Art Magazine Ad (Arts)

Art Ad Portfolio

lithographic prints on paper (portfolio of four color lithographs)
45 x 37 1/4 inches
114.3 x 94.6 cm 
© Jeff Koons
Edition of 50 plus 10 APs
1988-1989

Details

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EXHIBITED: 

Hahaha. The Humour of Art. ING Art Center (organised in collaboration with KANAL and Centre Pompidou), Brussels, Belgium [September 15, 2021 – January 16, 2022]

Le Rêve d'Être Artiste. Palais des Beaux-Arts, Lille, France [September 20, 2019 - January 6, 2020]

1989 - Culture and Politics. Nationalmuseum, Stockholm, Sweden [September 5, 2019 - January 12, 2020]

Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even. Museo JumexMexico City, Mexico [May 19 - September 29, 2019]

Warhol & Friends: New York negli anni '80. Palazzo Albergati, Bologna, Italy [September 29, 2018 - June 30, 2019]

Brand New: Art and Commodity in the 1980s. The Hirshhorn Museum and Sculpture Garden, Washington, D.C. [February 14 - May 13, 2018]

Loft Story. Frac Aquitaine, Bordeaux, France [November 9, 2016 - December 16, 2016]

The Artist. Konstakademien (The Royal Academy of Fine Arts), Stockholm, Sweden [February 11 - September 11, 2016]; Moderna Museet Malmö, Malmö, Sweden [September 24, 2016 - February 19, 2017] 

Jeff Koons: A Retrospective. The Centre Pompidou, Paris, France [November 26, 2014 - April 27, 2015] 

Jeff Koons: A Retrospective. Whitney Museum of American Art, New York, New York [June 27 - October 19, 2014]

Jeff Koons: The Painter. Schirn Kunsthalle Frankfurt, Frankfurt, Germany [June 20 - September 23, 2012]

Pop Life – Art in a Material World. National Gallery of Canada, Ottowa, Canada [June 11 - September 19, 2010]

The Making of Art: The Art World and Its Players. Schirn Kunsthalle Frankfurt, Frankfurt, Germany [May 29 - August 30, 2009]

Jeff Koons. Museum of Contemporary Art Chicago, Chicago, Illinois [May 31 – September 21, 2008]

Jeff Koons: Retrospective. Astrup Fearnley Museum of Modern Art, Oslo, Norway [September 4 – December 12, 2004]

Jeff Koons: Retrospective. Helsinki City Art Museum, Helsinki, Finland [January 28 – April 10, 2005]

Monument to Now. DESTE Foundation for Contemporary Art, Athens, Greece [June 22, 2004 - March 6, 2005]

Jeff Koons: Pictures 1980-2002. Kunsthaus Bielefeld, Bielefeld, Germany [September 22 - November 10, 2002]

Jeff Koons: A Millennium Celebration. Deste Foundation, Athens, Greece [December 15, 1999 - May 15, 2000]

Jeff Koons. Galerie Jérôme de Noirmont, Paris, France [September 30 - November 29, 1997]

Family Values: American Art in the Eighties and Nineties: The Scharpff Collection at the Hamburger Kunsthalle. Hamburger Kunsthalle, Hamburg, Germany [1996]

Arca de Noe/Noah's Ark. Fundacao De Serralves, Porto, Portugal [November 29, 1994 - February 19, 1995]

Die Orte der Kunst: der Kunstbetrieb als Kunstwerk. Sprengel Museum, Hanover, Germany [May 29 – September 11, 1994]

Jeff Koons: A Survey 1981-1994. Anthony d'Offay Gallery, London, England [June 11 - July 30, 1994]

Jeff Koons: Retrospective. Aarhus Kunstmuseum, Aarhus, Denmark [January 22 – February 28, 1993]

LITERATURE: 

Image World, Art and Media Culture, ed. Marvin Heiferman, Lisa Phillips, and John G. Hanhardt, exh. cat. (New York: Whitney Museum of American Art, 1989), (color ill. p. 75)

"Jeff Koons e la pubblicita di se stesso," Flash Art News supplement to Flash Art, no. 147 (December 1988/January 1989), (ill. p. 2)

Anthony Calnek, "New York," Contemporanea 2, no. 1 (January-February 1989), (color ill. p. 12)

Daniel Pinchbeck, “Jeff Koons,” Splash, April 1989, p. 69

Stuart Morgan, Jutta Koether, David Salle, and Sherrie Levine. "Big Fun: Four Reactions to the New Jeff Koons," Artscribe, March/April 1989, p. 47 (color ill. pp. 46, 47)

Richard Lacayo, "Artist Jeff Koons Makes, and Earns, Giant Figures," People Magazine 31, no. 18 (May 8, 1989), (ill. p. 128)

Glenn O'Brien, "Koons Ad Nauseaum," (text in English) Parkett, no. 19 (1989), (ill. p. 64)

Nick Jenkins, "Mr. Koons," Tatler, November 1989, (color ill. p. 147)

Mark Stevens, "The Shock of the Faux," Vanity Fair 52, no. 12 (December 1989), (ill. p. 114)

Andrew Lohr, "In an Unexpected Manner, by Unexpected Means," in Fractured Fairy Tales: Art in the Age of Categorical Disintegration, eds. Jennifer Grausman, Andrew Lohr, Lisa Pasquariello, exh. cat. (Durham: Duke University Museum of Art, 1989), pp. 64, 90 (ill. p. 72)

Andrew Renton, “Super Star,” Blitz Magazine (London), no. 85 (January 1990), (color ill. p. 52)

Eleanor Heartney, Judith Russi Kirschner, Anne Rorimer, and James Yood, The Refco Collection (Chicago: Refco Group, Ltd., 1990), (color ill. p. 91)

Adam Gopnik, "Contemporary Reflections," in High and Low: Modern Art and Popular Culture, exh. cat., ed. Kirk Varnedoe and Adam Gopnik (New York: Harry N. Abrams, The Museum of Modern Art, 1990), pp. 395, 396

Remo Guideri and Sarah Morris, "Jeff Koons," Galeries Magazine (Paris), no. 36 (April/May 1990), (color ill. pp. 128, 129, 132)

"Pop Art," The New Paper, May 11, 1990, (color ill. p. 23)

Sarah Morris, "Jeff Koons," Galeries Magazine, May 1990, (color ill. pp. 127, 129, 132, 133)

Jon Spayde, "Artist or Adman?" Continental Profiles 3, no. 12, (December 1990), p. 42

Robert Enright, "The Material Boy and the Femme Fidele," Border Crossings 10, no. 1 (Winter 1990-1991), (color ill. p. 36)

Daniel Pinchbeck, "Kitsch and Tell," Connoisseur 221, no. 958 (November 1991), p. 34, 125

Sylvere Lotringer, "Third Wave: Art and the Commodification of Theory," Flash Art, May-June, 1991, (color ill. p. 93)

Fred Fehlau, Anne Friedberg, Michael Lassell and David Robbins, Hollywood, Hollywood: Identity Under the Guise of Celebrity (Pasadena: Pasadena Art Alliance, 1992), (color ill. p. 45)

Jeff Koons: Retrospective SFMOMA, ed. Fronia W. Simpson, exh. cat. (San Francisco: San Francisco Museum of Modern Art, 1992), p. 23 (color ill. p. 28)

Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art Das Kunstmagazine, no. 12 (December 1992)

The Jeff Koons Handbook (London: Anthony d'Offay Gallery, 1992), p. 92 (color ill. pp. 93, 94, 95)

Stuart Morgan, "Deep and Low: Madonna's 'Sex' and 'The Jeff Koons Handbook' reviewed by Stuart Morgan," Frieze (London), Issue 8 (January/February 1993), (ill. p. 43)

Horst Valer, "Kunst der totalen Banalitat," (Text in German) Das Magazin (Berlin), April 1993, (color ill. p. 54)

Zeitsprünge, Kunstlerische Positionen der 80er Jahre: Sammlung Rudolf und Ute Scharpff, exh. cat., ed. Richard W. Gassen (Heidelberg: Wilhelm-Hack-Museum, Ludwigshafen am Rhein, 1993), (color ill. pp. 52, 53, 54, 55)

Jens Erik Sorenson, John Peter Nilsson, and Peter Schjeldahl, Jeff Koons - Retrospectiv, eds. Jens Erik Sorenson and Anders Kold, exh. cat. (Aarhus: Aarhus Kunstmuseum, 1993), pp. 113, 114

Melissa E. Feldman, "image-Conscious," in Face Off: The Portrait in Recent Art, exh. cat. (Philadelphia: Institute of Contemporary Art, University of Pennsylania, 1994), (color ill. p. 17)

Fernando Pernes, Arca de Noé / Noah's Ark, exh. cat. (Porto, Portugal: Fundacao de Serralves, 1995), (color ill. pp. 78-81)

Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, exh. cat. (Hamburger, Kunsthalle, 1996), (color ill. p. 53)

Autoportraits, exh. cat. (Toulouse: Galerie Municipale du Chateau d'Eau, 1997), (color ill. p. 31)

Nicolas Bourriaud, "Jeff Koons Ingenieur du desir," (Text in French) Beaux Arts (France), September 1997, (color ill. p. 46)

France Huser, "Jeff Koons: L'Irrévérencieux," (text in French) L'Officiel (Paris), no. 820 (November 1997), (color ill. p. 157)

Hans Ulrich Obrist, Koons, exh. cat. (Paris: Galerie Jerome de Noirmont, 1997), pp. 58, 60, 62, 64 (color ill. pp. 59, 61, 63, 65)

Kunstmuseum Wolfsburg, Gesammelte Werke 1 Zeitgenössische Kunst seit 1968, exh. cat. (Kunstmuseum Wolfsburg, 1999), p. 273

Robert Rosenblum, On Modern American Art: Selected Essays (New York: Harry N. Abrams, 1999), (ill. p. 333)

Jeffrey Deitch, Jeff Koons: A Millennium Celebration - Works from the Dakis Joannou Collection, 1979-1999, ed. Katerina Gregos. exh. cat. (Athens: Deste Foundation, 1999), pp. 45, 46 (color ill. pp. 44-45)

Marco Senaldi, "American Beauty," (Text in Italian) Flash Art International (Milan) 38, no. 240 (April-May 2000), (color ill. p. 87)

David Bjelajac, American Art: A Cultural History (London: Laurence King Publishing/Calmann & King Ltd., 2000), (color ill. p. 391)

Eckhard Schneider and Allison Gingeras, Jeff Koons: Kunsthaus Bregenz, exh. cat. (Koln: Kunsthaus Bregenz, 2001), (ill. p. 16)

Le livre du FRAC-Collection Aquitaine - Panorama de l'art aujourd'hui (Le Festin / FRAC-Collection Aquitaine, 2002), p. 338 (color ill. pp. 339, 340, 341)

Barry Hoffman, " The Greatest Degeneration", The Fine Art of Advertising, 2002, (color ill. p. 134)

Jeff Koons: Pictures 1980-2002 Kunsthaus Bielefeld, ed. Thomas Kellein, exh. cat. (Distributed Art Publishers, Inc., 2003), pp. 23, 54, 56 (color ill. p. 54, 55, 56, 57)

Eduardo Cicelyn, Mario Codognato, and Elena Guena, Jeff Koons: Museo Archeologico Nazionale Napoli, exh. cat. (Naples: Electa Napoli, 2003), (color ill. pp. 73, 74, 75, 77)

Katy Siegel, "Jeff Koons talks to Katy Siegel," Artforum, March 2003, pp. 253, 283 (color ill. p. 252)

Alessandra Mammi, "Dalla Staller alle stelle," (Text in Italian) L'espresso, no. 23 June 5, 2003, (ill. p. 126)

Monument to Now, exh. cat. (Athens, DESTE Foundation Centre for Contemporary Art, 2004), pp. 214-215

Jonathan Heaf, "Blow Up," POP, no. 8 (Spring/Summer 2004), p. 321

Jeff Koons Retrospektiv, ed. by Marit Woltmann, exh. cat. (Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004). [Texts by Gunnar Kvaran and Arthur C. Danto; interview with Koons by Rem Koolhaas and Hans Ulrich Obrist], pp. 90, 91, 92, 93, 146, 147 (color ill. pp. 27, 90, 91, 92, 93) 

Rosa Martinez, Çekim Merkezi / Centre of Gravity, exh. cat. (Istanbul: Istanbul Museum of Art, 2005), (color ill. p. 182)

Richard Lacayo, "How Does '80s Art Look Now?" TIME 165, no. 13 (March 2005), p. 59

Kelly Devine Thomas, "The Selling of Jeff Koons," ARTnews 104, no. 5 (May 2005), (color ill. p. 119)

International Art Galleries: Post-War to Post-Millennium, eds. Ute Grosenick and Raimar Stange (Cologne: Dumont Literatur und Kunst Verlag, 2005), (color ill. p. 17)

Nous Nous Sommes Tant Aimés, exh. cat. (Paris: Collections de Saint Cyprien/ Kamel Mennour / Paris Musées, 2006), (color ill. pp. 57, 63, 76)

Peter-Klaus Schuster, Rainald Goetz, and Anette Hüsch, Jeff Koons: Celebration, ed. Anette Hüsch, exh. cat. (Berlin: Hatje Cantz Verlag, 2008), (color ill. pp. 40, 41, 102, 103)

Emanuelle Lequeux "Self made mythe" in "Jeff Koons: Versailles," (French) Beaux Arts éditions, September 2008, (color ill. p. 5)

Jeff Koons, ed. Francesco Bonami, exh. cat. (New Haven and London: Yale University Press, 2008), p. 59

The Making of Art, ed. Martina Weinhart and Max Hollein, exh. cat. (Frankfurt am Main: Schirn Kunsthalle Frankfurt, 2009), (color ill. pp. 150, 153, 154, 157)

Jonathan Shaughnessy, "Sex Sells. Art, Publicity and Pop Life," Vernissage: The Magazine of the National Gallery 12, no. 12 (Spring 2010), (color ill. p. 19)

Brad Finger and Christiane Weidemann, 50 Contemporary Artists You Should Know (Munich: Prestel Verlag, 2011), p. 69

John Kaldor Family Collection: Art Gallery of New South Wales, ed. Wayne Tunnicliffe (Sydney: Art Gallery of New South Wales, 2011), pp. 197, 206, 208-9, 338

Hans-Joachim Muller, "Es war einmal... (Once Upon a Time...)" Monopol: Special Jeff Koons. (Berlin: Juno Kunstverlag GmbH, 2012), p. 21

Sam Keller, Dorothea Vischer, Raphael Bouvier, and Gunther Vogt, Jeff Koons: Fondation Beyeler, exh. cat. (Otsfildern: Hatje Cantz publishers, 2012), (color ill. p. 79, 81)

Max Hollein, Scott Rothkopf, Joachim Pissarro, Matthias Ulrich, and Jeff Fraiman, Jeff Koons: The Painter, eds. Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, and Max Hollein exh. cat. (Ostfildern: Hatje Cantz Verlag, 2012), (color ill. p. 72)

Alison M. Gingeras, "Instant Classic", Artforum 52, no. 1 (September 2013), p. 145

Joachim Pissarro, Jeff Koons: Almine Rech Gallery (Brussels: Almine Rech, 2013), pp. 7, 11

Remember Everything – 40 Years Galerie Max Hetzler, eds. Julie Sylvester and Jean-Marie Gallais, exh. cat. (Berlin: Galerie Max Hetzler, 2014), (color ill. p. 116)

Peter Schjeldahl, "Selling Points," The New Yorker, July 7 -14, 2014, p. 93

Jeff Koons, "Scan to Koonsume," Garage Magazine (London), Fall/Winter 2014, (color ill. pp. 86, 87, 89)

Jeff Koons: Conversations with Norman Rosenthal (London: Thames & Hudson, 2014), (color ill. p. 30)

Manami Fujimori, "Jeff Koons," (Text in Japanese) Art Techo (Japan) 66, no. 1012, (October 2014), (color ill. pp. 5, 70)

Bernard Blistène, Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: La Rétrospective, ed. Scott Rothkopf, exh. cat. (New York and Paris: Centre Pompidou, 2014), pp. 13, 241 (color ill. pp. 122, 124, 125)

Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: A Retrospective, Whitney Museum of American Art, ed. Scott Rothkopf, exh. cat. (New Haven and London: Yale University Press, 2014), pp. 23, 231, 287 (color ill. pp. 114, 116, 117)

Antonio Damasio, Jeffrey Deitch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, Scott Rothkopf, and Alexander Nagel, Jeff Koons: Retrospectiva, ed. Scott Rothkopf, exh. cat. (Bilbao: Guggenheim Bilbao, Companhia Empreendimento Sabara, 2015), pp. 26, 243 (color ill. pp. 118, 120, 121)

Koons, ed. Hans Werner Holzwarth (Cologne: Taschen, 2015), (color ill. pp. 43)

Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of The Exhibition, ed. Julie Champion, exh. cat. (Paris: Centre Pompidou, 2015), (color ill. pp. 72, 73, 74, 75)

John Peter Nilsson and Eva-Lena Bengtsson, "The Artist as Entrepeneur: Market, Court and Academy," in Konstnären: The Artist, exh. cat. (Nationalmuseum, Moderna Museet, Royal Academy of Fine Arts, Stockholm, 2016), (color ill. pp. 40-41)

Robert Storr, Interviews on Art (London: HENI Publishing, 2017), (color ill. p. 392)

Gianni Jetzer, Leah Pires, Bob Nickas, Brand New: Art & Commodity in the 1980s, exh. cat. (New York: Rizzoli, 2018), (color ill. p. 95-97)

Jeff Koons: Works from the Astrup Fearnley Collection, ed. Gunnar B. Kvaran, exh. cat. (Oslo: Astrup Fearnley Museet, 2018), pp. 6, 14 (color ill. pp. 31, 33, 35, 37)

Massimiliano Gioni and Natalie Bell, Jeff Koons: 2000 Words, (Athens: Deste, 2019), (color ill. pp. 68, 69, 70, 71)

Massimiliano Gioni, Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even, exh. cat. (London: Phaidon, 2019), pp. 66, 134, 135, 140, 141

Massimiliano Gioni, Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, [Text in Spanish] exh. cat. (Mexico City: Museo Jumex, 2019), p. 51 (color ill. p. 28)

Martine Aubrey, Le rêve d'être artiste, exh. cat. (Lille: Palais des Beaux-Arts, Lille, 2019), (color ill. p. 145)

Florence Dartois, “1997, Jeff Koons : ‘Pour moi, l'art est de l'ordre du rationnel’,” Institut National d l'Audiovisuel (France), April 10, 2019 

Luis. C. Lopez Morton Z., Museo Jumex. Esposicion Apariencia Desnuda,” El Universal (Mexico City), June 14, 2019 (color ill., Museo Jumex installation)

Luis C. Lopez Morton Z.," Rubell Museum," El universal (Mexico), January 10, 2020

Letizia Dannery, "The cutting edge of contemporary art," L'Express (France), January 12, 2020 

AnnMarie Perl, "A more public arena: Jeff Koons’ Reinvention in the Midst of Reaganism," Association for Art History, June 2020, (color ill. pp. 494, 495)

Doron Rabina, Jeff Koons - Absolute Value: From the Collection of Marie and Jose Mugrabi, ed. Einat Adi, exh. cat. (Tel Aviv: Tel Aviv Museum of Art, 2020)

"Jeff Koons: highest paid artist in the world," Floraviva (Italy), April 14, 2021 (color ill. pp. 18, 20-21) 

Jeff Koons. Shine, exh. cat. (Venice: Fondazione Palazzo Strozzi, Marsilio Editori S.p.A., 2021), p. 175

Caroline Goldstein, "Jerry Saltz Once Called Artforum Ads 'the Porn of the Art World.' A New Show Brings Together Some of the Best—See Them Here," Artnet News, January 18, 2022 (color ill.)