WALL WORKS

Balloon Monkey Wall Relief
2011

silkscreen on stainless steel with polychromed edges
103 5/8 x 119 13/16 x 1 1/4 inches
263.2 x 304.3 x 3.2 cm

5 unique versions (Blue, Red, Magenta, Yellow, Violet)

Balloon Rabbit Wall Relief
2008

silkscreen on stainless steel with polychromed edges
115 x 53 1/8  x 1 5/16 inches
292.1 x 134.9 x 3.3 cm

5 unique versions (Magenta, Yellow, Red, Blue, Violet,)

  • St. Louis, Greenberg Van Doren Gallery, Spring 2009 (Magenta)

    Brussels, Almine Rech Gallery, Magritte & la lumiere, May 16 – July 20, 2009 (Violet)

    St. Louis, St. Louis Art Museum, June – October 2009 (Magenta)

  • Magritte & la lumiere, exh. cat. (Brussels: Almine Rech Gallery, 2009) (color ill. p. 48) (Violet)

Bikini
2001

silkscreen on stainless steel with mirror polished edges
56 x 90 x 1 3/4 inches
142.2 x 228.6 x 4.4 cm

4 unique versions (Beach, Desert, Dots, Jungle)

  • New York, David Zwirner, Artists for Haiti, September 6 – 10, 2011 (Desert)

  • Mike Vilensky, "Actors, Artists Aid Haiti," The Wall Street Journal, September 21, 2011 (color ill. detail) https://www.wsj.com/articles/SB10001424052748704680604576110410789879634

    Judd Tully, "Ben Stiller and David Zwirner Exult as Christie's Star-Packed 'Artists for Haiti' Sale Tops $13 Million," Artinfo, September 23, 2011

Flower Drawing
2003

mirror-polished stainless steel with transparent color coating
58 3/4 x 58 3/4 x 1 inches
149.2 x 149.2 x 2.5 cm

5 unique versions (Blue, Red, Yellow, Green, Orange)

  • New York, Acquavella Galleries, The Pop Object; The Still Life Tradition in Pop Art, April 10 – May 24, 2013 (Yellow)

  • Jeff Koons/Andy Warhol: Flowers, ed. Daniel Pinchbeck, exh. cat. (New York: Gagosian, 2002), p. 38 (color ill. p. 38, as “2002”) (Red)

    Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003) p. 114 (color ill. p. 115, as "Flower Mirror") (Red) 

    Laurence Bergerot and Patrick Seguin, Jean Prouvé, Volume 1 (Galerie Patrick Seguin, Paris/Sonnabend Gallery, New York, 2007) (color ill. p. 121; color ill. p. 193)

    John Wilmerding, The Pop Object: The Still Life Tradition in Pop Art (New York: Acquavella Galleries/Rizzoli, 2013)

Flower Drawing
2011

mirror-polished stainless steel with transparent color coating
29 7/8 x 29 7/8 x 5/8 inches
75.9 x 75.9 x 1.6 cm

Edition of 13 plus 2 AP's in each color (Red, Blue, Orange, Yellow, Green)

  • London, Newport Street Gallery, Jeff Koons: Now, May 18 – October 16, 2016 (Green)

  • Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 63, 103 (color ill. p. 63; color ill. p. 103), all as '2011'

Inflatable Flower
2000

mirror-polished stainless steel with transparent color coating
35 1/4 x 18 1/4 x 5/8 inches
89.5 x 46.4 x 1.6 cm

Edition of 13 plus 2 AP's in each color (Orange, Blue, Green, Yellow, Pink)

  • Chicago, Gallery 415, Ed Paschke Tribute Show, Gallery 415, Chicago, April 8 – July 8, 2005 (Orange)

    Brussels, Fondation Boghossian, Decor, Curated by Tino Sehgal, Dorothea von Hantelmann, and Asad Raza, September 8, 2016 – April 2, 2017 https://villaempain.com/en/expo/decor/

    St. Moritz, Vito Schnabel Gallery, The Age of Ambiguity: Abstract Figuration/Figurative Abstraction, January 29 – March 5, 2017 (Pink)

  • Ed Paschke Tribute Show, exh. cat. (Chicago: A to Z Offset Printing and Publishing, Inc., 2005) (color ill.) (Orange)

    Dimitris Lempesis, "Brussels – Décor," Dream Idea Machine, September 19, 2016 (color ill.) (Pink) http://www.dreamideamachine.com/en/?p=18870

    Pedro Gadanho, “The Blueprint Curated Diary — by Pedro Gadanho,” DesignCurial, December 14, 2016 (color ill.)

    Michael Archer and Hugh Allen, Jeff Koons: Now, exh. cat. (London: Other Criteria, 2016), pp. 62, 83 (color ill. p. 62; color ill. p. 83) (Blue)

    Neal Benezra, Art House: The Collaboration of Chara Schreyer & Gary Hutton (New York: Assouline, 2016) (color ill. pp. 206-207; color ill. p 223) (Pink) 

    Almine Rech Gallery Newsletter #18 (Paris: Galerie Almine Rech, 2016) (color ill. p. 98) (Pink) 

    Bob Colacello, The Age of Ambiguity, Curated by Bob Colacello, exh. cat. (Vito Schnabel Gallery, 2017, pp. 35-36, installation view) (Pink)

    Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words (Athens: Deste, 2019) pp. 102, 125 (color ill. p. 103) (Orange)

Inflatable Flower
2011

mirror-polished stainless steel with transparent color coating
71 x 36 1/2 x 1 1/4 inches
180.3 x 92.7 x 3.2 cm

5 unique versions (Orange, Blue, Pink, Yellow, Green)

Lobster Wall Relief
2012

inkjet on stainless steel with polychromed edges
78 x 48 3/8  x 1 1/4 inches
198.1 x 122.9 x 3.2 cm

Edition of 3 plus AP

Monkey
2004-2009

mirror-polished stainless steel with transparent color coating
59 1/2 x 70 4/5 x 1 1/4 inches
151.1 x 179.7 x 3.2 cm

5 unique versions (Red, Green, Orange, Blue, Yellow)

Olive Oyl
2004-2009

mirror-polished stainless steel with transparent color coating
71 13/16 x 59 1/2 x 1 1/4 inches
182.4 x 151.1 x 3.2 cm

5 unique versions (Yellow, Blue, Green, Orange, Red)

Popeye
2004-2009

mirror-polished stainless steel with transparent color coating
80 x 59 1/2 x 1 6/25 inches
203.2 x 151.1 x 3.1 cm

5 unique versions (Blue, Green, Orange, Red, Yellow)

  • Giancarlo Politi, "Jeff Koons: An Interview by the Readers of Flash Art," Flash Art International (Milan) 38, no. 240 (January-February 2005), p. 86 (color ill., date incorrect in text) (Blue)

    Glenn McNatt, "Pop with No Apologies," The Sun, April 9, 2005 (color ill. p. 1D, work in progress in studio)

    Cheryl Kaplan, "Door to Door: A Visit to Jeff Koons' Studio," db-art.info, June 2005 (ill. studio work in progress)

    Hwang Seon Woo, "Jeff Koons," (Text in Korean) W (Korea), March 2012 (color ill. p. 298, work in progress at studio),

Teddy Bear
1988-1998

mirror and colored glass
87 x 36 x 2 inches
221 x 91.4 x 5.1 cm

4 unique versions (Pink, Blue , Green, Orange)

  • "The ARTnews 200 Top Collectors: Anne Tenenbaum," ARTnews (Summer 2011), p. 91 (color ill. p. 91) (Blue)

    Hans Werner Holzwarth, Jeff Koons, (Taschen: Cologne 2008), (color ill. p. 31, photo by Martha Cooper of Jeff Koons and Ileana Sonnabend) (Blue, reflection of Pink and Yellow versions)

Untitled (Donkey)
1997

mirror-polished stainless steel
24 5/8 x 18 1/4 x 1/8 inches
62.5 x 46.4 x .3 cm

Edition of 50 plus 10 APs

  • London, Institute of Contemporary Art, Artists’ Favourites: Act 2, July 30 – September 4, 2004

    Brooklyn, Luhring Augustine Bushwick, White Trash (An Exhibition of Artworks From the Personal Collection of Larry Clark), May 5 – June 18, 2017

  • The Art of Healing, Art of This Century, gala cat. (New York: Doctors of the Word, 1997) (color ill. p. 23)

    Chrissie Isles and Laurie Anderson, "Restrospeculative: Jeff Koons Reveals Another Side of Himself and His Work," Hugo Boss: Fascination, Summer 1998 (color ill. p. 2)

    David Bowie with Jeff Koons, "Super-Banalism and the Innocent Salesman," Modern Painters 11, no. 1 (Spring 1998) (color ill. p. 30, studio model, Photo by Iman)

    Warhol/Koons/Hirst: Cult and Culture. Selections from the Vicki and Kent Logan Collection at the Aspen Art Museum, exh. cat., ed. Dean Sobel (Aspen: Aspen Art Museum, 2001) (color ill.)

    White Trash, exh. zine ( Luhring Augustine Bushwick, 2017) (color ill. Larry Clark collection)

    Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words (Athens: Deste, 2019), pp. 96, 124 (color ill. p. 97)