La collection Thea Westreich Wagner et Ethan Wagner. The Centre Pompidou, Paris, France [June 9, 2016 - February 6, 2017]
Collected by Thea Westreich Wagner and Ethan Wagner. Whitney Museum of American Art, New York, New York [November 20, 2015 - March 6, 2016]
Jeff Koons: The Painter. Schirn Kunsthalle Frankfurt, Frankfurt, Germany [June 20 - September 23, 2012]
Jeff Koons: Retrospective. Helsinki City Art Museum, Helsinki, Finland [January 28 – April 10, 2005]
Jeff Koons: Retrospective. Astrup Fearnley Museum of Modern Art, Oslo, Norway [September 4 – December 12, 2004]
Jeff Koons: Paintings, Photos, Prints 1980-2002. Kunsthaus Bielefeld, Bielefeld, Germany [September 22 - November 10, 2002]
Jeff Koons. Galerie Jérôme de Noirmont, Paris, France [September 30 - November 29, 1997]
Jeff Koons: Retrospective. Staatsgalerie Stuttgart, Stuttgart, Germany [March 12 - April 18, 1993]
Jeff Koons: Retrospective. Aarhus Kunstmuseum, Aarhus, Denmark [January 22 – February 28, 1993]
Jeff Koons: Retrospective. Stedelijk Museum, Amsterdam, Netherlands [November 28, 1992 - January 3, 1993]
Images in Transition: Photographic Representation in the Eighties. The National Museum of Modern Art, Kyoto, Japan [September 23 - November 12, 1990]
Luxury and Degradation. International With Monument Gallery, New York, New York 
Luxury and Degradation. Daniel Weinberg Gallery, Los Angeles, California 
Rothkopf, Scott [supervised by Bernard Blistène]. Jeff Koons: La Retrospective. France: Centre Pompidou, 2014. p. 86, 94 (not exhibited).
Galerie Jerome de Noirmont. Jeff Koons: Popeye Sculpture. Exh. cat., Paris: 2010, p. 9 (installation view, Stedelijk Museum, Amsterdam, 1992), illustrated.
Museo Archeologico Nazionale. Jeff Koons. Exh. cat., Naples: 2003, p. 50 (installation view, International with Monument, New York, 1986), illustrated in color.
Hans Werner Holzwarth, ed. Jeff Koons. Cologne, 2008, p. 211, illustrated in color.
Angelika Muthesius, ed. Jeff Koons. Cologne, 1992, p. 21 and 70 (installation views, Daniel Weinberg Gallery, Los Angeles, 1986) and p. 80, illustrated in color.