MADE IN HEAVEN

Made in Heaven
1989

lithograph billboard 
125 x 272 inches
317.5 x 690.9 cm 

Edition of 3 plus AP 

  • New York, Sonnabend Gallery, Made in Heaven, November 23– December 21, 1991

    London, Hayward Gallery, Doubletake: Collective Memory and Current Art, February 20 – April 20, 1992

    Lausanne, FAE Musée d´Art Contemporain, Post Human, June 14 – September 13, 1992; Turin, Castello di Rivoli, October 2 – November 22, 1992; Athens, Deste Foundation for Contemporary Art, December 3, 1992 – February 14, 1993; Hamburg, Diechtorhallen, March 12 – May 9, 1993; Jerusalem, Israel Museum, June 23 – October 10, 1993 (edition 1)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons: Retrospective, December 10, 1992 - February 7, 1993; Minneapolis, Walker Art Center, July 10 - October 3, 1993 

    Amsterdam, Stedelijk Museum, Jeff Koons: Retrospektiv/Retrospective, November 28, 1992 – January 3, 1993; Aarhus, Aarhus Kunstmuseum, January 22 – February 28, 1993; Stuttgart, Staatsgalerie Stuttgart, March 12 - April 18, 1993 (edition 1)

    Athens School of Fine Art, Everything That's Interesting Is New: The Dakis Joannou Collection, January 20 – April 20, 1996 (edition 1)

    Athens, Deste Foundation for Contemporary Art, Jeff Koons: A Millennium Celebration, December 15, 1999 – May 15, 2000 (edition 1)

    New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April 7 – June 5, 2004 (AP)

    Athens, DESTE Foundation for Contemporary Art, Monument to Now, June 22, 2004 – March 6, 2005 (edition 1)

    Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospective, September 4 – December 12, 2004 ; Helsinki, Helsinki City Art Museum, January 28 – April 10, 2005 (AP)

    Venice, Palazzo Grassi, Where Are We Going? A Selection of Works from the Francois Pinault Collection, April 30 – October 1, 2006 (AP)

    Venice, Palazzo Grassi, The François Pinault Collection: A Post-Pop Selection, November 11, 2006 – March 11, 2007 (AP)

    Chicago, Museum of Contemporary Art, Jeff Koons, May 31 – September 21, 2008 (edition 3)

    Venice, Punta Della Dogana and Palazzo Grassi, Mapping the Studio: Artists from the François Pinault Collection, June 6, 2009 – April 10, 2011 (AP)

    London, Tate Modern, Pop Life - Art in a Material World, October 1, 2009 – January 17, 2010; Ottawa, National Gallery of Canada, June 11 – September 19, 2010 (edition 2)

    Edinburgh, National Galleries of Scotland, ARTIST ROOMS: Jeff Koons, March 19 – July 3, 2011 (edition 2)

    Seoul, SongEun ArtSpace, Selected Works from the Pinault Collection: Agony and Ecstasy, September 3 – November 19, 2011 (AP)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons: The Sculptor, June 20 – September 23, 2012 (edition 1)

    Kiev, Pinchuk Art Centre, Collection Platform 3: Forever Now, May 19, 2012 – January 13, 2013

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014 (edition 3) 

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015 (AP)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (AP)

    Geneva, The Museum of Art and History of the city of Geneva, Urs Fischer - False Friends, April 27 – July 17, 2016 (edition 1)

    Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019 (AP)

    Marseille, Musée des Civilisations de l'Europe et de la Méditerranée, Jeff Koons Mucem: Works from the Pinault Collection, May 19 – October 18, 2021 (edition 2)

    Rennes, Couvent des Jacobins, Beyond Color: Black and White in the Pinault Collection, June 12 – August 29, 2021 (AP)

  • Image World, Art and Media Culture, ed. by Marvin Heiferman, Lisa Phillips, and John G. Hanhardt, exh. cat. (New York: Whitney Museum of American Art, 1989), p. 213

    Donald Baechler, Gunther Forg, Georg Herold, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Terry Winters, Christopher Wool, exh. cat. (Koln: Galerie Max Hetzler, November 1990), pp. 23, 122 (color ill., installation view, partial view​​)

    Jeffrey Deitch and Dan Friedman, Artificial Nature, exh. cat. (Athens: Deste Foundation for Contemporary Art, 1990), pp. 26-27, 82 (color ill., detail) 

    Ikuko Matsumoto, Pharmakon '90, exh. cat. (Chiba, Japon: Makuhari Messe, 1990), pp. 248-249 (color ill.) 

    "Jeff Koons," Der Spiegel no. 17, April 23, 1990, p. 269 (ill.)

    Remo Guideri and Sarah Morris, "Jeff Koons," Galeries Magazine (Paris) no. 36, April/May 1990, pp. 3, 128, 132 (color ill. Whitney billboard; color ill. p. 126)

    “Porno-Art,” Männer Vogue, May 1990, p. 65 (color ill.) 

    Andrew Renton, "Jeff Koons," Flash Art Italian Edition 23, no. 156 (June/July 1990), pp. 110, 113, 114

    Robert C. Morgan, “Jeff Koons,” New Art International, June-July 1990, p. 45 (color ill.)

    Carlo Pizzati, "Cicciolina nel letto degli dei," Chorus (Milan) 1, no. 6 (July 1990), pp. 76-77 (color ill., installation view), pp. 1, 76-83 

    Hildegund Amanshauser, "Pornographic Scenes of Normal Married Life," Camera Austria 39, 1992, p. 36

     Jeff Koons, The Jeff Koons Handbook (London: Anthony d’Offay Gallery, 1992), introduction by Robert Rosenblum, pp. 118-119 (color ill.), 23, 163

    Angelika Muthesius, Jeff Koons (Cologne, Taschen, 1992), pp. 124-125 (color ill.)   

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau, Jeff Koons: Retrospective SFMOMA, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 14, 105, 132 (color ill. p. 105, pl. 48) 

    Kenneth Baker, "The Message in Koons' Kitsch," San Francisco Chronicle, December 10, 1992

    Albig Jörg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art, December 1992, p. 58 (ill.)

     Wim Beeren, Gudrun Inboden, and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk Museum, 1993), pp. 85, 99 (color ill. 8p.6-87)

     Richard W. Gassen, Zeitsprünge: Künstlerische Positionen der 80er Jahre, exh. cat. (Ludwigshafen am Rhein: Wilhelm-Hack-Museum, 1993), pp. 57 (color ill.)

    Stuart Morgan, "Deep and Low: Madonna's 'Sex' and 'The Jeff Koons Handbook' reviewed by Stuart Morgan," Frieze (London), Issue 8, January/February 1993, p. 43 (color ill.), pp. 2, 42

     Alan Dodge, Virtual Reality, exh. cat. (Parkes: National Gallery of Australia, 1994), pp. 8-9

    Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, exh. cat. (Hamburg: Hamburger Kunsthalle, 1996), pp. 48, 49 (color ill.)

    Robert Rosenblum, On Modern American Art: Selected Essays, (New York: Harry N. Abrams, 1999), pp. 336, 337

    Ingrid Sischy, "Koons, High and Low," Vanity Fair, no. 487 (March 2001), p. 273 (color ill.)

    Thomas Kellein, Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, exh. cat. (Distributed Art Publishers, Inc., 2003), p. 25

    Barbara Steiner and Jun Yang, Art Works: Autobiography, (London: Thames & Hudson, 2004), p. 58 (color ill.)

     Monument to Now, exh. cat. (Athens: DESTE Foundation Centre for Contemporary Art, 2004), p. 144 (color ill.)

    Jack Bankowsky, Jeff Wall, Alison Gingeras, Thomas Crow, Diedrich Diedrichsen, Tim Griffin, Stephen Prima, & Rhonda Lieberman, “Pop After Pop: A Roundtable,” Artforum 43, no. 2, October 2004, p. 167 (color ill.)

    Joan Gibbons, Art and Advertising, (London: I.B. Tauris, 2005), pp. 148-149 (color ill., Whitney installation view)

    Sarah Cosulich Canarutto, Jeff Koons (Supercontemporanea series), (Milan: Electa, 2006), pp. 60-61 (color ill.) 

    Philip Utz, “Catching up with Jeff Koons,” Numéro, no. 6 (September 2007), p. 69 (color ill.)

    Stephanie Seymour, "Art Made in Heaven,” Whitewall Magazine, Issue 7 (Fall 2007), p. 141 (color ill.)

    Hans Werner Holzwarth, Jeff Koons (Cologne: Taschen, 2007), p. 9 (color ill., Whitney billboard installation view), p. 316 (color ill.) 

     Francesco Bonami and Lynne Warren, Jeff Koons, exh. cat. (Chicago: MCA Chicago and Yale University Press, 2008), pp. 75, 114 (color ill.)

     Sophie Forbat, 40 Years Kaldor Public Art Projects, exh. cat. (Sydney: John Kaldor, 2009), p. 166 (color ill.)

     Renate Wiehager, Blitzen-Benz Bang - Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works, exh. cat. (Ostfildern: Hatje Cantz, 2009), p. 314 (color ill.)

    Marybeth Sollins, ed., art: 21 (Dalton, Massachusetts: 2009), p. 97 (color ill.) 

    Jeffrey Kastner, "In It to Win It," Artforum, September 2009, p. 139 (color ill.)

    Anthony Haden-Guest, "For Lust and Money," Daily Beast, October 15, 2009 (color ill., detail), https://www.thedailybeast.com/for-lust-and-money

    Brigitte Kölle and Stiftung Kunstsammlung, Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive (Munich: Prestel Verlag, 2010), p. 162 (color ill., installation view)

    Nicholas Bourriaud, Jeffrey Deitch, Massimiliano Gioni, Peter Halley, Jeff Koons, Lisa Phillips, Nancy Spector, and Lynne Tillman, Skin Fruit: Selections from the Dakis Joannou Collection Curated by Jeff Koons, exh. cat. (New York: The New Museum, 2010), pp. 16, 147 (color ill., reference to the sculpture)

    Laura K. Jones, "It's a Hard Pop Life," Artnet, 2010 (color ill., installation view) http://www.artnet.com/magazineus/features/jones/pop-life10-1-09_detail.asp?picnum=11  

    Jonathan Shaughnessy, "Sex Sells: Art Publicity and Pop Life," Vernissage: The Magazine of the National Gallery of Canada, Spring 2010, p. 21 (color ill.)

    “Scandales de l’art,” IDEAT Magazine, no. 75, March-April 2010, pp. 174 (color ill.)

    Katherine Laidlaw, “Pop Life: Hirst and Koons pieces land in Ottawa for exhibit,” National Post, June 10, 2010 (color ill., installation view), https://nationalpost.com/arts/pop-life-exhibit-lands-at-national-gallery-in-ottawa 

    Wayne Cuddington, “Photos: A Glimpse of Pop Life,” The Ottawa Citizen, September 6, 2010 (color ill., installation views)

    Patrick Javault, "Le Bon Exemple," 20/27, no. 5, 2011, p. 129 (color ill.) 

    Jorg Reckhenrich, Martin Kupp, and Jamie Anderson, “Made in heaven – produced on earth: creative leadership as art of production,” Journal of Business Strategy 32, no. 4 (2011), p. 18 (color ill.)

    Alexis Rodriguez-Duarte, "U.S. Giant Jeff Koons", Harper’s Bazaar Magazine (China) Art edition, January 2012, p. 92 (color ill.)

    Bettina Schumann, Lovers in Art (Munich: Pretsel, 2013), pp. 72-73 

    Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (China: Thames & Hudson, 2014), pp. 146-147 (color ill. pp. 146-147)

    Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (Hove: Thames & Hudson, 2014), pp. 146-147 (color ill. pp. 146-147)

    Julie Champion and Caroline Edde, Jeff Koons: La Retrospective: The Album of the Exhibition (Belgium: Centre Pompidou, 2014), p. 30 (color ill.)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Retrospective: The Portfolio of the Exhibition (France: Centre Pompidou, 2014), pp. 86-87 (color ill.)

    Scott Rothkopf, Jeff Koons: A Retrospective, exh. cat. (New York: Whitney Museum of American Art, 2014), pp. 125, 132 (color ill., Whitney billboard installation)

    Jack Bankowsky, Thomas E. Crow, Nicholas Cullinan, Made Great, conversation between Michael Fried, Isabelle Graw, Michelle Kuo, Charles Ray, Scott Rothkopf, Sculpture After Sculpture: Fritsch/Koons/Ray (Moderna Museet Ostfildern: Hatje Cantz, 2014), p. 117 (color ill.)

    Remember Everything – 40 Years Galerie Max Hetzler, (Berlin: Galerie Max Hetzler, 2014), pp. 15 (color ill., installation with partial view), 286 (ill.) 

    “Uitgelicht de liefde (Featured Love),” Kunstbeeld, no. 2, 2014, pp. 38-39 (color ill.) 

    Mostafa Heddayaa, “Jeff Koons: The Early Reviews,” Hyperallergic, June 20, 2014 (color ill.) https://hyperallergic.com/133917/jeff-koons-the-early-reviews/ 

    Paul Laster, "Jeff Koons interview: ‘From the time I was a child, I developed a sense of self through art,’" Time Out, June 23, 2014 (color ill.) https://www.timeout.com/newyork/art/jeff-koons-interview-from-the-time-i-was-a-child-i-developed-a-sense-of-self-through-art 

    Tom Simpson, “King of pop: 35 years of Jeff Koons art – in pictures,” The Guardian, June 25, 2014 (color ill.) https://www.theguardian.com/artanddesign/gallery/2014/jun/25/king-of-pop-30-years-of-jeff-koons-art-in-pictures 

    Ben Davis, “Jeff Koons as the Art World’s Great White Hope,” Artnet, June 26, 2014 (color ill.) http://news.artnet.com/art-world/jeff-koons-as-the-art-worlds-great-whitehope-48048  

    Katherine Brooks, “Jeff Koons - An Artist, Wrapped in a Mystery, Inside Shiny Stainless Steel,” HuffingtonPost, June 27, 2014, online (color ill., Whitney installation)

     Laurence Lowe, “Jeff Koons in His Own Words,” Details, June-July 2014, p. 58 (color ill.) 

    Violaine Binet, “King Koons” Vogue (Paris), June/July 2014, p. 212 (color ill.) 

    Kevin McGarry, “By the Numbers: The Facts and Figures Behind Jeff Koons’s Massive, Awe-Inspiring Show at the Whitney,” T Magazine, July 2, 2014 (color ill.) https://tmagazine.blogs.nytimes.com/2014/07/02/jeff-koons-whitney-museum-retrospective-facts-and-figures/  

    “The World According to Jeff,” The Economist, July 2, 2014 (color ill.) https://www.economist.com/prospero/2014/07/02/the-world-according-to-jeff 

    Richard Lacayo, "Show Me the Bunny," Time 184, no. 1 (July 7/July 14, 2014), p. 94 (color ill.)

    Kara L. Rooney, “Jeff Koons: A Retrospective,” The Brooklyn Rail, July 15, 2014 (color ill.) https://brooklynrail.org/2014/07/artseen/jeff-koons-a-retrospective

    "Koons in NY," L'Officiel Hommes (Paris), Summer 2014, p. 35 (color ill.) 

    Jonathan Jones, “Top 10 Best Works of Erotic Art,” The Guardian, September 27, 2014 (color ill.)

    David Everitt Howe, “Jeff Koons: A Retrospective,” ArtReview, September 2014, p. 179 (color ill.) 

    Francis Levy, “Thinking Retrospectively About the Jeff Koons Retrospective,” Huffington Post, October 22, 2014 (color ill.) http://www.huffingtonpost.com/francis-levy/thinking-retrospectively-_b_6027370.html 

    Manami Fujimori, "Jeff Koons: Part 1," Bijutsu Techo Monthly Art Magazine 66, no. 1012 (October 2014), pp. 29-30 (color ill.)

    B.G., “Jeff Koons Au Paradis Avec La Cicciolina,” Le Nouvel Observateur, October-November 2014, p. 69 (color ill.)

    Luther Blissett, "Un artiste qui se met en scene," (Text in French) Beaux Arts/TTM éditions (Paris), November 2014 (color ill. pp. 20-21)

    Sarah Thornton, 33 Artists in 3 Acts (New York: W.W. Norton & Company, Inc., November 2014), p. 2 (color ill.)

    Fresh Art New York (Seoul, Korea: Quel Part Press, 2015), p. 34 (color ill.)  

    Hans Werner Holzwarth, Koons (Slovakia: Taschen, 2015), p. 9 (color ill.)

    “Die Macht folgt der Kunst,” Kurier, January 10, 2015 (color ill., installation) 

    Sylvia Edwards-Davis, "Reviewed - Jeff Koons at The Centre Pompidou, Paris," January 28, 2015 (color ill., Centre Pompidou installation)

    “Arriva al Guggenheim di Bilbao la monumentale retrospettiva di Jeff Koons. Tante foto dalla preview della mostra che apre al pubblico questa settimana,” Artribune, June 8, 2015 (color ill., online, Guggenheim Bilbao installation)

    “El Guggenheim Bilbao expone una retrospectiva de Jeff Koons con todas las series de su carrera,” Gente digital, June 8, 2015, online

    “El Guggenheim muestra cuatro décades del trabajo inconfundible de Jeff Koons,” SumaDiario, June 8, 2015 (color ill., online, Guggenheim Bilbao installation)

    “Jeff Koons al completo, en Guggenheim Bilbao,” Cadenaser.com, June 8, 2015 (color ill., online, Guggenheim Bilbao installation)

    "Lo económico 'no tiene valor' para Jefff Koons quien desea ser 'el mejor artista'," News Yahoo Noticias España, June 8, 2015 (color ill., online, Guggenheim Bilbao installation) 

    Braulio Ortiz, "Jeff Koons y trascendencia," Diario de Cadiz, June 9, 2015 (color ill. online, Guggenheim Bilbao installation), also published in Diario de Jerez, Diario de Sevilla, Granada Hoy, Málaga hoy, Europa Sur, and el Dia

    J.O., “Le entrevista, Jeff Koons: Todos los dfas dibujo y pinto a trav s de la mente,” La Razón, June 9, 2015 (color ill., online, Guggenheim Bilbao installation)

    “Pays basque espagnol: Jeff Koons fait son show à Bilbao," Sud Ouest, June 9, 2015 (color ill., online, Guggenheim Bilbao installation)

    Odile Morain, "Rencontre avec Jeff Koons, star du musée Guggenheim de Bilbao cet été,” FranceTVInfo.FR, June 10, 2015 (color ill., online, Guggenheim Bilbao installation)

    Helmut Kronthaler, “Von Herrschern und Untertanen,” Artcollector (Germany), June 11, 2015, pp. 54-59 (color ill., p. 56)

    Edward Goldman, “One Can’t Have Too Many Picassos, But Many Jeff Koons is a Problem,” Huffington Post, July 22, 2015 (color ill., Centre Pompidou installation view) 

    Federica Polidoro, “Ecco L'intervista di Jared Leto a Jeff Koons, nella web serie Beyond the Horizon, Artribune, February 21, 2016 (color ill., Guggenheim Bilbao installation)

    Mercedes Pérez Bergliaffa, “Entrevista a Jeff Koons: Consejo del artista más caro del mundo: hay que cruzar los límites” Clarín, April 13, 2016, online (color ill.)

    Priscilla Frank, “About That Sexy Cat in Kanye West’s ‘Fade’ Video,” Huffington Post, August 29, 2016 (color ill., Whitney Museum installation view) https://www.huffpost.com/entry/kanye-west-fade-video-cat_n_57c45cd4e4b0664f13c98775

    Herbert Pfortmüller, "Lust - Kunst, Kunst – Lust," L'Officiel Schweiz, 2016, p. 101 (color ill.)

    Sally Williams, "Jeff Koons on his 'wild years'... and going from penniless to the world's most expensive artist," The Telegraph (UK), April 20, 2017 (color ill., Whitney installation) https://www.telegraph.co.uk/luxury/womens-style/jeff-koons-wild-years-going-penniless-worlds-expensive-artist/

    Sven Michaelsen, "Jeff Koons 'Voor Mij is Het Glas Altijd Vol," Volkskrant Magazine, no. 832, May 27, 2017, p. 20 (color ill.)  

    David Hopkins, After Modern Art: 1945-2017 (Oxford: Oxford University Press, 2018), p. 182 (color ill.), p. 207

    Rachel Rabbit White, “Jeff Loves Cicciolina: Looking Back at 'Made in Heaven',” Vice, Garage, March 22, 2019 (color ill., installation view) https://garage.vice.com/en_us/article/3kgm4w/jeff-koons-cicciolina-made-in-heaven  

    Jeff Koons. Shine, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 176 (color ill., installation view)

    Massimiliano Gioni, Il desiderio messo a nudo, Conversazioni con Jeff Koons, (Monza,IT: Johan & Levi editore, 2021) (color ill. p. 128)

  • “Jeff Koons: Art History | Art21 "Extended Play",” July 2, 2010, https://www.youtube.com/watch?v=AQMUQzHtK3A

    “Jeff Koons & Pharrell: Affirmation Abstraction Acceptance | ARTST TLK™ Ep. 11,” November 21, 2013, https://www.youtube.com/watch?v=YcjqajvmkxM

    “Jeff Koons: Diary of a Seducer,” BBC Imagine Documentary, 2015, https://www.youtube.com/watch?v=-27B8gngS4g

    “Walter Annenberg Lecture: Jeff Koons | Live from the Whitney,” September 30, 2014, https://www.youtube.com/watch?v=AGlkq1lDqOc

    “EXCLUSIVE: KIRSTY WARK MEETS DAMIEN HIRST AND JEFF KOONS - BBC Newsnight,” May 18, 2016, https://www.youtube.com/watch?v=wQbU5DiLIf8

    “The Un-Private Collection: Jeff Koons and John Waters,” February 25, 2014, https://www.youtube.com/watch?v=l8G_0Lapafw

    “TimesTalks | Julian Schnabel and Jeff Koons,” The New York Times, March 6, 2017, https://www.youtube.com/watch?v=zZPH900pBZs

    “JEFF KOONS,” Museum of Contemporary Art, Los Angeles, June 12, 2017

    https://www.youtube.com/watch?v=Ll-vICo7qoY&t=147s

    “The Intersection of Art and Technology with Jeff Koons and Jared Leto,” RYOT, August 3, 2017, https://www.youtube.com/watch?v=Pzi_ev7Lg70

    “George Condo and Jeff Koons in Conversation,” New Museum, New York, December 2, 2017, https://archive.newmuseum.org/videos/12173

Blow Job (Kama Sutra)
1991

glass 
23 x 18 1/2 x 21 1/2 inches 
58.4 x 47 x 54.6 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992

  • Brooks Adams, “Jeff Koons at Sonnabend,” Review. Art in America, March 1992, p. 118

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 132, 168 (color ill. p. 132)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 161

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 353 (color ill. p. 353)

    Gabriela Walde, "Sunnyboy der Amerikanischen Kunst," Berliner Morgenpost, 2008, p. III

    Philippe Dagen, "Dr Jeff et Mr Koons," (text in French) Le Magazine du Monde, no. 166 (November 22, 2014), p. 84

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 25, 132 (color ill. p. 132, fig. 4, Sonnabend Gallery installation)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), p. 140 (color ill. p. 140, fig. 4, Sonnabend Gallery installation)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel,

    Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 28, 136 (color ill. p. 136, fig. 4, Sonnabend Gallery installation)

Couch (Kama Sutra)
1991

glass 
20 1/2 x 16 x 17 3/4 inches 
52.1 x 40.6 x 45.1 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    London, Tate Modern; Hamburg, Hamburger Kunsthalle; Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 1, 2009 – September 19, 2010 (edition 3)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 – September 23, 2012 (edition 3)

  • Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 132, 168 (color ill. p. 132)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 161

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 351 

    Brooks Adams, “Jeff Koons at Sonnabend,” Review. Art in America, March 1992, p. 118;

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 110, 188 (color ill. p. 110)

Ilona on Top — Outdoors (Kama Sutra)
1991

glass 
16 x 27 x 15 1/2 inches 
40.6 x 68.6 x 39.4 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992

  • Hildegund Amanshauser, "Pornographic Scenes of Normal Married Life," Camera Austria 39 (May 1992) (color ill. p. 37)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 134, 168 (color ill. p. 134) 

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 162

    Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 84, (color ill. p. 85)

    Alan Dodge, Virtual Reality, exh. cat., (National Gallery of Australia, 1994), p. 7

    Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003) (color ill. p. 24, Sonnabend Gallery installation)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 365 (color ill. p. 365)

    Germano Celant, The American Tornado: Art in Power 1949-2008 (Milan: Skira, 2008) (ill. p. 17, Sonnabend Made in Heaven installation);

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015) (color ill. p. 50, Sonnabend installation)

Jeff Eating Ilona (Kama Sutra)
1989

glass 
15 1/2 x 22 x 12 inches 
39.4 x 55.9 x 30.5 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993

  • Brooks Adams, “Jeff Koons at Sonnabend,” Review. Art in America, March 1992, p. 118

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 135, 168 (color ill. pp. 135; color ill. p. 141, Hetzler installation)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 162

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 13, 122, 132 (color ill. p. 122, pl. 65)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 75 (color ill. p. 75)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 79 (color ill. p. 79, pl. 63)

    Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 79, 141 (color ill. p. 79)

    Alan Dodge, Virtual Reality, exh. cat. (National Gallery of Australia, 1994), p. 7

    Chiara Mariani, "Scandaloso Koons," (text in Italian) La Repubblica delle Donne (March 2002), p. 92

    Julie Chaplin, "Jeff Koons: Profile," Wallpaper (United Kingdom), October 2007, p. 342

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 15, 356 (color ill. p. 356)

    Gabriela Walde, "Sunnyboy der Amerikanischen Kunst," Berliner Morgenpost, 2008, p. III

    Herbert Pfortmüller, "Lust-Kunst, Kunst-Lust," L'Officiel Schweiz, 2016 (color ill. p. 98)

Kiss (Kama Sutra)
1991

glass 
20 x 21 1/2 x 16 1/2 inches 
50.8 x 54.6 x 41.9 cm 

Edition of 3 plus AP 

  • New York, Sonnabend Gallery, Made in Heaven, November 23 – December 21, 1991

  • Annie Sprinkle, "Hard-Core Heaven," Arts Magazine 66, no. 7 (March 1992), p. 46 (color ill. p. 4)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 135, 168 (color ill. p. 135)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 163, 364 (color ill.)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014) (color ill. p. 132, Sonnabend installation)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014) (color ill. p. 140, Sonnabend installation)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 50 (color ill. p. 50)

Position Three (Kama Sutra)
1991

glass 
19 x 23 3/4 x 15 7/8 inches
48.3 x 60.3 x 40.3 cm

Edition of 3 plus AP 

  • New York, Sonnabend Gallery, Made in Heaven, November 23 – December 21, 1991

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993

  • Claudia Kirsch, "Ich bin einer der perversesten Menschen," Interview with Jeff Koons and Ilona Staller. (Text in German) Esquire (German), March 1992 (color ill. p. 12)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 134, 168 (color ill. p. 134)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 163

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 13, 23, 116, 132 (color ill. p. 116, pl. 58)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 79 (color ill. p. 79)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 77 (color ill. p. 77, pl. 62)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 77, 114 (color ill. p. 77)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 365, illustrated in color

    American Art in the 20th Century: Painting and Sculpture 1913-1993, eds. Christos M. Joachimides and Norman Rosenthal (Munich/London/Berlin: Prestel-Verlag, Royal Academy of Arts, ZEITGEIST-Gesellschaft e. V., 1993) (ill. p. 169, fig. 7)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014), p. 118 (color ill. p. 119, Berlin installation)

Violet — Ice (Kama Sutra)
1991

glass 
13 x 28 x 17 inches
33 x 71.1 x 43.2 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    London, Tate Modern; Hamburg, Hamburger Kunssthalle; Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 1, 2009 - September 19, 2010 (edition 1)

    New York, Luxembourg & Dayan, Made in Heaven Paintings, October 6, 2010 - January 21, 2011 (edition 1)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 - October 19, 2014 (edition 1)

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 - April 27, 2015 (edition 1)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 - September 27, 2015 (edition 1)

    Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30 – November 29, 1997 (AP)

  • Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 138, 169 (color ill. pp. 138-139)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 133, 164 (color ill. pp. 132-133)

    Wim Beeren and Dr. Manfred Schneckenburger, "Pro/Contra: Ist Jeff Koons ein wichtiger Kunstler von heute," (Text in German) Art, no. 8, August 1993, (color ill. pp. 44-45)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 362-363 (color ill. pp. 362-363)

    Kiša Lala, "The Rebirth of Jeff Koons / Made in Heaven," Huffington Post, October 11, 2010

    Jeff Koons: Made in Heaven Paintings, exh. cat. (Luxembourg & Dayan, New York, 2010) Text by Alison M. Gingeras

    David Rimanelli, "Jeff Koons, Luxembourg & Dayan," Review. Artforum, XLIX, no 5 (January 2011), p. 217 (color ill. p. 217)

    Geo Epoche Edition (German), September 2012 (color ill. pp. 116-117)

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), p. 44 (color ill. p. 44, fig. 4)

    David Everitt Howe, "Jeff Koons A Retrospective," ArtReview 66, no. 6 (September 2014), p. 178

    Luther Blissett, “Un artiste qui se met en scene,” Beaux Arts editions, December 2014, p. 19

    Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), p. 285 (color ill. p. 284-285)

    Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), p. 285 (color ill. p. 284-285)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 25, 128, 219, 288 (color ill. p. 128, pl. 76)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 136, 300 (color ill. p. 136, pl. 76)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 28, 132, 231, 299 (color ill. p. 132, pl. 76)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 97 (color ill. p. 97)

    Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 26 (color ill. p. 26)

    Patrick Radden Keefe, "How Larry Gagosian Reshaped the Art World," The New Yorker, July 24, 2023 (color ill.) https://www.newyorker.com/magazine/2023/07/31/larry-gagosian-profile

Bourgeois Bust — Jeff and Ilona
1991

marble
44 1/2 x 28 x 21 inches 
113 x 71.1 x 53.3 cm 

Edition of 3 plus AP 

  • New York, Sonnabend Gallery, Made in Heaven, November 23 – December 21, 1991

    London, Hayward Gallery, Doubletake: Collective Memory and Current Art, February 20 – April 20, 1992

    Lausanne, FAE Musée d´Art Contemporain, Post Human, June 14 – September 13, 1992; Turin, Castello di Rivoli, October 2 – November 22, 1992; Athens, Deste Foundation Center for Contemporary Art, December 3, 1992 – February 14, 1993; Hamburg, Diechtorhallen, March 12 – May 9, 1993; Jerusalem, Israel Museum, June 23 – October 10, 1993 (edition 1)

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 1)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993

    Athens School of Fine Art, Everything That's Interesting Is New: The Dakis Joannou Collection, January 20 – April 20, 1996 (edition 1)

    Athens, Deste Foundation for Contemporary Art, Jeff Koons: A Millennium Celebration, December 15, 1999 – May 15, 2000 (edition 1)

    New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April 7 – June 5, 2004 (AP)

    Athens, DESTE Foundation for Contemporary Art, Monument to Now, June 22, 2004 – March 6, 2005 (edition 1)

    Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospective, September 4 – December 12, 2004; Helsinki, Helsinki City Art Museum, January 28 – April 10, 2005 (AP)

    Venice, Palazzo Grassi, Where Are We Going? A Selection of Works from the Francois Pinault Collection, April 30 – October 1, 2006 (AP)

    Venice, Palazzo Grassi, The François Pinault Collection: A Post-Pop Selection, November 11, 2006 – March 11, 2007 (AP)

    Chicago, Museum of Contemporary Art, Jeff Koons, May 31 – September 21, 2008 (edition 3)

    Venice, Punta Della Dogana and Palazzo Grassi, Mapping the Studio: Artists from the François Pinault Collection, June 6, 2009 – April 10, 2011 (AP)

    London, Tate Modern, Pop Life - Art in a Material World, October 1, 2009 – January 17, 2010; Ottawa, National Gallery of Canada, June 11 – September 19, 2010 (edition 2)

    Edinburgh, National Galleries of Scotland, ARTIST ROOMS: Jeff Koons, March 19 – July 3, 2011 (edition 2)

    Seoul, SongEun ArtSpace, Selected Works from the Pinault Collection: Agony and Ecstasy, September 3 – November 19, 2011 (AP)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons: The Sculptor, June 20 – September 23, 2012 (edition 1)

    Kiev, Pinchuk Art Centre, Collection Platform 3: Forever Now, May 19, 2012 – January 13, 2013

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 - October 19, 2014 (edition 3) 

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015 (AP)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (AP)

    Geneva, The Museum of Art and History of the city of Geneva, Urs Fischer - False Friends, April 27 – July 17, 2016 (edition 1)

    Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019 (AP)

    Marseille, Musée des Civilisations de l'Europe et de la Méditerranée, Jeff Koons Mucem: Works from the Pinault Collection, May 19 – October 18, 2021 (edition 2)

    Rennes, Couvent des Jacobins, Beyond Color: Black and White in the Pinault Collection, June 12 – August 29, 2021 (AP)

  • Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 87 (color ill.)

    Sylvere Lotringer, "Immaculate Conceptualism," Artscribe 90 (February-March, 1992) (ill.)

    Annie Sprinkle, "Hard-Core Heaven," Arts Magazine 66, no. 7 (March 1992), p. 48 (color ill. p. 48)

    Hildegund Amanshauser, "Pornographic Scenes of Normal Married Life," Camera Austria 39 (May 1992) (color ill. p. 38)

    Double Take: Collective Memory & Current Art, exh. cat., eds. Lynne Cooke, Bice Curiger, and Greg Hitly (London: Hayward Gallery/ The South Bank Centre/Parkett, 1992), p. 23 (color ill. p. 179)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 30, 160, 169 (color ill. p. 160)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 140, 161 (color ill. p. 141)

    Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.) pp. 140, 161 (color ill. p. 141)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 13, 120, 132 (color ill. p. 120, pl. 63)

    Post Human, ed. Jeffrey, Deitch, exh. cat. (New York/Amersterdam: DAP/DESTE, 1992), p. 108, (color ill. p. 109)

    Toni Stooss, Double Take: Kollektives Gedächtnis & Heutige Kunst, exh. cat. (Vienna: Kunsthalle Bielefeld, Wien, 1992) (color ill. p. 179)

    Mark Van Proyen, "Puppy Love," Artweek, January 1993 (ill.) 

    David Littlejohn, "Who is Jeff Koons and why are people saying such terrible things about him?" ARTnews 92, no. 4 (April 1993), p. 91 (ill. p. 91)

    Pamela Haskin, "The Real Cliche," The New Art Examiner, December 1993 (ill. p. 17, incorrectly titled Self-Portrait)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 4 (color ill. p. 5)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 75 (color ill. p. 75, pl. 54)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 75, 114 (color ill. p. 75)

    "Can Art Reconstruct Paradise?" The Art Magazine (Athens) February 1994, (p. 35)

    The Dakis Joannou Collection: Everything That's Interesting is New, exh. cat., ed. Jeffrey Deitch (Ostfilden: Cantz/ DESTE Foundation Centre for Contemporary Art, 1996), p. 158 (color ill. p. 158)

    Hamburger Bahnhof – Museum für Gegenwart – Berlin (Munich: Prestel Verlag, 1996) (color ill. p. 132)

    Linda Weintraub, Arthur Danto, and Thomas McEvilley, Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s-1990s (Litchfield, CT: Art Insights, Inc., 1996) (ill. p. 198)

    Jeffrey Deitch, Jeff Koons: A Millennium Celebration - Works from the Dakis Joannou Collection, 1979-1999, ed. Katerina Gregos. exh. cat. (Athens: Deste Foundation, 1999), pp. 16, 46 (color ill. p. 17)

    Interview with Jeff Koons, Intervista 4, no. 22 (April-May 2000), p. 22 (color ill. p. 22)

    Jeffrey Deitch, "Jeff Koons Celebration al di la dello specchio: Viaggio nel mondo Koons," Text in Italian) Flash Art International (Milan) 38, no. 240 (April-May 2000) (color ill. p. 79)

    Rolf E. Breuer, Thomas Krens, David Sylvester, and Robert Rosenblum, Jeff Koons Easyfun-Ethereal, eds. Lisa Dennison, Robert Rosenblum, Craig Houser, exh. cat. (Berlin and New York: Guggenheim Museum Publications, 2000), p. 39 (color ill. p. 39, fig. 20)

    Norman Rosenthal, Apocalypse: Beauty and Horror in Contemporary Art, exh cat. (London: Royal Academy of Art Publishing, 2000) (color ill. p. 233)

    Dimitri G. Antonitsis, "A Great Day! A Photo Conversation with Jeff Koons," in The Contemporary (Greek) City, ed., Yannis Aesopos, Yorgos Simeoforidis (Athens: Metapolis Press, 2001), p. 297 (ill. p. 297, blue and white image);

    Matthew Collings, "Jeff Koons" in Writers on Artists in association with Modern Painters (New York: DK Publishing Inc., 2001) (color ill. p. 43)

    Shortcuts from the Dakis Joannou Collection. Exhibition Catalogue. Athens: DESTE Foundation for Contemporary, 2002. p. 29 [installed in Post Human], p. 59 [installed in Jeff Koons: A Millennium Celebration] (Edition 1)

    Jeff Koons Retrospektiv, ed. by Marit Woltmann, exh. cat. (Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004), pp. 100, 103, 143, 148 (color ill. p. 100)

    Monument to Now, exh. cat., ed. Jeffrey Deitch (Athens, DESTE Foundation Centre for Contemporary Art, 2004), p. 227

    Rainer Crone, Jeff Koons: Highlights of 25 Years, exh. cat. (New York: C&M, 2004), pp. 58, 85 (color ill. pl. 19, pp. 59, 85)

    Irene Gludowacz, Susanne van Hagen, and Philippe Chancel, A Passion for Art: Art Collectors and Their Houses, Foreword by Pierre Berge (London: Thames & Hudson, 2005) (color ill. p. 135)

    Guglielmino, Giorgio, Ladies & Gentlemen: Le 200 Persone Che Contano Di Più Nell'arte Contemporanea (Torino: Allemandi, 2005) (color ill. pl. 25)

    Gareth Harris, "New Life for Palazzo Grassi," The Art Newspaper, no. XC (April 2006), p. 24 (ill. p. 24)

    Kelly Devine Thomas, "The Selling of Jeff Koons," ARTnews 104, no. 5 (May 2005) (color ill. p. 119)

    Eve Therond, “The Possessed: Interview with Francois Pinault,” Whitewall (Issue 3). 2006, p. 63, illustrated

    Alison M. Gingeras and Jack Bankowsky, eds., Where are We Going?: Selections from the François Pinault Collection, exh. cat.(Venice, Italy: Palazzo Grassi, 2006), p. 244

    La collezione François Pinault: Una selezione Post-Pop (Italy: Skira, 2006) (color ill. pp. 32-33, installation view)

    Paolo Dezza, Venti Quattro, no. 3 (March 2007), p. 124

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 303 (color ill. pp. 62, 303)

    John Stourton, Great Collectors of our Time: Art Collecting Since 1945 (London: Scala Publishers Ltd, 2007), p. 405

    Graham Bader, "Jeff Koons," Artforum, September 2008 (color ill. installation view p. 448)

    Marie-Pierre Nakamura, "USA: Jeff Koons," Art Actuel (no. 57), (July/August 2008) (color ill. p. 72)

    "The Prodigal Sun Returns," MCA Chicago, Summer 2008, p. 2 (color. ill. p. 2)

    Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), pp. 71, 75, 114 (color ill. pp. 70-71, detail; color ill. p. 74)

    Hélianthe Bourdeaux-Maurin, "François Pinault & Friends", Whitewall Magazine, Summer 2009 (color ill. p. 69)

    "Jeff Koons: Banality, Decadence and Easyfun," Tate (UK), 2009 https://www.tate.org.uk/art/artists/jeff-koons-2368/jeff-koons-banality-decadence-and-easyfun

    Art:21: Art in the Twenty-First Century 5, ed. Marybeth Sollins (New York: Abrams Books/Art21, Inc., 2009) (color ill. p. 94)

    Jack Bankowsky,  Alison M. Gingeras, and Catherine Wood, eds. POP Life: Art in a Material World, exh. cat. (London: Tate Publishing, 2009), p. 136 (color ill. p. 136)

    Jean-Jacques Aillagon, Pierre Arizzoli-Clementel, Francois Pinault, Edouard Papet, Jean-Pierre Criqui, Elena Guena, Laurent Le Bon, Michel Houllebecq, Jeff Koons: Versailles, exh. cat. (Paris: Editions Xavier Barral, 2009), p. 116

    Mapping the Studio: Artists from the Francois Pinault Collection, ed. by Alison Gingeras, exh. cat. (Verona: Monadori Printing, 2009), pp. 176-177, 178-179 (color ill., installation) 

    Jonathan Shaughnessy, "Sex Sells. Art, Publicity and Pop Life," Vernissage: The Magazine of the National Gallery 12, no. 12 (Spring 2010) (color ill. pp. 20-21)

    Francesco Bonami, Dal Partenone Al Panettone (Milan: Mondadori Electa spa, 2010) (color ill. p. 140)

    Blake Gopnik, “The 10 Most Important Artists of Today,” Newsweek Special Double Issue (June 13 & 20, 2011), p. 64 (color ill. p. 64)

    "Collecting art is way for entrepreneur to see future - Pinault," The Korea Herald (Korea), September 4, 2011

    Jason Chow, "Pinault Collection Shows in Seoul," The Wall Street Journal (September 7, 2011), https://www.wsj.com/articles/BL-KRTB-2132

    Susan Moore, "A Bold New Image for Antiquities," Financial Times, November 26, 2011 (color ill. p. 4)

    Belinda Luscombe, "10 Questions," TIME Magazine, November 29, 2012 (color ill., installation) 

    Hans Ulrich Obrist, The Conversation Series 22: Jeff Koons (Cologne: Verlag der Buchhandlung Walther König, 2012), p. 37 (ill. p. 37)

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 50, 53, 65, 73, 83, 148, 190 (color ill. p. 50, fig. 1; color ill. p. 149) 

    Nicolas Liucci-Goutnikov, "Jeff Koons: une histoire de goût," Les Cahiers, January 2014 (color ill. p. 52)

    Elena Guena, "Jeff Koons," Pinault Collection no. 3 (October 2014-March 2015) (color ill. pp. 38, 39, 40)

    Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan),August 2014 (color ill.)

    Jeff Koons and Norman Rosenthal, Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), pp. 16, 228 (color ill. p. 16, MCA installation)

    Jeff Koons and Norman Rosenthal, Jeff Koons: Entretiens avec Norman Rosenthal (London: Flammarion, 2014), pp. 16, 228 (color ill. p. 16, MCA installation) 

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel,

    Jeff Koons: A Retrospective, Whitney Museum of American Art,

    ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 129, 219, 288 (color ill. p. 129, pl. 77)

    Art Lovers: Stories of Art in the Pinault Collection, ed. Martin Bethenod, exh. cat. (Paris: Lien Art /Grimaldi Forum, 2014)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 133, 300 (color ill. p. 133, pl. 73)

    Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 33 (color ill. p. 33)

    Uwe Arnold, The Art of Engineering / The Engineering of Art (Friedrichsdorf: Arnold AG, 2014), p. 111

    Marco Enrico Giacometti, “Arriva al Guggenheim di Bilbao la monumentale retrospettiva di Jeff Koons. Tante foto dalla preview della mostra che apre al pubblico questa settimana,” Artribune, June 8, 2015 (color ill. Guggenheim Bilbao)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 129, 231, 299 (color ill. p. 129, pl. 73)

    Artist Rooms, The First Five Years (London: Tate Publishing, 2015) (color ill. p. 16)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 54 (color ill. p. 54)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 95 (color ill. p. 95)

    Edlis / Neeson Collection The Art Institute of Chicago, Rondeau (Chicago: The Art Institute of Chicago /Yale University Press, 2016), pp. 66, 130 (color ill. p. 67/plate 26)

    Urs Fischer: False Friends, exh. cat. (Greece: DESTE Foundation, 2016). p. 43

    B. David Zarley, "The Missionary's Position: In Defense of Jeff Koons," Newcity Art, November 30, 2017

    https://art.newcity.com/2017/11/30/the-missionarys-position-in-defense-of-jeff-koons/

    Frederic Migayrou, Tadao Ando: Le Défi (Paris: Centre Pompidou, 2018), p. 212 (color ill. p. 212, Palazzo Grassi installation)

    An Album: Lietta & Dakis Joannou, Home Installations 1998-2019 (Athens: Deste, 2019) (color ill. pp. 22, 23, 65, 88, 106, 117, 154, 155)

    Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019) (color ill. p. 104)

    Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words (Athens: Deste, 2019), pp. 76, 123 (color ill. p. 77)

    Beaux Arts - Jeff Koons Mucem, Oeuvres de la Collection Pinault, Beaux Arts Éditions, May 2021, pp. 25, 35, (color ill. p. 15)

    Suzanne Philippe, "Jeff Koons dialogue avec les objets du Mucem," Arts Magazine (France), May 7, 2021 (color ill.)

    Camille Buonanno, "Jeff Koons s’invite au Mucem pour une exposition inédite," AD Magazine (France), May 21, 2021 (color ill. Mucem, France by Laurent Lecat) https://www.admagazine.fr/art/news/diaporama/jeff-koons-mucem-exposition-inedite/62439

    Alexandre Parodi, "Jeff Koons en 5 œuvres kitsch et provocatrices," Numéro (France), May 24, 2021 (color ill.) https://www.numero.com/fr/art/jeff-koons-mucem-collection-pinault#slide141274

    Óscar Caballero, "Jeff Koons, el artista más valorado, se divierte con el arte popular en Marsella," La Vanguardia (Spain), June 17, 2021 (color ill. by Jim Strong) https://www.lavanguardia.com/magazine/diseno/20210617/7532188/jeff-koons.html

    Camille Da Silva, "Exposition Pinault : avec le « Bourgeois Bust », Jeff Koons donne à voir son intimité," Ouest France (France), August 8, 2021 https://www.ouest-france.fr/bretagne/rennes-35000/exposition-de-la-collection-pinault-rennes/exposition-pinault-avec-le-bourgeois-bust-jeff-koons-donne-a-voir-son-intimite-d831653a-efab-11eb-b392-b52b571b94f4

    Ondřej Krynek, "Jeff Koons exhibits his iconic sculptures from the past 35 years in Marseille," DesignMag (Czech Republic), October 2, 2021  (color ill., Mucem installation)  https://www.designmag.cz/udalosti/99351-jeff-koons-vystavuje-v-marseille-sve-ikonicke-sochy-za-poslednich-35-let.html

    Jeff Koons: Mucem. Works from the Pinault Collection, exh. cat.(Paris: Éditions Dilecta, 2021), pp. 33, 34, 71, 72, 107, 172, (title p. 54; color ill. pp. 8-9; color ill. p. 55)

    Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 25 (ill. p. 176)

  • "Jeff Koons: High art or plain extravagance?"  Al Jazeera, August 22, 2015

  • “Jeff Koons Resource Pack,” Exhibition supplement, ARTIST ROOMS: Jeff Koons. Brighton Museum and Gallery, Brighton, England, 2013, p. 15.

Self Portrait
1991

marble
37 1/2 x 20 1/2 x 14 1/2 inches
95.3 x 52.1 x 36.8 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5– May 7, 1992 

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992–January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12–April 18, 1993 (edition 2)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992– February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (edition 3)

    London, Anthony d’Offay Gallery, Jeff Koons: A Survey 1981-1994, June 11–July 30, 1994

    London, Anthony D’Offay Gallery, Sculpture, December 6, 1994–February 14, 1995

    Berlin, Martin Gropius Bau, The Age of Modernism - Art in the 20th Century, May 7–July 27, 1997 (edition 2)

    Rotterdam, Museum Boijmans-van Beuningen, Self-Portraits, 1998 (edition 2)

    Paris, Musée national d'arte moderne-Centre George Pompidou, Au-dela du Spectacle, November 22, 2000 

    Aspen Art Museum, Warhol, Koons, Hirst: Cult and Culture, August 3 – September 30, 2001 (AP)    

    Paris, Musée national d'arte moderne-Centre George Pompidou, Sons et Lumieres, November – January 2001

    Naples, Museo Archeologico Nazionale, Jeff Koons, June 9 – September 15, 2003

    Chicago, Museum of Contemporary Art, Jeff Koons, May 31 – September 21, 2008 (edition 2)

    Chateau de Versailles, Jeff Koons Versailles, October 9, 2008 – April 1, 2009 (edition 3)

    New York, Gagosian Gallery, Marble, February 19 – April 11, 2009 (edition 3)

    Kiev, Pinchuk Art Centre, Sexuality and Transcendence, April 24 – September 19, 2010 (edition 3)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014 (edition 2)

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015 (edition 1)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (edition 3)

    Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 – March 31, 2022 (edition 1)

  • Anthony Haden-Guest, "Art or Commerce? Kitschy, Kitschy Koons," Vanity Fair 54, no. 11 (November 1991), p. 201 (ill. p. 201)

    Elizabeth Hayt-Atkins, "Jeff Koons, Jeffrey Deitch," Flash Art, January/February 1992 (ill. p. 159)

    Annie Sprinkle, "Hard-Core Heaven," Arts Magazine 66, no. 7 (March 1992), p. 3 (color ill. p. 3)

    Hildegund Amanshauser, "Pornographic Scenes of Normal Married Life," Camera Austria 39 (May 1992) (color ill. p. 38)

    "Jeff Koons," L'Uomo Vogue, n. 227 (Italian English Edition) (March 1992) (color ill. cover)

    Susanne Weingarten, "König im Kitschland," (Text in German) Der Spiegel, no. 49 (November 30, 1992) (color ill. p. 289)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 155, 169 (color ill. pp. 141; color ill. p.  155, Hetzler 1991 installation) 

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992, pp. 120, 164 (color ill. p. 121)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 110, 132 (color ill. p. 110, pl. 52; color ill. back cover)

    Flash Art, March-April, 1993, p. 107 (ill. p. 107, cover of The Jeff Koons Handbook)

    Pamela Haskin, "The Real Cliche," The New Art Examiner, December 1993 (ill. p. 16)

    A Collection Made in the USA: A Collection Made in the USA, (Rotterdam: Caldic Collective, 1993)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 83, 99 (color ill. p. 82)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 72 (color ill. p. 72, pl. 53)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 72, 114 (color ill. p. 72)

    Stefano Tonchi, "Great Grey Suits", L'Uomo Vogue (Italian) (January 1994)

    “Jeff Koons: Very New Art,” Bijutsu Techno 47, no. 700 (1995) (color ill. p. 151)

    Sculpture (London: Anthony d'Offay Gallery, 1995), p. 115 (color ill. pl. 22, p. 115)

    The Dakis Joannou Collection: Everything That's Interesting is New, exh. cat., ed. Jeffrey Deitch (Ostfilden: Cantz/ DESTE Foundation Centre for Contemporary Art, 1996) (color ill. p. 158)

    Hamburger Bahnhof Museum fur Gegenwart, Berlin, Prestel-Verlag: Munchen, New York, 1996, p. 133 (color ill. p. 133)

    David Rimanelli, “Jeff Koons, A Studio Visit: It’s My Party,” Artforum 35, no. 10 (Summer 1997), p. 116

    A Portrait of Our Times: An Introduction to the Logan Collection, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1999), p. 9, (color ill. pl. 12, p. 9)

    Warhol/Koons/Hirst: Cult and Culture. Selections from the Vicki and Kent Logan Collection at the Aspen Art Museum, exh. cat., ed. Dean Sobel (Aspen: Aspen Art Museum, 2001), pp. 50, 66 (color ill. p. 39, pl. 19)

    Carol Vogel, "Turnabout at Phillips in a Contemporary-Art Sale," The New York Times, November 12, 2002

    Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 82 (color ill. p. 83)

    Supernova: Art of the 1990s from the Logan Collection, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 2003), p. 21 (color ill. p. 21)

    Kevin Grady, "Supernatural Artist", Lemon Magazine, Issue 1 (2005) (color ill. p. 36)

    Kent Logan and Dean Sobel, Post Modern Portraiture in Vail, 2005, pl. 12, illustrated in color

    Julie L. Belcove, "Koons World," W Magazine, November 2006, p. 318 

    Sarah Cosulich Canarutto, Jeff Koons: Supercontemporanea Series, ed. Francesco Bonami, exh. cat. (Verona: Monsadori Printing, 2006), pp. 62-63 (color ill. pp. 62-63)

    Artforum, May 2008, p. 416 (color ill. p. 416)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2009), pp. 19 and 353 (color ill.)

    Laurent Le Bon and Emanuelle Lequeux Interview in "Jeff Koons: Versailles," (French) Beaux Arts éditions, September 2008, p. 26

    Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), pp. 71, 78, 114 (color ill. p. 78)

    Laura Allsop, Stephanie Cotela, Jessika Green, "Consumed," ArtReview, May 2008 (color ill. 42)

    Laurence Dreyfus, "En Grande Pompe," Le Magazine de L'optimum, no. 6 (September 2008), p. 113

    Ingrid Sischy, "All Corte Dire Jeff," Photos by Karl Lagerfeld. Vanity Fair, no. 40 (October 2008) (color ill. p. 248, Versailles installation)

    Ute Thon, "Spieglien, Spieglien an der Wand," Art Kunstmagazin 1 (Germany) (October 2008), p. 36 (color ill. p. 36)

    Philippe Dagen, "Evenement: Jeff Koons Versailles," artpress, November 2008, (color ill. p. 20, Versailles installation)

    Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), pp. 71, 78, 114 (color ill. p. 78)

    "Feature: Gagosian Gallery," ppaper business, no. 8 (September 2009), p. 4 (color ill. p. 4)

    “François Pinault,” Interview. Whitewall, Summer 2009, (color ill. p. 69)

    David Colman, "Jeff Koons," Interview, December/January 2009 (color ill. Versailles installation)

    Art:21: Art in the Twenty-First Century 5, ed. Marybeth Sollins (New York: Abrams Books/Art21, Inc., 2009) (color ill. p. 94)

    Jean-Jacques Aillagon, Pierre Arizzoli-Clementel, Francois Pinault, Edouard Papet, Jean-Pierre Criqui, Elena Guena, Laurent Le Bon, Michel Houllebecq, Jeff Koons: Versailles, exh. cat. (Paris: Editions Xavier Barral, 2009), pp. 56, 111, 116, 136, 146, 185 (color ill. p. 57, Versailles installation; color ill. p. 58, Versailles installation, side view; color ill. p. 59, Chateau de Versailles installation, side view; color ill. p. 146)

    Marble, exh. cat. (New York: Gagosian, 2009), pp. 57, 75 (ill. p. 56, Photo: Helmut Newton; color ill. p. 57)

    "Selected Works from the Francois Pinault Pinault Collection on view at SongEun ArtSpace," artdaily.org, September 9, 2010 https://artdaily.cc/news/50236/Selected-works-from-the-Fran-ccedil-ois-Pinault-Collection-on-view-at-SongEun-ArtSpace

    Judah, Hettie, “Karl Lagerfeld,” Art in Review, April 2013. p. 122 [Karl Largerfeld, Jeff Koons Versailles - 'Self-Portrait', 2008, ink jet print on canvas, 123 x 90 cm]

    "The ICA Boston presents the first major U.S. museum retrospective devoted to the art of the 1980s General Idea, AIDS," artdaily.org, November 18, 2012 https://artdaily.cc/news/59001/The-ICA-Boston-presents-the-first-major-U-S--museum-retrospective-devoted-to-the-art-of-the-1980s

    Monopol: Special Jeff Koons (Berlin), 2012 (color ill. p. 14)

    Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014) (color ill. p. 313)

    Manami Fujimori, "Jeff Koons," (Text in Japanese) Yomi Time (Japan), July 18, 2014 (color ill., Whitney installation)

    Karen Garrat, “Jeff Koons: A Hubris Trickster Creating The Visually Grandoise,” Artlyst, July 24, 2014 (color ill., detail from Whitney Museum Retrospective installation) http://www.artlyst.com/articles/jeff-koons-a-hubris-trickster-creating-the-visuallygrandiose

    Jeff Koons, “The Words,” ed. Michael Polsinelli and Sasha Burkhanova, Garage Magazine (London), Fall/Winter 2014, (color ill. p. 94)

    Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 25)

    Judicaël Lavrador, "Jeff Koons Génie ou Imposteur," (Text in French) Beaux Arts éditions, November 2014, p. 138 (color ill., p. 138)

    Henri-Francois Debailleux, "Jeff Koons: Faiseur d’icônes," Text in French) L'oeil (Paris) 674 (December 2014), p. 10

    Luther Blissett, “Un artiste qui se met en scene,” Beaux Arts editions, December 2014. p. 18

    Myriam Boutoulle, "Jeff Koons, a star in Paris," (Text in French) Connaissance des Arts, (December 2014) (color ill. p. 72)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 129, 219, 288 (color ill. p. 129, pl. 77)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 137, 300 (color ill. p. 137, pl. 77)

    Gorgeous, exh. cat. (San Francisco: Asian Art Museum, 2014), pp. 37, 58-59

    Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 32 (color ill. p. 32)

    Jeff Koons: Split-Rocker, ed. Alison McDonald, exh. cat. (New York: Gagosian Gallery, 2014), p. 32 (color ill. p. 32, Versailles installation)

    Norman Rosenthal, Jeff Koons: New Paintings and Sculpture, ed. Rebecca Sternthal, exh. cat. (New York: Gagosian Gallery, 2014), p. 11 (color ill. p. 11, fig. 9, Chateau de Versailles installation)

    Pilar Ordovas, Self: Bacon, Hirst, Koons, Picasso, exh. cat. (Uckfield, England: Ordovas, 2014), pp. 51, 52, 64 (color ill. 51)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014) (color ill. p. 119, Berlin installation)

    Uwe Arnold, The Art of Engineering / The Engineering of Art (Friedrichsdorf: Arnold AG, 2014) (color ill. pp.110-111, Pinchuk Art Centre installation)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015) p. 95 (color ill. p. 93)

    Michaël Amy, "A Supreme Trouble-Maker in Crowd-Pleasing," Sculpture 34, no. 2 (March 2015) (color ill. p. 53)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 133, 231, 299 (color ill. p. 133, pl. 77)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 92 (color ill. p. 92)

    Beaux Arts - Jeff Koons Mucem, Oeuvres de la Collection Pinault, Beaux Arts Éditions, May 2021(color ill. p. 10)

    Massimiliano Giono, "Jeff Koons: "Io, artista grazie all'Italia," La Repubblica (Italy), September 30, 2021 (color ill.)

    Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 102 (color ill p. 103)

    Jeff Koons. Shine, eds. Joachim Pissarro and Arturo Galansino, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 24

    Massimiliano Gioni, Il desiderio messo a nudo, Conversazioni con Jeff Koons (Monza, IT: Johan & Levi editore, 2021) (color ill. p. 60)

  • "Jeff Koons’ Philosophy of Perfection,” Reflections, NOWNESS, June 16, 2014 (color ill.)

Bob-Tail
1991

polychromed wood 
34 x 44 x 16 inches 
86.4 x 111.8 x 40.6 cm 

Edition of 3 plus AP 

  • Lausanne, FAE Musée d´Art Contemporain, Post Human, June 14 – September 13, 1992; Turin, Castello di Rivoli, October 2 – November 22, 1992; Athens, Deste Foundation for Contemporary Art, December 3, 1992 – February 14, 1993; Hamburg, Diechtorhallen, March 12 – May 9, 1993; Jerusalem, Israel Museum, June 23 – October 10, 1993 (edition 2)

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (AP)

    Philadelphia, Institute of Contemporary Art, Face Off: The Portrait in Recent Art, September 9 – October 20, 1994; Omaha, Joslyn Art Museum, January 28 - March 19,1995; Greensboro, Weatherspoon Art Gallery, April 9 – May 28, 1995

  • Elizabeth Hayt-Atkins, "Jeff Koons, Jeffrey Deitch," Flash Art, January/February 1992, (ill. p. 159)

    Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 86

    Kenneth Baker, "The Message in Koons' Kitsch,'" San Francisco Chronicle, December 10, 1992

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 29, 146, 169 (color ill. pp. 141, 146)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 161

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 107, 132 (color ill. p. 107, pl. 50), all as "Bobtail"

    Julie Caniglia, "Bend Over, Twin Cities," City Pages, July 14, 1993 (ill. by Kathy Strauss)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 86 (color ill. p. 86, pl. 57, as "Bobtail")

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 86, 114 (color ill. p. 86), all as "Bobtail”

    Alberto Fiz, "La vita è un paradiso di... Bugie," Class (Italy), February 2, 1994

    Melissa E. Feldman, "image-Conscious," in Face Off: The Portrait in Recent Art, exh. cat. (Philadelphia: Institute of Contemporary Art, University of Pennsylania, 1994), pp. 17, 71 (color ill. p. 16)

    Alexandro Melo, "Les enjeux d'une collection portugaise," L'oeil, September 1997 (color ill. p. 78)

    Irene Gludowacz, Susanne van Hagen, and Philippe Chancel, A Passion for Art: Art Collectors and Their Houses, Foreword by Pierre Berge (London: Thames & Hudson, 2005) (color ill. p. 65, partial view; color ill. p. 69, partial view; color ill. p. 211)

    Dave Beech, “The Art of Skill” in Art Monthly, no. 290, October 2005, p. 3 (ill. p. 2)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 362 (color ill. p. 362)  

    "The Bad Shepherd," exh. cat. (London: Christie's, 2015) (color ill. p. 87)

    Jose Berardo, Coleção Berardo 1909-2019, ed. Pedro Lapa (Lisbon: Museu Coleção Berardo, 2022)

Cat
1991

marble 
18 x 14 1/2 x 8 1/4 inches 
45.7 x 36.8 x 21 cm 

Edition of 3 plus AP 

  • Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30–November 29, 1997 (AP)

  • Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 146, 169 (color ill. p. 146)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 161

    Hans Ulrich Obrist, Koons, exh. cat. (Paris: Galerie Jérôme de Noirmont, 1997), pp. 74, 83 (color ill. p. 75)

    France Huser, "Jeff Koons: L'Irrévérencieux," (text in French) L'Officiel (Paris), no. 820 (November 1997) (color ill. p. 155)

    Florence Dartois, "1997, Jeff Koons : "Pour moi, l'art est de l'ordre du rationnel"," Institut National d l'Audiovisuel (France), April 10, 2019 https://www.ina.fr/contenus-editoriaux/articles-editoriaux/1997-jeff-koons-pour-moi-l-art-est-de-l-ordre-du-rationnel/

Cherubs
1991

polychromed wood 
48 x 43 1/2 x 19 inches 
121.9 x 110.5 x 48.3 cm

Edition of 3 plus AP 

  • Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 1)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (AP)

    New York, Gagosian Gallery, Jeff Koons/Andy Warhol: Flowers, November 11 – December 21, 2002 

    Sao Paulo, Bienial Pavillion, In the Name of the Artists: Contemporary American Art from  the Astrup Fearnley Collection, September 30 – December 4, 2011 (edition 3)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 – September 23, 2012 (edition 1)

    Rio de Janeiro, Centro Cultural do Banco do Brasil, Visões na Coleção Ludwig, May 7 – July 21, 2014 (edition 2)

  • Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992) (color ill. p. 83)

    Brooks Adams, “Jeff Koons at Sonnabend,” Review. Art in America, March 1992, p. 118

    Peter Flessig, "Kitschy, Kitschy Koons," City Limits, March 12-19, 1992, p. 17

    Brett Ballard, "Jeff Koons - Made in Heaven," g-spot Vol. 1, no. 2 (Spring Edition, 1992),

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 159, 169 (color ill. p. 159)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 129, 161 (color ill. pp. 128-129)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), p. 118 (color ill. p. 118, pl. 60)

    Horst Valer, "Kunst der totalen Banalitat," (Text in German) Das Magazin (Berlin), April 1993, (color ill. p. 57)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 83, 99 (color ill. p. 83)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 82 (color ill. p. 82, pl. 64)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), p. 114

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 82, 114 (color ill. p. 82)

    Jeff Koons/Andy Warhol: Flowers, ed. Daniel Pinchbeck, exh. cat. (New York: Gagosian, 2002), pp. 21, 22-23 (color ill. p. 4 installation, color ill. p. 29, installation; color ill. p. 36 (color ill. pp. 36-37)

    Gordon Burn, "A life in art. The showman," The Guardian, November 11, 2006, p. 7.

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 313, illustrated in color

    Silke Hohmann, Oliver Koerner von Gustorf, and Amélie von Heydebreck, Stations - 100 Meisterwerke zeitgenössischer Kunst (Text in German) (Cologne: Dumont Buchverlag / Monopol, 2008) (color ill. p. 23, background installation image)

    Blitzen-Benz Bang - Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works, exh. cat., ed. by Renate Wiehager (Ostfildern: Hatje Cantz, 2009), p. 314

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 73, 154 (color ill. p. 154)

    Räphael Bouvier, Jeff Koons - Der Künstler Als Täufer (Munich: Wilhelm Fink, 2012) (color ill. p. 264, installation)

    Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 96 (color ill. p. 97)

    "The Bad Shepherd," exh. cat. (London: Christie's, 2015) (color ill. p. 177)

    Enrico Baj Catalogue Raisonné of Ceramic Works (Venice: Marsilio Arte, 2024), p. 138

Jeff and Ilona (Made in Heaven)
1990

polychromed wood 
66 x 114 x 64 inches 
167.6 x 289.6 x 162.6 cm 

Edition of 3 plus AP 

  • Venice, Venice Biennale, Aperto, May – September 1990

    San Francisco Museum of Modern Art; Minneapolis, Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993 

    Aachen, Ludwig Forum, Collection: The Americans, September 10, 2013 – February 8, 2015

    Aachen, Ludwig Forum, Highlights of the Collection, March 13 – August 2, 2020

  • “Pittura alle corde,” Il Gazzettino (Italy), May 24, 1990 (ill., Venice Biennale installation)

    “La Biennale contro l'Expo,” La Repubblica (Italy), May 24, 1990 (ill., Venice Biennale installation)

    “Ma che artista la Staller…,” La Notte (Italy), May 24, 1990 (ill., Venice Biennale installation)

    “Biennale: Cicciolina in mostra,” Alto Adige (Italy), May 24, 1990 (ill., Venice Biennale installation view)

    Claudio Altarocca, "Cicciolina nuda alla Biennale," La Stampa (Italy), May 24, 1990 (ill., Venice Biennale installation)

    Lidia Panzeri, “Berlino alla Biennale: primi bagliori dopo il Muro,” L'Unione Sarda (Italy), May 27, 1990 (ill., Venice Biennale installation)

    Lidia Panzeri, “Alla Biennale di Venezia, L'arte shock,” La Sicilia (Italy), May 28, 1990 (ill., Venice Biennale installation)

    Pierre Restany, “biennale 90,” D’Ars (Italy), June 1990 (ill., Venice Biennale installation)

    John Russell Taylor, "Architectural straws in the wind," The Times London, June 1, 1990 (ill., Venice Biennale installation)

    Peter Plagens, "The Venetian Carnival," Newsweek 115, no. 24 (June 11, 1990), p. 60

    Luca Cristiani, “Dal Calcio all’Arte,” Fashion (Italy), July 5, 1990

    Hilton Als, "Def in Venice, Fear and Loathing at the Biennale," The Village Voice, July 17, 1990 (ill., Venice Biennale detail installation view)

     "Biennale 90: Amerika verkauft sich am besten," Art, no. 7 (July 1990), pp. 28-29 (color ill.)

    Dodie Kazanjian, "Koons Crazy," Vogue, August 1990, p. 340 (color ill., installation) 

    Dwight V. Gast, "Venice Biennale," Art & Auction, September 1990, p. 108 (ill.) 

    Mariuccia Sprenger, "Kitsch und Eitelkeit: Einige Überlegungen zur Diesjährigen Biennale von Venedig,” Artis, September 1990, p. 37 (color ill.)

     "Kitsch jenseits von Gut und Bose," Art Das Kunstmagazin, no. 9 (September 1990), p. 36 (color ill.)

    L'Illustrazione (Milan), no. 75-76 (September–October 1990), p. 93 (color ill.)

    Philip Jodidio, “Art et Politique,” Connaissance des Arts, October 1990, pp. 7-8 (color ill., Venice installation)

    Marcia E. Vetrocq, “Vexed in Venice,” Art in America, October 1990, p. 158 (ill., Venice Biennale installation)

    Robert Kenner, "The New Shock," Art & Antiques, no. 7 (October 1990), p. 33 (color ill.) 

    Robert Nickas, "That Sinking Feeling," Flash Art (Milan) 23, no. 154 (October 1990), p. 138 (color ill., Venice Biennale installation by Maria Mulas)

    Denise Barricklow, "All Tits and No Art?" The Face (London), no. 26 (November 1990), p. 104 (color ill.)

    Schwetzinger Zeitung (Germany), December 6, 1990, (ill., Venice Biennale installation

    “"Sie lieben sich total verrückt,” Hohenloher Zeitung (Italy), December 6, 1990, (ill., Venice Biennale installation) 

    “"Schnuckelchen" heiratet Künstler,” Express Bonn (Germany), December 6, 1990, (ill., Venice Biennale installation) 

    “Porno-Star heiratet Porno-Künstler,” TZ (Germany), December 6, 1990, (ill., Venice Biennale installation) 

    “Cicciolina Sposa Lo Scultore?” Gente (Italy), December 27, 1990, (ill., Venice Biennale installation) 

    “Cicciolina nel padiglione della tolleranza,” Epoca, 1990, p. 68 (color ill., Venice Biennale installation) 

    William Feaver, "Act to upstage a gold banana," The Observer, 1990, ( ill.) 

    Ann Duncan, "Art Uproar," Montreal Gazette, 1990, p. J2 

    Robert Enright, "The Material Boy and the Femme Fidele," Border Crossings 10, no. 1 (Winter 1990-1991), pp. 36-37 (color ill., Venice Biennale installation) 

    "The Power of Seduction," in New Art. An International Survey, ed. by Andreas Papadakis, Clare Farrow, and Nicola Hodges (New York: Rizzoli, 1991), p. 3 (color ill., installation) 

     “Mitten ins Herz,” FF Südtiroler Illustrierte, January 1991, pp. 40-41 (color ill., in progress), 41 (color ill., installation view)  

    Mark Worden, “The Art of Sex,” Speak Up, March 1991, pp. 16, 17 (color ill., Venice Biennale installation view) San Fran

    Fiona Diwan, “Gli splendidi orrori del kitsch,” Grazia (Italy), March 3, 1991 (color ill., Venice Biennale installation) 

    Cinema (Germany), July 1991, (color ill.)

    Rudi Schroeder, “Die Besucher im Ludwig Forum: "Es ist einfach überwältigend",” Aachener Zeitung (Germany), August 3, 1991

    Jo De Ruyck “De paraplufabriek voor de chocoladefabrikant,” Volk (Belgium), August 16, 1991 (color ill.)

    Johanne LaMoureux, “Art et inflation chez Jeff Koons,” Parachute 64 (October 1991), p. 18 (ill., installation)

    Anthony Haden-Guest, "Art or Commerce?" Vanity Fair 54, no. 11 (November 1991),p. 202-203 (color ill., Venice Biennale installation view)

    Louise Baring, “The Broader Picture: Would You Adam and Eve It?” The Independent on Sunday, March 31, 1991, pp. 32, 33 (ill., installation view)

    Thomas Frend, “Ein Happening für Gefühle und Begierden,” Newmag, 1991, p. 41 (color ill., installation view)

     New Art International, 1991, p. 55 (color ill., Venice Biennale installation) 

    Angelika Muthesius, Jeff Koons, (Cologne, Taschen 1992), pp. 130-131 (color ill., installation)

    John R. Lane, John Caldwell, Jim Lewis, Daniela Salvioni, Brian Wallis, and Eugenie Candau, Jeff Koons: Retrospective SFMOMA, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 108-109, pl. 51 (color ill.)

    “Zwischen Kitsch und Koitus,” Cosmopolitan, January 1992, p. 38 (color ill., installation)

    Jutta Koether, "Exit Art," Artscribe 90 (February-March 1992), pp. 79 (ill., Galerie Max Hetzler installation)

    Kenneth Baker, "The Message in Koons' Kitsch," San Francisco Chronicle, December 10, 1992

    Carol Fowler, "Pop Art with a Controversial Twist, " The Times/TimeOut San Francisco, December 11, 1992

    Robert Hughes, “The Princeling of Kitsch,” Time, February 8, 1993, p. 80 (color ill.) 

    David Littlejohn, "Who is Jeff Koons and why are people saying such terrible things about him?" ARTnews 92, no. 4 (April 1993), p. 91

    Alan Dodge, Virtual Reality, exh. cat., (National Gallery of Australia, 1994), p. 8

    Alberto Fiz, "La vita è un paradiso di... Bugie," Class (Italy), February 2, 1994, pp. 188, 119 (color ill.)

    Nicolas Bourriaud, "Jeff Koons," Beaux Arts, no. 160, September 1997, p. 49 (color ill.)

     Suzanne Bailey, Essential History of American Art, (Bath: Parragon, 2001), pp. 250, 251 (color ill.)

     Hans Ulrich Obrist, "Master Interviews: Jeff Koons," Modern Weekly (China) 642, April 2006, p. C72 (color ill.) 

    Hans Ulrich Obrist, Paradis no. 1, (Summer 2006), p. 26

    Hans Werner Holzwarth, Jeff Koons (Cologne: Taschen, 2007), p. 52 (color ill., Venice Biennale Installation view), p. 54

    Peter-Klaus Schuster, Rainald Goetz, and Anette Hüsch, Jeff Koons: Celebration, exh. cat. (Berlin: Hatje Cantz Verlag, 2008), pp. 42, fig. 7, 104 (color ill.)

    Silke Hohmann, Oliver Koerner von Gustorf, and Amélie von Heydebreck, Stations - 100 Meisterwerke zeitgenössischer Kunst (Text in German) (Cologne: Dumont Buchverlag / Monopol, 2008), pp. 23 (color ill., installation view), 22

    Sarah Lucas, "So wird's gemacht!" Monopol (Germany), June 2008, pp. 34, 35 (color ill.)

    Jean-Jacques Aillagon, Pierre Arizzoli-Clementel, François Pinault, Edouard Papet, Jean-Pierre Criqui, Elena Guena, Laurent Le Bon, Michel Houellebecq, Jeff Koons: Versailles, exh. cat. (Paris: Editions Xavier Barral, 2009), p. 117

    Art Das Kunstmagazin, June 2010, pp. 56, 57 (color ill.) Francesco Bonami, “The Good, the Bad and the Ugly,” Frieze, September 1, 2011 (color ill.), https://frieze.com/article/good-bad-and-ugly  

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), p. 70, fig. 1 (color ill.)

    Raphaël Bouvier, Jeff Koons - Der Künstler als Täufer (Munich: Wilhelm Fink Verlag, 2012), p. 264, 265 pl. 41, details 41a, 41b (color ill.)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), p. 139

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabará, 2015), pp. 27, 136, fig. 2 (color ill., Venice Biennale installation)

    Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan), August 2014 (color ill. p. 102, Venice Biennale installation)

    Hans Werner Holzwarth, Koons (Cologne: Taschen, 2015), p. 52 

    Sally Williams, "Jeff Koons on his 'wild years'... and going from penniless to the world's most expensive artist," The Telegraph (UK), April 20, 2017 (color ill., Whitney installation view) https://www.telegraph.co.uk/luxury/womens-style/jeff-koons-wild-years-going-penniless-worlds-expensive-artist/

    Amelia Abraham, “Jeff Koons Is the Kanye West of the Contemporary Art World,” VICE, July 1, 2015 (color ill., Centre Pompidou installation view) https://www.vice.com/en/article/4wbw9m/jeff-koons-interview

    Robert Storr, “Jeff Koons interview: 'Some people certainly think that my work is kitsch, but I never see it that way,'” Independent, January 22, 2018 https://www.independent.co.uk/arts-entertainment/art/features/jeff-koons-andy-warhol-marcel-duchamp-michael-jackson-a8172096.html 

    "El ex de La Cicciolina hoy es artista récord, pero lo acusan de plagiados," Clarín (Argentina), June 11, 2020 (color ill.) https://www.clarin.com/viva/ex-cicciolina-hoy-artista-record-acusan-plagiador_0_ZMEakMIXh.html 

    Mario Francesco Simeone, "Tra arte e pornografia, Ilona Staller premiata da PornHub," Exibart (Italy), November 18, 2020 (color ill., Venice Biennale installation view) https://www.exibart.com/attualita/ilona-staller-premio-pornhub-arte-pornografia/ 

    Chiara Sticca, "Jeff Koons, tra Cicciolina e il Santo Natale," Metropolitan Magazine (Italy), December 9, 2020 (color ill.) https://metropolitanmagazine.it/jeff-koons-artista/ 

    Jeff Koons: Mucem. Works from the Pinault Collection (Paris:  Éditions Dilecta, 2021), p. 99 (color ill.)

    Jeff Koons. Shine, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 176 (color ill., installation view)

  • “Jeff Koons. A man of Trust" by Judith Kele, 2003

    Interview with Jeff Koons, McEnroe, hosted by John McEnroe, July 29, 2004

    “Jeff Koons: Diary of a Seducer,” BBC Imagine Documentary, 2015, https://www.youtube.com/watch?v=-27B8gngS4g

Large Vase of Flowers
1991

polychromed wood 
52 x 43 x 43 inches 
132.1 x 109.2 x 109.2 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 1)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (edition 2)

    Athens, Athens School of Fine Arts, Everything That's Interesting Is New: The Dakis Joannou Collection, January 20 – April 20, 1996 (AP)

    Athens, DESTE Foundation Center for Contemporary Art, Jeff Koons: A Millennium Celebration, December 15, 1999 – May 15, 2000 (AP)

    Cologne, Museum Ludwig, Museum unserer Wünsche, November 1, 2001 – April 28, 2002

    New York, Gagosian Gallery, Jeff Koons / Andy Warhol: Flowers, November 11 – December 21, 2002 

    Naples, Museo Archeologico Nazionale, Jeff Koons, June 9 – September 15, 2003 (AP)

    Madrid, Museo Nacional Centro de Arte Reina Sofia, Colección Taschen, October 20, 2004 – January 10, 2005 (Edition 1)

    Athens, DESTE Foundation for Contemporary Art, Monument to Now, June 22 – December 31, 2004 (AP)

    Humlebæk, Louisiana Museum for Moderne Kunst, Flower as Image: Araki, Arp, Blossfeldt, Cardoso, Cézanne, Corinth, Cunningham, Cook, Edmier, Ensor, Ernst, Fautrier, Frandsen, Gauguin, Goncharova, Hockney, Hume, Kelly, Klein, Koons, Kounellis, Léger, Manet, Mapplethorpe, Matisse, Milhazes, Mondrian, Monet, Monticel, September 10, 2004 – January 16, 2005

    Riehen, Foundation Beyeler, Blumenmythos: Van Gogh bis Jeff Koons, February 27 – May 22, 2005

    Chicago, Museum of Contemporary Art, Jeff Koons, May 31 – September 21, 2008 (AP) 

    Versailles, Château de Versailles, Jeff Koons Versailles, October 9, 2008 – April 1, 2009 (edition 3)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 – September 23, 2012 (edition 3)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014 (edition 2)

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015 (edition 3)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (AP)

    Geneva, The Museum of Art and History of the city of Geneva, Urs Fischer - False Friends, April 27 – July 17, 2016 (AP)

    Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even , May 19 – September 29, 2019 (AP)

  • “Morality – American Style,” Tema Celeste Art Magazine, January-March 1992 (ill. p. 118)

    "Jeff Koons - Made in Heaven," g-spot Vol. 1, no. 2 (Spring 1992), pp. 24 (color ill.)

    Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art Das Kunstmagazine, no. 12 (December 1992), p. 59 (color ill. p. 59)

    Double Take: Collective Memory & Current Art, exh. cat., eds. Lynne Cooke, Bice Curiger, and Greg Hitly (London: Hayward Gallery/ The South Bank Centre/Parkett, 1992) (color ill. p. 177)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992) (color ill. p. 145)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 126, 163 (color ill. p. 127)

    Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.) 

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 117, 132 (color ill. p. 117, pl. 59)

    Toni Stooss, Double Take: Kollektives Gedächtnis & Heutige Kunst, exh. cat. (Vienna: Kunsthalle Bielefeld, Wien, 1992) (color ill. p. 177)

    Kunst und Unterricht, no. 176 (October 1993), p. 3 (ill. title page)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 81, 99 (color ill. p. 80)

    Jeff Koons, eds. Jens Erik Sorensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 73 (color ill. p. 73, pl. 59)

    Jens Erik Sorenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons - Retrospectiv, eds. Jens Erik Sorenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 73, 114 (color ill. p. 73)

    Alberto Fiz, "La vita è un paradiso di... Bugie," Class (Italy), February 2, 1994

    "Can Art Reconstruct Paradise?" The Art Magazine (Athens) February 1994, p. 30

    "Jeff Koons: Kunst, Kommerz un Publicity," Medizin+Kunst, March 6, 1994, (color ill. p. 29)

    The Dakis Joannou Collection: Everything That's Interesting is New, exh. cat., ed. Jeffrey Deitch (Ostfilden: Cantz/ DESTE Foundation Centre for Contemporary Art, 1996) (color ill. p. 160; color ill. pp. 160-161, detail)

    Thomas Zaunschirm, “Kunst als Sundenfall: Die Tabuverletzungen des Jeff Koons,” Quellen zur Kunst, vol. 3 (1996), p. 83

    Jeffrey Deitch, Jeff Koons: A Millennium Celebration - Works from the Dakis Joannou Collection, 1979-1999, ed. Katerina Gregos. exh. cat. (Athens: Deste Foundation, 1999), pp. 2, 46 (color ill. p. 2)

    Interview with Jeff Koons, Intervista 4, no. 22 (April-May 2000), p. 22 (color ill. p. 22)

    Rolf E. Breuer, Thomas Krens, David Sylvester, and Robert Rosenblum, Jeff Koons Easyfun-Ethereal, eds. Lisa Dennison, Robert Rosenblum, Craig Houser, exh. cat. (Berlin and New York: Guggenheim Museum Publications, 2000) (color ill. p. 41)

    Ingrid Sischy, "Koons, High and Low," Vanity Fair, no. 487 (March 2001), p. 274

    Jeff Koons/Andy Warhol: Flowers, ed. Daniel Pinchbeck, exh. cat. (New York: Gagosian, 2002), p. 6 (color ill. pp. 4-5, installation; color ill. p. 7; color ill. pp. 8-9, detail; color ill. pp. 18-19, installation)

    Museum unserer Wünsche, exh. cat., Kasper Konig (Cologne: Museum Ludwig, 2002) 

    Shortcuts from the Dakis Joannou Collection, exh. cat. (Greece: DESTE Foundation for Contemporary Art, The Nicosia Municipal Arts Centre, Assoicated with the Pierides Museum of Contemporary Art, 2002), p. 59, 60 (color ill. p. 59, A Millennium Celebration installation)

    Telma Miguel, "Oh Senhor Taschen," Taschen, Fall 2003 (color ill. p. 11, Taschen residence installation)

    Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), p. 80 (color ill. p. 81)

    Jessica Kerwin, "The Golden Greek," W Magazine (October 2004) (color ill. p. 365, installation)

    Valentina Agostinis, "Jeff Koons," Arte (November/ December 2004) (color ill. p. 70)

    The Flower as Image, exh. cat. edited by Michael Juul Holm, Ernst Jonas Bencard, and Paul Erik Tøjner (Humlebæk, Denmark: Louisiana Museum, 2004)

    Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003) (color ill. p. 24, Sonnabend Gallery installation)

    Marga Paz, Taschen Collection (Cologne: Taschen, 2004), pp. 142-143

    Monument to Now, exh. cat., ed. Jeffrey Deitch (Athens, DESTE Foundation Centre for Contemporary Art, 2004), p. 222

    Isabelle de Wavrin, "Les Bonnes Pioches de Dakis Joannou," (French) Beaux Arts (August 2005) (color ill. pp. 70-71, installation)

    Blumenmythos: Vincent van Gogh to Jeff Koons, Robert Kopp et al., exh. cat. (Basel: Edition Minerva, 2005) (color ill. p. 164)

    International Art Galleries: Post-War to Post-Millennium, eds. Ute Grosenick and Raimar Stange (Cologne: Dumont Literatur und Kunst Verlag, 2005) (color ill. p. 188, Sonnabend Made in Heaven installation)

    Mia Fineman, "My Big Fat Post Modern Wedding," The New York Times Magazine, January 8, 2006 (color ill. p. 74)

    Mary Corrigall, "Startling the world with the unimportant," The Sunday Independent, April 9, 2006

    Pierre Sterckx, "Décadence et Rococo, 50 Géants De L'Art Américain, September 28, 2007 (color ill. p. 113)

    Stephanie Seymour, "Art Made in Heaven," Whitewall Magazine, Issue 7 (Fall 2007) (color ill. p. 140)

    John Stourton, Great Collectors of our Time: Art Collecting Since 1945 (London: Scala Publishers Ltd, 2007) (color ill, p. 405, DESTE installation)

    Marie-Pierre Nakamura, "USA: Jeff Koons," Art Actuel, no. 57 (July/August 2008) (color ill. p. 70)

    "Les 25 expositions à voir," Le Figaro 19 936 (France), September 4, 2008, p. 30

    Laetitia Cenac, "le roi Koons à Versailles," Madame Figaro, September 6, 2008 (color ill. p. 142)

    Jennifer Vogelson, “How is That Art?” York Daily Record, September 19, 2008, pp. 5A

    Laurent Le Bon and Emanuelle Lequeux Interview in "Jeff Koons: Versailles," (French) Beaux Arts éditions, September 2008, p. 23

    Cheyenne Westphal, "Top Five: What to See This Month," ArtReview 28 (December 2008), p. 36

    Germano Celant, The American Tornado: Art in Power 1949-2008 (Milan: Skira, 2008) (ill. p. 17, Sonnabend Made in Heaven installation)

    Jean-Jacques Aillagon, Pierre Arizzoli-Clementel, Francois Pinault, Edouard Papet, Jean-Pierre Criqui, Elena Guena, Laurent Le Bon, Michel Houllebecq, Jeff Koons: Versailles, exh. cat. (Paris: Editions Xavier Barral, 2009), pp. 76, 123, 154, 186 (color ill. p. 77, Versailles installation; color ill. p. 78, Versailles installation; color ill. p. 79, detail; color ill. p. 154)

    Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008) pp. 73, 114 (color ill. pp. 6-7, detail; color ill p. 72)

    Judd Tully, "Sales Preview," Art+Auction XXXIII, no. 3 (November 2009), p. 99 (color ill. cover)

    Georgina Adam and Charlotte Burns, "Auction Reports," The Art Newspaper, no. 208 (December 2009), p. 50 (color ill. p. 50)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2009), p. 330 (color ill. p. 331) (detail p. 332)

    "Aus gutem Holz geschnitzt," (Text in German) Artinvestor (Germany), May 2011 (color ill. p. 77)

    Ethan Wagner and Suzanne Modica, Politics is Personal: Stonescape Guide to Exhibition 2011 (Thea Westreich Art Advisory Services, 2011), p. 24

    Hans-Joachim Muller, "Es war einmal... (Once Upon a Time...)" Monopol: Special Jeff Koons (Germany), 2012 (color ill. pp. 20-21)

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 10, 14, 73, 83, 142, 189, 198 (color ill. p. 8, detail; color ill. p. 143)

    Benedikt Taschen, The Complete Collector's Editions 1991-present (Italy: Taschen, 2013) (color ill. p. 351, Taschen residence installation)

    Scott Indrisek, "All Aboard That 'Great Koonsian Adventure'," Artinfo, June 26, 2014 (color ill.)

    Stephanie Murg, "Jeff Koons' Technicolor takeover of the Whitney Museum," Wallpaper (United Kingdom), June 26, 2014 (color ill.) https://www.wallpaper.com/art/jeff-koons-technicolor-takeover-of-the-whitney-museum

    Richard Lacayo, "Show Me the Bunny: As he closes in on 60, Jeff Koons finally gets his really big show," TIME Magazine 184, no. 1 (July 7/July 14, 2014), p. 1 (color ill. p. 1)

    Karen Garrat, “Jeff Koons: A Hubris Trickster Creating The Visually Grandoise,” Artlyst, July 24, 2014 (color ill., Whitney Retrospective installation); http://www.artlyst.com/articles/jeff-koons-a-hubris-trickster-creating-the-visuallygrandiose

    Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan), August 2014 (color ill.) 

    Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014) (color ill. p. 313) 

    Jeff Koons, "Scan to Koonsume," ed. Michael Polsinelli and Sasha Burkhanova, Garage Magazine (London), Fall/Winter 2014 (color ill. p. 91)

    Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 26; color ill. p. 38; color ill. p. 72, Whitney installation)

    Judicaël Lavrador, “Jeff Koons: génie ou imposteur?” Beaux Arts editions (Paris), November 2014, p. 137 (color ill. back page)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 25, 127, 132, 217, 219, 288 (color ill. cover; color ill. p. 127, pl. 75; color ill. p. 132, fig. 1, Versailles installation)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 135, 140, 225, 228, 300 (color ill. p. 135, pl. 75; color ill. p. 140, fig. 1, Chateau de Versailles installation)

    Jeff Koons: La Rétrospective, L'Album de L'Exposition, eds. Julie Champion, Caroline Edde (Paris: Centre Pompidou, 2014), p. 31 (color ill. p. 31)

    Jeff Koons pour les enfants (Paris: Centre Pompidou, 2014) (color ill. p. 11)

    Michaël Amy, "A Supreme Trouble-Maker in Crowd-Pleasing," Sculpture 34, no. 2 (March 2015), p. 56

    Ana Sokoloff, "Jeff Koons Artista," Ars Magazine (Madrid) 8, no. 27 (July-September 2015), p. 40 (color ill. p. 41)

    Fresh Art New York (Korea: QuelPart, 2015), p. 38

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 28, 131, 136, 229, 231, 299 (color ill. cover; color ill. p. 131, pl. 75; color ill. p. 136, fig. 1, Versailles installation)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 93 (color ill. p. 93)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 56 (color ill. p. 56)

    Alexander Kauffman, "Jeff Koons," in Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, exh. cat., ed. by Carlos Basualdo (Philadelphia: Yale University Press, 2016), p. 164

    Helen Schwab, Robin M. Wright, and Neal David Benezra, The Campaign for Art, Gift for the San Francisco Museum of Modern Art, exh. cat. (San Francisco: The San Francisco Museum of Modern Art, 2016) (color ill. p. 263)

    Urs Fischer: False Friends, exh. cat. (Greece: DESTE Foundation, 2016), p. 49 

    Diana Cosmin, "louis Vuitton colaboreaza cu cel mai bine cotat artist contemporan, Jeff Koons," Fine Society (Romania), April 12, 2017 https://finesociety.ro/jeff-koons-si-louis-vuitton/

    Sally Williams, "Jeff Koons on his 'wild years'... and going from penniless to the world's most expensive artist," The Telegraph (UK), April 20, 2017 (color ill., Whitney installation https://www.telegraph.co.uk/luxury/womens-style/louis-vuitton-announces-jeff-koons-collaboration/

    Rachel Rabbit White, “Jeff Loves Cicciolina: Looking Back at 'Made in Heaven',” Vice, Garage, March 22, 2019 (color ill., installation view) https://garage.vice.com/en_us/article/3kgm4w/jeff-koons-cicciolina-made-in-heaven 

    Clayton Press, "Marcel Duchamp + Jeff Koons, Appearance Stripped Bare (Apariencia Desnuda), Museo Jumex, Mexico City," Forbes, May 24, 2019 (color ill.) https://www.forbes.com/sites/claytonpress/2019/05/24/marcel-duchamp-jeff-koons-appearance-stripped-bare-apariencia-desnuda-museo-jumex-mexico-city/#1397ff3b7e74

    Miguel Ángel Escudero, "La Guia," VÍA MÉXICO, May 31, 2019, (color ill. p. 73)

    Sheila Ramirez, "Última llamada: Duchamp y Koons se despiden del Museo Jumex," Forbes, August 31, 2019 (color ill., Museo Jumex installation) https://www.forbes.com.mx/forbes-life/duchamp-y-koons-se-despiden-del-museo-jumex/

    "La exposición de Marcel Duchamp y Jeff Koons ya tiene fecha límite," El Mexicano (Mexico), September 4, 2019 (color ill., Museo Jumex installation) https://www.el-mexicano.com.mx/cultural/la-exposicion-de-marcel-duchamp-y-jeff-koons-ya-tiene-fecha-limite/2031137 

    An Album: Lietta & Dakis Joannou, Home Installations 1998-2019 (Athens: Deste, 2019), pp. 22, 23, 44, 45, 60, 61, 74, 75, 78, 79, 122, 155, 156

    Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019), p. 112 (color ill. p. 113)

    Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words (Athens: Deste, 2019), pp. 78, 123 (color ill. p. 79)

    Magritte / Renoir, Le surrealisme en plein soleil (Paris: Musees rouaix des Beaux-Arts de Belgique, 2021), p. 25 (color ill. p. 25, fig. 11)

  • "Jeff Koons’ Philosophy of Perfection,” Reflections, NOWNESS, June 16, 2014 (color ill.)

    "Jeff Koons: High art or plain extravagance?" Al Jazeera, August 22, 2015 (Edition 3)

    JEFF KOONS: MOCA, 2017 (dir. Oscar Boyson)

Mound of Flowers
1991

glass 
14 x 43 x 38 inches 
35.6 x 109.2 x 96.5 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 1)

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (edition 2)

    Paris, Galerie Jerome de Noirmont, Jeff Koons, September 30 – November 29, 1997

    New York, Gagosian Gallery, Jeff Koons / Andy Warhol: Flowers, November 11 – December 21, 2002 

    Amsterdam, Stedelijk Museum, Hybrid Sculpture: Contemporary Sculpture From the Collection of the Stedelijk Museum, March 23, 2019 – January 12, 2020 (edition 1)

  • Elizabeth Hayt-Atkins, "Jeff Koons, Jeffrey Deitch," Flash Art, January/February 1992 (ill. p. 159)

    Hildegund Amanshauser, "Pornographic Scenes of Normal Married Life," Camera Austria 39 (May 1992), p. 44 (color ill. p. 44)

    Rob Malasch, "Jeff is zelf een beetje zwanger geworden," HP/ DE TIJD, November 20, 1992, p. 70 (color ill. p. 70)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992) pp. 140, 169 (color ill. pp. 140, pl. 21; color ill. 140-141, Hetzler installation)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 163

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 111, 132 (color ill. p. 111, pl. 53)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 83, 99 (color ill. p. 83)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), p. 114

    France Huser, "Jeff Koons: L'Irrévérencieux," (text in French) L'Officiel (Paris), no. 820 (November 1997) (color ill. p. 156)

    Hans Ulrich Obrist, Koons, exh. cat. (Paris: Galerie Jérôme de Noirmont, 1997), pp. 76, 83 (color ill. p. 77)

    Jeff Koons, Andy Warhol: Flowers. New York: Gagosian Gallery, 2002. p. 21, 22-23 [Exh. Cat.]

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 378 (color ill. p. 378)

    "Jeff Koons: Banality, Decadence and Easyfun," Tate (UK), 2009 https://www.tate.org.uk/art/artists/jeff-koons-2368/jeff-koons-banality-decadence-and-easyfun 

    Florence Dartois, "1997, Jeff Koons : "Pour moi, l'art est de l'ordre du rationnel"," Institut National d l'Audiovisuel (France), April 10, 2019 https://www.ina.fr/contenus-editoriaux/articles-editoriaux/1997-jeff-koons-pour-moi-l-art-est-de-l-ordre-du-rationnel/

Poodle
1991

polychromed wood 
23 x 39 1/2 x 20 1/2 inches 
58.4 x 100.3 x 52.1 cm

Edition of 3 plus AP 

  • Lausanne, FAE Musée d´Art Contemporain, Post Human, June 14 – September 13, 1992; Turin, Castello di Rivoli, October 2 – November 22, 1992; Athens, Deste Foundation Center for Contemporary Art, December 3, 1992 – February 14, 1993; Hamburg, Diechtorhallen, March 12 – May 9, 1993; Jerusalem, Israel Museum, June 23 – October 10, 1993

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993

    Sintra, Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), The Berardo Collection, May 17 – August 31, 1997

    Sintra, Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Portugal, Novas Salas Pop, Fluxus, Foto-Realismo, June 9,1997 – February 28, 1998

    Sintra, Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Portugal, Durante o Fim - Rui Chafes, October 15, 2000 – January 14, 2001

    Sintra, Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Face - a - Face

    October 2 – April 30, 2001

    Sintra, Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Portugal, Colecção Berardo - Arte Pop & Ca., April 19 – September 15, 2002

    Assembleia da República, Portugal, 3D - The Berardo Collection at the Portugeuse Parlement, April 17 – August 2, 2007

    Chicago, Museum of Contemporary Art, Jeff Koons, May 31 - September 21, 2008 (edition 2)

    Lisbon, Museu Colecção Berardo, Portugal, Arriscar o Real, June 8 – September 20, 2009

    Paris, Grand Palais, Galeries Nationales, Beauté animale, March 19 - July 16, 2012 (edition 1)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 - September 23, 2012 (edition 3)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 - October 19, 2014 (edition 2)

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 - April 27, 2015 (edition 1)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 - September 27, 2015 (edition 1)

    New York, Whitney Museum of American Art, Collected by Thea Westreich Wagner and Ethan Wagner, November 20, 2015 - March 6, 2016 (edition 2)

    Paris, The Centre Pompidou, La collection Thea Westreich Wagner et Ethan Wagner,  June 10, 2016 - March 27, 2017 (edition 2)

    Chatsworth, Chatsworth House, The Dog. A Celebration at Chatsworth, March 23 - October 6, 2019 (edition 3)

    Bologna, Palazzo Albergati, Warhol & Friends: New York negli anni '80, September 29, 2018 - June 30, 2019

    Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 - March 31, 2022 (edition 3)

    Pop Art & Co. - The Berardo Collection - Sintra Museum of Modern Art (Gunma)

    The Museum of Modern Art (Gunma), Japan, February 19 – March 27, 2005

    Gunma, Japan, The Museum of Modern Art (Gunma), Japan, Pop Art & Co. - The Berardo Collection February 19 – March 27, 2005; Hiroshima,Hiroshima City Museum of Contemporary Art, May 29 – July 10, 2005; Kochi, The Museum of Art, April 3 – May 22, 2005; Nagoya, Nagoya City Art Museum, September 10 – October 30, 2005; Osaka, Daimaru Museum, January 1 – February 6, 2005; Sapporo, Hokkaido Museum of Modern Art, July 26 – August 28, 2005; Tokyo, The Bunkamura Museum of Art, November 6 – December 26, 2004

    Philadephia, Philadelphia Museum of Art, Embracing the Contemporary: the Keith L. and Katharine Sachs Collection, June 28 – September 5, 2016 (edition 3)

  • Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 86

    Susanne Weingarten, "König im Kitschland," (Text in German) Der Spiegel, no. 49 (November 30, 1992) (color ill. p. 287)

    Kenneth Baker, "The Message in Koons' Kitsch,'" San Francisco Chronicle, December 10, 1992

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 29, 147, 169 (color ill. p. 147)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 135, 163 (color ill. pp. 134-135)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 24, 112, 132 (color ill. p. 112, pl. 54)

    Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 76 (color ill. p. 76, pl. 56)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 76, 114 (color ill. p. 76), pp. 85, 99 (color ill. p. 85)

    Alan Dodge, Virtual Reality, exh. cat., (National Gallery of Australia, 1994), p. 9

    “Jeff Koons: Very New Art,” Bijutsu Techno 47, no. 700 (1995) (color ill. p. 222)

    Alexandro Melo, "Les enjeux d'une collection portugaise", L'oeil, September 1997 (color ill. p. 78)

    Ken Hoffman,"Dog Art," Houston Chronicle 105, no. 346 (September 24, 2006) (ill. cover)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 363 (color ill. p. 363)

    Jeff Koons. Chicago: MCA Chicago and Yale University Press, 2008. [Text by Francesco Bonami; Interview with Lynne Warren], p.77, illustrated in color.

    Blitzen-Benz Bang - Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works, exh. cat., ed. by Renate Wiehager (Ostfildern: Hatje Cantz, 2009), p. 314

    “Koons Summer in Frankfurt – SCHIRN AND LIEBIEGHAUS,” Huffington Post, June 20, 2012 http://www.huffingtonpost.com/2012/06/20/jeff-koons-thepainter_n_1610073.html#slide=1116755

    Becker, Dr. Josef, Bild, Germany, June 20, 2012 p. 6 (Balloon Venus, Fait d'hiver, Poodle, images in Frankfurt)

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 160, 190 (color ill. p. 160)

    Emmanuelle Héran, Beauté Animale, exh. cat. (Paris: Réunion des musées nationaux-Grand Palais, 2012), cover

    Nicolas Liucci-Goutnikov, "Jeff Koons: une histoire de goût," Les Cahiers, January 2014 (color ill. p. 51)

    Tom Simpson, “King of Pop: 35 years of Jeff Koons art-in-pictures,” The Guardian, June 25, 2014 (color ill.) https://www.theguardian.com/artanddesign/gallery/2014/jun/25/king-of-pop-30-years-of-jeff-koons-art-in-pictures

    Lorna Hall, "The Whitney Pulls Out All The Stops For Koons," Mind, July 23, 2014 (color ill.) http://www.alumind.com/article/whitney-pulls-stops-koons/

    Jae-Su Kim, "A Magician of Creation and Destruction," (Text in Japanese) Art in Asia (Japan), August 2014 (color ill.)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 25, 124, 219, 288 (color ill. p. 124, pl. 72)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 132, 228, 300 (color ill. p. 132, pl. 72)

    Champion, Julie and Nicolas Liucci-Goutnikov, Jeff Koons: La Retrospective: The Portfolio of the Exhibition. France: Centre Pompidou, 2014. p. 94

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 28, p. 128, 231, 299 (color ill. p. 128, pl. 72)

    Collected by Thea Westreich Wagner and Ethan Wagner, exh. cat., ed. Christine Macel, Elisabeth Sussman, Elisabeth Sherman (New York/Paris: The Whitney Museum of American Art, Centre Pompidou, Yale University Press, 2015) (color ill. p. 67, residence installation; color ill. p. 90)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of the Exhibition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 94 (color ill. p. 94)

    Sarah Lookofsky, Texte zur Kunst March 2016 (color ill. p. 195, Whitney installation view)

    Sally Williams, "Jeff Koons on his 'wild years'... and going from penniless to the world's most expensive artist," The Telegraph (UK), April 20, 2017 (color ill., Whitney installation) https://www.telegraph.co.uk/luxury/womens-style/louis-vuitton-announces-jeff-koons-collaboration/

    Rachel Rabbit White, “Jeff Loves Cicciolina: Looking Back at 'Made in Heaven',” Vice, Garage, March 22, 2019 (color ill., installation view). https://garage.vice.com/en_us/article/3kgm4w/jeff-koons-cicciolina-made-in-heaven  

    Tessa Wild, Chatsworth: The Dog: A Celebration at Chatsworth (Derbyshire: Chatsworth House Trust, 2019) (color ill. p. 57)

    Jeon Eun-ji, "Between geek and art, kitsch artist Jeff Koons," Handmaker (Korea), November 5, 2021 (color ill. by Tom Parnell) http://www.handmk.com/news/articleView.html?idxno=11883 

    Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat. (Milan: Skira, 2021), p. 98 (color ill, p. 99; color ill. pp. 224-225)

    Jose Berardo, Coleção Berardo 1909-2019, ed. Pedro Lapa (Lisbon: Museu Coleção Berardo, 2022) (color ill. p. 664)

Small Vase of Flowers
1991

polychromed wood 
37 x 55 x 37 inches
94 x 139.7 x 94 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    Hamburg, Hamburger Kunsthalle, Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, 1996 (edition 1)

    New York, Gagosian Gallery, Jeff Koons / Andy Warhol Flowers, November 11 – December 21, 2002 

    Berlin, Galerie Max Hetzler, Jeff Koons, October 29 – December 6, 2008, p. 35, illustrated (Hetzler 1991 installation view)

    Philadephia, Philadelphia Museum of Art, Embracing the Contemporary: the Keith L. and Katharine Sachs Collection, June 28 – September 5, 2016 (edition 3)

  • Nicolas Bourriaud, "Catch as Kitsch Can," Flash Art (Milan) 25, no. 162 (January/February 1992) (color ill. p. 176)

    Angelika Muthesius and Burkhard Riemschneide, eds., Erotik in der Kuns (Cologne: 1992), p. 127(color ill. p. 127, installation)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 144, 169 (color ill. p. 144)

    Zeitsprünge, Kunstlerische Positionen der 80er Jahre: Sammlung Rudolf und Ute Scharpff, exh. cat., ed. Richard W. Gassen (Heidelberg: Wilhelm-Hack-Museum, Ludwigshafen am Rhein, 1993), p. 50 (color ill. p. 51)

    Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, ed. Uwe M. Schneede, exh. cat. (Ostfildern-Ruit, Germany: Cantz Verlag, 1996) (color ill. p. 8; color ill p. 48; color ill. p. 49)

    Jeff Koons/Andy Warhol: Flowers, ed. Daniel Pinchbeck, exh. cat. (New York: Gagosian, 2002), pp. 29, 30 (color ill. p. 29, installation; color ill. p.31);

    Hans Werner Holzwarth, ed., Jeff Koons, Cologne 2008, p. 360, illustrated in color 

    Monopol: Special Jeff Koons (Berlin), 2012 (color ill. pp. 28-29, Galerie Max Hetzler Made in Heaven installation)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014), p. 118 (color ill. p. 118, Berlin installation);

    Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, exh. cat., ed. by Carlos Basualdo (Philadelphia: Yale University Press, 2016), pp. 164, 276 (color ill. p. 165, p. 92), p. 276

Three Puppies
1995–1998

polychromed wood 
19 x 27 1/4 x 23 1/2 inches 
48.3 x 69.2 x 59.7 cm

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992 

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993

    Los Angeles, Museum of Contemporary Art, Collection: MOCA's First 30 Years, November 15, 2009 – May 3, 2010 (edition 1) 

    Los Angeles, Museum of Contemporary Art (MOCA Grand Avenue), Selections from the Permanent Collection, February 8, 2014 – April 12, 2015 (edition 1)

  • Peter Flessig, "Kitschy, Kitschy Koons," City Limits, March 12-19, 1992 (color ill. cover)

    "Love Parade," (Text in German) Vogue (German), (December 1992), pp. 179-185.

    Christopher Knight, "Jeff Koons: A Scrubbed New Life," The LA Times, December 14, 1992, pp. 178-79 (ill.)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 152 (color ill. p. 152, Sonnabend installation; color ill. p. 153)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 24, 114, 132 (color ill. p. 114, pl. 56), p. 164

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), pp. 84, 99 (color ill. p. 84)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 74 (color ill. p. 74, pl. 55)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 74, 114 (color ill. p. 74)

    Glen Helfand, "Smooth Operator," SF Weekly 11, no. 45, (January 6, 1993), (ill. p. 17)

    Judy Arginteanu, "Happiness Is a Warm Puppy: Is Jeff Koons Good for More Than a Laugh?" Twin Cities Reader, July 7, 1993 (ill. p. 2)

    Alan Dodge, Virtual Reality, exh. cat., (National Gallery of Australia, 1994), p. 9

    Gordon Burn, "A life in art. The showman," The Guardian, November 11, 2006, p. 7

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 360 (color ill. p. 360)

    Blissett, Luther, “La jouissance du retour en enfance,” Beaux Arts editions, December 2014. p. 50

    Hans Werner Holzwarth, ed.,Koons (Cologne: Taschen, 2015), p. 54 (color ill. p. 54)

Wall Relief with Bird
1991

polychromed wood 
72 x 50 x 27 inches 
182.9 x 127 x 68.6 cm 

Edition of 3 plus AP 

  • Cologne, Galerie Max Hetzler, Jeff Koons: Made in Heaven, November 15 – December 14, 1991; New York, Sonnabend Gallery, November 23 – December 21, 1991; Lausanne, Galerie Lehmann, March 5 – May 7, 1992

    Amsterdam, Stedelijk Museum; Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Århus, Århus Kunstmuseum, January 22 – February 28, 1993; Stuttgart, Staatsgalerie Stuttgart, March 12 – April 18, 1993

    San Francisco, San Francisco Museum of Modern Art, Jeff Koons: Retrospective, December 10, 1992 – February 7, 1993; Minneapolis, Walker Art Center, July 10 – October 3, 1993 (edition 1)

    New York, Gagosian Gallery, Jeff Koons / Andy Warhol: Flowers, November 11 – December 21, 2002 (edition 1)

    New York, C&M Arts, Jeff Koons: Highlights of 25 Years, April 7 – June 5, 2004 (edition 2)

    Humlebaek, Louisiana Museum for Moderne Kunst, Flower as Image: Araki, Arp, Blossfeldt, Cardoso, Cézanne, Corinth, Cunningham, Cook, Edmier, Ensor, Ernst, Fautrier, Frandsen, Gauguin, Goncharova, Hockney, Hume, Kelly, Klein, Koons, Kounellis, Léger, Manet, Mapplethorpe, Matisse, Milhazes, Mondrian, Monet, Monticel, September 10, 2004 – January 16, 2005

    Riehen, Foundation Beyeler, Blumenmythos: Van Gogh bis Jeff Koons (Flower Myth – From Vincent Van Gogh to Jeff Koons), February 27 – May 22, 2005

    London, Tate Modern, POP Life: Art in a Material World, October 1, 2009 – September 19, 2010; Hamburg, Hamburger Kunssthalle, February 12, 2010 – May 9, 2010; Ottawa, The National Gallery of Canada, June 11, 2010 – September 19, 2010 (edition 3)

    Frankfurt, Liebieghaus Skulpturensammlung, Jeff Koons. The Sculptor, June 20 – September 23, 2012 (edition 3)

    New York, The Metropolitan Museum of Art, Regarding Warhol: Sixty Artists, Fifty Years, September 18 – December 31, 2012 (edition 3)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014 (edition 3)

    Doha, Qatar Museums Al Riwaq Gallery, Jeff Koons: Lost in America, November 21, 2021 – March 31, 2022 (edition 1)

    Nanjing, Deji Art Museum, Nothing Still About Still Life - Three Centuries of Floral Compositions, August 26, 2023 – March 31, 2024 (Artist Proof)

  • Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 142, 169 (color ill. frontispiece p. 2, detail; color ill. p. 142, Sonnabend installation, detail; color ill. p. 143)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 138, 164 (color ill. p. 139)

    Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 118, 132 (color ill. p. 118, pl. 61)

    Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 83

    Jeff Koons Retrospektiv, ed. Jens Erik Sørensen & Anders Kold, exh. cat. (Århus: Aarhus Kunstmuseum Denmark, 1993), p. 78, (color ill. p. 78)

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 81 (color ill. p. 81)

    Hochzeit Magazine, no. 1 (January 1994) (color ill. p. 72)

    Süddeutsche Zeitung Magazin, no. 10 (March 11, 1994) (color ill.)

    Signs & Wonders, ed. Bice Curiger and Tobia Bezzola, exh. cat. (Küsnacht: Cantz, 1995), p. 145

    La Biennale di Venezia, XLVII Esposizione Internazionale d’Arte (Venice: Electa, 1997), pp. 124, 718 (color ill. p. 125)

    Rainald Goetz, Jeff Koons (Play), Schauspielhaus Hamburg program, 1999 (color ill. back cover) 

    Carol Vogel, "A Taste of the 80s High Prices for Contemporary Art," The New York Times, May 18, 2000, p. A27

    Jeff Koons: Pictures 1980-2002, exh. cat. (Kunsthaus Bielefeld, 2002) (color ill. p. 24, Sonnabend installation)

    Jeff Koons / Andy Warhol: Flowers, exh. cat. (New York: Gagosian Gallery, 2002), pp. cover, 12 (color ill. p. 13; color ill. pp. 18-19, installation)

    Rainer Crone, Jeff Koons: Highlights of 25 Years, exh. cat. (New York: C&M, 2004), pp. 52, 86 (color ill. pl. 16, pp. 53, 86)

    Blumenmythos Flower Myth: Vincent van Gogh to Jeff Koons, Robert Kopp et al., exh. cat. (Basel: Edition Minerva, 2005), pp. 165, 195 (color ill. p. back cover; color ill. p. 165)

    "Rest of Europe: our selection A-Z," The Art Newspaper, no. 157 (April 2005), p. 13

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2009), pp. 370, 587 (color ill. p. 301, Sonnabend installation detail; color ill. p. 328, Sonnabend installation; color ill. p. 370)

    Peter Richter, "Art Car No. XVII by Jeff Koons," BMW Magazine, February 2010, pp. 38-44

    POP Life: Art in a Material World, ed. Jack Bankowsky, Alison Gingeras, and Catherine Wood, exh. cat. (London, Tate Modern, 2010), pp. 140, 196 (color ill. p. 140)

    Mark Rosenthal, Marla Prather, Ian Alteveer, and Rebecca Lowery, Regarding Warhol: Sixty Artists, Fifty Years, exh. cat. (New York: The Metropolitan Museum of Art, 2012), p. 140 (color ill. p. 140)

    Max Hollein, Andreas Beyer, Monika Wagner, Walter Grasskamp, Babette Babich, and Vinzenz Brinkmann, Jeff Koons: The Sculptor, eds. Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, and Max Hollein, exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 140, 189 (color ill. p. 140)

    Räphael Bouvier, Jeff Koons - Der Künstler Als Täufer (Munich: Wilhelm Fink, 2012), p. 266, pl. 43

    Scott Indrisek, "All Aboard That 'Great Koonsian Adventure'," Artinfo, June 26, 2014

    Hals Schmuck, “Koons kann’s…” Harper’s Bazaar Germany, August 2014, (color ill. p. 74)

    Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 42, Whitney Retrospective installation)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 25, 131, 288 (color ill. pl. 80, p. 131)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 139, 300 (color ill. pl. 80, p. 139)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 28, 135, 302 (color ill. pl. 80, p. 135)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015) (color ill. p. 50, Sonnabend installation)

    Gagosian Quarterly, Summer 2016, p. 152 (color ill. p. 152, Art Basel installation)

    "Jeff Koons: highest paid artist in the world," Floraviva (Italy), April 14, 2021 (color ill.) https://www.floraviva.it/news/arte-verde/jeff-koons-l-artista-piu-pagato-al-mondo.html 

    Jeff Koons. Lost in America, ed. Massimiliano Gioni, exh. cat., (Milan: Skira, 2021), p. 94 (color ill. p. 95)

Yorkshire Terriers
1991

polychromed wood
17 1/2 x 20 1/2 x 17 inches
44.5 x 52.1 x 43.2 cm

Edition of 3 plus AP 

  • New York, Sonnabend Gallery; Cologne, Galerie Max Hetzler; Lausanne, Galerie Lehmann, Jeff Koons: Made in Heaven, November 23, 1991 – May 6, 1992

    London, Hayward Gallery, Double Take: Collective Memory & Current Art, February 20 – April 20, 1992

    London, Tate Modern, Pop Life: Art in a Material World, October 1, 2009 – January 17, 2010

  • Michael Kimmelman, "Onward Into the Realm Of Porno and Promo," The New York Times, November 29, 1991 (ill.) 

    Carter Ratcliff, Rhonda Lieberman, and Jo Anna Isaak, "Jeff Koons: Not for Repro," Artforum 30, no. 6 (February 1992), p. 84 (color ill. p. 85)

    Annie Sprinkle, "Hard-Core Heaven: Unsafe Sex with Jeff Koons," Arts Magazine 66, no. 7 (March 1992) (color ill. p. 47)

    Joe Joseph, "Penetrating Art Dekko," The Times Review, London, October 17, 1992, pp. 1-2 (il.)

    Jutta Koethe, Spex, No. 2, February 1992, p. 74, illustrated 

    Martin Gayford, "What's Yours is Mine" in The Sunday Telegraph, London, July 26, 1992, p. 1, illustrated

    Double Take: Collective Memory & Current Art, exh. cat., eds. Lynne Cooke, Bice Curiger, and Greg Hitly (London: Hayward Gallery/ The South Bank Centre/Parkett, 1992) (color ill. p. 178)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 149, 169 (color ill. pp. 148, 149, back cover)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), pp. 125, 164 (color ill. pp. 124-125)

    Jeff Koons: 30 Postcards (Cologne: Taschen, 1992) (color ill.)

    Toni Stooss, Double Take: Kollektives Gedächtnis & Heutige Kunst, exh. cat. (Vienna: Kunsthalle Bielefeld, Wien, 1992) (color ill. p. 178)

    American Art in the 20th Century: Painting and Sculpture 1913-1993, eds. Christos M. Joachimides and Norman Rosenthal (Munich/London/Berlin: Prestel-Verlag, Royal Academy of Arts, ZEITGEIST-Gesellschaft e. V., 1993), p. 457

    Alan Dodge, Virtual Reality, exh. cat., (National Gallery of Australia, 1994), p. 9

    Linda Weintraub, Arthur Danto, and Thomas McEvilley, Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s-1990s (Litchfield, CT: Art Insights, Inc., 1996), p. 199

    Carol Vogel, "A Taste of the 80s High Prices for Contemporary Art," The New York Times, May 18, 2000, p. A27

    Anselm Reyle, exh. cat., text by Jeff Fleming (Des Moines: Des Moines Art Center, 2011), p. 14

    Hans Werner Holzwarth, Ed., Jeff Koons, Cologne 2007, p. 319, illustrated in color

    Ingrid Sischy, "Cover story: L'art de la Provoc - Jeff Koons" Vanity Fair (France) (October 2014) (color ill. p. 32)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014) (color ill. p. 118, Berlin installation)

    Tessa Wild, Chatsworth: The Dog: A Celebration at Chatsworth (Derbyshire: Chatsworth House Trust, 2019), p. 57

    Joseph Imorde, "Cuteness und Kitsch: Die Niedlichkeit und das Selbst," Kunstforum (May-June 2023) (color ill. p. 78)

    Jeff Koons: 1979-1999, exh. cat. (Hong Kong: Art Intelligence Global, 2024), p. 10

Dirty — Jeff On Top
1991

plastic 
55 x 109 x 71 inches 
139.7 x 276.9 x 180.3 cm

Edition of 1 plus AP

  • New York, Sonnabend Gallery; Cologne, Galerie Max Hetzler; Lausanne, Galerie Lehmann, Jeff Koons:Made in Heaven, November 23, 1991 – May 6, 1992

    Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 1)

    London, Tate Modern; Hamburg, Hamburger Kunssthalle; Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 1, 2009 – September 19, 2010 (edition 1)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (edition 1)

    Miami, Presented by Jeffrey Deitch and Gagosian, The Moore Building, Desire, November 29 – December 4, 2016

  • Thomas Frend, "Ein Happening fur Gefuhle und Begierden," Newmag, July 1991 (color ill. p. 41)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 137, 168 (color ill. p. 137, 156, 157)

    Koons, Jeff and John Caldwell et al. Jeff Koons. San Francisco: San Francisco Museum of Modern Art, 1992, plate 64, illustrated in color.

    Horst Valer, "Kunst der totalen Banalitat," (Text in German) Das Magazin (Berlin), April 1993 (color ill. p. 55, installation)

    John Townsend, "Erotic Mischief at the Walker," Gaze Magazine, August 6, 1993, p. 44

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 87 (color ill. p. 87, pl. 65)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 87, 115 (color ill. p. 87)

    Elisabeth Couturier, "Jeff Koons: Son kitsch vaut des millions!" Paris Match (Paris), January 2003, (color ill. p. 5)

    Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), pp. 62, 98 (color ill. p. 63)

    Marga Paz, Taschen Collection, exh. cat. (Cologne: Taschen, 2004), p. 138, 140-141 (color ill. p. 138, detail, color ill. pp. 140-141)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 47, 307 (ill. p. 56) (color ill. pp. 347; color ill. pp. 348-349, color ill. p. 350)

    Annette Husch and Gudrun Inboden, Jeff Koons: New Paintings Galerie Max Hetzler, exh. cat. (Berlin: Holzwarth Publications GmbH, 2009) (color ill. p. 35, Hetzler 1991 installation)

    Adam Lindemann, "Viewer as Voyeur / A short History of Perfectly Dirty Art," The New York Observer, August 17, 2010, online (color ill.)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014) (color ill. p. 118, Max Hetzler installation), (color ill. p. 119, Max Hetzler installation)

    “El Guggenheim muestra cuatro decades del trabajo inconfundible de Jeff Koons,” SumaDiario, June 8, 2015 (color ill., online, Guggenheim Bilbao installation)

    Itxaso Belaza, “Jeff Koons al completo, en Guggenheim Bilbao,” Cadenaser.com, June 8, 2015 (color ill. Guggenheim Bilbao installation) https://cadenaser.com/emisora/2015/06/08/radio_bilbao/1433774834_907297.html

    Marco Enrico Giacometti, “Arriva al Guggenheim di Bilbao la monumentale retrospettiva di Jeff Koons. Tante foto dalla preview della mostra che apre al pubblico questa settimana,” Artribune, June 8, 2015 (color ill. Guggenheim Bilbao installation)

    Braulio Ortiz, "Jeff Koons y transcendencia," Diario de Cadiz, June 9, 2015 (color ill. online, Guggenheim Bilbao installation)

    J.O., “Le entrevista, Jeff Koons: Todos los dfas dibuio y pinto a trav s de la mente,” La Razon, June 9, 2015 (color ill., online, Guggenheim Bilbao installation)

    Inaki Esteban, "¿Plagio? Todos los artistas nos apropiamos de la realidad' Jeff Koons, Artista," El Correo, June 9, 2015, pp. 48-49 (color ill., p. 49, Guggenheim Bilbao installation)

    “Pays basque espagnol: Jeff Koons fait son show a Bilbao,” Sudoest.fr, June 9, 2015 (color ill., online, Guggenheim Bilbao installation)

    Helmut Kronthaler, “Von Herrschern und Untertanen,” Artcollector (Germany), June 11, 2015,

    Odile Morain, "Rencontre avec Jeff Koons, star du musée Guggenheim de Bilbao cet été,” FranceTVInfo.FR, June 10, 2015 (color ill., online, Guggenheim Bilbao installation)

    Ángela Molina, “Jeff Koons: caído del cielo,” Babelia, June 11, 2015, p. 10 (color ill., p. 10, Guggenheim Bilbao installation)

    Inaki Esteban, "¿Plagio? Todos los artistas nos apropiamos de la realidad' Jeff Koons, Artista," La Verdad de Murcia a Babol, June 13, 2015, pp. 1-3 (color ill., p. 1)

    "Jeff Koons: caído del cielo,” El Pais, June 14, 2015, p. 10 (color ill., online, Guggenheim Bilbao installation)

    Federica Polidoro, "Ecco l'intervista di Jared Leto a Jeff Koons, nella web serie Beyond the Horizon," Artribune, February 21, 2016 (color ill.)

    Freeman, "'My Philosophy in Presenting an Exhibition is You Don't Hold Back, You Gotta Go All The Way'," November 29, 2016 (color ill., Desire installation) http://www.artnews.com/2016/11/29/my-philosopgy-in-presenting-an-exhibition-is-you-dont-hold-back-you-gotta-goall-the-way-jeffrey-deitch-talks-desire-his-very-erotic-show-with-larry-gagosian-in-miami/

    Jonathan Jones, "Jeff Koons' Louis Vuitton bags: a joyous art history lesson," The Guardian (UK), April 12, 2017 https://www.theguardian.com/artanddesign/jonathanjonesblog/2017/apr/12/jeff-koons-louis-vuitton-bags-fashion-fragonard-rubens-titian

    Diana Widmaier-Picasso, "Desire," Gagosian, Spring 2017 (color ill. p. 143; color ill. p. 147)

    Rachel Rabbit White, “Jeff Loves Cicciolina: Looking Back at 'Made in Heaven',” Vice, Garage, March 22, 2019 (color ill., installation view). https://garage.vice.com/en_us/article/3kgm4w/jeff-koons-cicciolina-made-in-heaven 

    Anette Schneider, "Jeff Koons: Artist of the Balloon Dogs is 65," NDR Kultur (Germany), January 21, 2020 (color ill.) https://www.ndr.de/kultur/kunst/Installationskuenstler-Jeff-Koons-wird-65,koons110.html

Ilona On Top (Rosa)
1991

plastic 
47 x 106 x 70 inches 
119.4 x 269.2 x 177.8 cm

Edition of 1 plus AP

  • N/a

  • Jutta Koether, “Die Klasse der Cleveren,” Spex, February 1992, p. 77

    Richard B. Woodward, "Jeff Koons: Sonnabend," ARTnews 91, no. 2 (February 1992) (ill. p. 122, Sonnabend installation)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 152, 169 (color ill. p. 152)

    James Reginato, "Crafty Koons", W 29, no. 4 (April 2000) (color ill. p. 401)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), pp. 333, 350 (color ill. p. 325; color ill. p. 350 installation)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), p. 233 (ill. p. 233, Sonnabend Gallery installation)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), p. 229 (ill. p. 229, Sonnabend Gallery installation)

    Hans Werner Holzwarth, Koons (Cologne: Taschen, 2015), p. 55

White Terrier
1991

polychromed wood
20 1/2 x 14 x 20 inches
52.1 x 35.6 x 50.8 cm

Edition of 3 plus AP 

  • Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993

    Sydney, Museum of Contemporary Art, From Christo and Jeanne-Cleaude to Jeff Koons: John Kaldor art projects and collection, December 12, 1995 – March 17, 1996 (AP)

    Adelaide, Art Gallery of South Australia, Journey to now: John Kaldor art projects and collection, April 18 – July 6, 2003 (AP)

    Sydney, Art Gallery of New South Wales, 40 years: Kaldor Public Art Projects, October 2, 2009 – February 14, 2010 (AP)

    Sydney, Art Gallery of New South Wales, Making art public: 50 years of Kaldor Public Art Projects, September 6, 2019 – February 16, 2020 (AP)

    Sydney, Art Gallery of New South Wales, Some Mysterious Process: 50 Years of Collecting International Art, June 1, 2020 – September 13, 2020 (AP)

    Bowral, New South Wales, Ngununggula Regional Art Gallery, New Dog Old Tricks, November 18 – February 4, 2024 (AP)

  • Nicolas Bourriaud, "Catch as Kitsch Can," Flash Art (Milan) 25, no. 162 (January/February 1992), p. 176 (color ill. p. 176)

    Double Take: Collective Memory & Current Art, exh. cat., eds. Lynne Cooke, Bice Curiger, and Greg Hitly (London: Hayward Gallery/ The South Bank Centre/Parkett, 1992) (color ill. p. 178)

    Toni Stooss, Double Take: Kollektives Gedächtnis & Heutige Kunst, exh. cat. (Vienna: Kunsthalle Bielefeld, Wien, 1992) (color ill. p. 176)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 140, 169 (color ill. p. 140)

    The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 164

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), p. 114

    Veit Loers, "Puppy, Das Herz Jesu," (text in German), Parkett, no. 50/51, (December 1997), pp. 82, 85

    Jeff Koons, Portrait d'un artiste unique au parcours emblematique," Dedicate, April 2006 (color ill. p. 58)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 369 (color ill. p. 369)

    40 Years Kaldor Public Art Projects, ed. by Sophie Forbat, exh. cat. (Sydney: John Kaldor, 2009), p. 166 (color ill. p. 170)

    David Marr, "A life's works", Sydney Morning Herald (Australia), May 7, 2011 https://www.smh.com.au/entertainment/art-and-design/a-lifes-works-20110505-1e8rb.html

    John Kaldor Family Collection: Art Gallery of New South Wales, ed. by Wayne Tunnicliffe (Sydney: Art Gallery of New South Wales, 2011), pp. 15, 206, 338 (color ill. p. 16, Kaldor residence installation; color ill. p. 212, detail; color ill. p. 213)

    Steven Miller, Dogs in Australian Art (Australia: Wakefield Press, 2012), p. 180

    Michaël Amy, "A Supreme Trouble-Maker in Crowd-Pleasing," Sculpture 34, no. 2 (March 2015), p. 59

    Tessa Wild, Chatsworth: The Dog: A Celebration at Chatsworth (Derbyshire: Chatsworth House Trust, 2019), p. 57

    "Jeff Koons – Exploring the Life and Art of Jeff Koons," Art in Context, June 1, 2023 (color ill.) https://artincontext.org/jeff-koons/

    Raffaele Quattrone, "Masterpiece Episode 3 (Beecroft - Koons)," Masterpiece, April 28, 2024

llona on Top (Rosa Background)
1990

oil inks on canvas 
96 x 144 inches 
243.8 x 365.8 cm

Edition of 1 plus AP

  • Venice, Venice Biennale, Aperto, May – September 1990

    San Francisco Museum of Modern Art; Minneapolis, Walker Art Center, Jeff Koons, December 10, 1992 – October 3, 1993 (AP)

    Kunsthaus Bielefeld, Jeff Koons: Pictures 1980 - 2002, September 22 – November 10, 2002 color (edition 1)

    Oslo, Astrup Fearnley Museum of Modern Art, Jeff Koons: Retrospective, September 4 – December 12, 2004; Helsinki City Art Museum, January 28 – April 10, 2005 (edition 1)

    London, Barbican Art Gallery, Seduced: Art and Sex from Antiquity to Now, October 12, 2007 – January 27, 2008 (edition 1)

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014 (edition 1)

    Paris, The Centre Pompidou, Jeff Koons: A Retrospective, November 26, 2014 – April 27, 2015 (edition 1)

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015 (edition 1

  • Remo Guideri and Sarah Morris, "Jeff Koons," Galeries Magazine (Paris), no. 36 (April/May 1990), pp. 130-31 (color ill. pp. 130-31)

    John Russell Taylor, "Architectural straws in the wind," The Times London, June 1, 1990 (ill., Venice Biennale installation)

    Peter Plagens, "The Venetian Carnival," Newsweek 115, no. 24 (June 11, 1990), p. 60

    "L'ete Torride," Globe, July 1, 1990

    Margaret Garlake, "Brown Bagging in Venice," Art Monthly, July-August, 1990 (ill.)

    Andrew Renton, "Andrew Renton on the 44th Venice Biennale," Blitz, August 1990, pp. 24-25 (ill. p. 24-25)

    Dwight V. Gast, "Venice Biennale," Art & Auction, September 1, 1990, pp. 108 (ill. p. 108, Venice installation)

    L. Cab, "Tra polemiche e scandli, assegnati i premi della Biennale. I Leoni d'oro all'italiano Anselmo, ai tedeschi Becher e all'americana Holzer," Arte, no. 210 (September 1990), p. 30 (color ill. p. 30)

    Michael Tarantino, "What Will Become gone soft?: The 44th Venice Biennale," Artforum 29, no. 1 (September 1990), p. 137

    Mariuccia Sprenger, "Kitsch und Eitelkeit: Einige Uberlegungen zur Diesjahrigen Biennale von Venedig,” Artis, September 1990, p. 37 (color ill.)

    Peter Schjeldahl, "Venice Anyone?" Mirabella, September 1990, p. 88 (color ill. p. 88)

    Michael Tarantino, "What Will Become gone soft?: The 44th Venice Biennale," Artforum 29, no. 1 (September 1990), p.137, mentioned without illustration.

    Robert Kenner, "The New Shock," Art & Antiques, October 1990, p. 33 (color ill. p. 33)

    Robert Enright, "The Material Boy and the Femme Fidele," Border Crossings 10, no. 1 (Winter 1990-1991) (color ill. pp.36-37, Venice Installation)

    Anthony Haden-Guest, "Art or Commerce? Kitschy, Kitschy Koons," Vanity Fair 54, no. 11 (November 1991) (color ill., Venice Biennale installation)

    Denise Barricklow, "All Tits and No Art?" The Face (London), no. 26 (November 1990), pp. 104-108 (color ill. p. 104)

    La Biennale Di Venezia, XLIVEsposizione Internazionale d’Arte, ed. Simonetta Rasponi (Milan: Gruppo Editoriale Fabbri S.p.A.: Edizioni La Biennale Di Venezia, 1990), p. 314 (color ill. p. 281)

    "The Power of Seduction," in New Art. An International Survey, ed. by Andreas Papadakis, Clare Farrow, and Nicola Hodges (New York: Rizzoli, 1991) (color ill. p. 153)

    Jeff Koons, "Baby & Eimer Cover Story," Suddeutsche Zeitung Magazin (Munich), no. 46 (November 13, 1992), color ill. p. 36, installation)

    Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), pp. 128, 130-131,152, 169 (color ill. p. 152)

    John R. Lane (foreword), John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis, Eugenie Candau (exhibition history and bibliography), Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), pp. 119, 132 (color ill. p. 119, pl. 62)

    Glen Helfand, "Smooth Operator," SF Weekly 11, no. 45, (January 6, 1993), (ill. p. 18)

    David M. Roth, "A Backward Look at the Art of Kitschmeister Jeff Koons,'" SN&R, January 21, 1993 (ill. p. 21)

    Wim Beeren and Dr. Manfred Schneckenburger, "Pro/Contra: Ist Jeff Koons ein wichtiger Kunstler von heute," (Text in German) Art, no. 8, August 1993, p. 46

    Alberto Fiz, "La vita è un paradiso di... Bugie," Class (Italy), February 2, 1994

    Nicolas Bourriaud, "Jeff Koons Ingenieur du desir," (Text in French) Beaux Arts (France), September 1997, p. 49 (color ill., p. 49, Venice Biennale installation)

    Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), pp. 60, 98 (color ill. p. 61)

    Jeff Koons Retrospektiv, ed. by Marit Woltmann, exh. cat. (Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004), pp. 95, 147 (color ill. pp. 94-95, as "Ilona on Top, 1990")

    Camilla Long, "Loony Koons," Tatler 3, no. 5 (May 2007) (color ill. p. 120)

    Philip Utz, “Catching up with Jeff Koons,” Numero (no. 6) [Tokyo] September 2007 (color ill. p. 66)

    Gunnar B. Kvaran, Jeff Koons: Retrospettivamente, Milan 2007, p. 62, illustrated

    Hans Werner Holzwarth, ed., Jeff Koons, Cologne 2007, pp. 344-345, illustrated in color

    Marina Wallace, Martin Kemp, and Joanne Bernstein, Seduced: Art & Sex from Antiquity to Now, exh. cat. (London: Merrell Publishers Limited with Barbican Art Gallery, 2007), p. 190 (color ill. p. 215)

    Craig Raine, "Looney Koons" in Evening Standard, June 4, 2009, pp. 26-27, illustrated in color

    Jonathan Jones, "Not just the king of kitsch" in The Guardian, London, June 30, 2009, pp. 6-7, illustrated in color

    Ossian Ward, "Hello sailor!" in Time Out London, July 2, 2009, p. 22, illustrated in color 

    Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book, London 2009, p. 134, illustrated in color

    Art Das Kunstmagazin, June 2010 (color ill. pp. 56-57, Venice installation)

    Francesco Bonami, Dal Partenone Al Panettone (Milan: Mondadori Electa spa, 2010) (color ill. p. 207)

    Jeff Koons: Made in Heaven Paintings, exh. cat. (Luxembourg & Dayan, New York, 2010) Text by Alison M. Gingeras

    Andreas Tölke, "Gleichgewicht der Kräfte," Build, March 2011, p. 55 (color ill. p. 55)

    Carl Swanson, "The Age of Jeff Koons," New York Magazine, May 13, 2013 (color ill. p. 28)

    David Everitt Howe, "Jeff Koons: A Retrospective," ArtReview 66, no. 6 (September 2014), p. 178

    Thomas Crow, "American Idol," Review of Jeff Koons: A Retrospective, Artforum 53, no. 1 (September 2014) (color ill. p. 313)

    Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012 (October 2014) (color ill. p. 72, Whitney installation)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 123, 287 (color ill. p. 123, pl. 71)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 131, 300 (color ill. p. 131, pl. 71)

    Ángela Molina, “Jeff Koons: caído del cielo,” Babelia, June 11, 2015, p. 10 (color ill., p. 10, Guggenheim Bilbao installation)

    "Jeff Koons: caído del cielo,” El Pais, June 14, 2015, p. 10 (color ill., online, Guggenheim Bilbao installation)

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), p. 127, 233, 299 (ill. p. 233, Sonnabend Gallery installation; color ill. p. 127, pl. 71)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p. 55 (color ill. p. 55)

    Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition, ed. Julie Champion (Paris: Centre Pompidou, 2015), p. 91 (color ill. p. 91)

    Robert Storr, Interviews on Art (London: HENI Publishing, 2017), (color ill. p. 393)

    Tatjana Seel, "King of Kitsch," Monsieur, Summer 2022 (color ill. p. 30)

Jeff in the Position of Adam
1990

oil inks on canvas 
96 x 144 inches 
243.8 x 365.8 cm

Edition of 1 plus AP

  • Athens, DESTE Foundation Center for Contemporary Art, Jeff Koons: A Millennium Celebration, December 15, 1999 – May 15, 2000

    Cyprus, The Nicosia Municipal Arts Centre, Forever. Shortcuts: Works form the Dakis Joannou Collection, November 28, 2001 – March 31, 2002

    Athens, DESTE Foundation Center for Contemporary Art, Monument to Now, June 22 – December 31, 2004

    Frankfurt, Schirn Kunsthalle, Jeff Koons the Painter, June 20 – September 23, 2012

    New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June 27 – October 19, 2014

    Bilbao, Guggenheim Museum Bilbao, Jeff Koons: A Retrospective, June 9 – September 27, 2015

    Mexico City, Museo Jumex,

    Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, May 19 – September 29, 2019

  • William Feaver, "Act to upstage a gold banana," The Observer, 1990 ( ill., detail)

    “Un'arte europea decolonizzata e le pose d'artista di Cicciolina,” La Sicilia (Italy), May 18, 1990 (ill., Venice Biennale installation view)

    Ludovico Pratesi, “Macché scandalo, è solo sesso,” Panorama (Italy), May 20, 1990, p. 73 (color ill.)

    Denise Barricklow, "All Tits and No Art?" The Face (London), no. 26, November 1990, pp. 104, 107 (color ill.)

    Louise Baring, “The Broader Picture: Would You Adam and Eve It?” The Independent on Sunday, March 31, 1991, pp. 32, 33 (ill., installation view)

    Susanne Weingarten, "König im Kitschland," (Text in German) Der Spiegel, no. 49 (November 30, 1992), p. 286 (color ill.)

    Jeff Koons, The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), introduction by Robert Rosenblum, pp. 112 (color ill.), 123, 162

    Angelika Muthesius, Jeff Koons (Cologne, Taschen 1992), p. 126 (color ill.)

    Stuart Morgan, "Deep and Low: Madonna's 'Sex' and 'The Jeff Koons Handbook' reviewed by Stuart Morgan," Frieze (London), Issue 8, January/February 1993, p. 43 

    Edward Lucie-Smith, American Realism (Thames & Hudson, 1994) pp. 225-227 (color ill. p. 227), 247

     Jeffrey Deitch, Jeff Koons: A Millennium Celebration - Works from the Dakis Joannou Collection, 1979-1999, ed. Katerina Gregos. exh. cat. (Athens: Deste Foundation, 1999), pp. 22-23 (color ill.), 46

    Rainald Goetz, Jeff Koons, Schauspielhaus Programmhefte (Berlin: Suhrkamp, 1999), p. 34 (color ill.)

     Marco Senaldi, “American Beauty,” Flash Art (Italy), April-May 2000, pp. 86-87 (color ill. p. 86) 

    Dimitri G. Antonitsis, "A Great Day! A Photo Conversation with Jeff Koons," in The Contemporary (Greek) City, ed., Yannis Aesopos, Yorgos Simeoforidis (Athens: Metapolis Press, 2001), p. 297 (ill., blue and white image)

    Shortcuts from the Dakis Joannou Collection, exh. cat. (Athens, Greece: DESTE Foundation for Contemporary, 2002), pp. 63, 70-71 

    Monument to Now, exh. cat. (Athens, DESTE Foundation Centre for Contemporary Art, 2004), p. 223 (color ill.)

    ArtReview 54 (September 2004), p. 67 (color ill.) 

    “A Temple to the Future,” The Guardian, November 21, 2004, online

    Dream and Trauma: Works from the Dakis Joannou Collection, Athens (Ostfildern, Germany: Hatje Cantz Verlag, 2007) (color ill.)

     Hans Werner Holzworth, ed. Jeff Koons (Cologne: Taschen, 2008), pp. 328-329 (color ill.)

     Rima Suqi, “Best Hotel Art Collections,” Travel + Leisure, June 23, 2009 https://www.travelandleisure.com/culture-design/visual-arts/best-hotel-art-collections 

    Mark Westall, “Jeff Koons – Jeff in the position of Adam,” FAD Magazine, December 15, 2010 (color ill.) https://fadmagazine.com/2010/12/15/contemporary-art-at-their-heart-yes/jeff-koons-jeff-in-the-position-of-adam/ 

    Max Hollein, Scott Rothkopf, Joachim Pissarro, Matthias Ulrich, and Jeff Fraiman, Jeff Koons: The Painter, eds. Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, and Max Hollein exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), pp. 84, fig. 1, 102-103 (color ill.) 

    Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Ostfildern: Hatje Cantz publishers, 2012), pp. 183 (color ill.), 184

     Raphaël Bouvier, Jeff Koons - Der Künstler als Täufer (Munich, Germany: Wilhelm Fink Verlag, 2012), p. 267, pl. 45 (color ill.)

    Adrienne Braun, “Jeff Koons: Virtuoses aus der Kunstfabrik,” Stuttgartner Zeitung, June 29, 2012 https://www.stuttgarter-zeitung.de/inhalt.jeff-koons-virtuoses-aus-der-kunstfabrik.a6f574df-d068-4a3a-b9b0-20537ee7e6fa.html

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 122, pl. 70, 288 (color ill.)

    Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 130, pl. 70, 300 (color ill.), 

    Norman Rosenthal, Jeff Koons: New Paintings and Sculpture, ed. Rebecca Sternthal, exh. cat. (New York: Gagosian Gallery, 2014), p. 13, fig. 13 (color ill.)

    Roberta Smith, "Shapes of an Extroverted Life," The New York Times, June 26, 2014 (color ill., detail) https://www.nytimes.com/2014/06/27/arts/design/jeff-koons-a-retrospective-opens-at-the-whitney.html

    David Everitt Howe, “Jeff Koons: A Retrospective,” ArtReview, September 2014, p. 178

    Judicaël Lavrador, “Jeff Koons: Génie ou Imposteur?” Beaux Arts éditions, November 2014, p. 140 (color ill.)

    Karen Garrat, “Jeff Koons,” Artlyst (London), July 24, 2014 (color ill., online, Whitney installation view) https://www.artlyst.com/reviews/jeff-koons-a-hubris-trickster-creating-the-visually-grandiose/

    Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabará, 2015), pp. 126, pl. 70 (color ill.), 299

    Dakis Joannou, Deste 33 Years: 1983-2015, exh. cat (Athens: Deste, 2015)

    Inaki Esteban, "¿Plagio? Todos los artistas nos apropiamos de la realidad' Jeff Koons, Artista," El Correo, June 9, 2015, pp. 48-49 (color ill., p. 49, Guggenheim Bilbao installation)

    Ángela Molina, “Jeff Koons: caído del cielo,” Babelia, June 11, 2015, p. 10 (color ill., p. 10, Guggenheim Bilbao installation)

    Inaki Esteban, "¿Plagio? Todos los artistas nos apropiamos de la realidad' Jeff Koons, Artista," La Verdad de Murcia aBabol, June 13, 2015, p. 1 (color ill.), p. 3

    Avantika Shankar, “Five Art-Filled Hotels Around the World,” AD, February 10, 2017 https://www.architecturaldigest.in/content/five-art-filled-hotels-around-the-world/ 

    Lauren DeLand, “A Fig Leaf for Jeff Koons: Pornography, Privacy, and "Made in Heaven," Academic Journal Article Criticism: 60, no. 3 (Summer 2018)

    Michel Verbinden, "L'honneur retrouvé de Jeff Koons," Le Vif (Belgium), November 22, 2018 (color ill.) https://focus.levif.be/culture/livres-bd/l-honneur-retrouve-de-jeff-koons/article-normal-1057289.html 

    Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words, (Athens: Deste, 2019), pp. 72-73 (color ill.), 123

    Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aún, exh. cat. (Mexico City: Museo Jumex, 2019), pp. 88-89 (color ill.) 

    An Album: Lietta & Dakis Joannou, Home Installations 1998-2019 (Athens: DESTE, 2019), pp. 34, 35, 144, 155, 146, 147, 148, 149 (color ill.) 

    Fernanda Munoz, “La Seducción De Koons y Duchamp," Reporte Indigo (Mexico), May 17, 2019 (color ill.) https://www.reporteindigo.com/piensa/la-seduccion-de-koons-y-duchamp-museo-jumex-exposicion-apariencia-desnuda/ 

    Marciela Flores, “El iconico arte de Jeff Koons y Marcel Duchamp...Ya esta en Mexico,” De10.mx, May 19, 2019 (color ill., Museo Jumex installation) https://de10.com.mx/top-10/el-iconico-arte-de-jeff-koons-y-marcel-duchamp-ya-esta-en-mexico  

    Luisa Serna, “Una tarde con Jeff Koons y Eugenio Lopez,” Clase (Mexico), May 23, 2019, p. 23 (color ill., Museo Jumex installation) 

    Ana Carballido, “Jeff Koons,” Excelsior RSVP, May 24, 2019, pp. 10, 11 (color ill.) Luis. C. Lopez Morton Z., Museo Jumex. Exposición Apariencia DesnudaEl Universal (Mexico City), June 14, 2019 (color ill., Museo Jumex installation view) https://www.eluniversal.com.mx/columna/luis-c-lopez-morton-z/nacion/museo-jumex-exposicion-apariencia-desnuda

  • “JEFF KOONS: THE PAINTER & THE SCULPTOR,” Schirn Kunsthalle Frankfurt, July 3, 2012 https://www.youtube.com/watch?v=jJLneVEmgu8

    “Jeff Koons: Diary of a Seducer,” BBC Imagine Documentary, 2015, https://www.youtube.com/watch?v=-27B8gngS4g 

    “JEFF KOONS,” Museum of Contemporary Art, Los Angeles, June 12, 2017 https://www.youtube.com/watch?v=Ll-vICo7qoY&t=147s 

    “Duchamp y Koons en el Museo Jumex,” CNN Mexico, May 21, 2019 (installation view) 

    “Duchamp y Koons en el Museo Jumex,” ADN 40 (Mexico), May 23, 2019 (installation view) 

    “La ruptura también une,” El Financiero (Mexico), May 23, 2019 (installation view) 

     “Apariencia Desnuda,” Quién (Mexico), May 30, 2019 (installation view) 

    “Visita Guiada,” Reforma (Mexico), June 6, 2019 (installation view)

  • Leo Steinberg lecture on the occasion of the opening of the exhibition, “Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections” at Los Angeles County Museum of Art, 2001

Kiss with Diamonds
1991

oil inks silkscreened on canvas 
90 x 60 inches 
228.6 x 152.4 cm

Edition of 1 plus AP

  • Amsterdam, Stedelijk Museum, Jeff Koons Retrospektiv, November 28, 1992 – January 3, 1993; Denmark, Aarhus, Aarhus Kunstmuseum, January 22 – February 28, 1993; Staatsgalerie Stuttgart, March 12 – April 18, 1993 (edition 3)

    New York, Chelsea Art Museum,The Incomplete, October 2, 2007 - January 17, 2008

  • Jeff Koons, ed. Angelika Muthesius (Köln: Taschen, 1992), p. 169

    Gudrun Inboden and Peter Schjeldahl, Jeff Koons, exh. cat. (Amsterdam: Stedelijk and Denmark: Aarhus Kustmuseum and Staatsgalerie Stuttgart, 1993), p. 88 (color ill. p. 88)

    Jeff Koons, eds. Jens Erik Sørensoen and Anders Kold, exh. cat. (Denmark: Aarhaus Kunstmuseum, 1993), p. 84 (color ill. p. 84, pl. 70)

    Jens Erik Sørenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons Retrospectiv, eds. Jens Erik Sørenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 84, 115 (color ill. p. 84)

    Jeff Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2007), p. 331(color ill. p. 331)

    Annette Husch and Gudrun Inboden, Jeff Koons: New Paintings Galerie Max Hetzler, exh. cat. (Berlin: Holzwarth Publications GmbH, 2009) (color ill. p. 35, Hetzler 1991 installation)

    Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014), p. 118 (color ill. p. 118, Max Hetzler installation)

    Hans Werner Holzwarth, ed., Koons (Cologne: Taschen, 2015), p p. 50 (color ill. p. 51)

    Enrico Baj Catalogue Raisonné of Ceramic Works (Venice: Marsilio Arte, 2024), pp. 137, 138 (color ill. p. 138)