Bibliography - Books


Mary McCartney, Feeding Creativity: A Cookbook for Friends and Family (Taschen, 2023)

The Christmas Book, eds. Sam Bilton, Dolph Gotelli, and David Trigg (London/New York: Phaidon, 2023)

Deste 33+: 2015-2022, ed. Karen Marta, text by Massimiliano Gioni (Athens: Deste, 2023)

Lee Eun-hwa, Stories Behind the Paintings (Seoul: Sangsang Publishing Co, 2023)

Twenty-Two Exceptional Stories From 2022, ed. Guillaume Cerutti (Christies: 2023)

Valentina Eckel, Das Grosse Kunst-Mitmach-Buch Für Kinder, (Hamburg: Rowohlt, May 2023)

Qui es-tu Apollon? De L'Antiquité à la culture Pop, ed. Tiphaine A. Besnard, Fabien Bievre-Perrin, Elise Cousin, Jonas Paretias (Oissel-Sur-Seine: Editions Octopus, 2023)



Thea B. Van Oosten, Properties of Plastics: A Guide for Conservators (Los Angeles: Getty Publications, 2022)

Dario Cimorelli, illy Art Collection, 30 Years of Beauty (Milan: Silvana Editoriale, 2022)

Hedwig Van Impe, Michael Ray Charles - In The Presence of Light, (Belgium: Cotthem, 2022)

Hirshhorn Museum and Sculpture Garden: The Collection, eds. Stéphane Aquin, Sandy Guttman, and Anne Reeve (New York: DelMonico Books, 2022)

Jack London, La Peste Ecarlate (France: Actes Sud, 2022)

W Magazine: Fifty Years Fifty Stories, ed. Sara Moonves, Armand Limnander (New York: Rizzoli International Publications, 2022)

David Booth, Heather Pesanti, Paradox Cove (Austin: Paradox Cove, 2022)

Bono, Surrender: 40 Songs, One Story, (New York: Alfred A. Knopf, 2022)

Nancy Hall-Duncan and Valerie Steele, Art x Fashion, (New York: Rizzoli Electa, 2022)

Bogdan Rata, Materials, Processes, Techniques and Technologies for Sculpture, eds. Andreea Draghucescu and Andreea Tiriplica (Romania: Editura Universitatii de Vest, 2022)

Jose Berardo, Coleção Berardo 1909-2019, ed. Pedro Lapa (Lisbon: Museu Coleção Berardo, 2022)


Laura Benedetti Klein, "Henry Moore Reclining Figure: Arch Leg, 1969-70 (LH 610), (Geneva: Editions Notari, 2021)

Sarah Betite and Hélène Wurmser, "Eleutheria! Retour à la Liberté," (Presse universitaire de Lyon, 2021)

Guusje Beverdam, Ironie & Illusie (Netherlands: Stichting Van Achterbergh-Domhof, 2021)

Eric Crosby, Henry J. Heinz II, and Akemi May, Carnegie Museum of Art, Collection Handbook (Carnegie Museum of Art, 2021)

The Imaginary Sea, exh. cat. (Porquerolles, France, Fondation Carmignac: JBE Books, 2021)

Making Strange: The Chara Schreyer Collection, ed. Douglas Fogle and Hanneke Skerath (New York: D.A.P./DelMonico Books, 2021)

Maria Savostyanova, Design Now (Russia: Garage, 2021)

Marc Treib and Susan Herrington, Serious Fun The Landscapes of Claude Cormier (Novato, CA: ORO Editions, 2021)

Nina Heydemann, The Art of Quotation. Forms and Themes of the Art Quote, 1990 - 2010 (Berlin: Logos Verlag Berlin GmbH, 2021)

"The 80s. The art of the 80s," Albertina Modern (Vienna, Austria, 2021)



Barbara Lane, Barbara Lane Interiors (New York: Pointed Leaf Press, 2020)

Carlos Rolón, Dan Peterson and John Dennis, Common Practice- Basketball & Contemporary Art (Milan, Italy: Skira, 2020)

Felix Torkar, Apple Design: EineAnalyse (Apple Design: an Analysis) (Stuttgart: av edition, 2020)

Joanne Heyler, Jeff Chang, Roxane Gay, Sarah Loyer, Norman Rosenthal, Ed Schad, 50 Artists: Highlights of the Broad Collection (D.A.P, 2020)

Joseph Coelho, Luna Loves Art (London: Andersen Printing Ltd., 2020), (color ills. by Fiona Lumbers)

Shana Gozansky, My Art Book of Happiness (London: Phaidon Press, 2020)



Jérémie Nassir, When Basketball Inspires (Paris: Trajectoire Studio 2019)

Astley, Amy. Architectural Digest at 100 A Century of Style (Harry N. Abrams, 2019).

Aubrey, Martine. Le rêve d'être artiste, exh. cat. (Lille: Palais des Beaux-Arts, Lille, 2019).

Berecz, Agnes. 100 Years 100 Artworks: A History of Modern and Contemporary Art (Munich: Prestel Publishing, 2019).

Black, Matt. Reflections, Matt Black x Gana Art (Seoul: Gana Art, 2019).

Bravi, Soledad. Ceci N'est Pas Un Tableau (Paris: Leduc.s Editions, 2019).

Broeker, Holger ed. Now is the Time: 25 Years Collection Kunstmuseum Wolfsburg, Die Sammlung (Kunstmuseum Wolfsburg, 2019).

Brondo, Kurt. 303 Gallery: 35 Years (New York: 303inprint, 2019).

Deitch, Jeffrey, Alison Gingeras, Aria Dean, and Johanna Fateman. Unrealism: New Figurative Painting (Italy: Rizzoli, 2019), p. 84.

Escales Français 2de Nouveau Programming (Paris: Belin Education/Humensis, 2019).

Gioni, Massimiliano. Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even (London: Phaidon, 2019).

Gioni, Massimiliano. Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, paperback, exh. cat. (Spanish) (Mexico City: Museo Jumex, 2019).

Le rêve d'être artiste, exh. cat. (Lille: Palais des Beaux-Arts, Lille, Rmn-Grand Palais Publishing/Flammarion SA, 2019).

Public Matters. Debates & Documents from the Skulptur Projekte Archives, exh. cat. (Koln: Walther Koenig, 2019).

Renault, Aurélie. Litterature Anthologie Lycéet (London: 2019).

Sakaguchi, Kyohei. Matomaranai Hito (Japanese) (Tokyo: Little More, 2019).

The Sonnabend Collection (Saskatoon: Remai Modern, 2019).

Schallenberg, Nina. Marx Collection: 40 Works (Berlin: Edition Cantz, 2019).

von Brauchitsch, Boris. Das Leben des Leonardo da Vinci (Berlin: Insel Verlag, 2019).

Wild, Tessa. Chatsworth: The Dog: A Celebration at Chatsworth (Derbyshire: Chatsworth House Trust, 2019).



Beitin, Andreas. Thrill of Deception: From Ancient Illusionistic Art to Virtual Reality. Munich: Hirmer, 2018.

Brandel, Katia. Les Reporters 3. Au Coeur du Monde Francophone, Maison des Languages, 2018.

Clarke, Victoria. Animal: Exploring the Zoological World. London: Phaidon, 2018.

Coleção Sonnabend. The Sonnabend Collection. Exh. cat. Porto: Fundacao de Serralves, 2018.

Conrado, Marcelo, Carin Weidle, Cecilia Almeida Salles, Fabricio Vaz Nunes, Fernando A.F. Bini, Juliane Fuganti, Marcelo Conrado, Simone Landal, Tadeu Chiarelli. Dilemas Da Arte Contemporanea. Brazil: Museu Oscar Niermeyer, 2018.

Dan Colen: Mailorder, Mother, Purgatory. Exh. cat. New York: Artbook, 2018.

Gabet, Olivier. Bijoux D'Artistes De Calder a Koons. France: Flammiron, 2018.

Gianni, Jetzer, Leah Pires, Bob Nickas, Brand New: Art & Commodity in the 1980s, exh. cat. (New York: Rizzoli, 2018).

Girst, Thomas. BMW Art Cars. Berlin: Hatje Cantz 2018.

Glesman, Amanda. John Waters: Indecent Exposure. Baltimore: Baltimore Museum of Art, 2018.

Grau, Donatien. Plato in LA. Contemporary Artists' Visions. Los Angeles: J. Paul Gety Trust, 2018.

Guinness, Louisa. Art as Jewellery: From Calder to Kapoor. England: ACC Art Books, 2018.

Hopkins, David. After Modern Art: 1945 - 2017. Oxford: Oxford University Press, 2018.

Jetzer, Gianni, ed. Brand New: Art and Commodity in the 1980s. New York: Rizzoli Electa, 2018.

Jager, Joachin, Constanze von Marlin and Andre Odier. Die Ausstellungen: Neue Nationalgalerie 1968 - 2015. Berlin: Staatliche Museen zu Berlin, 2018.

Kukielski, Tina, ed. Being an Artist. New York: Art21, 2018.

Migayrou, Frederic. Tadao Ando: Le Défi. Paris: Centre Pompidou, 2018.

Morrill, Rebecca. Destination Art. New York: Phaidon, 2018.

Obrist, Hans Ulrich. The Athens Dialogues. Athens: DESTE Foundation for Contemporary Art, 2018.

Parks, John A. The Pocket Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art. Rockport Publishers, 2018.

Press, Clayton, Robert Mnunchin, Sukanya Rajaratnam, and Michael McGinnis. Reds. Exh. cat. East Greenwich: Meridian Printing, 2018.

Syson, Luke, Sheena Wagstaff, Emerson Bowyer, and Brinda Kumar. Like Life: Sculpture, Color, and the Body. Exh. cat. New Haven: Yale University Press, 2018.

Wehr, Anne and Lucas Zwirner. David Zwirner: 25 Years. New York: David Zwirner Books, 2018.

Wilkin, Karen. The Joy of Color, exh. cat. (New York: Mnunchin Gallery, 2018).

Wei Rales, Emily, Anna Reeve, and Fanna Gebreyesus. Glenstone Field Guide: 2018 - 2019. Potomac: Glenstone Museum.



Andy Moses: A 30 Year Survey. Exh. cat. Santa Monica: Santa Monica College Peter and Susan Barrett Art Gallery, 2017.

An Kyung and Jessica Cerasi. Who's Afraid of Contemporary Art. United Kingdom: Thames & Hudson, 2017.

d'Ansembourg, Arthur M. Er Zit lets Achter Over Filosofie en Kunst. Netherlands: ISVW Utigevers, 2017.

Barrett, Terry. Why is that Art? Aesthetics and Criticisms of Contemporary Art. Third Edition. United States: Oxford University Press, 2017.

Banks, Grace. Play with Me. Dolls, Women, Art. London: Laurence King Publishing, 2017.

Bukdahl, Else Marie. The Recurrent Actuality of the Baroque. Controluce, 2017.

Celant, Germano. Ileana Sonnabend and Arte Povera. New York: Levy Gorvy, 2017.

Desai, Mihir A. The Wisdom of Finance: Discovering Humanity in the World of Risk and Return. Boston: Houghton Mifflin Harcourt, 2017.

Ekstrom, Simon. Humara ooch Evigheten. Stockholm: Makadam Forlag, 2017.

Holmes, Brooke and Karen Marta. Liquid Antiquity, exh. cat. Switzerland: DESTE Foundation, 2017.

Martin, Elsa. Le Château de Versailles: Raconté aux Enfants. Paris: De La Martinière Jeunesse, une marque de La Martinière Groupe, 2017.

Minimalism & Beyond, exh. cat. (New York, Mnuchin Gallery, 2017).

Naname, Anne-Danielle. SVTSciences de la Vie et de la TerreCycle 4 (France: Hachette Livre, 2017).

Paul, Stella. Chromaphilia: The Story of Colour in Art. London: Phaidon Press, 2017.

Phillips, Lisa K., and others. 40 Years New. New York: New Museum, 2017.

Sagmeister, Rudolf. KUB Artists' Portraits. Bregenz: Kunsthaus Bregenz, 2017.

Storr, Robert. Interviews on Art. London: HENI Publishing, 2017.

Ten Approaches to Contemporary Art. Japan: Musashino Art University Press Co., Ltd., 2017.



Augaitis, Daina, Bruce Greenville, and Stephanie Rebick, editors. MashUp: The Birth of Modern Culture. Vancouver: Vancouver Art Gallery/ Black Dog Publishing UK, 2016.

Baker, Simon. Performing for the Camera. London: Tate Publishing, 2016.

Bloch, Judy. San Francisco Museum of Modern Art: View on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016.

Dickerman, Leah and Achim Borchardt-Hume. Robert Rauschenberg. Exh. cat. New York: The Museum of Modern Art, 2016. [Texts by Kate Nesin, Hal Foster, Helen Molesworth, Branden W. Joseph, Ed Krčma, Richard Meyer, Pamela M. Lee, Catherine Wood, Michelle Kuo, Mark Godfrey, Yve-Alain Bois, Andrianna Campbell, Hiroko Ikegami, Emily Libert, and Sarah Roberts]

Die Kerze. Köln: Museum Frieder Burda, 2016.

Erf, Lisa. K. Art at Work: The JPMorgan Chase Art Collection. New York: JPMorgan Chase & Co., 2016.

Evans, Mark. Botticelli Reimagined. United Kingdom: V&A Publishing, 2016.

Girst, Thomas and Magnus Resch, editors. 100 Secrets of the Art World: Everything you always wanted to know about the arts but were afraid to ask. London: Koenig Books, 2016.

Kelsey, Robin. “Pictorialism as Theory” in Picturing (Terra Foundation Essays). Chicago: Terra Foundation For American Art, 2016.

On the Origin of Art. Tasmania: Museum of Old and New Art, 2016.

Saint-Jacques, Camille, and Éric Suchère. La Transgression en Question: Ed Paschke & pratiques contemporaries. France: FRAC/Galerie Jean Fournier, 2016.

Schwab, Helen, Robin M. Wright, and Neal David Benezra. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco: SFMoMA, 2016.

Sussman, Elisabeth and Christine Macel. Collected by Thea Westreich Wagner and Ethan Wagner. Exh. cat. New York/Paris: Whitney Museum of American Art, New York, New York, 2016.



Buchweitz, Nurit. An Office of Civilation. Switzerland: Peter Lang AG, 2015.

Cumming, Robert. Art: A Visual History. London: Dorling Kindersley Ltd, 2015.

Cutler, E.P. and Julien Tomasello. Art + Fashion: Collaborations and Connections Between Icons. China: Chroncile Books, 2015.

Ed Paschke: Visionary from Chicago 1968-2004. Verona: Hall Art Foundation, 2015 [Essay by Sir Norman Rosenthal, a conversation between Jeff Koons and Sir Norman Rosenthal, and foreword by Dr. Alexander Sturgis].

Glazer, Brian and Charles Fishman. A Curious Mind: The Secret to a Bigger Life. United States: Simon & Schuster, 2015.

Graw, Isabelle. Where Are We Now? Baertling, Bałka, Becher, Coplans, Genzken, and West. Sweden: Jarla Partilager, 2015.

Leighton, John, Nicholas Serota, Anthony d'Offay, Amy Dickson, Jenny Wooden, and Christopher Ganley. Artist Rooms: The First Five Years. United Kingdom: Tate, 2015.     

Messmer, Carmen. Stuffed - Stofftiere in der installation Kunst. Germany: Reimer Verlag, 2015.

Picasso.Mania. Paris: Les éditions Rmn-Grand Palais, 2015.

Pop to Popism. United Kingdon: Art Gallery of New South Wales, 2015.

Segal, Gillian Zoe. Getting There: A Book of Mentors. United States: Abrams Image, 2015.

Von, Thurn Und Taxis Gloria, and Todd Eberle. The House of Thurn Und Taxis. New York: Skira Rizzoli, 2015.

Whitney: Handbook of the Collection. Whitney Museum of American Art/Yale University Press, 2015.                                        



Bindman, David and Henry Louis Gates, Jr., editors. The Image of the Black in Western Art The Twentieth Century: The Rise of the Black Artists. Italy: The President of Fellows of Harvard College, 2014.

DESTE Foundation for Contemporary Art. THE SYSTEM OF OBJECTS WALKTHROUGH – The Dakis Joannou Collection Reloaded. Athens: DESTE Foundation for Contemporary Art, 2014.

Fontanel, Béatrice. Ma Première Histoire de l’ART. Paris: Éditions Palette, March 2014.

Galerie Max Hetzler. Remember Everything – 40 Years Galerie Max Hetzler. Exh. cat. Berlin: Galerie Max Hetzler, 2014.

Hall, James. The Self-Portrait: A Cultural History. China: Thames and Hudson, 2014.

Herrero, Floraine. Art et Musique. Italy: Editions Palette, 2014.

Hotel Bayerischer Hof Munich. Begegnungen 175 Jahre Bayerischer Hof. Germany: Conde Nast, 2014.

McCann, Margaret, ed. The Figure: Painting, Drawing, and Sculpture Contemporary Perspectives. United States: Skira Rizzoli, 2014.

Moderna Museet. Sculpture After Sculpture: Fritsch/Koons/Ray. Exh. cat., Ostfildern: Hatje Cantz, 2014.  [Texts by Jack Bankowsky, Thomas E. Crow, Nicholas Cullinan, Made Great, conversation between Michael Fried, Isabelle Graw, Michelle Kuo, Charles Ray, Scott Rothkopf.]

Rubell Family Collection: Highlights & Artists' Writings, Volume 1. United States: Rubell Family Collection, 2014.         

San Francisco 2014: Celebrating the 51st Annual International Achievement Summit. United States: Academy of Achievement, 2014  

Schoeller, Martin. Portraits. Belgium: Te Neues Pub Group, 2014.  

Siti, Walter. Il dio Impossible. Milan: Rizzoli, 2014.

Thornton, Sarah. 33 Artists in 3 Acts. New York: W.W. Norton & Company, Inc., November 2014.

Tillier, Bertrand. Vues D'Atelier: une Image de L'Artiste dela Renaissance à Nos Jours. France: Citadelles & Mazenod, 2014.  

Ullrich, Wolfgang. Des Geistes Gegenwart. Berlin: Verlag Klaus Wagenbach, 2014.

Wolfendale, Peter. Object-Oriented Philosophy: The Noumenon's New Clothes. United Kingdom: Urbanomic Media Ltd, 2014.



Achenbach, Helge. The Art Agitator- On Collecting and Hunting. Germany: Hatje Cantz, 2013.

Acquavella Galleries. THE POP OBJECT: THE STILL LIFE TRADITION IN POP ART. New York: Rizzoli International Publications, Inc., 2013.

David Zwirner. Art | 44 | Basel. New York: David Zwirner, 2013.

Faris, Jaimey Hamilton. UNCOMMON GOODS. Chicago: Intellect Ltd., 2013.

Holzwarth, Hans Werner. ART NOW Vol 4. Cologne: Taschen, 2013.

Mori Art Museum. All You Need Is LOVE: From Chagall to Kusama and Hatsune Miku. Tokyo: Heibonsha Ltd. Publishers, 2013.

Peel, Yana. Art for Baby. Surrey: Templar Publishing, 2013.

Powers, Bill. Interviews with Artists. New York: Gagosian Gallery, 2013.

Rome, Palazzo delle Esposizioni. Empire State. New York Art Now! Milan: Skira Editore S.p.A., 2013.

Saehrendt, Christian and Steen T. Kittl. DAS KANN ICH AUCH!- Gebrauchsanweisung Für Moderne Kunst. Germany: DuMont, 2013.

Staatsgalerie. OP + POP: EXPERIMENTE AMERIKANISCHER KÜNSTLERAB 1960. Munich: Hirmer Verlag GmbH, 2013.

T: The New York Times Style Magazine. “A Picture and a Poem.” New York: The New York Times, 2013.

Wells, Rachel. Scale in Contemporary Sculpture. Surrey: Ashgate Publishing Limited, 2013.



Fondation Beyeler. What is Art? 27 Questions, 27 Answers. Basel: Hatje Cantz, 2012. 

Heran, Emmanuelle. A la Gloire des Betes. Italy: Gruppo Editoriale Zanardi, 2012.

Marta, Karen, ed. Skin Fruit: A View of a Collection Curated by Jeff Koons. Exh. cat. Athens: Deste Foundation, 2012.

The New Museum. Ghosts in the Machine. New York: Skira Rizzoli Publications, 2012.

Obrist, Hans Ulrich. Jeff Koons: The Conversation Series. Berlin: Buchhandlung Walther Konig, 2012.

Pinacoteca Giovanni e Marella Agnelli. Freedom not Genius. London: Other Criteria, 2012.

Phillips, Sam. …isms. New York: Universe Publishing, a division of Rizzoli International Publications, Inc., 2012.

Royal Academy of Arts. BRONZE. London: Royal Academy of Arts, 2012.

Royal Academy of Arts. RA Now: Royal Academicians from Anish Kapoor to Zaha Hadid. London: Royal Academy of Arts, 2012.

Stedelijk Museum Amsterdam. Stedelijk Collection Highlights. Rotterdam: Stedelijk Museum Amsterdam/nai010 publishers, 2012.

Veneciano, Jorge Daniel. The Geometric Unconscious. Nebraska: Sheldon Museum of Art, University of Nebraska Press, 2012.



Blanc, Jan, and Florence Jaillet. Dans l'Atelier des Artistes: Les Coulisses de la Création de Léonard de Vinci à Jeff Koons. Paris: TTM Editions, 2011.

Boylan, Alexis L., ed. Thomas Kinkade, The Artist in the Mall. Durham: Duke University Press, 2011.

Capalbo, Carla, and Sally Roy. Venice Spiral Guide. United Kingdom: AA Publishing, 2011.

Curtis, Penelope, and Keith Wilson. Modern British Sculpture. London: Royal Academy Publications, 2011.

Dagen, Philippe, Françoise Hamon, and Jean-Baptiste Minnaert. Epoque Contemporaine XIXe - XXIe Siècle. Paris: Flammarion, 2011.

Finger, Brad, and Christiane Weidemann. 50 Contemporary Artists You Should Know. New York: Prestel, 2011.

Fleming, Jeff, Jeff Koons, and Anselm Reyle. Anselm Reyle. Des Moines: Des Moines Art Center, 2011.

Fondazione Prada. Ca' Corner Della Regina. Exh. cat. Milan: Progetto Prada Arte, 2011.

Foster, Hal. Art Since 1900: Modernism, AntiModernism, PostModernism. New York: Thames & Hudson, 1st ed. 2004, 2nd ed. 2011.

François Pinault Foundation. In Praise of Doubt. Milan: Electa, 2011.

Herrero, Floriane. Trompe-L'oeil et autres illusions optique. Paris: Editions Palette, 2011.

Homen, Antonio and Philip Rylands. Ileana Sonnabend An Italian Portrait. Venice: Peggy Guggenheim Collection, 2011.

Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art. New York: Prestel, 2011.

Lavin, Sylvia. Kissing Architecture. Princeton: Princeton University Press, 2011.

Maslen, Mick, and Jack Southern. Drawing Projects: An exploration of the language of drawing. London: Black Dog Publishing, 2011.

Nessmann, Phillippe. Un Monde En Couleurs. France: Gallimard Jeunesse, 2011.

Phillips, Sam. The Art Lovers' Guide: London: The Finest Art in London by museum, artist, or period. New York: Skira Rizzoli, 2011.

Royal Academy. Summer Exhibition 2011. London: Royal Academy Publications, 2011.

Ryan, Kathy. New York Times Magazine: Photographs. New York: Aperture Foundation, 2011.

Schleif, Nina. Die Architektur: Museum Brandhorst. Berlin: Museum Brandhorst, 2011.

Siegel, Katy. Since '45: America and the Making of Contemporary Art. London: Reaktion Books, 2011.

Stolarski, Andre. In the Name of the Artists: American Contemporary Art from the Astrup Fearnley Collection. Brazil, 2011.

Tunnicliffe, Wayne. John Kaldor Family Collection: Art Gallery of New South Wales. United Kingdom: Art Gallery of New South Wales, 2011.

Ulrich, Wolfgang. An die Kunst glauben. Berlin: Wagenbach, 2011.



Bankowsky, Jack, Alison Gingeras, and Catherine Wood. POP Life: Art in a Material World. Exh. catLondon: Tate Modern, 2010.

Barrett, Terry. Making Art Form and Meaning. New York, 2010.

Benhamou-Huet, Judith. Les Oeuvres D'art les Plus Chères du Monde. France: Editions du Chêne, 2010.

Bonami, Francesco. Dal Partenone Al Panettone. Milan: Electa, 2010.

The Brant Foundation. Remembering Henry’s Show. Greenwich: The Brant Foundation, 2010.

Carugati, Decio Giulio Riccardo. Guilty. Milan: Electa, 2010.

Chalmeau, Jean-Luc. Comprendre l'Art contemporain. Paris: Chene, 2010.

Delavaux, Celine. Hyperréalisme - Quand l'art dépasse la réalité. France: Editions Palette, 2010.

DESTE Foundation Centre for Contemporary Art. Alpha Omega: Works from the Dakis Joannou Collection. Athens, 2010.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 3rd ed. New York, 2010.

Gagosian Gallery - Britannia Street. Crash: Homage to JG Ballard. London, 2010.

Gagosian Gallery. Ed Paschke, Curated by Jeff Koons. Exh. Cat. New York, March 18 - April 24, 2010.

Your history is not our history. New York: Haunch of Venison, 2010.

Hofer, Veronika, and Betsy Pinover Schiff. New York City Gardens. Munich, 2010.

Hopkins, David. Childish Things. Edinburgh: Fruitmarket Gallery, 2010.

Jebbia, James and Rubinstein, West, ed. Supreme. New York: Rizzoli, 2010.

King, Elliott H. Salvador Dali: The Late Work (High Museum of Art Series). New Haven: Yale University Press, September 2010.

Kölle, Brigitte and Stiftung Kunstsammlung. Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive. Munich: Prestel Verlag, 2010.

Kunst. Fotografie, Grafik, Neue Medien, Architektur, Malerei, Skulptur, Techniken. New York: Parragon, 2010.

Skin Fruit: Selections from the Dakis Joannou CollectionCurated by Jeff Koons. Exh. cat. New York: New Museum, 2010. 

Sexuality and Transcendence. Exh. cat. Kiev: Pinchuk Art Centre, 2010.

The Making of Art. Exh. cat. Frankfurt: Schirn Kunsthalle, 2010.

First Aid: Sculptures. Exh. cat. Amsterdam: Stedelijk Museum, 2010, Illustrated in color p. 89 (edition 3).



Almine Rech Gallery. Magritte & la lumière. Brussels, 2009.

Bishop, Jane, Corey Keller, and Sarah Roberts, ed. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco, 2009.

Colacello, Bob. The Age of Ambiguity. Exh. cat. Switzerland: Vito Schnabel Gallery, 2009.

David Nolan Gallery. The Visible Vagina. New York, 2009.

DESTE Foundation Center for Contemporary Art. A Guest + A Host = A Ghost. Athens, 2009.

Forbat, Sophie, ed. 40 Years Kaldor Public Art Projects. Sydney, 2009.

The Garage. Un Certain Etat du Monde? A Selection of Works from the François Pinault Foundation. Exh. cat. Moscow: Skira, 2009.

Gingeras, Alison M., ed. Mapping the Studio: Artists from the François Pinault Collection. Milan: Electa, 2009.

Guggenheim Bilbao. Guggenheim Museum Bilbao Collection. Bilbao, 2009.

Le Toquin, Alain. Dans les Jardins du Monde. 2009.

Madoff, Steven Henry. "Beauty and Glass after Duchamp", in Glass: Trends in Contemporary Glass Sculpture. Tel Aviv, 2009.

Mendl, Hans. Religion Vernetzt. Germany: Kosel-Verlag, 2009.

Schellman, Jorg, ed. Forty Are better Than One. Edition Schellmann 1969-2009, New York, 2009.

Segalot, Phillippe, Franck Giraud and Joachim Pissaro. The Impossible Collection: The 100 Most Coveted Artworks of the Modern Era. New York: Assouline, 2009.

The Serpentine Gallery. Jeff Koons: Popeye Series. Exh. cat. London, 2009.

Smith, Ken. Ken Smith: Landscape Architect. New York: The Monacelli Press, 2009.

Tate; Edinburgh, National Gallery of Scotland. Artist's Room. London, April 2009.

Volker, Wolfram, ed. Was Ist Gute Kunst? Germany: Ostfildern, 2009.

Wiehager, Renate, ed. Blitzen Benz Bang - Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works. Germany: Ostifildern, 2009.



Bois, Yve-Alain, and Stephanie Rachum. Glenstone: The Inaugural Exhibition. Exh. cat. Potomac, MD: Glenstone Foundation, 2008.

Deitch, Jeffrey. Fractured Figure, Vol. 1. Athens: DESTE Foundation, 2008.

For what you are about to recieve. Moscow: Gagosian Gallery, 2008.

Gagosian Gallery. Lichtenstein: Girls. Exh. cat. New Haven: Yale University Press, 2008.

Hirst, Damien. In the Darkest Hour There May be Light: Works from Damien Hirst's Murderme Collection. London: Other Criteria, 2008.

Metropolitan Museum of Art. Jeff Koons on the Roof. Exh. cat. New York, April 22 - October 26, 2008.

Museum of Contemporary Art Chicago. Jeff Koons. Exh. cat. Chicago: MCA Chicago, 2008.

Neue National Galerie. Jeff Koons: Celebration. Exh. cat. Berlin, October 31, 2008 - February 9, 2009.

Obrist, Hans Ulrich. Conversations: Volume I. Manuella Editions, 2008.

Werner Holzwarth, Hans. Art Now: 2008. Taschen Diary, Cologne: Taschen, 2008.

Zelevansky, Lynn. BCAM/LACMA/2008. Los Angeles: Los Angeles County Museum of Art, 2008.



Art in the USA: 300 Anos de Innovacion. Bilbao: Merrell Publishers Ltd., The Solomon R. Guggenheim Foundation and Terra Foundation for American Art, 2007.

Bernstein, Joanne, Marina Wallace, and Martin Kemp, ed. Seduced: Art & Sex From Antiquity to Now. Exh. cat. London/New York: Merrell, 2007. P

Biesenbach, Klaus. Into me / Out of me. Exh. cat. Long Island City: P.S.1 Contemporary Art Center; Berlin: KW Institute for Contemporary Art, 2007.

Blind Date Istanbul. Exh. cat. Frankfurt: Deutsche Bank Kunst, 2007.

Brofen, Elisabeth, Edelbert Köb, Gerald Matt, Hilary Rubenstein Hatch, and Angela Stief. Dream & Trauma: Works from the Dakis Joannou Collection. Athens. Exh. cat. Kunsthalle Wien and Museum Moderner Kunst Stiftung Ludwig Wien. Verlag: Ostfildern-Ruit, 2007.

Davidson, Susan, ed. Art in America: Three Hundred Years of Innovation. Exh. cat. New York/ London: Merrell, 2007. [Published in association with the Solomon R. Guggenheim Foundation and the Terra Foundation for America Art].

De Corral, Maria, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas, 2007.

Exhibit B: Ulrich Lamsfuß. Paris: Galerie Daniel Templon, 2007.

Gagosian Gallery. Prime Concept, and Alfa Bank, Insight? Exh. cat. Moscow: Luxury Village in Barviha, Odintsovskii District, October 18-28, 2007.

Gagosian Gallery. Pop Art Is... Exh. cat. London: Gagosian Gallery, 2007.

Grigoteit, Ariane. Affinities: Deutsche Guggenheim 1997-2007. Exh. cat. Frankfurt: Deutsche Bank Kunst, 2007.

Living in the Material World: “Things” in Art of the 20th Century and Beyond. Exh. cat. Tokyo: National Art Center, 2007.

PinchukArtCentre. Reflection. Exh. cat. Kiev: Victor Pinchuck Foundation, 2007.

Rehm, Hannes, ed. Hinter Glas: Das Kunstengagement der NORD/LB. Bonn: VG Bild-Kunst, 2007.

Roberts, Rebecca, ed. MoMA: Highlights since 1980. New York: The Museum of Modern Art, 2007.

Schneider, Eckhard, ed. Re-Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz. Exh. cat. Bregenz: Kunsthaus Bregenz, 2007.



Art Now: 2007 Taschen Diary, Calendar. Köln: Taschen, 2006.

Bankowsky, Jack, and Alison M. Gingeras. Where are We Going: Selections from the François Pinault Collection. Exh. cat. Milan, Italy: Skira, 2006.

Barron, Stephanie et al. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006.

Baume, Nicholas. Super Vision; Institute of Contemporary Art/ Bostoni. Exh. cat. Cambridge, MA: The MIT Press, 2006.

Benesch, Evelyn, Philippe Büttner and Heike Eipeldauer. Eros in der Kunst der Moderne: von Courbet bis heute. Fondation Beyeler, Basel; BA-CA Kunstforum, Vienna; Hatje-Cantz, Ostfildern-Ruit, 2006.

Bonami, Francesco, and Sarah Cosulich Canarutto. Infinite Painting: Pittura Contemporanea e Realismo Globale. Villa Centro di Arte Contemporanea, Passariano, Codroipo, 2006.

Blind Date. Exh. cat. Frankfurt: Deutsche Bank, 2006.

Bollen, Christopher, and Alix Browne. Artists. Photographs by Jason Schmidt. Paris: Edition 7L, 2006.

Bowron, Edgar Peters, Carolyn Rose Rebbert, Robert Rosenblum and William Secord. Best in Show: The Dog in Art from Renaissance to Today. Houston: Museum of Fine Arts, 2006.

Buser, Thomas. Experiencing Art Around Us. Belmont, CA: Thompson Wadsworth, 2nd ed., 2006.

Celant, Germano, and Lisa Dennison. New York, New York. Monaco: Grimaldi Forum, 2006.

Eros in der Kunst der Moderne. Exh. cat. Foundation Beyeler. Richen/ Basel: Foundation Beyeler, 2006.

Gasparina, Jill. I Love Fashion: L’art contemporain et la mode. Paris: Editions Cercle d’Art, 2006.

Getlein, Mark. Living with Art, 8th ed. New York: McGraw Hill, 2006.

Hirst, Damien, Harland Miller and Hans Ulrich Obrist. In The Darkest Hour There May Be Light: Works from the Damien Hirst murderme Collection. London: Serpentine Gallery, 2006.

Hopkins, David. Dada’s Boys: Identity and Play in Contemporary Art. Edinburgh: The Fruitmarket Gallery, 2006.

Individuals: Portraits from the Gap Collection. New York: Melcher Media, 2006. [Portrait of Jeff by Christian Witkin].

Joch, Peter. Schöner Leben: Werke aus den FRAC – Sammlungen Aquitaine, Limousin, Poitou-Charentes, Les Abattoirs, Toulouse, Justus-von-Liebig-Verlag. Darmstadt, 2006.

La collezione François Pinault; una selezione Post-Pop. Milano: Skira, 2006.

Lindemann, Adam. Collecting Contemporary. Köln: Taschen, 2006.

Luckow, Dirk. Ballermann - Die Ausstellung; April 29 – July 9, 2006 Exh. cat. Kunsthalle zu Kiel, 2006.

M/M Paris, ed. Translation. Exh. cat. Athens: The Deste Foundation, 2006.

Mennour, Kamel, Sébastien Planas, and Gérard Wajcman. Nous nous sommes tant aimés. Paris: Galerie Kamel Mennour et al., 2006.

Morris, Francis, ed. Tate Modern Handbook. London: Tate, 2006.

Pièces maitresses. Bordeaux: Conseil Régional d’Aquitaine, 2006.

Raczka, Bob. 3-D ABC: Sculptural Alphabet. Minneapolis: Millbrook Press, 2006.

Schleiter, Ute, and Judith Welsch-Körntgen. Meisterwerke der Staatsgalerie Stuttgart von Ratgeb bis Koons. Petersberg: Michael Imhof Verlag, 2006.

Telfair Museum of Art. The Kirk Varnedoe Collection. Exh. cat. New York: Grenfell Press, 2006.

Toquin, Alain. Les photographs. Gardens in Time. New York: Abrams, 2006.

Ullrich, Wolfgang. Kitsch als Kunst: Milan Kunc und Jeff Koons – die Verheiungen marktwirtschaftlicher Ästhetik – Bilder via Meinungsumfrage? In Bilder auf Weltreise: Eine Globalisierungskritik. Berlin: Verlag, 2006. 92-96.

Varnedoe, Kurt. Pictures of Nothing: Abstract Art Since Pollock. Princeton, NJ: Princeton University Press, 2006. 39-40.



100 Most Beautiful Museums of the World. Hamburg: Rebo Publishers, 2005.

Beckles, Tricia, and Marjorie Heins. Will Fair Use Survive? Free Expression in the Age of Copyright Control. New York: Brennan Center for Justice, 2005.

Beeren, Wim. Wim Beeren – om de kunst. Rotterdam: NAI Uitgevers, 2005.

Buser, Thomas. Experiencing Art Around Us. Belmont, CA: Thomson Wadsworth, 2nd ed., 2006.

Chancel, Philippe, Irene Gludowacz, and Sussanne van Hagen. A Passion For Art: Art Collectors and their Houses. Munich: Verlag, 2005 (Original Edition): London: Thames & Hudson, 2005.

Dickins, Rosie. The Usborne Book of Art: A Complete Introduction for Beginners. London: Usborne, 2005.

Ed Pashke Tribute Show. Exh. cat. Chicago: A to Z Offset Printing and Publishing, 2005.

Fondation Beyeler. Flower Myth: Vincent van Gogh to Jeff Koons. Exh. cat. Reihen/Basel, 2005.

Galerie Jerome de Noirmont. Happy Birthday! Paris: Galerie Jerome de Noirmont, 2005.

Glimcher, Marc. Logical Conclusions: 40 Years of Rule-Based Art. Exh. cat. New York: PaceWildenstein, 2005.

Grosenick, Uta. Jeff Koons. Köln: Taschen, Art Now, Vol. 2, 2005.

Grosenick, Uta and Raimar Stange. International Art Galleries; Post-War to Post-Millennium. Cologne: Dumont Literatur, 2005.

Kerrigan, Michael. Modern Art. London: Flame Tree Publishing, 2005. 70, 368.

Lambirth, Andrew. Allen Jones Works. London: Royal Academy of Arts, 2005.

Mahon, Alyce. Eroticism & Art. London: Oxford Univ. Press, 2005.

Mitchell, W.J.T. What do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press, 2005.

Murakami, Takashi ed. Little Boy: The Arts of Japan’s Exploding Subculture. New York: Japan Society, 2005.

Nir Hod: Forever. Tel Aviv, Israel: Tel Aviv Museum of Art, 2005.

Spackman, Betty. A Profound Weakness: Christians & Kitsch. Carlise, U.K.: Piquant Editions, 2005.

The Editors of Phaidon Press. The Art Book for Children. New York, 2005.

Van Winkel, Camiel. The Regime of Visibility. Rotterdam: Nai Publishers, 2005.



Deitch, Jeffrey, ed. Monument to Now: The Dakis Joannou Collection. Exh. cat. Athens: Deste Foundation, 2004.

Goetz, Rainald. Jeff Koons [play]. Trans. David Tushingham. London: Oberon Books, 2004. [First performed at The Drum, Theatre Royal, Plymouth, October 13, 2004].

Hummel, Maria. 25 Artists – Builders: Years of MOCA 1979-2004. Los Angeles: Los Angeles Museum of Contemporary Art, 2004 (limited edition).

National Gallery of Iceland. Close-Up - Contemporary American Art in the Astrup Fearnley Collection. Reykjavik: National Gallery of Iceland, 2004.

Paz, Marga. Taschen Collection. Cologne: Taschen, 2004.

Sammlung Essl – Kunst der Gegenwart. Visions of America: Contemporary art from the Essl collection and the Sonnabend collection. New York: Sammlung Essl – Kunst der Gegenwart Vienna, 2004.

Schuster, Peter-Klaus and Eugen Blume. Friedrich Christian Flick Collection im Hamburger Bahnhof. Berlin: SMB-DuMont, 2004.

The Broad Art Foundation. Los Angeles: Primary Color, 2004.

Wehr, Anne. Plop: Recent Projects of the Public Art Fund. New York: Merrel, 2004.

What's Modern? Exh. cat. New York: Gagosian Gallery, 2004.



Daimler Chrysler Contemporary. Private/Corporate II, Works from the Daimler Chrysler Collection and from the Ileana Sonnabend Collection: A Dialogue. Berlin: Daimler Chrysler Contemporary, 2003

Galerie Max Hetzler. Berlin 1994-2003. Berlin: Galerie Max Hetzler, 2003.

Inboden, Gudrun et al. The Daimler Chrysler Collection. Exh. cat. Museum fur Neue Kunst and Detroit Institute of the Arts, 2003.

Le Bellevue. La Fête. Biarritz, 2003.

Pearlman, Alison. Unpacking Art of the 1980s. Chicago: University of Chicago Press, 2003.

McKenzie, Michael. Images We Love: Popular Art in America. American Image Books, 2003.



Bruce Museum of Arts and Science. The Great American Nude. Greenwich, June 15 - September 8, 2002 [exhibition].

Dempsey, Amy. Styles, Schools and Movements: An Encyclopaedic Guide to Modern Art. London, 2002.

Hoffman, Barry. The Fine Art of Advertising. New York, 2002

Lucie-Smith, Edward. American Realism. London: Thames & Hudson, 2002.

McNair, Brian. Striptease Culture: Sex, Media and the Democratisation of Desire. London: Routledge, 2002.

Pinchbeck, Daniel. Jeff Koons / Andy Warhol: Flowers. Exh. cat. New York: Gagosian Gallery, 2002.

Stainback, Charles Ashley et al. From Pop to Now: Selections from the Sonnabend Collection. Exh. cat. Sarasota Springs: Skidmore College, 2002.

Shortcuts from the Dakis Jannou Collection. Exh. cat. Greece: DESTE Foundation for Contemporary Art, 2002.

Von Uta Grosenick, Herausg, and Burkhard Riemschneider. Art Now, 137 Artists at the Rise of the New Millennium. Köln: Taschen, 2002.



Anderson, Maxwell L. American Visionaries: Selections from the Whitney Museum of American Art. New York: Harry N. Abrams, Inc., 2001.

Bailey, Suzanne. Essential History of American Art. Bath: Parragon Publishers, 2001.

Barron, Stephanie. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Exh. cat. Los Angeles: Los Angeles County Museum of Art, 2001.

Byatt, A.S. Writers on Artists. New York: DK Publishing, 2001.

Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. Exh. cat. New York: Whitney Museum of American Art, 2001.

Sobel, Dean. Warhol/Koons/Hirst: Cult and Culture. Exh. cat. Aspen: Aspen Museum of Art, 2001.



Art at Work: Forty Years of the JP Morgan Chase Collection. New York: Meridian Printing, 2000.

Baudrillard, Jean et al. New Architecture 5: Truth Radicality and Beyond in Contemporary Architecture. London: Andreas Papadakis, 2000.

Bjelajac, David. American Art: A Cultural History. London: Laurence King, 2000. 391.

Kemp, Martin, ed. The Oxford History of Western Art. Oxford: Oxford University Press, 2000.

Kuspit, Donald. Redeeming Art: Critical Reveries (Aesthetics Today). New York: Allworth Press, 2000.

Modern Contemporary: Art at MoMA since 1980, ed. by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. Exhibition Catalogue. The Museum of Modern Art: Distributed by H.N. Abrams, 2000.

Walther, Ingo F. Art of the 20th Century, 2000 Diary. Köln: Taschen, 2000.



Collings, Matthew. This is Modern Art. London: Weidenfeld & Nicholson, 1999.

Gregos, Katerina ed. Jeff Koons: A Millennium Celebration – Works from the Dakis Joannou Collection 1979-1999. Exh. cat. Deste Foundation, 1999.

Grosenick, Uta, and Burkhard Riemschneider, ed. Art at the Turn of the Millennium. Köln: Taschen, 1999.



Godfrey, Tony. Conceptual Art. London: Phaidon Press, 1998.



Joachimides, Christos M., and Norman Rosenthal, ed. The Age of Modernism: Art in the 20th Century. Berlin: Hatje, 1997.

Rowell, Margit. Objects of Desire: The Modern Still Life. Exh. cat. New York: Museum of Modern Art and Hayward Gallery, 1997.



Deitch, Jeffrey; project coordinator. Everything That’s Interesting is New: The Dakis Joannou Collection [exhibition]. Ostfildern: Verlag & Deste Foundation, 1996.

Drucker, Johanna. American Art at the End of the 20th Century. New York: Whitney Museum of American Art 1996.

Ideal Standard Life. Tokyo: Art at Home Executive Committee, 1996. 

Muthesius, Angelika et al. Twentieth-Century Erotic Art. Colonge: Taschen, 1996.

Schneede, Uwe M. and Stephen Schmidt-Wulffen. Family Values: American Art in the Eightens and Nineties. Ostfildern-Ruit: Cantz Verlag, 1996.



Corrin, Lisa G., Gail Feigenbaum, Irving Lavin, and Joaneath Spicer. Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and the Rococo. Exh. cat. Baltimore: The Contemporary by the National Endowment for the Arts, 1995.

Rubin, David S. It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. New York: Prestel Pub, 1995.

Sculpture. Exh. cat. London: Anthony d'Offay Gallery, 1995.



De Serralves, Fundacao. Arca de Noe/Noah's Ark. Porto, Portugal, November 29, 1994 - February 19, 1995.

Diamonstein, Barbaralee. Inside the Art World: Conversations with Barbaralee Diamonstein, Artists, Directors, Curators, Collectors, Dealers. New York, 1994.

Feldman, Melissa. Face Off: The Portrait in Recent Art. Philadelphia: University of Pennsylvania, Institute of Contemporary Art, 1994.

Golden, Thelma. Black Male: Representations of Masculinity in Contemporary American Art. New York: Whitney Museum of American Art, 1994.

Kunsthaus Mürzzuschlag. Jahresmuseum. Mürzzuschlag, Austria, 1994.

Sprengel Museum. Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk. Hanover, 1994.



Koons, Jeff. The Jeff Koons Handbook. Introduction by Robert Rosenblum. London: Anthony d’Offay Gallery, 1992.

Muthesius, Angelika, ed. Jeff Koons. Cologne: Taschen, 1992.

Stedelijk Museum. A Century In Sculpture. Amsterdam, 1992.

The Museum of Modern Art. Adam & Eve. Saitama, 1992.



Livingstone, Marco. Objects for the Ideal Home: The Legacy of Pop Art. Exh. cat. London: Serpentine Gallery, 1991.



Livingstone, Marco. Pop Art: A Continuing History. Exh. cat. New York: Thames & Hudson, 1990 (reprint 2003).



Armstrong, Richard, Richard Marshall and Lisa Phillips. Whitney Biennial. New York: Whitney Museum of American Art, 1989.

Barth, Frank, Karl Weber and Thomas Wulffen. D&S Ausstellung. Hamburg: Kunstverein Hamburg, 1989.

Bayliss, Sarah, Christopher Hoover, and Miwon Kwon. Suburban Home Life: Tracking the American Dream. New York: Whitney Museum of American Art, 1989.

Cameron, Dan, and Gosse Oosterhof. Horn of Plenty: Sixteen Artists from NYC / Hoorn van Overvloed: Zestien kunstenaars uit NYC. Amsterdam: Stedelijk Museum, 1989.

Collins, Tricia, and Richard Milazzo. Hyperframes: Discours su l’Après-Appropriation. Paris: Antoine Candau, Vol. 1, 1989.

Donia, Jan, and Wolfgang Max Faust. Surrogaat: 15 jaar Galerie ‘t Venster tussen Kiefer en Koons. Rotterdam: SDU Uitgerverij, 1989.

Edström, Peter, Helene Mohlin and Anna Palmqvist. What is Contemporary Art? Rooseum, Malmö, 1989.

Exposition. Inaugurale. Fréjus: Fondation Daniel Templon. Musée Temporaire, 1989.

Goldstein, Ann, Catherine Gudis, Mary Jane Jacob and Howard Singerman. A Forest of Signs: Art in the Crisis of Representation. Los Angeles: The Museum of Contemporary Art; Cambridge: MIT Press, 1989.

Hanhardt, John G., Marvin Heiferman, and Lisa Phillips. Image World: Art and Media Culture. New York: Whitney Museum of American Art, 1989.

Kellein, Thomas. Mit dem Fernrohr durch die Kunstgeschichte: von Galilei zu den Gebrüdern Mongolfier. Basel: Kunsthalle Basel, 1989.

Leigh, Christian, and Manuel Wally. The Silent Baroque. Salzburg: Galerie Thaddaeus Ropac, 1989.



Alloway, Lawrence. Modern Dreams: The Rise and Fall of Pop. Cambridge: MIT Press, 1988.

Artschwager: His Peers and Persuasion, 1963-1988. Los Angeles: Daniel Weinberg Gallery, 1988.

Beyer, Hugh, and Klaus Honnef. Contemporary Art. Cologne: Taschen, 1988.

Bruderlin, Markus, Hubertus Grasner and Veit Loers. Schlaf der Vernunft. Exh. cat. Kassel: Museum Fridericianum, 1988.

Celant, Germano. Unexpressionism: Art Beyond the Contemporary. New York: Rizzoli, 1988.

Collins, Tricia, and Richard Milazzo. Art at the End of Social. Rooseum, Malmö, 1988.

Collins, Tricia, Gary Indiana and Richard Milazzo. Hybrid Neutral: Modes of Abstraction and the Social. New York: Independent Curators Incorporated, 1988.

Danoff, Michael. Jeff Koons. Exh. cat. Chicago: Museum of Contemporary Art, 1988.

Deitch, Jeffrey, and Peter Halley. Cultural Geometry. Athens: DEKA Foundation, House of Cyprus, 1988.

Felix, Zdenek. New York in View: Ashley Bickerton, Jeff Koons, Allan McCollum, Haim Steinbach, Meyer Vaisman, Kunstverein München. Exh. cat. Munich, 1988. [Text by Noemi Smolik, Michaela Melián and Daniela Lanzer].

Guenther, Bruce. Three Decades: The Oliver-Hoffmann Collection. Chicago: Museum of Contemporary Art Chicago, 1988.

Harten, Jürgen, and David A. Ross. The BiNational: German Art of the Late 80s, American Art of the Late 80s / BiNationale: deutsche Kunst der späten 80er Jahre, amerikanische Kunst der späten 80er Jahre. Cologne: DuMont, 1988.

MacFadden, Sarah, and Joan Simon. The Carnegie Museum of Art: Carnegie International. Exh. cat. Munich: Prestel, 1988.

NY Art Now: Part II. London: The Saatchi Gallery, 1988.

Oliva, Achille Bonito. Superart. Milan: Giancarlo Politi, 1988.

Redefining the Object. Dayton: Wright State University, 1988.

The Carnegie International Exhibition of Contemporary Art. New York: Neues Pub. Co., 1988.

Tomkins, Calvin. Post- to Neo-: the Art of the World of the 1980s. New York: Henry Holt, 1988.



Armstrong, Richard. 1987 Biennial Exhibition. New York: Whitney Museum of American Art, 1987.

Bußmann, Klaus, and Kasper König. Skulptur Projecte in Münster 1987, Westfälisches Landesmuseum für Kunst- und Kulturgeschichte. Munster: DuMont, Cologne, 1987.

Cameron, Dan. New York Art Now: The Saatchi Collection. London: The Saatchi Collection, 1987.

Colleción Sonnabend. Madrid: Ministerio de Cultura, 1987.

Frank, Peter, and Michael McKenzie. New, Used and Improved: Art for the Eighties. New York: Abbeville Press, 1987.

Fox, Howard N. Avant-Garde in the Eighties. Los Angeles: Los Angeles County Museum of Art, 1987. [Text by Earl A. Powell].

Heiferman, Marvin and Joseph Jacobs. This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966-1986. Sarasota: The John and Mable Ringling Museum of Art, 1987.

Kaiser, John. Carte Blanche: Les Coutiers du désir. Paris: Le Centre, 1987.

Levin, Kim. Beyond Modernism: Essays on Art from the ‘70s and ‘80s. New York: Harper and Row, 1987.

Schwartz, Eugene. Post-Abstract Abstraction. Ridgefield: The Aldrich Museum of Contemporary Art, 1987. [Text by Anastasi William].

Simulations: New American Conceptualism. Milwaukee: Milwaukee Art Museum, 1987.



Bois, Yve-Alain, Hal Foster, David Joselits and Elizabeth Sussman. Endgame: Reference and Simulation in Recent Painting and Sculpture. Boston: Institute of Contemporary Art, 1986.

Cameron, Dan. L’Art i el seu doble: Panoram de l’art a Nova York / Art and its double: a New York Perspective. Barcelona: Fundació Caixa de Pensiones, 1986.

Deitch, Jeffrey. Modern Objects - A New Dawn Exhibition. Exh. cat. New York: Bakerville/Watson, 1986.

Garrels, Gary. New Sculpture. Exh. cat. Chicago: The Renaissance Society at the University of Chicago, 1986.

Gohr, Siegfried, and Rafael Jablonka. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940. Cologne: Museum Ludwig, 1986.

Günther Förg, Robert Gober, Axel Hütte Jon Kessler, Hubert Kiecol, Jeff Koons, Meuser, Heimo Zobernig. Cologne: Galerie Max Hetzler, 1986.

Halle, Howard. A Brokerage of Desire. Los Angeles: Otis/Parson Exhibition Center, 1986.

Prospect 86: Eine internationale Ausstellung aktueller Kunst. Frankfurt: Frankfurter Kunstverein, 1986.

Saltz, Jerry. Beyond Boundaries: New York's New Art. Essays by Roberta Smith and Peter Halley. New York: Harper Collins, 1986. 4-7.

Wallis, Brian. Damaged Goods. Exh. cat. New York: The New Museum of Contemporary Art, 1986. [Texts by Hal Foster, Deborah Bershad, Marcia Tucker and artists’ statements].