November 1985, pp. 163-164

Gary Indiana, “Jeff Koons Review," Art in America, December 1985, pp. 162-164

Joshua Decter, “New Ground,” Arts, December 1985, p. 123

Norma Lifton, “Jeff Koons,” Review. New Art Examiner 13, no. 4 (December 1985), p. 50



John Dorsey, “School 33,” The Sun, March 17, 1984, p. 1

Roberta Smith, “Temporary Misgivings,” Village Voice, May 22, 1984, pp. 89, 92

Roberta Smith, “We Remember MOMA,” Village Voice, May 22, 1984, p. 88

David Craven, “Science Fiction and the Future of Art,” Arts, May 1984, pp. 125-129

Peter Halley, “The Crisis in Geometry,” Arts, June 1984, pp. 111-115

Roberta Smith, “Group Therapy,” Village Voice, December 25, 1984, p. 113



Michael Klein, Introduction. “Objects, Structure, Artifice,” University of South Florida, Tampa, FL, April 9, 1983, pp. 26-27

Roberta Smith, “Worldy Goods,” LA/NY Exchange, June 8, 1982, p. 1

Suzanne Muchnic, “Same Old Statements from 6 New York Artists,” Review. Los Angeles Times,  June 27, 1983, pp. part VI, G1-G2

Christopher Knight, “L.A.-N.Y. Exchange,” Los Angeles Herald Examiner,  June 26, 1983, pp. E 5-6

Hunter Drohojowska, “The LA/NY Cultural Exchange,” Los Angeles Weekly, July 1, 1983, pp. 57-58

Pierre Picot, “Righteous Intentions,” Artweek, July 1983, p. 16

Alan Jones, “Jeff Koons,” Arts, November 1983, p. 11

Lisa Liebman, “Science Fiction,” Artforum, December 1983, p. 74



John Perreault, “Functionaries,” Soho News, January 1, 1982, p. 55

Florence Pierre, “Energie New York,” Elac Centre D'Echanges,  January 1, 1982, p. 1

“Energie New York,” Le Journal, January 16, 1982, p. 2

Jacqueline Rozier, “Une Energie Importée d'Outre-Atlantique,” Le Journal, January 28, 1982, p. 2

René Deroudille, “Energie New York,” Lyon Matin, January 29, 1982, p. 8

“Energie N.Y.,” Lyon Direct, February 1, 1982, p. 2

Alain Penel, “Energie New York,” Tribune de Geneve, February 2, 1982, p. 2

Michel Braudeau, “Lyon: Les Punks de Manhattan,” L'Express, February 26, 1982, p. 17

“Energie New-York,” Le Tout Lyon, February 1982, p. 7

Lyon L’Oeuil, February 1982, p. 2

Martine Gayot, “A Lyon L'Ame de N.Y.,” Lyon-Magazine, February 1982, p. 44

“Punk au Mur,” Connaissance des Arts, February 1982, p. 2

Paul Le Corre, “Energie New York,” Les Lettres Bleues, March 1, 1982, p. 2

Jean De Breyne, “Energie New York,” La Voix du Lyonnais, March 4, 1982, p. 2

René Deroudille, “Energie New York,” Lyon Matin, March 15, 1982, p. 2

“Tout le monde descend,” Rock et BD, March 1982, p. 2

Thomas Lawson, “Jeff Koons,” A Fatal Attraction, May 5, 1982, p. 12

Alan Artner, “New Media Show a Never-Never Land of Distorted Reality,” Chicago Tribune, May 9, 1982, p. 17

Nikolai Katz, “Beyond the Mass Media,” Grey City Journal, May 14, 1982, p. 1

Thomas Lawson,“Art and Media,” A Fatal Attraction, June 2, 1982, p. 12



Richard Flood, “Lighting,” Artforum, March 1981, pp. 69-70

Lee Wohlfert, “New York: Young Sculptors,” Town & Country, September 1981, pp. 259-271

John Perreault, “Functionaries,” Soho News - The Greater New York Weekly,  December 23, 1981, p. 55



“Jeff Koons,” El Universal, September 2, 1980, p. 1

 Ronny Cohen, “Energism,” Artforum, September 1980, pp. 16-23



Eds. J.M. Sherry and Barbara Ess, Collage by Jeff Koons, Just Another Asshole, no. 3 (1979), p. 35